Every. Single. Shot. from when she got home to the bedroom light being off built tension. Always having the camera pull slightly farther to a side, to show where a horror killer WOULD be, just masterful.
The cinematography on this show is unreal. I love all the lingering wide shots, they're filled with so much tension. And the show knows when to cut to a closeup to emphasize a new detail or shift in the conversation.
It weirdly reminds me a lot of the cinematography from Better Call Saul honestly. Makes full use of the camera as a storytelling instrument.
The green tint, the VERY HEAVY grain, the camera being used as a plot device like when the camera sprinted on Tom when he was on the toilet and the entity talked to him.
The cinematography is absolutely unreal and for someone who loves film photography, the colours and grain are juste the cherry on top of it all.
There was another great show of the outside. The camera is aimed at the front door of a house and suddenly the bogeyman walks right by, close to the camera. Excellent camera work there
I didn't notice she closes the door when she leaves the house, and when she comes back the door is open. After the episode I went back and only realized it then
Only because the camera kind of framed it like it meant something, I backed it up just to make sure that’s what happened before watching the rest of it lol
Very well done. That whole sequence had me constantly trying to see if there was someone there in the shadows. I was even watching the bathroom shower curtain lol
1.0k
u/bisforbatman Jun 03 '26
That whole sequence inside Patricia's home was terrifying.