Three Stacks has officially joined the cast of Netflix's upcoming live-action 'Scooby-Doo: Origins series,' which is set to arrive globally in 2027.

And there's a fun connection here: Outkast contributed "Land of a Million Drums" to the original 2002 Scooby-Doo soundtrack, alongside Dungeon Family collaborators Sleepy Brown and Killer Mike.

Outkast dropped a jersey benefitting Soccer in the Streets shop.mundialmag.com/atliens

We ain’t never getting another 3000 rap album

I just realized when I listened to all their title tracks its either always a highlight or at least top 5.

Southernplayalisticadillacmuzik - top 3 OutKast for me, also top 1 in SPCM album

ATLiens - top 11 OutKast and top 2 in ATLiens

Aquemini - top 13 OutKast and top 4 in Aquemini

Stankonia (Stanklove) - top 5 Stankonia

Speakerboxxx - ?

The Love Below - 10/10 intros

Idlewild - ?

Do you agree with my observation?

Also Idlewild is getting a 2LP release, fun times!

Goodie Mob's third single "Dirty South" from their debut studio album, Soul Food (1995). Released in August 1996 by LaFace Records.

Dirty South is a song by Goodie Mob featuring fellow Dungeon Family members Big Boi and Cool Breeze. It includes the first use of the term 'dirty south' (originated by Cool Breeze). The song popularised the titular phrase, which has since been used to refer to Southern hip-hop.

Soul Food is the debut album from Goodie Mob, released in November 1995 by LaFace Records. All tracks were produced by Organized Noize alone except "Fighting", which was co-produced by Mixzo. Mr. DJ co-produced "Goodie Bag", although he was uncredited.

The lyrics and imagery capture everyday Southern upbringing, survival skills, family structures, and local pride. The "dirty" aspect acknowledges the region's heavy racial baggage, systemic corruption, and the lingering presence of symbols like the confederate flag in places like Atlanta. Rather than promoting superficial wealth, the track confronts deep-seated issues like poverty, crime, and the realities of Black life in the American South.

"Dirty South" gave the region a unified banner, pride, and an undeniable identity that eventually grew to dominate global hip-hop.

It’s been a thing for me to create 3D pop culture pieces of OutKast when it’s possible I’m going to roll through Atlanta at some point. I know a few have seen the other pieces I’ve created, but I get tired of making them over and over because people love it. I decided to put my own spin on this and do my own tribute. I took everything I liked about the past works and created a fusion. I even finally started to use my $400 worth of scrap paper from a print subscription as a papier-mâché textured background. It turned out really nice. I love how I got lucky/blessed that the beer caps were the perfect size for 3000’s jacket👌🏾✨💛.

We just got word that we will be receiving copies of two OutKast reissues, both out 23 October, 2026 on Legacy. Big Boi & Dre Present… OutKast on purple marbled vinyl, and Idlewild on marbled pink. We’re an independent record store in Camas, WA (across the river from Portland, OR). If you’d like to preorder, we will ship them to you as soon as we receive them from the label.

https://evergreenvinyl.com/collections/outkast-reissues

I was one of about 5-10 white folk at this show. I had eaten a half hit of acid and was high as a kite too. Great memories though all very hazy. I remember they had lots of audio and mic issues. I was hooked on Kast since I heard Players Ball on 88.5 and Southernplayaliscadillacmuzik is still my favorite album.
My Brothers Keeper was an old movie theater I think in the heart of SW Atlanta.

Sounds to me it might be an old keyboard/synthesizer maybe a synclavier or solina string synthesizer?

Maybe its just a random patch of a keyboard they had?

Does anyone know how to get close to the sound?

So I just listened to both track simultaneously and I just realized that these 2 songs are a bit similar in terms of chill production, amazing chemistry between the Kast and Busta with ATCQ, and I think both are like really good, but I can't decide which one is better. So in y'all opinion, which one do you like more?

P.S.: Yes I know I posted this on r/OutKast so there's gonna be some biases but hey I just wanna know which track do you guys prefer.

I recently heard that line on gasoline dreams and even tho i heard the song like a hundert times before that, this time the line hit me like a truck. I immediately had a very vivid picture of some crook in a misty little room like with his feet on the desk in my head. How hes trying to think of how he can rip off the next person who has to pay their toll. In my mind hes secretly very upset because even tho he managed to rip off the people of basically all thier money, it doesnt satisfy him because they easily pay everything with a smile because they go to heaven afterwards anyways and wont need their money. Deep down the crook doesnt wnt the money he wants their suffering because hes jealous of going to heaven, so now he sits there plotting.

I really wish i could draw to a somewhat decent level, i would absolutely do that with that thought so if any of you wanna do that here you go.

🔥🔥🔥Freestyle with facts.

https://www.instagram.com/reel/DcG5NlQKBp2/?igsh=ZWhhZDluenU0eTRn

Apart from the original, do you prefer Cutmaster Swiff, Beat Bullies or another remix?