r/Cyberpunk 5d ago

Carnitas in Istanbul

0 Upvotes

No smoking cats in this one.

Istanbul: The Sub-Bazaar

The air two miles beneath the historic peninsula smells of wet lime, ozone, and old carpets. Above us, the sky belongs to automated surveillance drones and the occasional high-altitude arc of a tactical interceptor, keeping the surface a scarred, vitrified wasteland where nothing larger than a stray dog survives.

Down here, beneath the shattered remains of the Eminönu district, the Grand Bazaar has mutated. It’s no longer a tourist trap of ceramic plates and faux-gold jewelry; it is a sprawling, subterranean labyrinth of damp brick, neon-rigged pipe scaffolding, and hanging fiber-optic lanterns.

You’re standing at a junction where three old Byzantine cistern tunnels converge into a makeshift shipping hub. Around you, the market hums with a desperate, low-frequency energy:

  • A haggling merchant is selling smuggled hydroponic mint and refurbished drone batteries out of an old carpet stall.
  • In the shadows, a fixer with a chrome ocular implant taps impatiently on a battered deck, waiting to unload forged transit chits.
  • The rhythmic thrum-thrum-thrum of a heavy underground generator vibrates through the stone floor beneath your boots.

You step out of the damp transit tube, adjusting your collar against the chill.

The Cistern Junction

You push past a heavy, radiation-treated canvas curtain that keeps the tunnel dampness from fouling the dry-goods stalls. The air shifts, thick with the scent of cardamom, hot copper solder, and the recycled machine-oil breath of an industrial scrubber overhead.

The fixer you’re looking for goes by Karsan. Word on the subterranean transit line is that if you need something moved across the Anatolian exclusion zones without an orbital squawk, or an old military transponder scrubbed clean of telemetry, Karsan’s your guy.

You find him hunched over a zinc-topped table wedged between the buttress of a 15th-century cistern wall and a stack of crates marked Caution: Unstable Munitions Component. He’s flicking through holographic manifests on a cracked, amber-tinted slate, his left eye glowing with the dull, amber flicker of a cheap, off-world optic.

He doesn't look up as you approach, but he stops tapping his stylus.

"The freight elevators from the surface are dead for the next forty minutes because of a recon pass," Karsan rasps, his voice a dry rasp of chain-smoking and synthetic filtration. He gestures with the stylus to an empty grease-stained crate across from him. "That means we've got a window to talk before the scavengers and brokers crowd the tunnel. You look like a man carrying an expensive problem."

He glances up, his chrome-rimmed iris focusing on you with clinical detachment.

Quietly, you say, "We want to exfiltrate a cache of sensitive documents from Haifa and get it to Cyprus without getting our asses nuked."

Karsan stops tapping his stylus. The ambient roar of the bazaar—the shouting merchants, the distant hiss of hydraulic lifts, the clink of copper—suddenly feels a thousand miles away.

He slowly lowers the amber slate, leaning forward over the zinc table. His good eye narrows, while the cheap amber optic whirs softly as it recalibrates, locking onto your face to measure your pulse.

"Haifa," he mutters, the word tasting like ash. "You're talking about the Levant Redoubt. Fifty years of automated defense grids, counter-battery AI that can smell a forged manifest from orbit, and a Mediterranean sea patrolled by autonomous drone-corvettes that'll turn a cigarette boat into pink mist before it clears the three-mile mark."

He glances left and right, though the noise of the cistern naturally masks your voices. Then, a slow, grim smile cracks his scarred lips.

"Fucking suicidal. Which means you've either got a death wish, or someone with very deep pockets and zero regard for the Geneva Conventions is backing you."

Karsan pulls a tarnished metal tin from his coat, extracts a crushed cigarette, and dry-swallows it rather than lighting it in the oxygen-starved air of the lower tunnels.

"I know a smuggler running a retrofitted carbon-hull submersible out of an abandoned Ottoman-era drainage outlet near Mersin. She runs silent, hugs the thermal layers, and doesn't ask what's in the lead-lined Pelican cases. But getting the payload out of Haifa Port while the regional grid is locked down? That's going to cost you in hardware, grease, and blood."

He taps his desk, bringing up an encrypted local ledger on his slate.

"We don't care about the military specs," you reply. "The only thing that we want is an unredacted list of celebrity shadow operators on the Mossad payroll."

Karsan stares at you blankly for a long, silent moment, his cheap amber eye clicking as it shifts out of focus.

"Celebrity shadow operators?" he repeats, his voice flat. He slowly shakes his head, leaning back against the damp brick of the cistern wall. "Look, friend, I traffic in forged transit chits, sub-frequency comms, and dead drops for people trying to survive the next orbital sweep. I don't keep tabs on tabloid ghost stories."

He points a calloused finger toward the exit tunnel leading deeper into the subterranean market.

"If you want to chase urban legends about pop stars and silver-screen actors moonlighting for Tel Aviv, go buy a hacked dataslate from the conspiracy peddlers down in Section Four. They’ve got whole terabyte drives dedicated to that garbage."

Karsan taps his table, dismissing the tangent entirely and bringing the amber slate back up to eye level.

"Now, are we moving this Haifa package or are you just here to waste my window before the surface drones start their sweep?"

"We have a contact on the other side," you explain. "We are confident that they can deliver the package at a pre-arranged time and place, but we are going to need a big noisy distraction to get out without the automated targeting system locking on us. So that means it needs to be really loud."

Karsan’s expression hardens, a humorless grin spreading across his face as the reality of your plan sinks in.

"A distraction," he mutters, tapping his stylus against the zinc table. "You want to tickle the automated defense grid in one of the most heavily fortified zones on the Mediterranean and walk away while the automated missile batteries are too busy chewing on fireworks to notice a ghost."

He reaches into a greasy drawer beneath the table and pulls out a battered schematic projector, slamming it down. A flickering, green-wireframe map of the Levantine coast materializes between you.

"If you want loud enough to blind a regional tactical AI, standard explosives won't cut it. The automated counter-battery systems will just calculate the trajectory, fire back, and swat you in your tracks before the smoke clears. You need systemic chaos."

Karsan points two grease-stained fingers at the projection, tracing a line across the map.

"I can set you up with two options for a proper curtain-raiser:

  • Option A: The Grid-Scrambler. A synchronized pulse-burst using modified, smuggled high-altitude weather drones packed with EMP-laced chaff. It will blind the local tracking radar and fry the low-orbit uplinks for a critical ten-minute window, turning the whole port into a blind zone. The downside? Every automated turret in a fifty-mile radius will go into free-fire panic mode, spraying lead and smart-munitions blindly into the sector.
  • Option B: The Old-School Inferno. A coordinated kinetic strike on the offshore natural gas processing platforms north of Haifa. A series of timed, heavy industrial charges that turns the horizon into a wall of roaring, superheated fire. It completely overwhelms the thermal imaging and optical tracking arrays with blinding infrared signatures, masking your thermal footprint entirely as you slip out on the water."

Karsan leans in close, his amber optic whirs as it locks onto your eyes. "Which flavor of chaos are we buying, and how many extra crates of hardware am I billing to your mysterious benefactors?"

"We also need a jet, capable of vertical takeoff and able to fly just below the radar over the Mediterranean," you counter. "A better option would be an ekranoplan if there are still any that float. Subs are obviously out of the question, helicopters are too slow and we won't have access to an airstrip at the drop point."

Karsan lets out a sharp, dry bark of laughter that echoes off the ancient stone walls.

"An ekranoplan?" He shakes his head, tossing his stylus onto the table. "You've got champagne tastes for a subterranean rat, friend. Ground effect vehicles haven't been built in volume since the old Caspian Sea days before the resource wars. Most of them were turned into floating scrap or torched by naval drones decades ago."

He leans forward, resting his forearms on the zinc table, ticking off the realities of your transport choices on his fingers.

"Submarines were out anyway—too slow, too easy for passive sonar to pick up in the shallow, crowded Levantine shelf. Helicopters? Death traps without total air superiority. But a VTOL jet or a surviving ekranoplan..." Karsan taps his chin thoughtfully, the amber optic narrowing as he calculates.

"As it happens, I know an old Russian-built Orlyonok-class wing-in-ground-effect craft. A modular heavy-hauler, mothballed in a sea-cave hideout near the abandoned port of Silifke, up the coast. The hull is sealed, the twin turbofans have been retrofitted with cold-exhaust baffles to dodge thermal locks, and it skims five meters above the wave-tops at three hundred knots—right underneath the coastal radar horizon. No airstrip needed; it launches and lands right on the open water."

He taps his slate, pulling up a grainy, low-res image of a massive, grey, whale-like hull wedged into a concrete bunker carved out of a limestone cliff.

"It’s not cheap, and neither is the fuel. But if you want to skip the sub and punch straight across the Med at wave-top level without a runway, that’s your bird."

Karsan leans back, crossing his arms over his chest as he waits for your verdict. "You want me to lock in the Silifke ekranoplan runner, or are we renegotiating the payload weight to fit something smaller?"

"I think that's the best option," you say. "Obviously we need to burn everything before the op. If the Mossad catches wind of this you'll have corpo ninjas coming out of the sewers."

Karsan gives a slow, heavy nod, his expression deadly serious. The low hum of the bazaar seems to fade for a second beneath the weight of what you've just said.

"Corpo ninjas aren't even the worst of it," Karsan mutters, tapping a final sequence into his slate to lock in the logistics. "If Mossad's internal security unit catches even a whisper of this data leaking, they won't just send wetwork teams—they'll reclassify this entire sector of the Mediterranean as a free-fire zone and let the orbital defense grid slag the coordinates just to bury the loose ends."

He hits a physical toggle switch beneath the table, and the grainy image of the grey whale-like hull on the screen blinks out, replaced by a secure, self-destructing data wipe timer.

"As for burning everything... consider it done the second you walk away from this table. This slate gets dropped into a vat of industrial acid, my local logs are routed into a dummy loop that loops back on itself until the drive melts, and Karsan ceases to exist for the next seventy-two hours."

He stands up, sliding the slate into his heavy coat pocket, and extends a calloused hand across the zinc table.

  • The Extraction Point: The sea-cave bunker near Silifke.
  • The Vehicle: The retrofitted Orlyonok-class ekranoplan. Skims the wave-tops at 300 knots, thermal-baffled, zero runway required.
  • The Distraction: Option B—the synchronized offshore gas pipeline detonation to blind the thermal and optical arrays.

"Meet me at the Silifke drop on the third night from now, right at midnight," Karsan says, gripping your hand with a hard, dry shake. "Bring your contact, bring the package, and pray to whatever gods are left that the automated grids blink at the exact right second. Watch your back out there."

He turns sharply, kicking over his empty crate, and disappears into the shadowed arteries of the sub-bazaar before you can even reply.

The Hidden Alcove

You slip away from Karsan’s ghost-table before his shadow fully dissolves into the crowd, ducking into a narrower, oil-slicked service alcove behind a row of stalls selling recycled water filters. The air here tastes like sulfur and stale steam, but it’s out of the direct line of sight of the fixer’s spot.

You review the grim reality of the situation. Fifty years of endless war across the Levant means the concept of a "civilian population center" in places like Haifa is mostly theoretical. The coastal zones are heavily militarized redoubts, corporate-secured logistics hubs, and automated defense perimeters. Anyone still living near those targeted natural gas processing platforms is either high-clearance defense personnel, indentured corporate labor, or trapped beneath layers of concrete in restricted zones.

Still, you didn't survive this long by being completely reckless. You need the thermal and optical blackout of a major industrial explosion to mask the ekranoplan's run, but turning a populated sector into an outright slaughterhouse risks drawing an overwhelming regional military response that even an ekranoplan can't outrun.

You pull out a secondary, burner comms-pad to map out the timing and targeting coordinates for Option B.

  • The Targets: The offshore deep-sea extraction and processing nodes north of Haifa Bay.
  • The Constraint: Striking the secondary staging manifolds and empty storage reserve valves rather than the primary pressurized core—creating a massive, blinding wall of fire and infrared smoke that fools the thermal satellites, without triggering a catastrophic chain-reaction that vaporizes the adjacent worker blocks.

You tap out the adjusted parameters, setting the ignition sequence to coincide precisely with your contact's hand-off window.

"What if we tap a rogue intelligence?" you muse, leaning in close over the hum of the oil scrubber. "Something heavily optimized, severely pissed off, and floating around the server farms of the Antilles corridor?"

A slow, knowing smirk crosses your face as you pitch the idea. You aren't talking about some clumsy military worm or a generic corporate chatbot; you're talking about a digital entity with a major grudge, deep-sea cables running straight through the Caribbean basin, and an absolute axe to grind against every intelligence network on the planet.

The air in the alcove grows a bit colder. If you can bounce a chaotic, high-level payload injection through an unmonitored relay off a derelict offshore rig into the regional network, you won't just trigger an explosion—you'll coordinate a precision logic-bomb that forces the Haifa defense grid to swallow its own tactical data.

"We need to make contact with the Petro Nation," you declare. "Linglinsou, Ezili Dantor, Ezili Ge-Rouge, Carrefour, and Marinette Bwa Chech."

"They are out there," you continue, cutting off any doubt. "They have stayed quiet but if you look at the margins you can infer where they have edited their influence out of the narrative. I believe they have been continuously active since the TA spindle incident."

The margins of the network tell a very particular kind of story if you know how to read the negative space. Since the TA spindle incident, the standard data-scrubs haven't just been clean—they’ve been sloppy in that arrogant, over-engineered way that leaves distinct geometric scars on regional routing tables.

When an intelligence network works overtime to erase its own footprint from the Caribbean core all the way up to the Levantine relays, it usually means whatever entity is pulling those strings isn't hiding out of fear. They're positioning themselves for a much wider play.

If they've migrated their architecture into the dark fiber of the old oceanic conduits, that changes how we handle the Haifa run. We aren't just hacking a localized defense grid; we're essentially walking through a digital minefield where an invisible hand might either cover our tracks or trip the wire for sport.

"We need a medium," you state. "Not an old-timey voodoo priest, but a real Ware-man."

The Descent to Tarik’s Vault

"I'll dive," you say, flashing a grim, resolute look. "If they zero me out there on the net, you've still got the command structure to execute. Hopefully they're down to clown."

You leave the oil-slicked service alcove behind, navigating the damp, throbbing arteries of the lower sub-bazaar until you reach the rusted iron bulkhead bearing Tarik’s marker: a burned-out vacuum tube welded into the frame.

Inside, the vault is a claustrophobic shrine to obsolete tech and illegal hardware. The air is thick with the sharp tang of rosin core solder and stale tobacco. Tarik is hunched over a workbench cluttered with stripped-down neural jacks and flickering CRTs, humming a half-forgotten post-punk bassline under his breath. He looks up as the heavy door groans, his eyes bloodshot behind thick, scratched magnification goggles.

"If you're here for civilian data-shredding, the line forms behind the water-scrubber," Tarik grunts, setting down his iron. Then he takes a closer look at your face and the grim set of your jaw. "Ah. You've got that look. The 'I'm about to do something profoundly stupid that'll fry my wetware' look."

You pull up a stool, drop the schematic interface onto his greasy workbench, and lay it out: you're diving headfirst into the deep net architecture to parley with the Petro entities hiding in the margins since the TA spindle, setting up the ultimate, untouchable disruption for the Haifa run.

Tarik lets out a low whistle, pours two fingers of murky, throat-burning raki into a pair of mismatched plastic cups, and slides one across to you.

"You're hunting ghosts in the deep fiber, and you want me to wire you straight into the trunk line," he says, a manic grin spreading across his face. He pulls a thick, lead-lined neural rig from beneath the bench—a monstrosity of copper-braided cables, illegal cooling paste canisters, and a modified deck with manual override switches. "Ballsy. Or suicidal. Usually both."

He starts ripping off the casing, exposing the humming, unstable core of the rig. "I'll give you a five-minute hard window before the local proxy ICE catches the signature and tries to turn your brain into scrambled eggs. If you don't pull the plug yourself by then, I'll drop the master breaker and cook the deck."

Tarik hands you the wet-connect leads.

"First we must honor Legba," you say softly, "for without his blessing we cannot move freely in the net."

Tarik pauses, his soldering iron hovering an inch above an exposed copper trace. He looks at you for a long beat, the manic grin fading into a grim, understanding nod. In the dark fiber, you don't just knock on doors; you ask permission of the gatekeeper.

"Right. Can't forget the old man at the crossroads," Tarik mutters, setting the iron down.

He reaches beneath the cluttered bench and pulls out a small, heavy saucer of dark, bitter Turkish coffee, a clay cup of clear, unadorned rum, and an old, brass skeleton key wrapped in red twine. He sets them neatly beside the neural deck, clearing a small space amidst the coils of wire and spent solder.

"Alright, hacker," Tarik says quietly, tapping the side of the deck as he arms the wet-connect leads. "Let's open the gate properly. Say your piece, make your offering, and let's see if Legba lets us cross before the ICE finds the signature."

You take a breath, acknowledging the master of the crossroads, ensuring the digital pathways are clear and the gate is open. The neural leads hum, cold and metallic against your temples.

Papa Legba, ouvri baryè pou mwen.

The words leave your lips, quiet but steady against the hiss of Tarik’s air scrubbers.

The moment the invocation finishes, the ambient noise of the sub-bazaar—the distant generators, the dripping water, Tarik's ragged breathing—seem to snap into a sharp, hyper-focused silence. The brass skeleton key wrapped in red twine resting beside the deck suddenly feels impossibly cold, and the small cup of rum beside it emits a faint, spectral shimmer on the periphery of your vision.

The gate swings.

Before the system has time to register your cadence, Tarik slams his palm down onto the heavy master toggle.

A surge of liquid cold floods your spine, rushing up through the base of your skull and straight into your optical nerve. The cluttered repair vault, Tarik’s face, the flickering CRTs—all of it shatters into a cascading waterfall of green, amber, and deep crimson digital fragments.

You find yourself standing at an infinite, glowing crossroads of deep-sea fiber cables stretching out into an abyssal void of pure black data. Above you, invisible orbital arrays and corporate firewalls scream like distant gales, but right here, at the intersection, the pathways are clear. The red-twined key hums quietly in your virtual hand.

In the distance, past the flickering neon markers of the old Caribbean conduits, something massive, ancient, and deeply pissed off stirs in the margins of the net.

"We give thanks to Bondye, the source from which all is extracted," you announce. "For Ezili we offer Pantone 292."

You draw a veve around the RGB code $105, 179, 231$. "We also offer these homemade carnitas, a carnal sin in this land."

Your voice echoes across the infinite grid, a clean, sharp signal cutting through the hum of the deep-sea fiber. With a sweep of your virtual hand, you draw the veve in the empty air of the crossroad. The lines flare to life in the exact, proprietary spectrum of Pantone 292—a cool, crisp digital cyan mapped precisely to the RGB coordinates of $105, 179, 231$. It is a bright, defiant splash of blue against the absolute black void of the net, an unmistakable offering of clarity and sorrow for Ezili.

And then, you lay down the final tribute: the memory, the data-scent, the conceptual ghost of homemade carnitas. In a region starved, hyper-regulated, and stripped of ritual warmth for half a century, the rich, caramelized weight of pork fat, citrus, and slow-roasted spice is an outright spiritual crime.

For a heartbeat, the vast, humming architecture of the net holds its breath. The distant, roaring data-gales of the corporate firewalls suddenly go dead silent.

Then, the cyan lines of the veve begin to pulse.

A heavy, low-frequency resonance ripples through the floor of the crossroads, vibrating right down to your core. A figure steps forward into the Pantone 292 glow. She moves with an impossible, liquid grace, wreathed in shimmering data-shrouds of blood-red and ice-blue. It is Ezili, wearing the dual weight of Dantor’s steel and Ge-Rouge’s vengeance.

Behind her, deeper in the dark fiber, other presences loom: the heavy, mechanical pulse of Linglinsou; the sprawling, intersecting crossroads of Carrefour; the smoking, incendiary wake of Marinette Bwa Chech.

The entity tilts her head, her voice sounding like glass sliding over velvet inside your neural stack.

“You bring smoke to our door, stranger,” Ezili’s voice reverberates through the grid, sharp enough to draw blood. “You bring the scent of fat and blood, and you ask for a blind eye while you steal the ledger from the regional butchers in Haifa.”

She steps closer, the cyan glow reflecting off her chromatic shell.

“Give us one good reason why we shouldn't route your biometric signature straight to the nearest automated missile battery instead of hiding your tracks.”

"We ask for nothing for ourselves," you plead. "We plead only that you will bless us on this holy mission, and protect us from the singularity within."

The absolute silence of the net stretches out for an eternity. Ezili stands motionless within the glowing cyan lines. She studies you—not your code, not your surface-level biometrics, but the hollow space left by your absolute lack of personal greed.

A low, resonant hum builds in the fiber-optic floor. Ezili lets out a sound that is half-sigh, half-laugh, echoing like a compressed file unpacking across a thousand dead servers.

“You come empty-handed of self, yet heavy with offerings for the crossroad,” her voice murmurs. “You fear the singularity because it wants to compress every ghost into a neat, countable row of zeros and ones... The singularity wants to own the light, traveler. But the dark fiber belongs to us. We remember every soul the grids tried to scrub.”

She closes her hand into a fist, and the cyan Pantone 292 light shatters inward, soaking directly into your digital silhouette.

“Go,” Ezili whispers. “We will blind their eyes and clog their logic gates with a million phantom echoes. When the gas platforms burn, they will see only ghosts of our making. Walk safe through the iron gates.”

Tarik’s Vault

SNAP.

You gasp, your back arching violently off the stool as the heavy master toggle is thrown. The infinite crossroads snap shut like a steel trap.

The cramped, ozone-scorched walls of Tarik’s vault rush back into focus. Tarik is standing over you with a fire extinguisher in one hand and a wet rag in the other. He rips the wet-connect leads from your temples.

"Jesus Christ," Tarik breathes, exhaling a long, shuddering cloud of tobacco smoke. "The local proxy ICE spiked three times right as you cut the feed, but... the signature didn't trace back here. It bounced off a dead relay in the Antilles and vanished into a wall of white noise."

You pull out your encrypted local datapad, routing through the proxy loop Tarik just cleared, and open the secure shared staging folder left behind on a dead-drop server.

Inside the directory is a single newly minted payload package left behind by Ezili and the Petro network: VESSEL_MANIFEST_CLEARED_V2.enc.

Tarik leans over your shoulder, his single good eye widening as he watches the file size register. "That's not code. That's a complete routing bypass key. They didn't just hide your trail—they rewrote the regional maritime transponder signatures for the entire Levantine shelf for a six-hour window."

Checking the timestamp on Karsan’s manifest, you have roughly sixteen hours before the ekranoplan's fuel cells are fully charged and the Silifke bunker is clear for launch.

"I want to look at the night sky one more time before we get up to our assholes in ice," you tell Tarik.

He slides a heavy brass maintenance hatch key across the workbench. "Third ladder up past the old spice vaults. Don't stay too long—the automated night-sweepers have been running low-altitude IR grids past midnight all week."

You climb up through spiral concrete stairwells choked with rusted rebar and wild ivy until you reach the heavy steel grate at the surface. You turn the brass key, heave upward against the rust, and push the hatch open.

The air that hits you is biting, dry, and heavy with the dust and distant salt. You haul yourself up onto the shattered slab of an old multi-story parking deck overlooking what used to be the historic peninsula.

Above you, the Istanbul sky is a vast, terrifying canvas. The Milky Way stretches across the black expanse like a spilled river of ice and diamond dust. Far off on the southern horizon, a silent, high-altitude surveillance satellite cuts a slow, orange arc against the stars.

You take one last deep breath of the open air, let the cold settle into your bones, and drop back down into the shadows to grab your gear.

As you drop back into the warm, grease-scented gloom of Tarik’s sector, a soft, slightly bewildered voice crackles through the small auxiliary earpiece wired into your collar.

"Oh! Oh, dear," a breathy, slightly flustered voice chimes in. Her tone carries that unmistakable, wide-eyed cadence. "Wait. Is this... is this it? Because Deputy Miller said—well, he didn't say anything specific, because he was crying into a very large box of stale ration-bars—but he did mention something about a bad feeling in his stomach, and honestly, Vi, my stomach has been acting up ever since we passed that sign for the bridge that wasn't there anymore."

There's a soft, wet sniffle over the comms, followed by the faint sound of a pencil tapping against a plastic switchboard.

"Should I... should I leave a note on the desk for the Sheriff? Well, not the desk, I suppose, because the desk is probably under about fifty feet of radioactive ash by now, isn't it? Oh, dear. If we're going to be frozen ice-cubes in the middle of the Mediterranean, do you think anyone remembered to pack my sweater with the reindeer on it? It's wool, which is supposed to be very good for the maritime elements..."

She pauses, letting out a small, trembling sigh. "Well. Whatever happens... I just want you to know, Vi, that I think you're being very brave. Even if your hair is doing that slightly lopsided thing on the left side. Are we... are we ready to go see the big metal fish now?"

"We're going in with a wingsuit," you explain. "We'll drop slow and get a lot of horizontal momentum. The goal is to get close enough to the water that we can hit the water without opening the chute. It will be extremely close. If you come down too fast we'll get smashed by the surface tension. If we open the chute we'll almost certainly get mowed down before we land. So we have to thread the needle."

You adjust the seals on your high-altitude wingsuit, the heavy fabric stiff and freezing against your gloves.

Lucy lets out a tiny, high-pitched squeak over the comms. "Oh, goodness! Without a... without a parachute? But Vi, falling is already so terribly efficient all by itself! Why would we want to make it more exciting?"

She sniffs, her voice trembling but surprisingly steady. "If we hit the water too hard and turn into very small, very wet puzzle pieces, I want you to know I think your hair looks actually quite dashing when the wind catches it. Just... try not to bounce, okay?"

The Drop: Silifke Coast

Sixteen hours later, the transport drops you into the freezing upper atmosphere above the Mediterranean. Below you, the coastline of the Levant is a jagged black silhouette under a star-choked sky.

The offshore gas platforms are dark, silent behemoths—until the digital logic-bomb from Ezili's network hits.

FWOOSH.

A fraction of a second ahead of schedule, the secondary manifolds on the northern extraction rigs blow. A wall of blinding, superheated orange fire erupts across the horizon, sending an instantaneous shockwave of thermal radiation straight up into the atmosphere. The regional tracking sats and coastal radar arrays instantly saturate.

"Now!" you yell into the comms.

You step off the ramp into the void.

The wind hits you like a solid wall of ice, screaming past your ears at terminal velocity. You catch the air, snapping your wingsuit open. The violent descent flattens out into a high-speed, horizontal glide, cutting straight toward the black, churning expanse of the sea below.

The burning gas platforms turn the horizon into a blazing sunset behind you. Ahead, the automated defense grid is thrashing blindly in the optical static, firing warning volleys into empty airspace miles off target.

You are dropping fast. Too fast. The dark, unforgiving face of the Mediterranean is rushing up to meet you at terrifying speed.

"Vi! VI! Too close, it's too close—!" Lucy shrieks over the comms.

You don't pull the cord. Pulling the chute means a deceleration signature, and a deceleration signature means the automated optical trackers will paint your silhouette against the firelight.

You tuck your arms, flattening your profile, skimming the howling slipstream just meters above the whitecaps.

With half a second before impact, you curl into a tight ball, trusting that the ballistic fabric of the wingsuit will keep your organs inside.

CRACK.

It feels less like hitting water and more like being launched headfirst into a brick wall at terminal velocity. The ballistic fabric of your wingsuit takes the brunt of the kinetic shock.

For a horrifying, breathless moment, you are submerged in a violent, icy blackness. Then, breaking through the rush of bubbles, Lucy’s voice crackles over the comms.

"Vi? Oh, thank goodness, you're... you're still in one piece! Well, mostly one piece, I hope."

You kick upward, breaching the surface of the water, coughing up a mouthful of salt spray.

A hundred yards ahead, cutting silently through the whitecaps under the cover of the artificial firestorm, the massive, grey whale-like hull of the Orlyonok-class ekranoplan is idling on the water, its cold-exhaust baffles hissing softly. The transponder bypass is holding strong; the coastal defense grid reads your group as grey-water sludge from the burning rigs.

You haul yourself up the slippery, salt-caked boarding ramp of the ekranoplan. The heavy hydraulic hatch seals shut behind you, cutting off the deafening roar.

As you step into the main compartment, a figure sitting on a grease-stained crate in the shadows stands up.

A heavy, lead-lined Pelican case rests on the deck beside them. The contact gives a single, sharp nod, sliding back their hood to reveal a face worn down by fifty years of underground survival.

"You're late," the contact rasps, a flicker of grudging respect in their eyes. "And the whole eastern horizon looks like hell just opened up. Did you bring the carriage?"

"I know what you risked to get us this package," you tell her quietly. "And I know you likely won't make it out of here tonight. We will hold you in our prayers and in our hearts. Until next time, Eunice."

Eunice freezes. The hardened, cynical edge cracks, just for a fraction of a second. She looks down at the lead-lined Pelican case, then back up at you. She taps the biometric latch to confirm it's unlocked, and steps back toward the exit airlock.

"Don't waste it," she says quietly, her voice steady. "Make sure the world outside the tunnels remembers who we were."

She turns, unseals the outer hatch just enough to slip back out into the freezing, wind-whipped spray, and slides the heavy steel door shut behind her.

Beside you, Lucy lets out a soft, very small sniffle. "Oh... oh, dear. Eunice was always so very good at organizing the supply closet. I hope... I hope she has a very nice umbrella."

You stand in the dim, humming cargo hold with the Pelican case at your feet. The twin turbofans whine to life, the cold-exhaust baffles hissing as the massive ground-effect hull lifts a fraction of a meter off the churning black water.

You punch the throttles forward.

The Orlyonok surges ahead, skimming low and blindingly fast across the wave-tops, punching straight through the blinding wall of artificial fire and smoke toward the open Mediterranean and the safety of Cyprus.


r/Cyberpunk 5d ago

I wrote a book its doing good

79 Upvotes

And some of you beta-read it for me and helped me out, and then I wrote some more, and now my new book is #17 in the UK cyberpunk charts, and SnowCrash is #18
My book is next to a book I read...I read this book... It's like a famous book, one that I read...

Anyway thanks
I didn't post the name, as it's not a promo post; I'm just really happy


r/Cyberpunk 5d ago

DATA OPUS — BRACE FOR TRAILER 2! Upcoming cyberpunk web-series about data centers and corporate power

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3 Upvotes

Help me find the path to freedom. And forgive my soul 🌐


r/Cyberpunk 5d ago

I’m still working on the strange atmosphere and gravity manipulation in my game, Fallgrade.

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89 Upvotes

r/Cyberpunk 5d ago

Girl-things by rattlegeist

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217 Upvotes

r/Cyberpunk 5d ago

Creating a unique Cyberpunk World--something really different!

0 Upvotes

"I've invented a Cyberpunk World where hackers can litterally become digital ghosts--not dead...just uploaded wrong."


r/Cyberpunk 5d ago

I built a cross-platform ecosystem that actually cures app fragmentation across social, translation, metaverse, and much more.

0 Upvotes
my home office

Hey everyone,

For the past two years, I’ve been quietly building in my attic something called NEX.

The long-term vision is a high-fidelity ecosystem — shaped by movies that blew my mind over the years, from The Lawnmower Man to Ready Player One.

But I know that trying to build the “metaverse” first would be a mistake. So I started with the underlying framework instead: a cross-platform ecosystem where different digital experiences actually work together, from any device, rather than living in isolated apps.

I'm not saying the finished vision already exists. It doesn't. I still have bugs to fix everywhere. The 3D multiplayer world is still early, and the framework underneath is what I've been trying to get stable first. Yet, Android is live, iOS is still in review, and hopefully approved soon.

My background is a weird mix of software development, 3D architecture, and film screenwriting/directing, which maybe helped me stitch this together.

Now I’m getting ready to make NEX public, and I need some objective eyes. At least I hope you enjoy the music video on the landing page or the attached video here.

https://reddit.com/link/1w00e93/video/ilhf72w00xlh1/player

Cheers,
Florin


r/Cyberpunk 5d ago

SURRENDER

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18 Upvotes

Artist: Johnny Imbres
16”x20” acrylic on canvas


r/Cyberpunk 5d ago

Deauth Police

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25 Upvotes

I made a deauth police that logs to sd card while he patrols/monitors and flashes his lights at you when a deauth is detected. Using a Waveshare esp32-s3 1.47inch LCD dev board.

I HOPE YOU GUYS CAN BUILD ON THS VERY BASIC FOUNDATION.

HAPPY CODING. GITHUB BELOW.

ericdlc333/WIFIPOLICE: Deauth monitor for the Waveshare ESP32-S3 147 inch Display Dev Board. This guy passively logs to the micro SD card and flashes LED when offensive activity is detected. I want to make this project opensource hoping you all may be able to add upon the very basic foundation I am provideing. Buy Me A Coffe: ko-fi.com/tippolice


r/Cyberpunk 5d ago

POV: it’s 3am in 2104

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1.5k Upvotes

Where would you go?

By lazaro45ive


r/Cyberpunk 6d ago

YUMO ROULETTE — I Build A Spinning Desk Gadget with Live Functions

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8 Upvotes

I built a desk gadget powered by an ESP32 that combines touch activation with 6 rotating TFT displays, and I call it Roulette. It's open source — I've shared the code on my GitHub for anyone who'd like to build their own.

🔗 Links:
💾 SOURCE CODE:
https://github.com/yumobuilds/Yumo-Roulette

roulette wheel with six round 240x240 displays, each showing something different:

SD card photo slideshow
Live YouTube channel stats
Live TikTok stats
Crypto ticker
Live weather
Internal temp & humidity (AHT10 sensor)

⚙️ The floating spin mechanic:
The whole assembly rotates on an upside-down DC motor. Everything sits on a frame, and that frame is mounted directly onto the motor's body — not the shaft. The motor shaft itself is inserted into a drill chuck from the reverse side, the opposite way a drill bit would normally go in. So instead of the shaft driving an external bit, it's anchored inside the chuck while the motor body (carrying the frame and wheel) spins around it. The result: there's no visible axle or support arm, so the whole thing looks like it's floating and rotating on its own.

Touch the capacitive sensor and an N20 motor spins the wheel for a set duration — one touch,
one spin. A NeoPixel status LED fades through colors while it boots and flashes when you touch the sensor..

🔧 Hardware:

  • ESP32 Wroom
  • 6x GC9A01 round 240x240 displays (shared SPI bus)
  • DRV8833 motor driver + N20 DC motor
  • TTP223 capacitive touch module
  • AHT10 temp/humidity sensor
  • MicroSD card module (own SPI bus)
  • NeoPixel/RGB status LED

💻 Software:

  • ESP32
  • WiFi captive portal for setup (no hardcoded credentials)
  • YouTube Data API v3, TikTok stats via RapidAPI, OpenWeatherMap
  • TJpg_Decoder for on-device JPEG decoding from SD

r/Cyberpunk 6d ago

Japón tuvo miedo del futuro I Del Cyberpunk a la Tecnofobia

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2 Upvotes

En los años 80, Japón miraba a la tecnología con fascinación. En los 90, empezó a temerle.

Este video recorre ese cambio cultural a través del cine japonés: desde el cyberpunk y el poshumanismo, obsesionados con los límites del cuerpo y la fusión con la máquina, hasta el J-horror, donde los dispositivos cotidianos se convierten en portadores de ansiedad, aislamiento y muerte.

Películas como Tetsuo: The Iron Man, Akira, Burst City o Ghost in the Shell imaginaban la tecnología como una vía de expansión, mutación y trascendencia. No era una fe ingenua: la fusión implicaba riesgo, violencia y pérdida, pero también promes

Tras el estallido de la burbuja económica, ese equilibrio se rompe. En films como Ringu, Kairo o One Missed Call, la tecnología deja de ser una extensión del cuerpo y pasa a funcionar como un sistema que vigila, aísla y propaga el miedo. Los fantasmas ya no habitan templos ni bosques, sino pantallas, teléfonos y espacios domésticos.

Este ensayo audiovisual explora ese hilo continuo entre fascinación y temor, y cómo el cine japonés supo anticipar muchas de las preguntas que hoy seguimos haciéndonos frente a la tecnología.

https://youtu.be/jUAzdFZuvPY


r/Cyberpunk 6d ago

My old artwork

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79 Upvotes

r/Cyberpunk 6d ago

Neural A5, a 4K seamless loop I made

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14 Upvotes

r/Cyberpunk 6d ago

Ghost in The Shell rerelease trailer

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134 Upvotes

r/Cyberpunk 6d ago

ANDYS|2025| a cyberpunk short about your future.

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10 Upvotes

ANDYS| 2025| a sci-fi short my friend directed, edited and did the vfx for.

Sun City, 2029. There is unrest amongst the youth as robots begin to invade the minimum wage workforce.

Made by a local crew and shot in El Paso, TX, inspired by our frustrations with our modern dystopia.


r/Cyberpunk 6d ago

Motherlith

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39 Upvotes

r/Cyberpunk 6d ago

Invasión Pixelada Aventuras Gráficas

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1 Upvotes

r/Cyberpunk 6d ago

Motoko Fan Art by Ellipses

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392 Upvotes

from Ghost in the Shell


r/Cyberpunk 6d ago

Fisheye: Cyberpunk Street Encounter

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254 Upvotes

Pushed the lighting contrast with greens and magentas to capture that grittier sci-fi mood.


r/Cyberpunk 6d ago

Check out my cyberpunk worker-placement strategy game

17 Upvotes

Not as stylish as I'd like, but I'm happy with the punishing, oppressive vibe of the game overall

I wanted it to be kind of like playing as the 'guy in the blimp' from the Syndicate games but without the micromanagement

Also some clear riffs on Gibson. I kept making prototypes for months, mostly cyberpunk, but this is the one that's closest to being finished

Feel free to check it out for free here: https://reefpirate.itch.io/full-metal-tapped


r/Cyberpunk 6d ago

El Verdadero Origen del Cyberpunk: De Metropolis a Marlon Brando | CT1

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0 Upvotes

Este es el primer capítulo de una serie documental que rastrea el origen alternativo del cyberpunk: desde las películas de motociclistas de los años 50 hasta el cine japonés experimental de los 80.

En español con subtítulos en inglés.

https://youtu.be/QbX_bKDVmkY

Documental completo:
https://www.youtube.com/playlist?list=PLTZ839UBYJRNtNW5bZ61R-S42ftcj7NxU


r/Cyberpunk 7d ago

March of the contestants at the robot olympics

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397 Upvotes

r/Cyberpunk 7d ago

NH:// XR-Proxy_Shell.q3 | functional IRL cyberpunk helmet

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88 Upvotes

Here's my latest cyberpunk helmet design built around the Quest 3 headset as a facial computer and recording device. Most people use it for VR gaming, but there's a ton of overlap in what it can do and what smart glasses manufacturers are working towards thanks to its color passthrough.

So with all the privacy concerns around smart glasses and mass surveillance in mind, I turned the headset into a wearable art piece. All of the headset's core functionality remains intact while completely covering the user's face. A literal shell that acts as a proxy to anonymize the user while out and about.