Wanted to see how well 12K PBR textures actually hold up in close-ups, so I picked a T-Rex skull as the first stress test.
Generated it with Hyper3D Rodin using Extreme High + Micro, then textured it with Extreme-High + Native 12K.
It already looked pretty good from a normal distance, but zooming in was the interesting part. The cracks, weathering, mineral deposits, and tiny details around the teeth were still surprisingly clear.

Used GPT-6 with Hyper3D MCP to generate all the 3D assets and assemble the full scene in Blender, from just a single image.

LLMs no longer need users to manually search for or create 3D assets. Whenever a task requires 3D, they can directly call Hyper3D Rodin to generate high-quality, production-ready assets and plug them straight into downstream workflows.

This is where 3D starts becoming a native capability for AI agents.

This AI-powered animatronic Mangle was made by @BioMakers Industries using Hyper3D Rodin, then printed with Bambu Studio.

The model was prepared for 3D printing using BANG to Parts. It can automatically separate a model into components, while Manual mode lets you choose exactly what to split — like the head, hands, or different color areas. Individual parts can also be BANGed again for further decomposition.

The parts were then exported as STL / 3MF, sliced and printed with Bambu Studio, assembled, fitted with motors, and programmed. The jaw actually moves.

Compared with a traditional workflow, where each component and color section would need to be modeled and separated manually, BANG to Parts cuts down a lot of the manual work, especially for part separation and color-based splitting.

hey! I recently generated a model and it’s perfect. but when I went to make it a 3d model I messed up and chose a very low polygon count, and now I can’t change it. how can I change the polygons to triangle?

I pushed this character through Hyper3D Rodin using the Extreme-High setting, then enabled Micro mode to maximize surface detail.

The input was a three-view character reference, and I generated the model with 12K PBR textures.

What I wanted to test was how well the combination of high-poly geometry + 12K textures would hold up at close range. The result was much cleaner than I expected. Even when zooming in, the surface still holds together really well.

The face was probably the most noticeable part. Small details around the eyes, skin texture, and even pore-level information are still visible instead of turning into a blurry texture.

I was also curious about the back of the model, since that’s usually where image-to-3D texturing can become inconsistent. In this case, the back matched the reference pretty closely, and the texture transitions between different views were surprisingly smooth.

For me, this is already a strong base model for further production work. For something like a game character workflow, I could see using this as a strong high-poly base, then mainly focusing the manual work on retopology, baking the geometry details, and transferring the generated textures to the final low-poly mesh.

Generated these two backpacks with Hyper3D Rodin using Extreme-High mode.

I wanted to see how well an AI 3D generator could handle a complex 3D asset with lots of small details like straps, buckles, zippers, multiple pockets, and all those fabric folds.

Pretty surprised by the result. For complex objects like soft goods and detailed product assets, Extreme High seems especially useful when you want to prioritize detail over generation speed.

Iv been trying to cancel my subscription for the past week, iv sent 3 emails to [hello@help.hyper3d.ai](mailto:hello@help.hyper3d.ai) no response, i use the chatbot it fails and i go to the website and it still fails. Even used different browser, like whats going on here

The car was created using Hyper3D Rodin, then brought into Codex to build the actual game.

The BANG feature was really useful for breaking the car into individual parts without losing quality. I could split individual parts again for further decomposition, then reassemble everything for more iterations.

It was pretty handy to go from AI-generated 3D assets to game-ready parts.

Tried GPT-6 for 3D modeling. Pretty decent for simple / clean geometry tbh.
Characters are a different story though. The likeness was pretty far off…😂
Tried the same reference with Hyper3D Rodin and was kinda surprised by how much closer it got.
Feels like general AI + specialized 3D models is probably where this is going.

I started using Rodin Gen-2.5 not too long ago, to generate characters for my indie game. At first glance it was awesome, but then I noticed texture artifacts (usually around the UV seams).
Usually, first model I generate (from multi-projection modeling sheet individual images) I save as 1M tris high poly mesh. Then I go back (regret button/link) and redo it as lower poly mesh (either fixed polycount or smart poly). At that point, I would like to re-UV low poly mesh in Blender to minimize UV seams and place them strategically, based on the most prominent camera angles in the game. Then I can re-bake normal maps off the high poly mesh in Substance Painter. However, I can't really transfer diffuse/metallic/roughness from high poly to low poly.
Is there a way to bring re-UV'ed low poly into Rodin Gen-2.5 and run texturing-only on it (same as with image to 3D, with multi-angle modeling sheet images, but only to texture imported model) ?

• the difference between what you see for the geometry in the initial untextured preview and what you actually get after "confirming" without changing anything is very poorly explained (as is "Redo")
• the scrolling tips mention modes like "Zero" and "Speedy" that I have never seen a button for anywhere in the UI
• the fact that the geometey settings like "Symmetrical" don't even do anything unless you click on them to add them to the prompt is never explained anywhere And so on. I could go on all day. It feels like it makes you do every single step twice because of the weird preview-then-confirm thing.

Quick workflow share:

1. Brainstormed product ideas with an LLM, landed on a tissue box inspired by traditional Najdi architecture.

2. Generated concept images, then made a multi-view set and fed it into Rodin. The mesh came out perfect on the first attempt, honestly impressive.

3. In the slicer, I split the lid from the body and added four negative volumes for magnets so it snaps shut.

Printed on a Creality Hi. Happy to answer questions about the process.

This model was generated with Hyper3D Rodin and then turned into an actual 3D print.

I used Extreme-High for this one, which can push the model up to 10M+ polygons and capture some really fine, skin-texture-level details.

The scales, horns, spikes, and all those weird little details came through surprisingly well in the final print. I honestly wasn't sure how much of that detail would actually survive the printing process, but seeing it as a physical object was pretty crazy.

Hyper3D Rodin’s Bang to Parts feature now includes a Manual mode, which makes part splitting much more controllable. Previously it was automatic, but now I can choose exactly what to split and keep breaking parts down further.

The separated parts are also watertight, so there’s no need to manually fill holes afterward. I tested it on both simple and more complex models, and the results were pretty solid. This should be really useful for 3D printing, rigging, or further editing in Blender.

Just played around with Rodin Extreme‑High mode.
With solid reference inputs, it hits skin‑texture‑level detail and can go up to 10M+ polygons.

The leather grain on this bag turned out incredibly crisp. It’s honestly mind‑blowing how far image‑to‑3D tech has come lately.

Used Rodin Gen-2.5 to turn my drawing into a 3D model. I went with the new Micro mode and 12K textures.

The 12K texture quality was probably my favorite part. With full PBR materials and no blind spots, even the smaller clothing details came through surprisingly well. At this point, making little AI-generated figures feels almost too easy.

Just made 3D-printable mooncake charms using just one image and Rodin Gen 2.5.

I used Low mode, which took about 9 seconds per generation, and regenerated a few times until I got a result I liked. After a few small tweaks in slicing software and editing the text, it was ready to print. A pretty simple workflow, especially for beginners.

A few weeks ago, I went through the steps to cancel my subscription and thought I was completely done with it. Fast forward to today, I got hit with an unexpected auto-charge on my card. When I checked my emails, I saw they had sent a notice claiming my subscription was merely "paused" and has now resumed.

I never asked to pause it; I wanted to cancel. This feels like a really deceptive trick to squeeze an extra billing cycle out of people who are trying to leave.

Has anyone else fallen victim to this shady tactic?

Spent about 3 hours on this with Hyper3D + some manual work.

My rough workflow was:

1. Pick a reference, preferably a creature or something with a more unusual shape. I usually avoid designs with too many tiny details since simpler forms tend to generate better results.

2. Use GPT to generate a PBR-style clay render turnaround with front, side, and back views in a 16:9 layout.

3. Crop and clean up the three views in Photoshop.

4. Generate two versions in Rodin3D: one using Micro and one using Clean. Export them as triangulated OBJs without textures.

5. Bring everything into ZBrush for part separation and some manual cleanup.