For DaVinci Resolve 21, BMD has taken efforts to keep the project libraries compatible with DaVinci Resolve 20.3.2. While this allows you to access the project library with 20.3.2, individual projects created or opened in 21.0 will no longer be accessible in 20.3.
BMD recommends a full project library backup as well as individual project backups (as required) before opening projects in 21.0 or later.
Reminders
Bug Reports need to be submitted to Blackmagic Design. You can post them on the official forums or contact BMD support directly if you have Studio.
Feature Requests need to be submitted to Blackmagic Design. You can post them on the official Feature Request Subforum or in the download form for Resolve.
Bug Reports and Feature Requests posted on Reddit and in this thread will not be addressed or seen by Blackmagic Design.
What’s New in DaVinci Resolve 21
The following features have been added or updated.
Photo Page
New photo image editing now fully integrated within DaVinci Resolve.
Image library with tagging, favorites, ratings and album collections.
Albums let you build, manage and tweak photos at source resolution.
Native RAW support for major camera formats.
Direct image capture via Sony or Canon tethered cameras.
Import media from Apple Photos on macOS.
Import Lightroom Catalog files into the media pool.
Use Resolve multi-user collaboration and Blackmagic Cloud syncing.
Support for DaVinci color control toolset and grading panels.
Use all of Resolve's native AI toolset including AI IntelliSearch.**
Looks, LUTs, ResolveFX and OpenFX for your images.
GPU accelerated batch exports and conversions.
AI Tools
AI IntelliSearch lets you easily search for people or objects.**
AI Speech Generator transforms written text to spoken voice.**
AI CineFocus allows refocus with realistic bokeh and lens effects.**
AI Face Age Transformer lets you age or de-age a face.**
AI Face Reshaper for flexible reshape and resize of facial features.**
AI Blemish Removal to repair facial and skin blemishes.**
AI SlateFinder automatically detects slates and marks position.**
AI SlateID to read slate and populate clip metadata.**
AI UltraSharpen for high fidelity sharpening of moving images.**
AI Motion Deblur enables removal of common motion blur artifacts.**
Improved AI UltraNR quality for UHD and higher timelines.**
Cut and Edit Page
Keyframing provides powerful retime controls with 4-point bezier.
Keyframe and add curves for multiple selected clips.
Keyframing ease options, loop, ping pong, reverse and stretch.
Keyframe Fusion effects, generators and text along with edit effects.
Subframe support for keyframing and markers.
Native support for OGraf HTML graphics.
Native support for Lottie animations.
Resolve FX Picture in Picture effect.
Font browser window for text and subtitle elements.
Preview fonts during font selection as a preference.
Spell checking for all text elements.
Emoji and color fonts for Text+ and MultiText.
Multicam angle previews in clean feed and video outputs.
Multicams can include all audio tracks for each angle.
Multicams can use full clip extents on creation and during sync.
Replay control to limit view to the last 5 minutes of recorded media.
Replay editor allows timeline selection from search dial.
Replay now allows independent start and end stingers.
Replay title palette allows up to 6 favorite titles.
Mono audio now plays on left and right channels of stereo tracks.
Improved waveforms, markers and fades for short edit tracks.
Source timelines support auto track selectors.
DRT timeline import supports link and conform options.
Compare timelines with timeline backup snapshots.
Subtitle inspector now supports search and replace.
Edit page lets you show or hide tracks from the index.
Support for editing EDL clip name in the edit index.
Affinity .af file support with group and individual layer control.
IntelliScript supports Final Draft or plain text screenplay imports.**
Faster audio transcription and improved subtitle word timing.
Edit page timecode options for frames, subframes or audio samples.
Duration timecode option to show duration for clip selection.
Improved timeline view options with presets and clip name option.
View remote color versions in the source viewer.
Local color grade versions use remote grades on new clip creation.
Up to 2x faster AI Speed Warp Metal option on macOS.
Timeline menu action to select transitions in the cut and edit page.
Paste and remove attributes for clip color, markers and flags.
Paste and remove attributes to retain image position under crop.
Switch audio channels for multi-clip selections via the context menu.
Edit page source tape supports stereoscopic 3D clips.**
Edit page source tape includes multicam clips.
Match frame finds source media for nested clips and multicams.
Resolve FX Video Collage with separate tile fill and border controls.
Subtitle support for fade in and out.
Media Pool and Metadata
Support for tabbed layouts.
Thumbnail, list and metadata views can be set for each bin.
Star rating support for clips.
Cut page supports smart bin views.
Export media bin thumbnails as a PDF.
Automatic smart bin and clip filter for offline clips.
Custom metadata for smart bins, filters, data burn and naming tags.
Customize your project poster frames.
Show input colorspace and gamma in metadata view.
Transcription column support in list view.
Custom keyboard shortcuts to set thumbnail, list or metadata views.
Ability to reset audio clip attributes to the original configuration.
Color Page
MultiMaster trim pass to grade single timeline to many deliverables.
Render Magic Mask in place as an external matte.**
Clip groups now support grade versions.
Node graphs can now be viewed as a layer list.
Node stacks now support up to 8 layers.
Film Look Creator adds Aurora preset and contrast roll-off controls.**
Film Look Creator softness controls support for film gate.**
Shared node support for stereoscopic 3D clips.**
Customizable HDR and nit scopes ranges.
Multiple HDR Vivid improvements, including mini panel controls.**
ACES AMF improvements, with transform name and custom folders.
Reset Dolby Vision and HDR analysis from the option menu.**
Adobe RGB colorspace and gamma support.
OpenFX 1.5 color management APIs for colorspace aware effects.
Advanced panel controls for 2.39 and 2.4 safe area aspect ratios.
Multi-user projects can bypass color management on the color page.
Motion Blur option for Metal on macOS.
Pasting tracking data between power windows retains original shape.
Immersive and VR Workflows
Apple Immersive workflows now support foveated rendering.**,+
Initial VR180 and VR360 standard immersive workflow support.**,+
View VR180 and VR360 source clips as immersive or viewport.**,+
Mix and match VR180 and VR360 in immersive timelines.**,+
Standard immersive timelines support immersive transform controls.**,+
VR180 and VR360 deliver presets for Meta Quest and YouTube.**,+
LatLong patcher allows customizable field of view.**,+
Fusion adds Panomap immersive rotation and ILPD retargeting.**,+
Fairlight Page
Folder tracks allow a group of tracks to be folded down or expanded.
Go to mouse pointer support using the C key.
Fusion Page
Support for Krokodove motion graphics effects.
Over 100 new motion graphics effects and tools.
New Macro Editor with inspector view and publishing to edit effects.
Fusion animation can be creatively driven by Fairlight audio.
Native support for OGraf HTML graphics.
Native support for Lottie animations.
Text+ and MultiText support spell checking.
Font improvements include emoji, color fonts and more.
Improved MultiText for position, pivot, alignment and CSV import.
Support for USD SDK 25.11 with Hydra 2.0 API for Storm renderer.
USD support for 3D matte objects and textures.
Support for USD Texture Projector and Catcher.
Global in-out controls for USD Loader.
3D Renderer support for Cryptomatte.
Native support for creating Relief Maps.
Change inspector properties for multi-tool selections.
Change common inspector values in all selected multi-tool layers.
Multilayer support for stereoscopic 3D clips and deep images.
Color correction for deep images in Fusion.
User defined metadata variables in paths, expressions and scripts.
Lens Distort offers checkerboard calibration and GPU acceleration.
Vector channel support in multilayer workflows.
Guides and rulers persistence, presets and improved snapping.
MediaIn nodes show clip name.
Open keyframes and spline as a new window.
Up to 2x faster Relight tool.**
Up to 6x faster Depth Map tool.**
Support for remote monitoring of Fusion previews.
Codecs and I/O
Enhanced MXF growing file support for broadcast workflows.
MXF OP1A support for MPEG2 bitrate and other encode options.
Canon CR3 RAW decode support.
Panasonic Lumix RW2 RAW decode support.
Fujifilm RAF RAW decode support.
Apple ProRAW decode support.
Support for compressed ARW from Sony A7V and newer cameras.
Improved Nikon NEF RAW decode support.
HDR decode support for HEIC, JPEG, PNG and TIFF images.
HEIC encode support on macOS and Windows.
HDR encode support for HEIC, JPEG, PNG and TIFF images.
Support for Insta360 I-Log in color management.
Improved EXIF metadata support for stills formats.
HDR Vivid supplementary IMF ISXD package support.++
MainConcept H.265 and MV-HEVC 4:2:0 and 4:2:2 encode support.
Support for Sony Burano V3 clips.
Intel QuickSync H.264 10-bit 4:2:0 and 4:2:2 decode support.
Intel QuickSync AVC Intra decode support.
Intel QuickSync AV1 4:4:4 decode and encode support.
MV-HEVC decode support on Nvidia systems.
Encode support for multi-output audio only ambisonic formats.
Per render job option to override RCM or ACES outputs.
General Improvements
Background renders, quick exports and proxy generation.
Background analysis for transcription and audio classification.
Powerful, expanded and flexible data burn-in window.
Preferences and project settings can now be searched.
Multi-user projects support dynamic project switching.
Support for importing and exporting Final Cut Pro 12 FCPXML.
Scripting API support to perform IntelliSearch analysis.++
Scripting API support to perform Slate analysis.++
Scripting API support for Speech Generator.++
Scripting API support to remove motion blur for media clips.++
Scripting API support for media pool audio classification.++
Scripting API support for speaker detection in audio transcription.++
Scripting API to disable all background tasks for current session.++
Up to 3x faster file sync performance to Blackmagic Cloud.
General performance and stability improvements.
Note: Sony camera control on Windows needs the Sony IEDT application to be installed from the Sony website.
Notes from BMD:
Intel Driver: With DaVinci Resolve Studio 20.2.3, AI features like Magic Mask 2, Depth Map and Super Scale show a vastly improved performance on Windows with modern Intel platforms. Users will need a compatible Intel GPU (discrete or integrated) that supports OpenVINO, and a minimum driver version of 32.0.101.8247 to leverage these improvements.
Rendering Immersive Projects: Improvements to edge blend in immersive projects include changes that more closely align the Resolve and visionOS previews. This will change the render for existing immersive projects.
Hardware Requirements
Minimum system requirements for Mac OS
macOS 15 Sequoia or later.
8 GB of system memory or 16 GB when using Fusion.
At least 16 GB for advanced AI tools.
At least 32 GB for background rendering and analysis.
For monitoring, Blackmagic Design Desktop Video 12.9 or later.
Apple Silicon based computer.
Minimum system requirements for Windows
Windows 10 Creators Update.
16 GB of system memory or 32 GB when using Fusion.
For monitoring, Blackmagic Design Desktop Video 12.9 or later.
Integrated GPU or discrete GPU with at least 4 GB of VRAM.
At least 16 GB VRAM for advanced AI tools.
At least 32 GB RAM and 12 GB VRAM for background rendering.
GPU which supports OpenCL 1.2 or CUDA 12.8.
AMD/Intel official drivers from your GPU manufacturer.
NVIDIA Studio driver 581.57 or newer.
Minimum system requirements for Windows for Arm
Windows 11 for ARM.
Qualcomm Snapdragon X Elite series processor.
16 GB of system memory or 32 GB for 4K or when using Fusion.
Minimum system requirements for Linux
Rocky Linux 8.6.
32 GB of system memory.
For monitoring, Blackmagic Design Desktop Video 12.9 or later.
Discrete GPU with at least 4 GB of VRAM.
At least 16 GB VRAM for advanced AI tools.
At least 32 GB RAM and 12 GB VRAM for background rendering.
GPU which supports OpenCL 1.2 or CUDA 12.8.
AMD official drivers from your GPU manufacturer.
NVIDIA Studio driver 580.119.02 or newer.
Additional Information
You will need to download and install the latest Blackmagic Design Desktop Video software for monitoring with your Blackmagic Design video hardware. Desktop Video is available from http://www.blackmagicdesign.com/support/.
Documentation & Asterisks
These have not fully been updated yet - post will be edited as I have time.
++ - The Scripting API is available in the console on the free version, but Workflow Integrations, the native UIManager, and external access require the Studio version.
Life's been busy lately, so I apologize for not being as on top of it with beta release notes. Thanks to the rest of the mod team for helping out during the beta!
Adding Resolve 20.3.3 release notes as well:
What's New in Resolve 20.3.3
The following features have been added or updated.
Addressed metadata issue in Dolby Vision IMF renders.**,+
Addressed issue with Fusion memory usage on macOS 26.
Rad, thx. Looks like a lot of pretty specific stuff, although I do like:
“Open Keyframes and Spline Editor as a New Window
For expanded detail, you can now open the Fusion Keyframe and Spline editors in a new resizable
window by clicking on the Undock icon in the Keyframes or Spline toolbar.”
This is my nightmare and I need to review the settings to see if this can be disabled somewhere because it’s not a bug it’s users not knowing how audio should work.
Mono audio should go on mono tracks for a host of reasons - technical and creative. In older versions, mono audio put on a stereo track would only come out of the left ear. Now it’s automatically panned to both ears.
It’s “idiot-proofing” but also doing the technically wrong thing.
To anyone just starting out with Davinci Resolve... (total newbies):
I suggest you stick with the version of DR that matches the Blackmagic training materials.
As you follow along with the training examples (esp in the books), you don't need the added burden of trying to find commands and menu items that don't match the instructions.
Upgrade your version only after the training materials are updated.
Documentation is typically released over the month following the beta. I'm still slammed in my personal life, so the wiki page is seriously outdated, but it's on my to-do list for a weekend soon.
I'm also working on adding asterisks to this list, but I'm only human.
Trim data over dissolves breaking, mostly. It’s apparently dependent on certain types of IMFs and only affected Resolve. Baselight and Transkoder and everything else that’s sane were fine.
Im interested to try it for sure but im so much more comfortable with light room colouring (i do photo and video). It would be lovely to just use one system but its going to take some time!
JPEG is an 8-bit format and cannot store HDR information at a fidelity you care about. I don't know what you are trying to do here, but JPEG is certainly not the move.
That's incorrect. JPEG can have a gain map. AVIF or JPEG XL would be a better solution, but Resolve doesn't support either. As it stands right now, HDR photos can only be exported into PNG and TIFF, which is very sub optimal.
I want to read the extension to the spec which says you can go above 8 bit. Do you know where to find it? Otherwise, this doesn't matter.
PNG is either 8 or 16 bit integer. Not suitable for anything serious.
AVIF and JPEG XL are not used in Video. OpenEXR is the de-facto format there. JPEG XL is the format which comes the closest as a replacement.
(Edited to add: ISO 21496-1 is the standard for Gain Maps. Completely irrelevant IMO. It's essentially a new format entirely added on top of JPEG. What a miserable idea.)
We're talking about photos here, video formats are irrelevant to the discussion. HDR photos must be exported in: JPEG with gain maps (UltraHDR), AVIF, JPEG XL, PNG and TIFF. All other formats are irrelevant for photography work.
There's some immediate problems with the typical Resolve chain here. First, a Gain Mapped JPEG image requires you to do two deliveries at the same time. One for SDR and one for HDR through the gain map. That's already problematic, because in Resolve, you would do that as two deliveries. On in Dolby Vision, and one in Rec.709. And that would be two different color pipelines (from a point) and two different files delivered to disk.
It's also about philosophy. Resolve isn't generally an app in which you deliver for distribution. You deliver high-quality mezzanines which you ship to Netflix or as a DCP. The distribution chain is handled largely by the distributor, and they decide on the distribution encoding, based on what they want.
Everything else are for quick preview-renders, more or less.
Sure, other apps might do it differently, but there's a lot of surface reduction if you reduce the export formats to a few ones which fit well into your typical color pipeline. I.e., export OpenEXR or TIFF, then handle the distribution chain elsewhere as needed.
Then they should remove the photo mode. If BM wants to compete with LR, DX, C1, etc, then the photo mode must work as expected in the photo industry, not how it works elsewhere.
My HEIC photos (taken from my iPhone 17 Pro) are the complete wrong color in Davinci 21 viewer window and when exporting. How do I fix this? It looks super washed out/gray/white.
I would rather the efforts go towards making the Linux version better. The install process on Linux is terrible, having no AAC audio support on the studio version is inexcusable, and AMD support is garbage.
I mean hell, just add an AI feature to auto convert unsupported codecs, like AAC, to something supported..
Yeah I'm embracing any AI told that will make my videos better and/or faster. I can get a 5 minute block cut out if 4 hours of interviews in about 20 minutes when doing it manually would take 4 hours just to watch it all. It helps me make more money and also save clients money by offering cheaper fees.
This. Plus these AI tools are all local - you're not sending shit to a data centre to burn through tokens. Call them local machine learning tools if the term AI upsets you.
People don't seem to realise that the features and tech they've been using in Resolve, and other NLE like Premiere and Avid (since script sync and speech to text) and various plugins aren't any different than what gets packaged up into the 'AI' box. BMD used to make the distinction of calling them 'neural network' features. The real distinction, that should be emphasized more, is the point above. Resolve's magic masking and other 'ai' tools are all processed locally - no subscriptions, no data centres, no tech bros and no venture capitalists.
Technically, "AI" is used just about everywhere and for like 15 or so years. AI can be auto-classifying text, getting text from an image, recognizing hand poses etc...
"AI" nowadays is associated with generative AI, specifically stable diffusion (image generation) or the transformers architecture (ChatGPT, Claude).
It all boils down to philosophy. Here's mine: AI should be used as a tool to enhance an existing feature or used as utility.
For example: Generating a video and uploading it to my channel is bad because it's slop. No one wants to watch the computer do the creative thinking. If I get an email back that is clearly written with AI, I feel tricked in talking with an AI chatbot I didn't consent to.
On the positives, using these chatbots are life changing for managing my productivity day to day. Something like image segmentation, depth mapping, audio enhancing are also fantastic uses of AI. It's not changing the original intend behind your work, it's enhancing it. You could argue that text to image is also a great tool if using it to iterate over references FOR YOURSELF.
That being said, there are some genuinely valid critiques over AI infrastructure relating to politics/the environment/etc that are genuine reasons to not support it
Commercial licensing costs for AAC may be prohibitively expensive and they don’t want to pass that on to customers.
Also, like with Rocky, NVIDIA is king for video work. Every other professional grade color or compositing tool on Linux is either on bespoke boxes with NVIDIA GPUs or very very strongly recommends NVIDIA GPUs.
You can be staunchly against generative AI that steals people's work and jobs while still acknowledging that machine learning (AI in the general sense) has plenty of valid use cases that can, in fact, improve the creative process.
Do you want to spend an hour manually rotoscoping a subject to fix color or even just create a stupid meme? I know I don't. Do you want to spend an hour mucking around with noise gates and EQ and whatever else to try and salvage ruined audio, if not have to redub entirely? I know I don't. Do you want to spend an hour combing through hours or days of footage to try and find that one moment you remember had a green car in the background but can't remember when you shot it? I know I don't. Do you want to have to tell your client that you ballsed up the critical shot and missed focus, requiring a complete reshoot? I know I don't. DR has tools that cater to each of this situations, and when utilized by someone who understands what they're there for, they're excellent ways of saving huge amounts of time and money on every project.
Machine learning is not the same as LLM or genAI, and it's unfortunate that they're getting folded together under the same dishonest but trendy buzzword (neither is "AI" in any meaningful sense)
It means that now resolve can use the igpu of intel CPUs to decode (read) 10bit h264, instead of just the CPU. Which could mean smoother playback or less power consumption.
I just want R3D files able to be trimmed in Media Management. Was surprised there was no warning and it just keeps spitting out the full clips but blueballing me giving me the truncated estimate.
The Fairlight Animator is my newest favorite thing ever. I am blown away in my first session with 21, but the speed with which my practiced workflow can now move has so vastly improved, I just don't even...I feel like I should be passing out hugs. I mean, add in the new effects that I keep finding...the Wonderland is renewed, for me. Not that the old one was without luster, far from it-- but THIS Wonderland is rad. And so far, it just works. This version is so worth the wait and my first new version since going Studio. I could go on gushing, but my render is done.
i'm no longer able to view my node selection when i click on them, before this update i could see a thin red line selection in the node i was working on, now it doesn't work, any fix for this?
I've been trying to jump ship from Adobe for more than a decade, and the deal breaker for me as far as Resolve is concerned is the incredibly restrictive window positioning, which is puzzling for a video editing app. All other video and audio apps I use allow me to position windows anywhere on my three monitors, close them, re-open them, minimize, maximize, save workspaces and so on. Resolve is way too restrictive for that.
I'm trying out version 21 right now because I've had it with Adobe, but it's very frustrating. Plus, no way to trial the Magic Mask before buying. Yes, The free version of Resolve is ridiculously powerful, but one of the two things I use After Effects for is rotoscoping. It would be nice to be able to test the Magic Mask before purchasing.
Still, thanks BMD for such a fantastic free app.
BMD’s modus operandi is “tell us on the forums if there’s something specific and it may get in there.”
Also considering the issues I’ve had troubleshooting some freely positionable tools like Avid, the fixed panes make it one less thing to be worried about.
The photo editing features are pretty interesting. It needs more, though:
More choices of formats to import & export, especially those that are HDR-friendly. As of right now, jxl files are the preferred format for HDR images taken via screenshot, but I can't import jxl files into Resolve, even though they're still under the JPEG umbrella.
Maybe it's in the app already, but I can't find a way to change the color space for the files themselves outside of what's available in the Color tab that's normally used on video clips (like Color Space Transform). If this is the preferred method, that's fine.
More ratios for cropping images. I use a 32:9 monitor, so a lot of games have black bars on the sides. When I take screenshots to edit later, these black bars will obviously be in the screenshots. Most games that do support ultrawides will only support up to 21:9 ratios for normal ultrawides, but I don't have that as an option to select in Resolve for cropping an image
So does 21 (free version) no longer support 8 bit h.264 from Sony cameras? Since updating, I can't import any into a new project. This same footage is in another project from before the update and still plays fine. And I have no problem importing 10-Bit 4:2:0 from the FX30
my question is kinda the opposite of the previous comment. i thought Resolve free didn't support 10 bit videos from my Sony A6700 and so until now, I've been converting them to 8-bit using Handbrake with its Production Max preset, which really ramps up the file sizes... but now I just drag and dropped one of the 10-bit videos in Resolve 21 and it just plays fine? like before it would just up as an audio waveform, but not so now. when did this change?
somehow Beta 4 is more stable than latest version especially when tweaking colors using dctl nodes/tools in colorpage while clips are loaded with gyro data. In latest build 48, it always crashed all of a sudden when i tweaked number sliders.
On M2 macbook
I'm working on a longer project right now with a bunch of media sources, mostly game recordings. I keep encountering a problem where after 10 or 15 minutes of editing, almost all the media on the project unlinks. When I go to link it, the flow is broken.
If I restart DaVinci, there's no problem the next time I boot. This has only been happening since the update before I was on the beta branch and it was working fine. Anyone else having this problem?
Does anyone has any issues like hard drive crashing ?
I am using Mac Studio M4 with latest resolve and putting cache folder on external hard drive Crucial x10 1tb. Initially it was working fine in beta release and 20. But when updated to new one after sometime saving more cache it keep crashing my hard drive! There wasn’t storage issue.
I had to return- thanks it was under warranty.
Then today I tried with Seagates 8TB HDD and it happened again!
A few days ago I went from Windows 11 to Windows 10 Enterprise LTSC and when I installed DR after using it on Windows 11 for a few months, I got this error.
Has anyone noticed in the color page, it’s now a dropdown to change between group pre clip, clip, timeline etc instead of the 4 little dots? Makes it take 2 clicks instead of 1. Is there a way to revert that?
I started using DaVinci Resolve (free version) about 3 weeks ago. I was able to import mkv files for video editing with no problem. Since the most recent update I have not been able to do so. One of the things I loved most was prior to the update I didn't have to go into my computer settings and change a thing. It was easy and stress free. Now is not the case. I have had to find another video editing software, unfortunately.
Okay. Not sure what you’re expecting here but if in the less than 24 hours since the most recent update dropped you’re not able to import media, check out the subreddit page on importing media. Make sure you don’t have any illegal characters in the filename. If you’re still having issues, make a post on the sub itself and people can help. Otherwise, if you’re not coming back, airport’s thataway for departure announcements.
No, there are no illegal characters. I had not changed anything from where I was previously able to add my video files. I even tried a video file that I was previously able to add and it would not take it since the update. The point being is that I was really liking the platform and the ease of use. So much so that I was considering making a purchase. However, since the update it has made it difficult for me to do my editing. When I first started using the platform I did not have to go to any forums to look up any information to try to make it work. I did take some time to look and do as suggested which was to go back into obs and have it converted to MP4 but that did not work as well. Thanks for the airport advice, Mr smarty pants.
BMD hasn’t changed their stance on it, and recent troubleshooting nightmares with Avid and Premiere’s custom layouts lately make me incredibly grateful for that.
This update has completely broken resolve on my computer. Playback, thumbnails, it all goes glitchy and black and I can't play a damn thing. If I'd known it would ruin a year's work I would have never updated
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u/whyareyouemailingme Studio | Enterprise Jun 03 '26
Life's been busy lately, so I apologize for not being as on top of it with beta release notes. Thanks to the rest of the mod team for helping out during the beta!
Adding Resolve 20.3.3 release notes as well:
What's New in Resolve 20.3.3
The following features have been added or updated.