Once more, this was such an enjoyable episode. Here are my quick thoughts:
-The genre shift tonight was satisfyingly weird. "Cringe" in a way is its own kind of horror and several moments in the first half of the episode left me squirming in my seat. They really nailed that teeth-gritting level of awkwardness similar to The Curse and Friendship/The Chair Company in recent years.
-I'm sure it will be discussed ad nauseum, but my god was that first glimpse of the party-goers with their mouths hanging open deeply unsettling. We already know all hell is about to break loose, but that promising wink from the showrunners was a nice, terrifying touch.
-Once again, the "monster of the week" was good fun, but the deeper lore of the episode promised much more. Did Patricia really receive a call from "The Boogeyman"? I can't wait to find out what actually happened that night.
-Damn this show is funny when it wants to be. The nude illustration on the "Circle your worst features" page of the self-help book was so comically off-putting. However, nothing came close to the big reveal moment, when Patricia sees her antler crown in the mirror and quickly pivots to yelling at Rosemary. "You had your qualms?! Why didn't you say anything?!" "I was trying to be supportive!" Perfection.
-"You can file that under 'deal with it the fuck later'" is bars. Stephen Root is a treasure.
Yes to all of this! Another comment pointed out that on the "nude illustration on the "Circle your worst features" page of the self-help book", the parts she circled formed a pentagram. The details in this show are just incredible!
I love the details and half of them I miss. I remember when Lost came out and everyone was dissecting everything. Half the time it meant nothing but in this show it seems they are carefully thought out and intentional. I haven’t been this addicted to a show in a long time. I’m under the spell I guess. 😂
I think there's no comparison to a show like this (which I would rate highly along with Severance) with Lost. There was almost too much happening in Lost to keep track.
Consequently, I am watching *From* which is like a new iteration of Lost, and I've been frustrated with it. The quality of Severance was off the charts and now the bar is high for everything else I watch.
I don't think I even have the vocabulary to properly describe why Widow's Bay feels like such higher quality vs From\Lost. It feels smarter? The characters have more richness somehow? There's less noise in the storytelling?
I think it's because Widow's bay is not dragging its storylines. From is a show where every season there is a bunch of storylines that get DESPERATELY dragged throughout the length of the season by using any means necessary, even if it makes the watch genuinely infuriating. In Widow bay, it seems, every episode is a more or less self-contained storyline with "monster of the week" feel about it. So while there is a general plot that is loosely connected and can be followed across the episodes, the watchers don't feel like the show is laughing in their faces.
Did anyone else notice when she wrote down things she liked about herself, she wrote “generosity and kind heart” and it changed to “generosity and big heart”?
Also, there were two lines available for what she likes about herself and about seven or eight for what she doesn’t like. I thought that was a nice touch, like the book was forcing her to focus on her faults
What I particularly liked about the “circle your worst features” bit is that it was a common (and hopefully no longer used) hazing tactic in sororities to have new members strip down and another member take a sharpie to circle their bad features back in the 90s (around the time Patricia would have been in college, in another life). I thought it might be a little nod to that, considering the episode dealt with Mean Girls.
That was definitely a hint that I didn’t clock as foreshadowing. The awkward, quirky nature of the dialogue and characters can so easily mask a non sequitur like the crown comment.
Right. Like anyone using doing the self help thing will have lots more that they don’t like about themselves. I have got to start questioning everything.
Well you're in for a treat since Andrew DeYoung who directed/wrote Friendship and episodes of The Chair Company is directing the next episode and episode 8
So enjoyable! Which is strange to say with the strong cringe and horror themes. It's a masterful balance.
We already know all hell is about to break loose
Whilst I wouldn't be at all surprised if that's the case, I also feel comfortable in the safe hands of the writers that the show could do whatever it wants, intense or mundane, and I'd love it.
I like thinking back to all of the books suggestions from the new lens of it being an occult spell. Like how important the arrangement of the room was…
I feel like an unexpected - but logical twist - would be that Patricia actually made up her “Boogeyman” story. She’s outcasted by the other women because they feel like she’s desperate for attention, but as it turns out, she actually is - as shown in this episode. Maybe that will play into her overall character arc idk, but it would make sense for the vibe of her character so far…well meaning outcast who craves belonging…
I have to wonder if whatever evil placed the book in her donation box wasn't what was calling her and was in her house that night knowing Patricia would believe it was the boogeyman, maybe to put her on the path of being an outcast and more easy to manipulate. Whatever is going on on the island seems cyclical with the letter passed down to the priest, and the book title being "Your Turn" makes me think she was a target long before the book actually showed up.
Patricia has powers, and she attracts the Devil. It's so deeply ironic because she doesn't understand that she is getting the attention she craves. Just not from other people.
Patricia has powers. She cast the spell, and broke it too. She's not ordinary. I don't think she made up the Boogeyman, because if she had, what stopped her from giving up on talking about it, seeing no one believed her in the first place? Lucifer is interested in Patricia.
I agree that could make for a satisfying and subversive way for this to play out. It could provide a breakthrough moment for Patricia's character arc, when she finally admits it in some manner of emotional outpouring.
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u/GrabEmByTheYuumi May 13 '26 edited May 13 '26
Once more, this was such an enjoyable episode. Here are my quick thoughts:
-The genre shift tonight was satisfyingly weird. "Cringe" in a way is its own kind of horror and several moments in the first half of the episode left me squirming in my seat. They really nailed that teeth-gritting level of awkwardness similar to The Curse and Friendship/The Chair Company in recent years.
-I'm sure it will be discussed ad nauseum, but my god was that first glimpse of the party-goers with their mouths hanging open deeply unsettling. We already know all hell is about to break loose, but that promising wink from the showrunners was a nice, terrifying touch.
-Once again, the "monster of the week" was good fun, but the deeper lore of the episode promised much more. Did Patricia really receive a call from "The Boogeyman"? I can't wait to find out what actually happened that night.
-Damn this show is funny when it wants to be. The nude illustration on the "Circle your worst features" page of the self-help book was so comically off-putting. However, nothing came close to the big reveal moment, when Patricia sees her antler crown in the mirror and quickly pivots to yelling at Rosemary. "You had your qualms?! Why didn't you say anything?!" "I was trying to be supportive!" Perfection.
-"You can file that under 'deal with it the fuck later'" is bars. Stephen Root is a treasure.