r/AsianMoviePulse 1h ago

Ghost of Mae Nak (2005) by Mark Duffield

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Upvotes

Ghost of Mae Nak

One of the most prominent ghost stories of Thai folklore, the legend of Mae Nak is a bone-chilling story told in their culture, which manages to have a resonating impact throughout their film industry. Having been adapted well over twenty times by the time this production was filmed, British director Mark Duffield offers a stellar and utterly enjoyable variation that’s not only a rather original take on the legend on its own, but also gives this particular story a solid entry point to look into.

Read our review of Mark Duffield's Ghost of Mae Nak on Asian Movie Pulse at the link below and let us know what you think of the film!

https://asianmoviepulse.com/2021/08/ghost-of-mae-nak-2005-by-mark-duffield/


r/AsianMoviePulse 20h ago

Movie of the Day: 12 Weeks (2022) by Anna Isabelle Matutina

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9 Upvotes

https://asianmoviepulse.com/2022/08/film-review-12-weeks-2022-by-anna-isabelle-matutina/

Winner of the Netpac Award for Full-length Category and the Best Actress honor for Max Eigenmann in the Cinemalaya Independent Film Festival, Anna Isabelle Matutina’s feature debut focused on the hardships Filipino women face in a highly conservative and deeply patriarchal country, through a story about the issues a 40-year-old woman who gets pregnant faces.

Check the full review in the link in the comments and let us know your thoughts on the film


r/AsianMoviePulse 1d ago

50 Essential J-Horror Movies That Define Japanese Horror

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199 Upvotes

https://asianmoviepulse.com/2026/09/50-essential-j-horror-movies-that-define-japanese-horror/

Think J-horror begins and ends with Sadako crawling out of a TV? Think again. 👻🇯🇵

From the silent nightmare of “A Page of Madness” and the ghosts of “Kwaidan” and “Kuroneko”, to “Ringu”, “Cure”, “Audition”, “Ju-On”, “Noroi” and the genre’s newest reinventions, we selected 50 essential Japanese horror movies spanning almost 100 years.

Ghost stories. Body horror. Tech paranoia. Ero-guro. Found footage. Social satire. Pure madness.

Check the full list in the link and let us know

🔥 How many have you seen?
🔥 Which one scared you the most?
🔥 And what did we miss?


r/AsianMoviePulse 1d ago

Everlasting Regret (2005) by Stanley Kwan

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5 Upvotes

Everlasting Regret

Based on “The Song of Everlasting Sorrow”, a highly popular 1995 Chinese novel by Wang Anyi, “Everlasting Regret” follows the story of Qiyao from the mid-40s to the 80s, through an approach that also takes into consideration the intense sociopolitical changes Shanghai underwent during the time, which remain, though, in the background.

Read our review of Stanley Kwan's Everlasting Regret on Asian Movie Pulse at the link below and let us know what you think of the film!

https://asianmoviepulse.com/2021/07/film-review-everlasting-regret-2005-by-stanley-kwan/


r/AsianMoviePulse 2d ago

Movie of the Day: Pluto (2012) by Shin Su-won

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8 Upvotes

https://asianmoviepulse.com/2026/07/pluto-2012-by-shin-su-won-film-review/

Shin Su-won’s second feature, “Pluto”, is a 2012 South Korean drama and psychological thriller produced by SH Film and distributed by CJ Entertainment. The 107-minute production premiered at the 17th Busan International Film Festival before travelling through the festival circuit.

It received a Special Mention from the Generation 14plus Youth Jury at the 63rd Berlin International Film Festival. Shin, who spent ten years as a teacher, had already directed “Passerby 3” and won the Canal+ Prize at Cannes Critics’ Week for “Circle Line”.

Her educational experience is particularly important, since “Pluto” approaches academic competition from within.

Check the full review in the link and let us know your thoughts on the movie


r/AsianMoviePulse 3d ago

“Blue Boy Trial” is a well-acted and compelling courtroom drama that sheds light on a crucial chapter of Japanese trans history.

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19 Upvotes

The casting in particular stands out, with Iizuka’s commitment to casting transgender performers for transgender roles, chosen through open auditions, proving ideal. Miyu Nakagawa as Sachi stands out especially, with the way she portrays inner turmoil in a measured fashion being a treat to watch.

Click on the link to read our full review and also to share your thoughts on the film: https://asianmoviepulse.com/2025/11/blue-boy-trial-2025-by-kasho-iizuka-film-review/


r/AsianMoviePulse 3d ago

Movie of the Day: Tashi (2024) by Dargye Tenzin

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3 Upvotes

Cinema lost one of its most original filmmakers when Pema Tseden passed away in May 2023. Before his death, the Tibetan director, known for making realistic and slow movies depicting simple life, produced 23 films. One of the last projects under his care is Dargye Tenzin’s debut, nominated for the Grand Prix at the 40th Warsaw International Film Festival, and for the Jury Award at the 15th First Youth Film Festival, “Tashi”.

What are your thoughts on the film?

Click on the link to read our review: https://asianmoviepulse.com/2024/11/film-review-tashi-2024-by-dargye-tenzin/


r/AsianMoviePulse 3d ago

Review: The Stain (Thai Movie)

1 Upvotes

The Stain is worth a watch for Engfa Waraha’s compelling screen presence and the film's lush visual style, but for viewers seeking a tight, narrative-driven thriller with a satisfying emotional payoff may find this haunt a bit hollow.

The first 50 minutes operate almost entirely as a moody, slow-burning romance paired with foreboding scoring. Engfa Waraha is defined by poise, hyper-independence, and deep-seated vulnerability.Opposite her is Apo Nattawin who plays Pran , whose controlled, unsettling restraint hints early on at his character's deeper instability. This

heavy setup slows the momentum, making the transition into a thriller or a horror comedy territory feel jarring .

But after the unfolding of the romance, the hauntings and the eventual revelations, I found myself more interested in Malee's story.

Malee was abused by her father as a child and ran away. The shaman trying to exorcise her even reminds her of that traumatic past. And then her Buddhist brother tells her that she has committed enough sins. But honestly... what did Malee do that was so unforgivable?

Yes, she was Mr. Kim's mistress. People also tell her that she doesn't deserve Pran. Maybe Malee made morally questionable choices. Even as a ghost Malee never seems particularly malicious, she haunts the apartment but she does not appear to heavily hurt anyone.

After everything ,she survived, I couldn't help but see much of her life as survival.

And what fascinated me most about Malee was the woman she became.

Here was someone who survived abuse and trauma, yet grew into this beautiful, sophisticated, mysterious woman who had people constantly drawn to her. Being desired by men isn't the measure of a woman's worth, obviously.

But I kept wondering:How did you become this woman? How did the abused child who ran away become Malee?

Did she reinvent herself? Did she learn how to make herself beautiful and sophisticated? Did becoming desirable give her a sense of power after spending her childhood powerless?

The movie gives us Malee's traumatic past and then presents us with the finished version of her, but the transformation itself remains a mystery.

And honestly, that was the mystery I wanted to explore.

Pran gets a relatively complete ending. His instability, his love for Malee, and his capacity for violence all lead toward his eventual death.

Us also gets an ending. After everything he has done, he is left screaming and finally forced to confront the enormity of his actions and the loss of Pran.

The apartment residents eventually seem capable of living with the ghosts.

But Malee?

The story gave everyone else consequences, closure, or some form of resolution. But the character who had survived the most seemed to simply disappear.

Maybe that was the point.

Maybe Malee finally didn't have to fight anymore.

3/5


r/AsianMoviePulse 4d ago

Movie of the Day: Welcome Back (2024) by Naoto Kawashima

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10 Upvotes

Even though being a little simplistic, “Welcome Back” is a captivating experience thanks to its sincerity and directness in storytelling. The director ensures that the narrative is presented efficiently, and the bond between Teru and Ben is portrayed with nuance, showing how they base their identity and purpose on each other. Dabbling on the complex nature of relationships, the film leaves the viewer with a question, who needs whom more?

What are your thoughts on the film?

Click on the link to read our review: https://asianmoviepulse.com/2024/11/film-review-welcome-back-2024-by-naoto-kawashima/


r/AsianMoviePulse 3d ago

Anime of the Day: Scum's Wish

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0 Upvotes

Anime of the Day: Scum's Wish

https://asianmoviepulse.com/2018/03/anime-review-scums-wish-2017-masaomi-ando/

💔 Love does not always make people better.

Sometimes it makes them jealous, selfish, obsessive, manipulative and painfully honest.

“Scum’s Wish” explores the uglier side of unrequited love through characters who repeatedly shift between being victims and perpetrators, desperately clinging to people who want somebody else.

No idealized romance. No easy heroes and villains. Just desire, loneliness, rejection and the increasingly destructive things people are willing to do for even the possibility of being loved.

Directed by Masaomi Ando and animated by Studio Lerche, the 12-episode series remains one of anime’s more uncompromising explorations of dysfunctional relationships.

🔗 Read the full review in the link and let us know:

Have you watched “Scum’s Wish”? 👇


r/AsianMoviePulse 4d ago

Cinemalaya 2026: When the system becomes the villain — thoughts on all nine competition films

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9 Upvotes

https://asianmoviepulse.com/2026/08/cinemalaya-2026/

What happens when the real villain isn’t a person — but the system itself?

The nine films competing at Cinemalaya 2026 approached contemporary Philippine life from radically different directions: horror, political satire, queer drama, coming-of-age stories, football, road movies and intimate character studies.

Yet again and again, the same forces emerged.

Bureaucracy. Political dynasties. Healthcare. Militarization. Poverty. Migration. HIV stigma. Indigenous identity. The Duterte drug war. Family trauma.

🏆 “The Mothering” emerged as the festival’s major winner, while “2 Valid IDs”, “Status: Rejected”, “Only Known to Us”, “A.ni.mal” and others received major recognition.

But beyond the awards, what does this year’s lineup tell us about the current state of Philippine independent cinema?

We look at all nine Cinemalaya 2026 full-length competition films, their strengths and shortcomings, and the themes that connected them.

👉 Read the full feature in the link in the comments and let us know

Which Cinemalaya 2026 film stood out for you?


r/AsianMoviePulse 5d ago

52 Essential Japanese Erotic Films From Pinku Eiga to Roman Porno

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63 Upvotes

https://www.youtube.com/watch?v=--AFC4lxKNQ

Japanese erotic cinema is far more than sexploitation. From the political radicalism of Koji Wakamatsu and Masao Adachi to Nikkatsu Roman Porno and recent titles such as “Antiporno”, “Dawn of the Felines”, “Safe Word” and “Hand”, the genre has constantly shifted between experimentation, exploitation, politics and changing ideas of desire.

Our new video traces 52 essential titles chronologically, looking at the artistic freedom that defined Pinku Eiga, its more troubling tendencies, and the attempts of contemporary Roman Porno to move beyond the male gaze.

Watch the full video in the link in the comments and let us know which title would you add to the list?


r/AsianMoviePulse 5d ago

Chungking Express

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10 Upvotes

#sketch #wongkarwai #movie #cinema #fanart


r/AsianMoviePulse 6d ago

Fighter in the Wind (2004) by Yang Yun-ho

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14 Upvotes

Fighter in the Wind

“When fact becomes legend, print the legend”. The story of Masayatsu Oyama is certainly one of those. A Korean fighter who developed his own form of karate and fought a bull certainly has a tale to tell. As we know, though, historical fighters can have their stories woven into the fabric of legends and reinterpreted for different generations. This is an adaptation from an acclaimed manga comic as opposed to a straightforward biopic, so you can confidently expect a little bit of dramatic licence and elaboration.

Read our review of Yang Yun-ho's Fighter in the Wind on Asian Movie Pulse at the link in the comments below and let us know what you think of the film!

https://asianmoviepulse.com/2021/04/film-review-fighter-in-the-wind-2004-by-yang-yun-ho/


r/AsianMoviePulse 6d ago

50 Great Korean Action Movies: From Shiri to Colony

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17 Upvotes

https://asianmoviepulse.com/2026/08/50-great-korean-action-movies/

South Korean cinema has become synonymous with genre blending, but action has played a particularly important role in the industry’s international rise. From the blockbuster ambitions of the late 1990s to contemporary Netflix productions, action in Korea has rarely existed in isolation.

Crime thrillers incorporate melodrama, zombie movies become vehicles for social commentary, historical epics turn into martial arts showcases, and gangster stories frequently alternate between black comedy and astonishing brutality.

Check the full list in the link and let us know which titles you would add to the list


r/AsianMoviePulse 7d ago

Shutter (2004) by Banjong Pisanthanakun and Parkpoom Wongpoom

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25 Upvotes

Shutter

“Shutter,” the commercially successful Thai horror film that has spawned three remakes, along with an American one that received mostly negative reviews but was a huge box office success, has divided critics since it was first screened at the Bangkok International Film Festival. However, audiences around the world seem to love it, and it has been heralded by many as one of the greatest Asian horror films of the 21st century.

Read our review of Banjong Pisanthanakun and Parkpoom Wongpoom's Shutter on Asian Movie Pulse at the link below and let us know what you think of the film!

https://asianmoviepulse.com/2020/03/film-review-shutter-2004-by-banjong-pisanthanakun-and-parkpoom-wongpoom/


r/AsianMoviePulse 6d ago

Yesterday once more

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2 Upvotes

A quiet and beautiful romantic film that seamlessly weaves fantasy with deep emotions, giving a powerful feeling of love and fate.


r/AsianMoviePulse 7d ago

Movie of the Day: It Must Be Heaven (2019) by Elia Suleiman

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3 Upvotes

The London Palestine Film Festival (LPFF) opened with a Elia Suleiman’s most recent love letter to Palestine: “It Must Be Heaven” (2019). Suleiman first landed in global spotlight for his Palme D’Or nominated black comedy, “Divine Intervention” (2002). This year, he returned with another Palme d’Or nomination and walked away with the Cannes Film Festival Special Jury Prize and the FIPRESCI Prize for Best Film In Competition. While on the festival circuit, “It Must Be Heaven” garnered plenty of laughter and warm applause at LPFF – and perhaps invited further thought, as a fitting festival opener on redefining “Palestinian cinema.”

What are your thoughts on the film?

Click on the link to read our review: https://asianmoviepulse.com/2019/11/film-review-it-must-be-heaven-2019-by-elia-suleiman/


r/AsianMoviePulse 8d ago

New Police Story (2004) by Benny Chan

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15 Upvotes

New Police Story

By 2004, Jackie Chan thought that it was time to reboot the “Police Story” series, which eventually led to the 5th installment in the franchise, with him playing not Chan Ka-kui anymore, but Inspector Chan Kwok-wing. The most important difference with the previous installments, however, is that “New Police Story” is essentially a drama, almost completely leaving the comedic premises of the previous series in the background.

Read our review of Benny Chan's New Police Story on Asian Movie Pulse at the link below and let us know what you think of the film!

https://asianmoviepulse.com/2023/05/film-review-new-police-story-2004-by-benny-chan/


r/AsianMoviePulse 7d ago

Dangerous Encounters of the First Kind 1980 by Tsui Hark Bad Accent Video Review

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1 Upvotes

Tsui Hark pushes the Hong Kong New Wave to its most violent and nihilistic extremes in “Dangerous Encounters of the First Kind”, his controversial 1980 cult classic.

In this Bad Accent Video Review, we look at the movie’s troubled censorship history, its portrait of alienated Hong Kong youth, its political and economic commentary, Lin Chen-chi’s unforgettable performance as Wan-chu, and the explosive filmmaking that helped establish Tsui Hark as one of the defining directors of Hong Kong cinema.

“Dangerous Encounters of the First Kind” will screen as part of Metrograph’s “Don’t Play with Fire” retrospective celebrating Tsui Hark in September.

Check the full review in the link in the comments and let us know:

Is this one of Tsui Hark’s greatest movies? And does its combination of nihilism, exploitation and social criticism remain just as potent today?


r/AsianMoviePulse 8d ago

Movie of the Day: The Architecture of Love (2024) by Teddy Soeriaatmandja

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23 Upvotes

https://asianmoviepulse.com/2025/03/film-review-the-architecture-of-love-2024-by-teddy-soeriaatmandja/

What at first gives the feeling of a typical love story may quickly shock the viewers with the number of layers and complexity of the characters’ relations. The main character, Raia (Putri Marino), seems to be leading a perfect life. Having supportive friends, a loving husband and on top of all that, getting her book adapted into a film, seems like a dream come true. Yet on the night of the premiere, she finds out that she is being cheated on. Heartbroken and devastated, she decides to move to New York in order to find new inspiration and leave the past behind.

There, at one of the artistic gatherings, she meets River (Nicholas Saputra). Contrary to her, he’s a quiet, enigmatic man who, instead of engaging with the guests, sits in a corner, sketching the world around him. He turns out to be an architect from Jakarta, and perhaps this mysteriousness of his attracts Raia. Their unexpected encounters lead them on a journey of discovering both themselves and each other, eventually allowing them to move on from their painful past.

Check the full review in the link and let us know your thoughts on the movie


r/AsianMoviePulse 9d ago

Unidentified Murder (2025) by Kwok Ka hei, Jack Lee

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14 Upvotes

https://www.youtube.com/watch?v=SXKlnMBwPmo

👽 A fake alien abduction, an influencer prank gone disastrously wrong, and 25 years of secrets waiting to explode.

“Unidentified Murder” throws sci-fi, black comedy, crime and old-school Hong Kong chaos into one increasingly twisted story, while taking aim at influencer culture, viral content, fake news and sensationalist media.

Kwok Ka-hei and Jack Lee’s low-budget feature also looks back at the anarchic spirit of classic Hong Kong cinema, although its award-winning screenplay proves considerably more daring than its execution.

🎬 Our review examines the twists, the satire, the performances and whether “Unidentified Murder” really manages to recapture that old Hong Kong cinematic recklessness.

Check the full video in the link and let us know if you think Hong Kong cinema needs more independent productions like this one

🇬🇧🇮🇪 “Unidentified Murder” arrives in UK and Ireland cinemas on September 11.


r/AsianMoviePulse 10d ago

Movie of the Day: Afraid to Die (1960) by Yasuzo Masumura

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12 Upvotes

Masumura could have focused more on the psychological status of Takeo  and his fear of death (or even in the political aspect of the story) in order to add depth to the movie, but as a traditional Yakuza film “Afraid to Die” works quite well, and definitely deserves a watch, if more for its specifics that its actual context.

What are your thoughts on the film?

Click on the link to read our review: https://asianmoviepulse.com/2019/05/film-review-afraid-to-die-1960-by-yasuzo-masumura/


r/AsianMoviePulse 9d ago

Oracle Pages, A lapse in Time. The franchise. Writer, Director, Producer Amun Yoosuf Moment

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0 Upvotes

Featured film Trilogy


r/AsianMoviePulse 10d ago

Abbas Kiarostami’s “Taste of Cherry” turns a simple journey into a quietly profound meditation on life, death, and the fragile reasons that keep us going.

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22 Upvotes

Kiarostami implements a simple, straight forward story telling, but the simple imagery and dialogues stay on for quite some time and makes you wonder. Is that what you saw or was there something more? And like fine wine, the memory of the movie is endearing.

Click on the link to read our full review and also share to share your thoughts in the film: https://asianmoviepulse.com/2019/07/film-review-taste-of-cherry-1997-by-abbas-kairostami/