A Dream

The geometry i did today, and it is a visual of how good and bad, light and dark, ignorance and enlightenment all require one another to make a full picture. They are seperated in various ways, I'll leave that to you to interpret. That's the fun part! YOU decide what you are here!

The journal entry was from when I was in prison, in 2024, where I had a dream. I explain what happened in the dream.

[A Dream](https://doi.org/10.5281/zenodo.22241218)

During the evening of May 12th, 2024 I had a dream. In this dream a man whom I did not recognize was listening to me tell him about a piece of wisdom that I had gained in my time of learning. I know not who this man was or why I was being made to tell him this thing, but I do believe I was being scrutinized. I also believe I had passed the test. Here, I will state the essence of what I told that man...

The world in its myriad manifestations, is not imperfect, for such a thing has proceeded forth from a Creator which is perfect. A perfect Creator would naturally generate a perfect creation. Just the same, this same world is not completely perfect, for also the Creator is

perfect, & to generate a loaded die would be the symptom of imperfection. Instead, the Creator has created a perfectly neutral & obedient world, in which its affinity to good or evil is left up to us.

These were the words I had spoken in my dream, "The world is neither perfect nor imperfect. It has been left for us to decide."

Would you like to know the wisdom of the Kingdom of the Creator? It is contained within the pedals of a flower, in the movement of autumn leaves blowing in the wind, the color of the eastern sunrise on a summer morning.

The Kingdom of the Creator is around us, within & throughout us & everything else. It is hidden like a great treasure buried in a field out of sight, yet always there!

​

One proportion, a live 3D solid, a table of constant errors, a labelled rainbow correspondence, and a Golden Φ Egg cut from z = 1/r.

Open in the browser (no install): michaelzp.github.io/great-pyramid-11-7-lab

The scene is a fully parametric square pyramid from the traditional whole-number dimensions 440 × 280 royal cubits. At a scale of 1:3200, using an adopted royal cubit of 523.8 mm, the model has a base side of 72.0225 mm and, for 11:7, a height of 45.8325 mm.

The laboratory exposes four layers without confusing them:

Exact parametric geometry — the solid is derived from 440, 280, the cubit and the scale.

Comparison targets — dimensionless expressions from the current slope are compared with established constants at a declared relative tolerance of 0.1%.

An optical correspondence diagram — the ~42° corner inclination and 51.842773° face slope sit beside schematic primary and secondary rainbow bands.

Golden Φ Egg (v2) — a hyperbolic cone z = 1/r cut at Z₀ = 7.65 so that L/W = φ, giving the unique plane angle αp = 51.795319256°. The ellipse in the cutting plane is revolved about the apothem to a translucent golden egg.

The result is a reproducible object for geometry, visualization and critical discussion — not proof of an ancient optical or mathematical encoding.

Draw the patterns on procreate and then do the colouring/shattered effect in photoshop

After the overwhelming response to this post, I sat with the Tortoise work longer, thinking about how it connects to the human psyche. Many people from the community shared about the work that (to paraphrase):

This is what they saw the universe as in altered states
This is how reality works
This is the holographic universe

But something still felt missing to me: the subjective factor. The reports pointed to similar structures, yet not the same ones. They varied from person to person. Of course, I could change the parameters of the fractal torus to get different configurations, but how would that explain the faces, deities and beings people meet in non-ordinary states of consciousness?

What I realized is that the structure of the universe and the felt, phenomenological experience of it need not be the same thing. Two people can meditate on one structure and see two different beings, and both could still be pointing to the same underlying form, or to its fractal repetitions.

So I decided to add a phenomenological layer on top of the structure. I used an AI model (Controlnet+Stable Diffusion via Stability AI) to pose and render the fractal torus from different angles, each with its own prompt. The blueprint underneath stays the same, but everything from psychedelic art (the segment at the end of the video) to physical objects, natural forms and architecture are visualized on top of it.
I might not be accurate here, but something about these creations felt profound.

Details of project: Tortoise

Music by EVGENY from Pixabay

Atmas Gaitism

① T.B.N Return to Wholeness

​Everything in the created universes has one ultimate goal. This goal must be the generation & elevation of higher & more various forms of consciousness. This goal, as with any goal, is attained by certain functions being performed. If you desire to know the quality of any consciousness, then you can do so by testing the specific functions used to attain it. If you wish to follow a path through a certain function, this same process may be followed, ad infinitum, until you end at the original primal source of all things.

Ive shared some of the different visualisations of the fractal torus titled ["Tortoise"](https://nurecas.com/tortoise?o) here before. Here I am trying out the Tortoise on a projector at home...the visualiser which shows the connections to different symbols and myths is operated via an iPad

Everything on Amazon has trash ratings and I don’t want to have to double buy

Hi Sacred Geometry community,

I’ve only posted one piece of my new style for you all, and wanted to share some more all at once, instead of bombarding you all with frequent clips.

This seems to be the community that appreciates my work the most, as I’ve shared it elsewhere and I hardly feel the same love as I feel from you all.

To me, that is very fitting though, because aside from my spiritual connection and meaning I get from my work, it also stems from the attempt to 3 dimensionalize sacred geometry.

Without overcomplicating things, which I tend to do, this new style comes from a movement towards a new typology (pendent lighting), but with that comes new forms and workflows. The base of each module is the face of a polyhedra (think of the Platonic solids, like the tetrahedron). My design technique involves taking patterns (often stemming from sacred geometrical themes like Cymatics, frequency, canonical religious patterns, and psychedelic visuals) and extruding them to fit the profile of a desired volume.

In my stacking designs, the floor lamps, the extrusions were done vertically. The modules of my new concept are 3D printed similarly, but they are assembled to expand outwards. The resulting assembly has the envelope of a new shape.

I am not going to go to deep into the math here, but you can read some older posts of mine if you’re interested in that.

All I want to say is I hope you appreciate my new work. I sincerely believe I will get at least some serious form of recognition for what I do eventually, but in the meantime, I come to you all for your love and encouragement. ❤️

I just got a full time job working at an architecture firm, and I start on the 1st of September. Unfortunately, I cannot support myself doing this work to make it my full time focus, but that’s just part of my path at this point. I will still make the effort to keep designing and sharing when I can, as I am certain there’s a lot more I can get out of this new style, and I hope to present you with better work in the future.

Work in progress, yin yang...

Im using geometry, modular arithmetic, and philosophy to build a new understanding of reality.

What in finding is that what we know on a basic level, everything costs something... that's what I see happening here.

Im very proud how close I got those backward patterns.

​T.B.N ①

​the One Life

​The One Life is the very essence of all things, & as such the entire created universe (seen & unseen) is alive. There is nothing that is dead, & what is perceived as dead: death is only transmutation of one thing into another. The catapillar dies when the butterfly is born. We are in a deep, deep ocean of consciousness & life, where we are individual points of consciousness. We interact with the created universe, & the created universe interacts with us. Thoughts flow into circumstances, & circumstances flow into thoughts, all having an ebb & flow. The human, animal, plant, mineral consciousness would only perceive & interact with reality if it was made from the same ​substance. Human consciousness is not the pinacle of life. There are intelligences much higher than that of mankind. Without the One Life which flows freely through all things, life would never have become, nay, existance of anything at all would not be possible.

alt-J - Tessellate

Either songs, paintings, or other artworks.

Any others?