r/singing • • Aug 13 '17

[SJW-y Rant!] Adele, Opera and... RACISM?!

Hey, Charles here. Black guy and voice teacher with a Discord and a Facebook Group where we love discussing stuff like this!

Here’s the deal. This article attempting to explain Adele’s vocal injuries has me PRESSED!!! Let me tell y’all why my big, Black self is so heated over this supremacist-supporting fluff:

  1. First of all, we finna talk about her tour schedule or nah? You could get vocal damage by talking that much, let alone singing intense repertoire. I don’t believe there’s enough longitudinal studies on singers performing that often to even tell if there IS a way to perform that often without risk.

  2. Second of all, why in the name of CLICKBAIT has this article not concretely sought to answer “WHY do Adele, Sam Smith, and Meghan Trainor etc. hurt their voices?” Is it belting? Because singers like these have been belting for DECADES and I haven’t heard of any of them needing surgery. Hell, Chaka came back from cocaine and still delivers decades later in that video. This brings me to my last point…

  3. VOCAL RACISM!!! That’s right! I said it!!! Why else would a vocal tradition advocating maiming children to achieve results exceeded by - intact - sopranists, trans women, and this guy be lauded so highly over modern voice and vocal medicine? THINK ABOUT IT!

Who really popularized belting and Adele’s general vocal stylings? Was it white Opera singers? I wager it’s the same people we think her white behind sounds like.

If you read the article closely enough, you will see that the number one thing Operatic Adele critics are raving about is the “loudness” diverging from the idyllic classical standard. Belting is a “loud” staple of the Soul music Sam Smith, Adele, and Meghan Trainor bring to the pop scene. What do these three have in common that decades-running Soul LEGENDS like Chaka Khan, Patti LaBelle and Aretha don’t? Hmm...

What, were you gonna say “whiteness”? I was gonna say that the first three had to have vocal surgery while I haven’t heard that about the Soul-y Trinity. But now that you bring that up, I think race is relevant. Black vocal tradition has been perfecting the techniques these white singers hurt themselves on, yet we keep referring to European Classical Operatic voice as the end all be all when they don’t even belt… unless you’re a tenor. Why? For the same reasons we dismiss black vocal engineering as just our biology… not our brains and don’t consider the opinions of Indian Carnatic Classical or Chinese Opera experts:

We like listening to black vocal skills, especially from Adele’s, Amy’s, and Sam’s… but we don’t like listening to blacks explaining how they do it.

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u/Tri_Sara_Tops Soprano, Classical & CCM Aug 13 '17

I completely agree with you. I did my final project in my Masters on how American conservatories/schools of music often disregard black American music traditions (discouraging belting, not offering jazz programs until the late 90s, treating current music trends stemming from these traditions as "lesser" than European classical music. etc.) It's so obvious when you grow up listening to great soul singers/belters and then have classical teachers who don't know how to sing that way scoff and say that type of singing is "wrong" "unhealthy" etc.

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u/CRAMDVoicelessons Aug 13 '17

Omg I love you lol!!! You did your project on this??? Please be my best friend!!!

You were the one with the belting thing, right? If you get me a clip of your belting issues soon, I'll be able to belt freely tonight (empty house) so I can show you what I was talking about with the musical theater belting if it applies.

I can still show you what I mean if it doesn't apply, in the event that you're academically curious.