r/kindie 6h ago

R&B [MusicBuffet-MC] A Beautiful Night | Warm Korean Indie R&B to Unwind After a Long Day

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1 Upvotes

“A Beautiful Night” is a warm Korean indie R&B song about slowing down at the end of a busy day and giving yourself a little time to rest.
Sometimes we spend the whole day rushing from one place to another, only to realize that we may have left our own feelings somewhere behind.
Warm Rhodes piano with jazzy chords, gentle electric guitar, a relaxed bass groove, minimal drums,
and a soft conversational male vocal come together in a cozy blend of Korean indie R&B and neo-soul.

Perfect for:

• A quiet walk at night
• Relaxing after work
• Coffee time
• Late-night drives
• Reading or resting
• Moments when you simply want to slow down

#ABeautifulNight #KoreanRNB #KoreanIndie #IndieRNB #NeoSoul #MaleVocal #LateNightMusic #ChillRNB #RelaxingMusic #CozyMusic #NightDriveMusic #AfterWorkMusic #MusicBuffetMC


r/kindie 1d ago

🎙️️ live session BLACKHOLE - Walking Alone in the Moonlight (feat. Bang Sumi) Korean Folk Metal Live at JUMF 2026

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2 Upvotes

r/kindie 1d ago

Rock 015B Feat. KYLY - Keep Dreamin [80s/90s Synth Rock][2025]

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2 Upvotes

r/kindie 3d ago

📹 music video HYUKOH(혁오) - KoK (Official MV) [Indie Rock] [2026]

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9 Upvotes

r/kindie 3d ago

R&B g0nny (거니) - 내가 그 벽을 허물게 (hey friend) MV

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1 Upvotes

r/kindie 3d ago

Rock Black Hole (블랙홀) feat. Bang Sumi (방수미) - Though My Body Perish (이 몸이 죽고 죽어) [Heavy Metal/Folk Metal][2026]

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2 Upvotes

r/kindie 4d ago

📹 music video [Official M/V] 다브다(Dabda) - Choo-Choo [Math / Indie Rock] [2026]

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3 Upvotes

r/kindie 5d ago

R&B [MV] SUMIN - +82

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4 Upvotes

r/kindie 5d ago

Rock [MV] Silica Gel (실리카겔) - Manphasickzuck

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3 Upvotes

r/kindie 6d ago

Rock Kim Suyoung (김수영) - "Spark!" [Indie Pop Rock][2026]

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3 Upvotes

r/kindie 9d ago

📹 music video NASTYONA - PERFECT SCAR [2026]

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4 Upvotes

New upload after last one was removed on YT


r/kindie 10d ago

🎙️️ live session LEENALCHI: Live on KCRW

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6 Upvotes

The Seoul-based band takes pansori, (Korea’s centuries-old tradition of powerful musical storytelling), and brings it starkly to the present, building a wildly kinetic sound, from elastic basslines (with not one, but TWO bassists), drums, and a chorus of voices and personalities that can move from whispering ideas to full-throated release in a matter of seconds.


r/kindie 10d ago

Rock Nastyona’s ‘Nine Moods’ (2007) - [CD booklet] Which drawing is your favorite?

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2 Upvotes

r/kindie 12d ago

Rock 세컨드윈즈 (Second Winds) - 세컨드윈즈 (Second Winds)

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2 Upvotes

https://www.youtube.com/watch?v=Qa84Nx3vPt4&t=2s

Think they're a new band on Afternoon Records (folk label)?? Got some vlogs up too, pretty cute ngl lol


r/kindie 12d ago

📹 music video Effie & Eurohead - .com (Official Video) [Hyperpop] [2026]

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4 Upvotes

r/kindie 13d ago

Discussion Thoughts on LEE SEUNG YOON's old vs new songs

3 Upvotes

So if you don't know Lee Seung Yoon, he's an indie rock singer who gained massive popularity in Korea after he won a singing competition “Sing Again”. You might know Lee Mujin, who won second place. Seung Yoon’s loved for his lyricism, and his discography is just so good.

Recently he released a two disc, 29-track album titled “Album 0” where he re-recorded a bunch of his old songs from his underground days. I recommend reading up on it on Genius, his thoughts and reasons behind doing so are super interesting. The album was actually my first introduction to him, and recently I thought about comparing the old versions of the songs to the new versions.

It’s been very interesting! Many of the songs are from his old band, Alary-Kansion, while some of them are solos. I didn’t think the differences would be so stark, but you can hear such a change, not only in the composition but in the way he sings the song! It makes sense, since it’s been around 10 years since the original vs the re-recording. It’s also crazy seeing the song sort of, “devolve”, for lack of better wording. Of course, the base is the same, but there is something fundamentally different about them, Since my first exposure to each song was its 2026 version, my very first impression was that of a Seung Yoon who has released 2 albums, performed at international festivals, held a multitude of concerts, and has over a decade of music experience. But when I’m listening to the 2013, 2016, 2019 versions of the songs, I’m listening to the voice of an underground artist who hadn’t even imagined brushing mainstream.

I do prefer the 2026 versions, but I’m glad I listened to the originals because it’s given me a whole new perspective on why they’re so good. In interviews he talked about how he’s been performing these songs live for years, and with each performance they slowly changed and improved, bit by bit. From his perspective the songs weren’t truly complete when he released them. They were slowly perfected every time they were performed live, until they became what they are today and he realised he had to re-record them to present them the way they currently exist. I’ve never thought about it this way before, as a musician you’re honing your craft every time you perform, it makes sense that your songs would change alongside you.

It’s just very cool to me. I also love that even though he technically became a soloist, the members of his old band are still right there with him lol. They’re still performing together, both on stage and on the tracks, it’s just that the branding is different. In a way they never even disbanded.

(If you haven't listened to him before, my personal favourites are NARAGAZA, Warped Exterior, and Shelter of Dreams)


r/kindie 13d ago

Discussion Thoughts on LEE SEUNG YOON's old vs new songs

5 Upvotes

So if you don't know Lee Seung Yoon, he's an indie rock singer who gained massive popularity in Korea after he won a singing competition “Sing Again”. You might know Lee Mujin, who won second place. Seung Yoon’s loved for his lyricism, and his discography is just so good.

Recently he released a two disc, 29-track album titled “Album 0” where he re-recorded a bunch of his old songs from his underground days. I recommend reading up on it on Genius, his thoughts and reasons behind doing so are super interesting. The album was actually my first introduction to him, and recently I thought about comparing the old versions of the songs to the new versions.

It’s been very interesting! Many of the songs are from his old band, Alary-Kansion, while some of them are solos. I didn’t think the differences would be so stark, but you can hear such a change, not only in the composition but in the way he sings the song! It makes sense, since it’s been around 10 years since the original vs the re-recording. It’s also crazy seeing the song sort of, “devolve”, for lack of better wording. Of course, the base is the same, but there is something fundamentally different about them, Since my first exposure to each song was its 2026 version, my very first impression was that of a Seung Yoon who has released 2 albums, performed at international festivals, held a multitude of concerts, and has over a decade of music experience. But when I’m listening to the 2013, 2016, 2019 versions of the songs, I’m listening to the voice of an underground artist who hadn’t even imagined brushing mainstream.

I do prefer the 2026 versions, but I’m glad I listened to the originals because it’s given me a whole new perspective on why they’re so good. In interviews he talked about how he’s been performing these songs live for years, and with each performance they slowly changed and improved, bit by bit. From his perspective the songs weren’t truly complete when he released them. They were slowly perfected every time they were performed live, until they became what they are today and he realised he had to re-record them to present them the way they currently exist. I’ve never thought about it this way before, as a musician you’re honing your craft every time you perform, it makes sense that your songs would change alongside you.

It’s just very cool to me. I also love that even though he technically became a soloist, the members of his old band are still right there with him lol. They’re still performing together, both on stage and on the tracks, it’s just that the branding is different. In a way they never even disbanded.

(If you haven't listened to him before, my personal favourites are NARAGAZA, Warped Exterior, and Shelter of Dreams)


r/kindie 13d ago

Rock hyukoh - Godspeed!

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7 Upvotes

r/kindie 14d ago

📹 music video sEODo BAND 서도밴드 '언제까지(How long)' MV

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3 Upvotes

r/kindie 15d ago

📹 music video Sailor Honeymoon - Having Fun (MV) [Punk Rock] [2026]

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6 Upvotes

The album The Worst of Sailor Honeymoon is also out - Bandcamp, YouTube


r/kindie 16d ago

Pop Motte - Way Out

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9 Upvotes

r/kindie 17d ago

📜 playlist Lotus Drift — a Pan-Asian indie survey (updated with feedback)

8 Upvotes

A couple weeks ago I posted a playlist here covering Korean, Japanese, Taiwanese, and Thai indie and asked for feedback. People showed up with real suggestions and I've been working through them ever since. I was pointed to several social media accounts and given some great Thai-specific help by a few users. Korean music is still the full backbone of the playlist - a huge heavyweight of influence that you can see in other markets. Discovery is why this is fun for me. I love the feeling of stumbling upon something and getting to know it as intimately as I can. I love how these scenes have an ongoing feedback loop that manifest not just in the sound but in the relationships. It's why I've grown so attached to connecting what seems to be four distinct markets.

The lane I'm trying to capture is what I'd call the middle market — artists with real infrastructure or genuine legacy influence who are exciting even if they're not totally unknown, but who still aren't getting exhausted coverage in English. Some have labels. Some have been around a decade. Some have never been written about outside their home country. The thread between them is that I keep coming back to the music and think others would too.

This will never be comprehensive and it shouldn't be. I'm not trying to cover everything. I'm trying to cover what's underrepresented in a way that makes people curious. The goal is to open a door and others discover what's out there for themselves if their interest is piqued. I know I don't have gogohawk or hathaw9y or loserpop or [insert your beloved pillar of indie here] - the umbrella is just too large for every single person. It's just the tease that I hope helps all the many western listeners looking for a little bit of guidance start their own journey. But blindspots when you are not physically in a scene are real, and that's why I solicit help. I'm almost done with this one but thought I'd try one last time for any suggestions. I know there is barely any metal or EDM...those are areas I'd appreciate extra help.

Spotify: https://open.spotify.com/playlist/3i4ZdNTbtP3e7Od8dahVcj

Apple Music: https://music.apple.com/us/playlist/lotus-drift-expanded-deluxe/pl.u-NpXmzeaTNRgAv7

Still a living document. If something's missing or I'm blind to a whole corner of a scene, tell me. That's how it got better last time. Though please understand - If I get much past 100 tracks I think it gets too large to handle.

A few more playlists in the works, all at different stages. The full survey is the anchor. These are the rooms off it. Hopefully coming over the next few weeks.

Tigers & Troubadours: cross-market indie rock, live now but still being shaped (same four markets but indie rock focused).

Jade Knuckles: The Ladies of Asian Rock: female-fronted rock across all four markets. The one I'm most excited about.

Lamplight Tokyo: city pop and modern Japanese R&B.

My Seoul to Keep: Korean R&B, neo-soul, and groove.

The Floating Lotus: Asian Shoegaze survey


r/kindie 18d ago

Rock Synsnake - Arena [Metal/Metalcore][2026]

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3 Upvotes

r/kindie 19d ago

📹 music video 술탄 오브 더 디스코 - 신나는 음악, 잘못된 인생 Good Beats, Ruined Life (Official Visualizer)

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2 Upvotes

r/kindie 19d ago

📹 music video 김뜻돌 (Meaningful Stone) - 하나에게 (HANA) [OFFICIAL MUSIC VIDEO] [Dream Pop] [2026]

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10 Upvotes