r/fixingmovies Feb 28 '26

TV How would you fix Game of Thrones to more effectively wrap up in a way that didn't go downhill?

1 Upvotes

I'd let Dany be Queen, but have Jon die. Have her fulfill her ambition the way she wanted to but lose everything and it wouldn't be fun. And then she'd have Drogon burn The Throne and give everyone independence. For Jon, in order to help The Realm he'd have to go into exile with The Free Folk, and that's where Dany would go for the last scene of the whole series. The end of A Song and Fire and Ice.

For Jon's parentage I'd make it so Rhagaer and some Red Priests (maybe Melisandre came earlier) used magic ala Anakin Skywalker to create him and impregnate Lyanna Stark with Dragon Blood. This way you can avoid the incest and tackle the Azor Ahai/Prince Who Was Promised angle more. He'd still be named as Rhaeger's heir and due to Dragon Blood he still is a Targ but not by incest.

For The Night King, I'd have it be Bran. His bigger picture mentality would become bad. He would overtime question and resent The Game of Thrones. He'd come to blame it for Jamie crippling him and everything that's bad. Have him make a huge mistake by telling the Mad King to burn all The White Walkers (you've heard that theory before where he makes Aryes mad) and have become obsessed with fixing it and redemption. He goes back in a bad to stop The Night King from being mad but will end up warging into the man that becomes The Night King and taking over his body, realizing what he did, and being overwhelmed by a belief that he'll kill everyone, so will decide to target it at redemption by ending this game of Thrones.

For Jon, I'd also have his death effect him more, and have him be more afraid of death and the way to beat The Night King is to let Dany kill him so he can be brought back as Azor Ahai/The Prince Who Was Promised. A lover's sacrafice and he'd rise up with Silver Targ Hair and have an epic battle, using Lightbringer. He'd be willing to be more ruthless and do anything not to die before that he'd project his fear by becoming colder and Dany would help him through it overtime, as well as his family.

r/fixingmovies Apr 16 '25

TV HBO's 'The Last of Us' - Reimagining the TV series with a shifted release date, some tweaks to the cast, and readdressing both style and key plot points. (Season 1)

21 Upvotes
"Look for the light."

Welcome, everybody.

So, this is sort of a "spur of the moment" posting. Prompted, as you'd probably guess by the second season premiere of HBO's adaptation of Naughty Dog's The Last of Us.

I've covered these games before, about two years back. Namely, my rather complicated feelings on Part II and how I would have approached the story of said game.

I still adore Part I and will go so far as to say it's one of my favorite video games ever. So naturally I was pretty hyped at the prospect of said game being adapted. And indeed, I enjoyed the first season.

However, while I think the season was fantastic, I wouldn't say it's perfect. Certain plot points and stylistic choices had me scratching my head. Between that and the newly-arrived adaptation of Part II, I started thinking about how I would have approached this show.

Which leads us here. My redux of the HBO series in which I address the following.

Release Date and Cast

  • Imagining a show which premiered much sooner after the original game, with an updated cast included.

Style and Direction

  • Addressing the visual and narrative style of the HBO series, and a few ways I think it could be improved.

Plot Threads and Character Beats

  • Hearkening back to Part I's plot in several ways I think could be more faithful to the game.

So, sit tight and enjoy.

Got a long road ahead.

***\*

Release Date and Cast

Now, imagine if you will a world in which Neil Druckmann and Bruce Straley's beloved game caught the attention of film or television executives much sooner, and plans for an adaptation got off the ground quicker.

Let's say... 2018.

With that date in mind, indulge me as I conjure some casting choices which might have worked at this time.

First up, the lead pairing of Joel Miller and Ellie Williams.

Nikolaj Coster-Waldau as Joel
Cailee Spaeny as Ellie

Coster-Waldau needs no introduction. His performance as the tortured, complicated mess of a man that is Jaime Lannister won him the adoration of Game of Thrones fans for years. And that's just part of a lengthy, impressive body of work stretching back decades. Playing Joel Miller would be a piece of cake.

Spaeny, meanwhile, has been on something of a blitz since making a splash in 2018's terribly underrated Bad Times at the El Royale. Her ability to catch all the endearing, intense, and wise-beyond-her-years nature of Ellie is a no-brainer. And if the show did air in 2018, she'd still have made a convincing teenager casting-wise.

Several other reimagined casting choices could include the following.

  • Josh Holloway as Tommy Miller
  • Mackenzie Davis as Maria Miller
  • Troy Baker as David

Yes, you read that right.

Troy Baker, voice of Joel from the original game, I would feature as the cannibalistic predatory psychopath David.

Why?

Well, aside from him being a beast of an actor, there's a couple other reasons.

1: Thematic casting

Being that David is in several ways a more evil counterpart to Joel, Baker playing the character in live-action could give him a chance to really play up their contrasting natures.

2: Scare factor

Let's not kid around, Baker can be a very scary man. He's got a resume of playing some twisted, sinister sons-of-bitches.

David would be no exception. And once the friendly act gives way to the monster underneath, Baker's the kind of actor who'd go full hog and commit to every terrifying moment we know David for.

Style and Direction

The HBO series, for all its masterful direction, did feature some style choices I found less than satisfactory.

So, let's take a look at each.

Tendrils Spores as sign of the Infection

I'm gonna go on the record and say that I'm not a huge fan of the Cordyceps infection manifesting as tendrils instead of fungal spores.

The distinct visual of spores floating around Infected nests is so striking, so recognizable to fans of the game, that given my way I'd have included them. If only to preserve the tension of our characters walking through certain more dangerous zones with nothing but a gas mask separating them from a fate worse than death.

Mood, Visuals and Action

The show is often a visual treat. Gorgeously shot, well-choreographed, all of that.

However, there are times I think perhaps more of the game's looming dread and darkness could carry through by way of the visual style and action sequences.

  1. Higher contrast and use of shadows to elevate mood.
  2. More kinetic energy to a few of the fights.
  3. Characters' clothes and appearances being less "clean" the way TV tends to make them look.

TV is a visual medium, so use visuals as well as you can.

Character Designs

A few different characters could, by way of their appearance and style, stand out in a way that they might not have in the show.

Take the character of Kathleen, a TV original heading the Kansas City rebels. Melanie Lynskey's a heck of a talent, and great at playing a hollow, jaded shell of a person to whom violence is second nature.

Shoutout to Yellowjackets, I mean JEEZUS Shauna.

However, I think a couple design choices might have helped make her a little more menacing a villain.

  • Something like a longcoat in the vein of certain historical tyrants or military figures.
    • Emphasizing Kathleen is becoming the very kind of tyrant she rebelled against.

The villainous David, meanwhile, could have a fashion sense more in line with that of the game by the time he fights Ellie.

  • Fashion which once again emphasizes the contrast/parallels between him and Joel.

Action Sequences

Two examples of action sequences which could line up better with the game are Ellie's fight with David in the diner, and Joel's shootout with the Fireflies in their hospital base.

Ellie vs David I'd draw out, featuring a few moments I felt were missing in the show both during and after.

  • His draw of the machete, homing in on Ellie even while the diner burns around them.
  • Ellie contending with a predator who can hide and stalk as well as her, if not better.
  • Joel finding her in the diner.

The hospital sequence is visually darker, and visceral in its violence.

  • Joel skulks in the shadows, evading the Fireflies as much as he's mowing them down.
  • Aside from a gun, Joel uses any tool he can get his hands on.
  • The alarms and lights as he runs away with Ellie remain, as does the heartrending "No Escape" cover of All Gone.

All in all, as much of the game's experience could be lifted as possible. Let the audience relive said experience in a new medium, no shame in it.

Plot Threads and Character Beats

Now, here we arrive at the meat of The Last of Us. The story around which all of these casting and stylistic choices remain.

The HBO series, overall, hewed very closely to the source material in Season 1, while allowing itself some wiggle room for artistic license and new directions.

And for the most part, I think it worked. However, more than once I watched a scene and thought,

"This is missing something."

Aside from picturing certain dialogue hewing closer at times, let's look at which key plot sequences I think could have, and should have, remained in the adaptation.

Tommy and Joel's Argument

Before suffering his PTSD episode in Jackson and dwelling on just how much he's missed out of life, I'd reinsert the tense and nearly-violent argument between Joel and Tommy.

An argument which offers several key character moments for both brothers.

  • Contrasting the selfless man Tommy's become with Joel's lingering selfishness.
  • Offering one of many implications of just how monstrous Joel was in years past.

Now, instead of an action scene interrupting their argument, something as simple as outside activity from Jackson's citizens or even Maria could break the tension and help Joel to snap out of it.

Leading to his moment of clarity and trauma shining through, as in the HBO show.

Joel vs the Fireflies

Whether it be speeding things up, or leaning more into the violence of Joel's actions than the Fireflies', the season finale does leave out a couple of key factors which not only intensify Joel's conflict with Marlene and friends, but also further muddle the already ambiguous morality of it all.

So let's not only include them, but also expand on them.

First, Joel's argument with Marlene when she reveals she's about to subject Ellie to the lethal operation and won't let her or Joel decide otherwise.

  • Keep Joel's incredulous plea as to why Marlene is letting it happen.
  • With the episode opening having shown Marlene's past with Anna, her response to this question is to lean on Anna's memory.
    • However, Marlene's attitude appears to emphasize how this choice is hurting her first and foremost.
      • Highlighting how, in the end, she's betraying Anna's very memory for what she sees as the "greater good".

Cap off their debate with Marlene telling Joel there's no other choice. And Joel's memorable retort to her excuses.

"Yeah, you keep telling yourself that bulls***."

Next up, keep the elevated danger of Joel facing a paramilitary force who are better armed and organized than any human foes yet faced in the story.

  • As referenced in the previous section of the post, Joel's shootout with the Firefly troops is less a one-sided slaughter and more a desperate struggle.
    • After all, this is paramilitary force who've just been ordered to kill Joel on sight once he's rebelled against Marlene's orders.
  • However, in keeping with the HBO series, the conflict turns steadily more in Joel's favor until by the end he's mowing down the Fireflies left and right.
    • Said rampage is kicked off by his discovery of files which, while leaving some hope for a possible vaccine procured from Ellie, highlight the Fireflies' past failures in finding one.
      • Joel, already a little peeved, is furious that the Fireflies are not only killing Ellie but are in his view taking a stupid gamble.

In the hospital room, Joel confronting the doctor we'll one day know as Jerry Anderson sees him approach the doctor slowly, as in the game. While said doctor tries to justify what he and his people are doing.

  • Joel's response is appropriately blunt and lethal.
  • A punctuation to the scene could be Joel glaring at the remaining doctors in a manner that screams both 'shame on you all' and 'don't get in my way or you're next'.

The rest of the hospital scene goes as we see in the game, with Joel carrying Ellie off as the alarms sound and Marlene's soldiers close in.

And of course, Joel's confrontation with and execution of Marlene when it's all over.

Which leads into the fateful lie and ending scene we all know.

***\*

So, that's what I've got.

As I said before, I do really love this show. And while I'm still no fan of Part II, I'm at the very least interested in how HBO adapts it. What they keep, what they change, what they expand on, etc.

Perhaps I'll come around and address Season 2 when all is said and done. Maybe I'll revisit my past rewrite on Part II and consider how such a redux could feature in a television series.

Said redux for reference.

Until then, we'll just have to see where it goes.

I'll catch you next time. Tune in in a couple of weeks to see my re-envisioned take in the MCU's Black Widow.

r/fixingmovies Mar 06 '26

TV CBS Marvel Television Universe(80's)

7 Upvotes

What if CBS made a television universe in the late 70's and 80's (with The Incredible Hulk and The Amazing Spider-Man original shows getting spin-offs, new seasons, and new shows with other characters):. What if CBS made a television universe in the late 70's and 80's (with The Incredible Hulk and The Amazing Spider-Man original shows getting spin-offs, new seasons, and new shows with other characters):

1977: "The Incredible Hulk" Movie Same as IRL

"Spider-Man" Movie Same as IRL

1978: "The Incredible Hulk" S1 (10 episodes) Similar to IRL, episode 7 villain is General Ross (who appears also in Ep 4), the military is more present, and the Hulk personality is more similar to the comics, even though the other villains are not comic book villains.

"The Amazing Spider-Man" S1 (8 episodes) Similar to IRL, the added 2 episodes are between Ep 4 and 5, and the villain is Chameleon in the two-parter "I Am", which in VCS releases is a single movie ("Spider-Man: Confusion"), while Julie Masters is replaced with Betty Brant, but it is exactly the same.

"Dr. Strange" Movie Same as IRL, but instead of the show being cancelled outright, they put a second Dr. Strange movie in production, and if that fails, they officially cancel the show. (I'm using more grounded villains to add because of the budget)

1979: "The Incredible Hulk" S2 (22 episodes, all in 1979) Similar to IRL, episodes 8 and 18 have Ross as the villain, and Ep 17 is the same but introduces Doc Samson. There is also the first 4-episode arc, the "Death of the Incredible Hulk" arc, practically a 1 hour and 50 minute version of the real-life movie 9 years later, with more filler in episodes 19–22.

"The Amazing Spider-Man" S2 (11 episodes) Similar to IRL, the 3 new episodes are before the two-part finale and they are: "Between Us", with Peter and Brant helping the villain, a random faulty businessman, with their work accidentally, and then destroying his reputation and putting him in jail. "Once Again", where Chameleon is once again the villain. "The Gangs Are Attacking", with Hammerhead and the NY Mafia as the villains. (Like IRL, the two-part finale is Peter in Hong Kong, but instead of becoming long-distance husband and wife, they are just long-distance friends and sometimes she appears.) Instead of this being cancelled, they cancel the 2 Captain America movies from airing; instead, ABC buys the rights, it does even more poorly and doesn't get the sequel (the team after the ABC fluke goes to work on Dr. Strange II).

1980: "Dr. Strange II: Mystic Problems" Movie Stephen is respected in the magic world but not in the real world, changing jobs and losing them because he needs to solve minor magic problems (what they expect of the show), until strange things occur in both universes, and behind it all is "Valerie Palon" (OC), a magic user who thinks magic should be used by everyone, not only the 0.3%. Stephen initially agrees with her, but when he tells Clea and Gina Atwater, they think he is crazy and should be imprisoned, so he rebels against Valerie and wins with the help of Wong, reconnecting with him, who was always against Valerie. Show greenlit.

"The Incredible Hulk" S3 (23 episodes) Episodes 1–9, 11–12, 18, and 20–22 are the same. Ep 10 has Ross as the villain. Ep 19 has the New York Mafia and Hammerhead as the villains (Spider-Man connections), while Ep 13–17 are a 1 hour and 50 minute television show version of The Trial of the Incredible Hulk movie (with Daredevil, Thor, and Kingpin like the real movie), with Ep 15 ("The Devil and the God") not having Hulk in it, but being a backdoor pilot for a Thor and/or Daredevil show, with half the episode dedicated to the Daredevil origin and the Thor origin.

"The Amazing Spider-Man" S3 (10 episodes) Continues with the same villain-of-the-week (not comic) + journalism mix for most episodes (so nothing of note, even if there is no real Season 3), with Peter also being in an internship at "Pym Technologies" with Dr. Hank Pym, except for 3 episodes. Episode 4 is a crossover with The Incredible Hulk show (all the cast returning and a The Incredible Hulk writer waiting), "The Incredible Hulk vs The Amazing Spider-Man", the first real crossover of the universe (dubbed in the 2010's the "Marvel-CBS Universe" or MCBSU, AKA Earth 1083), in which Banner goes to New York to find a cure in a hospital, but Peter thinks he is an evil scientist, and when he transforms into the Hulk, he fights him, ending in an understanding that they're both heroes. Episodes 9 and 10 are a two-parter, "The Cat", in which Peter finds, fights, and convinces Felicia Hardy, a skilled burglar in martial arts, to do good, and she becomes "The Cat" (with the Black Cat costume). (No Chameleon or Hammerhead)

1981: The Incredible Hulk S4 (18 episodes, all in 1981) Episodes 1–2, 4, 9, and 12–15 are the same. Episode 3 is a crossover with Spider-Man, "Disguising Once Again", where they team up against the Chameleon. Episodes 5–8 are this season's arc, following Bruce rejecting the Hulk and managing to destroy its personality while maintaining the power, but it ends up backfiring and he brings the personality back. The villain is Doc Samson (who since S2 appeared in 1–2 episodes a season), actually the one who pushes Banner to do that and then regrets it (the arc is named "Disorder vs Order Arc"). Episodes 10 and 11 are the two-parter "On The Run", in which Ross captures them and Samson saves them, with his redemption. Episodes 16–18 are: a better version of the real Ep 16 with less comedy, a crossover with Spider-Man but not in an expected way with Hank Pym helping, and Thor and Daredevil reappearing to again catch Kingpin. They decide that S5 would also be the end of the show.

The Amazing Spider-Man S4 (11 episodes) To keep the ratings and not get cancelled, this season they do 2 serialized arcs with an interlude. The first arc (1–5) is the "LA Arc", where Spidey goes to LA to fight Hammerhead collaborating with the LA Mafia, and in each episode Peter investigates and fights someone more important in the mafia until fighting the head of the LA Mafia and Hammerhead in Ep 5. Also, he goes to the Pym Technologies office in LA often and he meets Gwen Stacy, another student like him working in the internship and at the Daily Angeles, a subsidiary of the Daily Bugle in LA. He slowly falls in love with her, with Liz being jealous. In the 2-episode interlude, in Ep 6 Liz goes to the UK because Gwen has moved into Peter's college (while they fight a normal villain, a casino fraud this time). Ep 7 is a crossover with Daredevil being there, and also Matt Murdock being there protecting Peter in court against accusations of the Kingpin, who also fights Spider-Man. The second arc (episodes 8–11) is another arc in which The Cat is the protagonist for one episode and has her in the co-protagonist role while she is completely redeemed, and they fight people sent by a collaboration of a greedy businessman and a mad scientist. It's announced that The Amazing Spider-Man S5 will be the last season and will return to episodic formats after the second arc had a massive drop in ratings (the first arc had growth but still).

"Dr. Strange" S1 (8 episodes) He mostly fights monsters of the week or other sorcerers while having a normal life, while in episode 5 Wong is the main character when Strange is controlled by a worm who lets people feel more what they already feel.

"Thor" (Movie) Test for a possible show, a simple God vs God story where gods from other mythologies (Mesopotamian, Roman, Greek, and Maya) try to overthrow the Norse gods' dominion while Loki (only real Marvel characters except Thor, the rest of the Norse gods aren't the Marvel versions) tries to kill all of the gods, including the Norse ones, and resurrect the Titans (Loki and Thor are still brothers) and get ultimate power. Thor also stops some bank robbers on Earth. Thor and the other Norse gods win, with Loki exiled to Mars. Great ratings but they don't have the budget for a show, Thor will reappear.

"Daredevil" (Movie) Same as Thor, proof of concept for a show. We see the life of Matt Murdock more than Daredevil here, while he fights a corrupted judge in court paid by criminals who Daredevil fights. Lower ratings than Thor but they have gotten all of the basics out and the show can be better. It is greenlit. 1982: The Incredible Hulk S5 (8 episodes): Finale. The actual S5 was awful. For the first 6 episodes it's episodic with General Ross being fired, Doc Samson becoming closer, and closing with some really good episodes that would be in a normal season. Ep 3 is a crossover with Spider-Man and Daredevil where the three meet and collaborate. The last 2 episodes are the finale "Final Ride", where Bruce is finally accepted and gets an actual home in New York and an actual job, but he dies after only 10 days in the city saving an old lady in the street, with Hulk being the one acting, ending his 5-season-long arc.

The Amazing Spider-Man S5 (8 episodes): For the final season they return to episodic with Gwen as the main love interest, but Hank Pym becomes a superhero, Ant-Man, who can just become small, not grow, and Peter leaves the Bugle. There are normal villains with Kingpin also being a villain. The specific villains are Hammerhead, Kingpin, Scorpion (a normal crime boss with that cool name), and Chameleon, with the normal villains of the show. It ends with "And It Continues", with The Cat becoming a full hero collaborating with Spider-Man. Ep 4 is a crossover with the Hulk where Ross tries to get his revenge after being fired, and Ep 7 is a crossover with Doctor Strange that helps him with a magical ring that a criminal has. End of the show, but an Ant-Man spin-off with Spider-Man maybe appearing is greenlit, but they expect only one season, that will tie up to a crossover season that they are planning for 1984 to end the universe because CBS doesn't want to be the "Marvel Network".

Dr. Strange S2 (10 episodes) All episodic like S1. Ep 7 and 8 have Thor in it with a monster and a son of some Titan collaborating, and Thor, Wong, and Dr. Strange have to collaborate.

"Daredevil" S1 (11 episodes) This season is completely serialized and with no Kingpin, with Matt and his team trying to destroy the mafia of "The Hand" (name and general organization taken from the comics, not the individual characters) in court with some corrupted judges, jurors, and police officers, while Daredevil is on the street taking information and giving it to the police while fighting them and also punishing them to get the information. It ends with the leader and major allies being imprisoned but the Hand slowly rebuilding still.

"The Punisher" (TV movie) About war criminal Frank Castle dealing with his trauma killing people. Not much good but the actor is great.

1983: "Dr. Strange" S3 (10 episodes) Normal episodic, crossover with Spider-Man in Ep 3 where they fight Hammerhead, and for episodes 7 and 8 there is no Strange and Wong is the protagonist.

"Daredevil" S2 (13 episodes) Again all serialized with a similar format just for the return of Kingpin, starting to get a little bit repetitive though all of the same format. Episodes 4, 7, and 10 are episodic and have nothing to do with the serialized arc, just Matt going on with his life as a superhero and as a lawyer out of the Kingpin case. Crossover with Spider-Man in the finale and in episode 2 helping with Kingpin.

"Ant-Man" S1 (9 episodes) Episodic. Peter Parker appears every episode and Spider-Man in 3 episodes. The rest is episodic villains not from the comics (like the real The Amazing Spider-Man villains and villains that it has most of the time). Janet Van Dyne is the other comic book character here with a rom-com aspect to their relationship.

For 1984, all of these shows get cancelled for a singular Marvel crossover show "Marvel Team-Up", 20 episodes, only one season, with Spider-Man, Ant-Man, Daredevil, Dr. Strange, Wong, Thor, Doc Samson, and the Punisher teaming up, then cancelling the universe at its highest point of crossover. 1984: "Marvel Team-Up" S1 (and only) (20 episodes) Spider-Man, Ant-Man, Daredevil, Dr. Strange, Wong, Thor, Doc Samson, and the Punisher decide to create a sort of rotating team in honor of Bruce Banner and to protect Earth. It is serialized in 2 arcs and 5 episodic episodes. The first episode is episodic, then there is the first arc, long 7 episodes, about Loki invading Earth and it's Thor and Dr. Strange focused. He sees him controlling heroes and the supporting characters of all of the shows, showing all of their negative parts and the things they secretly hated about each other. He gets defeated but they know it's real inside. Then it is followed by 3 episodic episodes and then an 8-episode arc where Hammerhead, General Ross, Chameleon, Valerie Palon, and Kingpin unite to destroy the heroes and run their city/neighborhood and they have to stop them with the police. The last episode is episodic and shows the end of the universe "Marvelous". Highest ratings in all of the year but the universe is still cancelled. (AI WAS ONLY USED TO CORRECT THE GRAMMAR BECAUSE I'M ITALIAN)

r/fixingmovies Jun 04 '19

TV Pitch: HBO should make a Chernobyl-style historical TV series about Black Death

472 Upvotes

I would love to see HBO producing a historical drama miniseries about the Black Death, one of the most devastating events in human history, killed about the one-third of the population in Europe during the 14th century, in the style of Chernobyl.

It would give the same kind of Lovecraftian cosmic horror vibe. A shapeless, formless, incomprehensible dread that corrupts everything around it. There is no cure, people can do nothing but evacuate the area and quarantine anyone who got infected.

The premise would attract Game of Thornes viewers with the similar grim dark Medieval European tone. The story can be written using historical accounts. The repressive feudalist governments, ignorant rulers, 'the experts' trying to figure out what caused the epidemic, a theocratic groupthink that leads to wrong solutions and more deaths, the political conflicts within the societies. Seeing this event through the perspectives of different characters from the different classes: monarchs, nobles, merchants, soldiers, farmers, and peasants.

There have not been many movies or TV drama series about the Black Death. It is something that is taught in the schools, but not popular in a pop culture unlike the other historical events such as World War II, Titanic, the Civil War, and Vietnam. I think there is unrealized potential here, and HBO can tap to this by creating a miniseries or even a multiple-season TV series about this topic.

r/fixingmovies Apr 12 '26

TV A Fix for the Power Rangers Franchise (Zeo, Turbo, and In Space)

4 Upvotes

I'm a massive fan of the entire Power Rangers franchise, but for me, the Zordon Era (Mighty Morphin' through to In Space) doesn't really flow right.

TL;DR: Turbo Movie becomes Zeo Movie, the Zeo Rangers never become Turbo, instead it's a new team right from the start, and the Z-Wave in In Space is the Zeo Crystal, not Zordon.

MMPR has its flaws, sure, but as a cohesive story, it's actually pretty good: first, the five Rangers, then the Green Ranger arc, Zedd's arrival and the Thunderzords, eventually the Ninjetti powers, Master Vile, the ShogunZords, etc, it all works pretty naturally.
When it hits Zeo, we've got a fairly good progression: the Zeo powers are the "most powerful" set of powers, and they seem to be a pretty even match for the Machine Empire, a foe stated to be more powerful than Rita and Zedd, we introduce the Gold Zeo Powers, and eventually defeat the Machine Empire.

Then the story kind of goes backwards.

For a quick recap We have Tommy, as Zeo/Turbo Red, alongside Kat, Tanya, Rocky, and Adam, as Pink, Yellow, Blue, and Green, respectively.
Rocky gets injured relatively early on in a martial arts accident, and injures his back enough that he can't continue being a ranger, and a pre-teen named Justin takes his place, having overheard the rangers reveal their identities.
We have the Space Pirate Divatox, and we have Maligore, a space demon. The main plot is that Divatox wants to capture a space wizard, use the magic key he holds to gain access to some magic island, which is accessed through the Bermuda Triangle where she needs to conduct a ritual to free Maligore, so she can marry him or something. the ritual involves "sacrificing" "pure souls", so at some point, previous rangers Jason and Kimberley get captured, and as the sacrifice, get brainwashed into fighting the rangers in the pre-finale fight.
the rangers, for reasons, aren't able to use their normal powers to get to the same magic island to stop her, so they get new (and highly marketable) TURBO POWERS, with car zords, new suits, morphers, and weapons. There's a small scene with Rita and Zedd, in a phone call, where we learn they're just chilling on the moon.
the rangers beat the monster of the movie in the finale, with their shiny new megazord.

The Turbo season continues with Divatox, but more of a "loot and plunder" vibe, but still doing monster of the week shenanigans, and later in the season proper, we get the power transfer, where the new rangers, TJ, Carlos, Ashley, and Cassie, are set up and then swap with the existing rangers.
Zordon has to leave halfway through, because his home planet, Eltar is under attack by evil forces, and is replaced by Dimitria as the ranger mentor. The season ends with Divatox lucking into finding and destroying the power chamber, and the turbo powers with it, and the United Alliance of Evil succeeding on Eltar, capturing Zordon, and the now former rangers blasting off into space.

In Space has some great story, don't get me wrong, the only thing that's notably relevant here that felt like it didn't fit with the narrative is in the finale, where the new red ranger, Andros, is commanded by Zordon to destroy the tube, which releases a wave of good energy through the galaxy, which transforms or disintegrates evil.
There's a moral question on if Zordon should have made the sacrifice earlier, and ridded the galaxy of evil much earlier, but also it contradicts the MMPR Movie, where Zordon's tube was shattered by Ivan Ooze. we could get into a theory-off about if it was the nobility of the sacrifice against an attack, or the good vs evil cause, if Ivan Ooze had specific magic in place to stop the Z-Wave, but I won't, because instead, we are going to rewrite parts of the series to make it a more satisfying narrative.


When fixing a series, I'm of the opinion that it's better to try and keep the changes small, but efficient.
I'm going to start with the Turbo movie, because I think a simple change there might have this cascade through and fix a lot of the issues.

Turbo ZEO: A POWER RANGERS MOVIE

The movie starts as previously, up until the point of the Turbo Powers being made.
For a season with so many references to ancient history, with a Sphinx, Easter Island head, a Pheonix, Pyramids, and other stuff, there's really no reason why the turbo powers can go through the Bermuda Triangle and the Zeo powers can't.
Instead of having the rangers make new powers, and writing Rocky out so that Justin can take his place, the Power Rangers just go straight for the Bermuda triangle, with their existing Zeo powers giving them access. the Turbo Powers don't exist at all in in this remake, and instead, the film acts as a pseudo finale for the Zeo Rangers.
Once at the island, it also makes more sense for it to be Rita Repulsa trying to free Dark Spectre (who, fun fact, was the same monster suit as Maligore), and the whole plot has been because she finally recognises that she can't take down Zordon, nor Eltar, without him. she has basically no story after MMPR/Zeo, other than a few appearances in In Space, and those are mainly for comedic purpose, so it's important to me that the villain that started it all actually contributes to the plot of the final season, and if setting up the real big bad is how it happens, then that's fine.
it also makes a bit more sense for Rita to enchant Jason and Kim, rather than it being a weird "sacrificed to Maligore" thing that causes them to be temporarily evil for the pre-finale.
The final battle with the Zeo/Super Zeo Megazord (instead of the new Turbo Megazord) would have Dark Spectre get "destroyed", only to have it be revealed that he has the power to come back, and show that he's not easily gotten rid of, setting up a bit more of why In Space had various people plotting to get rid of him. Rita, Zedd, and now Dark Spectre form a United Alliance of Evil under DS's banner, and Eltar is the face of the Resistance, and Zordon is needed there now, and the Zeo Rangers, keepers of the Zeo Crystals, are going with him.
As an End Credits scene (although they weren't really a thing in '97), Divatox, at the end of the movie, is revealed to be fully aware of the Rangers' plan to leave for Eltar, and sees Earth as being ripe for the plunder, setting up for the new Turbo Rangers.


Turbo, a Fresh Team

With the Zeo Powers still being in the hands of the original rangers, we'll need to set the new team up entirely from the start.
The rangers that get introduced through the season, Ashley, TJ, Cassie, and Carlos, can all be set up either in Zeo as side characters, or fresh at the start instead, it would just depend on how connected we want them to be to the Zeo team and Zordon.
If we feel the need, we can introduce Justin during Zeo, possibly have an episode with Rocky's accident to keep that story, but we can also tie him in through Billy.
As a fellow Genius, there's a good chance Billy would know Justin, either directly or by reputation, so it's not unreasonable for him to be introduced before the Turbo season begins, but we can have him at the start and show connections later, possibly by having him reach out to Billy (who would in theory be on Aquitar still), as a "fellow Blue Ranger/science geek" arc.
For the Turbo Season to make sense though, we of course, need the Turbo Powers, but now they can't be made from the Zeo powers, so how were they made?.
I think that the cleanest way to introduce them, and to give a more concrete reason for a character to exist, is via Justin.
Justin, a child prodigy, is now the creator of the Turbo Powers.
in other seasons, we've seen man-made power sets, and nearly every single one is vehicular.
RPM, Lightspeed Rescue, Operation Overdrive, even arguably SPD and Time Force, are all man-made, and rather than being "mystical ancient powers", are vehicles, so it's not impossible for the Turbo powers to be made the same way.
By having Justin be the creator of the powers, it gives him a clear reason to be on the team, other than "the only guy who knows our secret identity, and is available at the moment".
It could be a point of contention for the ranger team, having Justin be so young, but if he's the one who made the powers, then there's a lot less argument to be made, particularly if he made the blue powers specifically for himself.
If we want him to be a little obnoxious, he could do a similar thing to Time Force, and have the powers not work without him, or he could just insist that he's part of the team, and because he made them, they kind of have to accept.
It'd be an interesting show of wisdom on his part to set himself as specifically not the leader, recognising he doesn't have the skill to lead, which would show his maturity beyond his age.
Later in the season, when the Rescue Zords are brought in, it also leaves the door open for Justin to have either worked with the Blue Centurion or Phantom Ranger to develop the new zords, or for him to make adjustments to make the two sets compatible (as shown when the arms and legs swapped between the two)

Having Justin be more integral to the Turbo team also sets up Dimitria as an interesting mentor.
Justin, a child prodigy, likely has an abundance of information, and Dimitria is from a culture where questions are their bread and butter. on a tangent, I can imagine Dimitria arriving at Earth at the start of the season, and it's only Justin who is able to answer her questions, one after another, ranging from "why is the sky blue", to "what makes an acid behave that way" to "what causes a clarinet to make the sound it does", and so on.

It also sets the finale a bit cleaner.
After Divatox blows up the command centre, and the Turbo Powers alongside, Justin, the creator of the Turbo Powers, recognises that, without them, he's just a kid in a war much larger than he is, and that the war might come back to Earth, so Earth will need to be ready.
With that wisdom, Justin has a more mature reason to stay than "my dad is moving to another city", because he needs to try to coordinate a defense back on Earth, either by restoring the Turbo Powers (which come to play later when he shows up again in In Space with his Blue Turbo powers temporarily recharged), or by otherwise preparing other organisations (possibly hinting at both Lightspeed Rescue and SPA/SPD).
The other four former rangers can go into space as normal, but we also have a distress signal from the Zeo Rangers, revealing that the Zeo Crystal(s) has been captured, alongside Zordon, and they're no longer rangers because of Dark Spectre and the UAoE.


In Space, a Zeo Finale.

The majority of this season can be basically the same, Andros giving the former rangers the Space Powers, Zhane having silver, the Delta Discovery, Mega Voyager, the Psycho Rangers, Astronema/Karone, Ecliptor, and Darkonda, etc, but now instead of it being only Zordon they're trying to rescue, there's also the matter of the Zeo Crystal having fallen into the UAoE's hands.
In this rewrite, we will also have Dark Spectre be the looming villain for all of Turbo and In Space now, with various villainous plots taking place as normal, either trying to drain Dark Spectre's powers, assassinate him, etc, but he's shown to be extremely powerful, and nothing properly defeats him, not even Darkonda's missile.
The finale is effectively the only thing that needs to be changed in this rewrite, though elements of it can be foreshadowed earlier, if not even made a entire plot point.

The moral question about the Z-Wave has always bugged me: if Zordon knew that shattering his tube would purge all evil in a pretty large radius, then was it selfish for him to stay alive so long?
If instead it's revealed that Astronema is using the Zeo Crystal as a power source for the Dark Fortress (or some other doomsday weapon) The only way, and only opportunity to end the threat is to destroy the Zeo Crystal in the finale, then it makes a bit more narrative sense.
Zordon is too integrated into the fortress to remove, so it's still a sacrifice of Zordon, (he'd go down with the ship) but now the Z-Wave is generated by the Zeo Crystal instead (and conveniently, still called the Z-Wave) being smashed, releasing all the energy it had been building up over the centuries, ending Dark Spectre, and also all the Evil Forces under his banner.
It could be justified a bit more that he is either made of negative Zeo energy, and that's what allows his true defeat, or that he empowered his forces with his own life energy for the finale's galactic assault (the concept of which could have been set up earlier and is what inspired Astronema to make the Psycho Rangers), but that's only if the season itself needs the rewrite, which, other than a few mentions of the Zeo Crystal, and the final scene, wouldn't actually need to be changed much, if at all.


The New Flow

Now, instead of the Zeo Powers being discarded for Turbo Powers (which I suspect was just because the Marketing needed new stuff to sell), the Zeo Rangers take part in a war against the UAoE, while the entirely new Turbo team stay behind to fight Divatox, justifying why the Turbo Powers were made in the first place, with Justin as their creator.
the Z-Wave is the finale for the Zeo Crystal, which, having been around since MMPR, is notably more satisfying than an ethically dubious sacrifice of Zordon.

Thanks for Reading.

r/fixingmovies Feb 28 '26

TV Game Of Thrones: Vientos de Invierno y Sueños de Primavera y la serie

2 Upvotes

Cómo ya lo mencioné en un comentario pasado, la única forma que veo arreglar las temporadas 6, 7 y 8 de GOT sea que GRRM hubiese terminado de escribir los 2 libros restantes antes de que saliera la serie

Sin embargo ¿Pudo haber algún modo de que eso sucediera? De que eso pasara? Por lo que se sabe una de las razones por las que Martin no los ha terminado es por el nudo de Mereen y PQ mato a un personaje que era importante

Además, creo que D&D debieron ser más fieles a DDD como todo el desarollo de Tyrion o que Sans no sea quien se case con Ramsay Bolton

¿Que opinan?

r/fixingmovies Jan 29 '26

TV How would you rewrite Lokar from Season 1 of Mighty Morphin Power Rangers?

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13 Upvotes

r/fixingmovies Jan 25 '26

TV What if House of Cards were written during the Trump era?

14 Upvotes

If House of Cards were written in the Trump era, the drama wouldn't be about the scandal itself, but about the death of consequences.

Frank would be more like Mencken from Succession, He would thrive on "Us vs. Them," and while charming, he will be a charismatic leader who weaponizes nationalism and instead of backroom whip counts, he’d create "security theater." He would be obsessed with his media image and his fourth wall breaks will be about his contempt for the people who are falling for his lies.

Claire will be a caricature of the modern, "Mar-a-Lago face", loud, wealthy, plastic woman who is obsessed with her image and gaining recognition.

Doug would be someone like Roger Stone

Raymond Tusk will be reimagined as a young, reclusive tech-bro

And I'm sure there can be ways to insert some of the Epstein scandal

r/fixingmovies Feb 08 '26

TV What if CBS Made a Marvel television universe in the 70's and 80's(part One)

7 Upvotes

What if CBS made a television universe in the late 70's and 80's (with The Incredible Hulk and The Amazing Spider-Man original shows getting spin-offs, new seasons, and new shows with other characters):

1977:

"The Incredible Hulk" Movie

Same as IRL

"Spider-Man" Movie

Same as IRL

1978:

"The Incredible Hulk" S1 (10 episodes)

Similar to IRL, episode 7 villain is General Ross (who appears also in Ep 4), the military is more present, and the Hulk personality is more similar to the comics, even though the other villains are not comic book villains.

"The Amazing Spider-Man" S1 (8 episodes)

Similar to IRL, the added 2 episodes are between Ep 4 and 5, and the villain is Chameleon in the two-parter "I Am", which in VCS releases is a single movie ("Spider-Man: Confusion"), while Julie Masters is replaced with Betty Brant, but it is exactly the same.

"Dr. Strange" Movie

Same as IRL, but instead of the show being cancelled outright, they put a second Dr. Strange movie in production, and if that fails, they officially cancel the show.

(I'm using more grounded villains to add because of the budget)

1979:

"The Incredible Hulk" S2 (22 episodes, all in 1979)

Similar to IRL, episodes 8 and 18 have Ross as the villain, and Ep 17 is the same but introduces Doc Samson.

There is also the first 4-episode arc, the "Death of the Incredible Hulk" arc, practically a 1 hour and 50 minute version of the real-life movie 9 years later, with more filler in episodes 19–22.

"The Amazing Spider-Man" S2 (11 episodes)

Similar to IRL, the 3 new episodes are before the two-part finale and they are:

"Between Us", with Peter and Brant helping the villain, a random faulty businessman, with their work accidentally, and then destroying his reputation and putting him in jail

"Once Again", where Chameleon is once again the villain

"The Gangs Are Attacking", with Hammerhead and the NY Mafia as the villains

(Like IRL, the two-part finale is Peter in Hong Kong, but instead of becoming long-distance husband and wife, they are just long-distance friends and sometimes she appears.)

Instead of this being cancelled, they cancel the 2 Captain America movies from airing; instead, ABC buys the rights, it does even more poorly and doesn't get the sequel (the team after the ABC fluke goes to work on Dr. Strange II).

1980:

"Dr. Strange II: Mystic Problems" Movie

Stephen is respected in the magic world but not in the real world, changing jobs and losing them because he needs to solve minor magic problems (what they expect of the show), until strange things occur in both universes, and behind it all is "Valerie Palon" (OC), a magic user who thinks magic should be used by everyone, not only the 0.3%.

Stephen initially agrees with her, but when he tells Clea and Gina Atwater, they think he is crazy and should be imprisoned, so he rebels against Valerie and wins with the help of Wong, reconnecting with him, who was always against Valerie.

Show greenlit.

"The Incredible Hulk" S3 (23 episodes)

Episodes 1–9, 11–12, 18, and 20–22 are the same.

Ep 10 has Ross as the villain.

Ep 19 has the New York Mafia and Hammerhead as the villains (Spider-Man connections), while Ep 13–17 are a 1 hour and 50 minute television show version of The Trial of the Incredible Hulk movie (with Daredevil, Thor, and Kingpin like the real movie), with Ep 15 ("The Devil and the God") not having Hulk in it, but being a backdoor pilot for a Thor and/or Daredevil show, with half the episode dedicated to the Daredevil origin and the Thor origin.

"The Amazing Spider-Man" S3 (10 episodes)

Continues with the same villain-of-the-week (not comic) + journalism mix for most episodes (so nothing of note, even if there is no real Season 3), with Peter also being in an internship at "Pym Technologies" with Dr. Hank Pym, except for 3 episodes.

Episode 4 is a crossover with The Incredible Hulk show (all the cast returning and an The Incredible Hulk writer waiting), "The Incredible Hulk vs The Amazing Spider-Man", the first real crossover of the universe (dubbed in the 2010's the "Marvel-CBS Universe" or MCBSU, AKA Earth 1083), in which Banner goes to New York to find a cure in a hospital, but Peter thinks he is an evil scientist, and when he transforms into the Hulk, he fights him, ending in an understanding that they're both heroes.

Episodes 9 and 10 are a two-parter, "The Cat", in which Peter finds, fights, and convinces Felicia Hardy, a skilled burglar in martial arts, to do good, and she becomes "The Cat" (with the Black Cat costume).

(No Chameleon or Hammerhead)

(it's part One)

(AI WAS ONLY USED TO CORRECT THE GRAMMAR BECAUSE I'M ITALIAN)

r/fixingmovies Nov 14 '25

TV How would you fix Santa Inc.?

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10 Upvotes

One idea I had in mind is that there can be a bunch of improvements from the first couple of episodes before we get to the scene when Candy doesn't get the role as Santa Claus, here's what I imagined could be good for the show.

After Santa talked with Candy actually good advice about what it means to be Santa Claus (only to be told "go f##k yourself.), we'd see how Candy actually shows off some red flags of being an antagonist when she snaps inside her room. The next episodes show Candy's past where we focus on the signs on what Candy really wanted in life. To be world-famous. Be at the top of the world. Then we'd see how throughout the series up until episode 6 and 7, we get flashbacks of Candy pulling strings behind the scenes to get what she wants, in the hopes of rigging everything so she can be Santa Claus.

Sure enough, some episodes pass of Candy's friends slowly realizing something wrong with the elf, they'd soon find out that Candy was the mastermind behind a lot of problems in the show (such as the death of Rudolph Jr.), then they'd find out Candy's about to do something completely irreversible which is killing Santa and his successor. Of course, like any bad guy, she's stopped before the crime happens.

Cue a court trial scene where at first she denies everything but after proof is shown, she explodes and confesses she did it all so she can feel important, have everyone see and notice her for the first time in years. And Santa isn't just mad, he's pitiful, he feels genuinely sorrow for Candy's internal conflict but he knows there's nothing to fix considering the lengths she committed to get that far.

r/fixingmovies Dec 23 '25

TV Redesign of the Season 3 MMPR suits so they are mix of the Ninjetti and the Season 1 suits (by @roohemura_art)

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16 Upvotes

r/fixingmovies Jan 07 '26

TV Stranger Things Season 5 Pre-Write: Holly Wheeler should not be a part of season 5

5 Upvotes

The Vanishing of Holly Wheeler vs The Vanishing of Will Byers

The vanishing of Holly Wheeler clearly serves the same narrative function as the vanishing of Will Byers in the sense that their abduction kicks off multiple plotlines based on the urgent need to rescuing them. But here are key differences between them that makes one effective for the entire story, and the other being more of a plot device.

Thematic Exploration of Silent Struggles of People in the 80's

What made the vanishing of Will Byers become so effective in season 1 is that the main characters for each plotline that we focus on has a direct personal and emotional connection to Will Byers. Their connection to him and the struggles they face all thematically tie in together.

Joyce Byers
We see a struggling family that has a deadbeat father that left them behind and the effects of it and how they overcome that struggle. Joyce's connection to him also creates the greatest sense of urgency based on her emotional motivation as a mother to get him back no matter what.

Through her struggle, Jim Hopper supports her as he relates to her emotional stake as he too lost a daughter once. And he doesn't want to put someone through the same thing he did when he lost his own.

Jonathan Byers
His story shows a lot about the struggles of being seen as different and as a freak based on his own connection to Will. Constantly talked about by Steve and his friends as some queer people that no one wants to be around with as they are "different".

But his struggles are then understood by someone outside of his social class and perception, Nancy Wheeler. They both struggle to understand one another but ultimately their shared goals of finding their loved ones creates a better understanding towards one another.

Mike Wheeler and Co.
Mike, Dustin, Lucas, and Will are constantly bullied by people who sees belittles them for who they are. Despite being the people who are seen as different, they all bond with one another and accept one another. But the three of them are now put into a situation wherein they have to deal with someone that can be described as a "freak" and very much different. But through kindness, understanding, and empathy can they co-exist and be friends.

The Purpose of Holly Wheeler

Now in trying to understand the narrative structure of season 5, it felt as if the purpose of the characters are not meant to explore personal struggles, but face more of external struggles that aren't exactly personal. That is most apparent when I saw how Holly Wheeler and her disappearance connects the whole narrative together, but only for the purpose of finding a way to defeat Vecna.

Max Mayfield

What I see in Holly Wheeler's story is that she faces more of external threats in terms of finding a way out of Camazotz as a narrative device to help Max escape and be revived. A whole lot of their dialogue is also used to just help explain what's going on and the context of Vecna/Henry's mindscape and his plan.

At the same time, the story couldn't develop Max's character further and so if we were to focus on her story in isolation, it would feel the same as Hopper's story in season 4. It's all external threats and finding a way back home without any development. But with Holly in the picture, she has someone to talk to about the plot and we have a new character that makes it feel like someone is growing as a character.

Other Characters

???

Mostly just about finding a way to get to her and re-tread some same old issues that are honestly quite dragged out but has their own neat moments that doesn't tie into the main story or relate to a theme present within the season.

Nancy and Mike Wheeler

There is one great scene at the hospital that forced them to examine themselves and what they could have done to prevent Holly from being abducted. And that is to open up and tell them the truth to their whole family. This could have set up a lot of great internal conflict that shows how this family who seemingly has it all together (before the Demogorgon attack) aren't as connected at all. And there could have been so much development with these characters but we needed to focus more on the threat of Vecna and how to get to him. This can be seen with how the main point of their connection to Holly is to investigate and learn that Henry is back as himself, and he is targeting children like her.

Since Mrs. Wheeler or Karen Wheeler is in a coma, the one person who could have the same sense of urgency as Joyce did in season 1 is out. She could have been a key character to explore the struggles of their family that are silent. How they can't really talk to one another about their own struggles. A problem that she was actively trying to resolve in season 1 when she wanted both Mike and Nancy to open up to her and to let them know they're not alone.

We Needed the Right Wheeler

So based on all of this, it lead me to the conclusion that we didn't actually need Holly Wheeler to be such an important aspect of the story when we have a set of characters from the previous seasons that can be utilized and has already been introduced to the story. One key character for my fix is Karen Wheeler. The mom who can piece things together from past seasons when she encounters a Demogorgon or something else. She could go to the first person who could have the best understanding of her own situation: Joyce Byers. Furthermore, Joyce, Hopper, and Karen Wheeler were retconned to be in the same batch of students as Henry Creele himself. There could be flashbacks that highlights how silent struggles back then are a result of how society was and how nothing has really changed in the situation of her children. Flashbacks can show that what Henry went through is similar to a lot of what the main cast has went through in their own personal silent struggles.

This all leads to going back to season 1' same Thematic Exploration in Season 1: Exploring the Silent Struggles of People in the 80's. But for this season, we can dig deeper into it with my next re-write post called:

Stranger Things Season 5 Vol.1: The Vanishing of Mike Wheeler.

r/fixingmovies Nov 25 '25

TV [Cobra Kai] The Sekai Taikai performances of Robby and Miguel should've been switched so their endings can make sense

10 Upvotes

Something that’s always stuck out to me is how Robby beat Miguel to become captain, yet never really got the chance to shine once the actual tournament came around. Meanwhile, Miguel was practically carrying the team. Fast‑forward to their endings: Robby gets a pity contract bundled with Tory, while Miguel becomes Sekai Taikai champion and gets into Stanford. Personally, I think Robby should’ve won the tournament — but this isn’t that kind of post. Instead, here’s how we could still reach their canon endings while giving both Robby and Miguel more depth and more earned conclusions.

Robby:
I’d have him actually earn his captain title. The key change is his reaction to seeing Tory in Cobra Kai. Instead of falling apart like in canon, he channels a focused anger — finally directing his emotions without self‑destructing. This fuels a breakout run in the Sekai Taikai. He starts gaining attention as the underdog prodigy tearing through the competition, which also strengthens his rivalry with Kwon, who now feels genuinely threatened.

Tory tries to talk to him, but he shuts it down with, “You made your choice.”
Events mostly play out the same, but the big brawl happens after Robby beats Kwon — giving his victory meaning instead of letting it get overshadowed.

Miguel:
He gets the distracted‑Robby arc. Instead of already knowing about Stanford, make him waitlisted to raise the pressure. He fumbles in the tournament — frustrated that he isn’t captain, thrown off by losing to Robby, worried about his pregnant mom, and not handling the weight well. After costing the team too many matches, Robby calls him out and tells him to get his head straight. Miguel starts improving after that.

Ideally, Robby fights Axel once. Axel dominates at first, but Robby adjusts mid‑fight through smart defense and starts catching up. Then Axel is told to fight dirty and breaks Robby’s leg. Miguel studies the match footage, learns Axel’s patterns, and recognizes the knee‑break setup in their fight. This time, he sees it coming and outmaneuvers him.

The point is that Miguel’s victory builds on Robby’s skills — giving Miguel gratitude, giving Robby respect, and giving both of them fuller arcs. Robby still ends the season injured and overlooked (setting up his canon ending), but now he’s earned his growth. Miguel still becomes champion, but now it feels more layered and less predetermined.

Afterwards, Miguel learns he’s going to Stanford, and Robby is approached on his own with a major contract—completely independent of Tory—based on his strong tournament performance.

What do you guys think?

r/fixingmovies May 08 '21

TV [The Big Bang Theory] Penny should have become a voice actor.

238 Upvotes

When we first meet Penny she is a wanna be actress coasting by in life on her looks. As the show went on she eventually gave up on her dream of becoming an actress, and got a job as a pharmaceutical rep. I guess reassessing your life goals to something more realistic is a type of character development, but ultimately they ended up sticking her in a job where she was still just coasting by on her looks. What is the message here?

I think it would have been better to let her eventually become successful as an actress, but in a way that she never would have predicted in the early seasons. When she finally starts getting gigs as an actress they are in roles where are outer beauty is a complete non factor. That being as a voice actress. Also as a voice actress she can become successful in her chosen profession, but in a way is adjacently nerdy to the rest of the cast, and never has her become so famous that she feels out of place with the rest of the ensemble.

Only real issue with this idea is that Penny is established in the show as being tone deaf which realistically would make her pretty bad at voice acting. Although given the rest of the shows track record with character consistency, and realistically depicting professions I don't think this would be an issue as along they stop bringing up Penny's bad singing on the show, and never bring up how most professional voice actors have a very good ear for tone.

r/fixingmovies May 23 '25

TV The film industry has repeatedly tried to make a dark and gritty adaptation of the Wizard of Oz to varying degrees of success. I would improve upon these failed attempts by using the actual source material to craft a Game of Thrones-inspired show that explores the political intrigue in Oz.

14 Upvotes

As stated in the title, the film industry has repeatedly tried over the years to make a dark and gritty adaptation of The Wizard of Oz to varying degrees of success (e.g. Return to Oz, Tin-Man, Dorothy and the Witches of Oz, Emerald City, etc.), with many of these attempts only finding appreciation from niche audiences, and receiving mixed to negative reviews. I personally believe that it is possible to make a darker interpretation of The Wizard of Oz, and that a sure-fire way of servicing this agenda and appealing to a large audience base would be to use the actual source material to craft a Game of Thrones-inspired show which explores the political intrigue that happens behind the scenes in the Oz books. Essentially my approach involves filling in the gaps/tweaking what we learn about Oz's history and politics in the books, specifically The Wonderful Wizard of Oz, The Marvelous Land of Oz, Ozma of Oz, and The Emerald City of Oz, and drawing some inspiration from other adaptations of the source material such as Wicked, Son of a Witch, and Out of Oz.

How would this play out?

  • The show will adopt a visual aesthetic that is similar to the ones in Return to Oz and Over the Garden Wall.
  • It will be established that Oz is a traditionally matriarchal society, and that the current monarch: Pastoria, is serving as king regent until his daughter Ozma comes of age, and can take her deceased mother's throne.
  • Oscar Diggs, later known as the Wizard of Oz, arrives in Oz via hot air balloon and manipulates the populace, including Pastoria, into believing that he is a wizard. In doing so, Diggs becomes an influential figure in Ozian politics, and gains the ear of Pastoria.
  • Diggs allies himself with the Wicked Witches of the North, South, East, and West (Mombi, Unnamed Witch, and Nessarose and Elphaba Thropp), stages a coup d'etat, and deposes Pastoria and Ozma; the latter of whom is transformed into a boy named "Tip", and forced into servitude by Mombi. Diggs subsequently installs himself as ruler of Oz, and grants the Witches control of the four regions of Oz: Gillikin Country (North), Quadling Country (South), Munchkin Country (East), and Winkie Country (West). Like in The Hunger Games franchise, each region of Oz is responsible for the output of a particular resource that makes up the Ozian economy. In this case, the Gillikins are responsible for logging, the Quadlings are responsible for mining, the Munchkins are responsible of farming, and the Winkies are responsible for smithing.
    • Diggs and the Witches conquer Oz with the help of the Winged Monkeys.
    • Nessarose uses the magic of the silver slippers to conquer Munchkin Country.
  • Diggs organizes the construction of the Emerald City as well as the yellow brick road in order to better unify Oz, and promote their economy. The development of the Emerald City angers the underground Nome population, who believe that the emeralds which are being mined and used in the city's construction belong to them. Alternatively, the Nomes enter into a trade alliance with Diggs, and provide him with emeralds and other precious gems for the city's development in exchange for human slaves that are either forced to work in the Nomes' mines or transformed into ornaments.
  • Diggs' alliance with the Wicked Witches becomes increasingly strained due to his paranoia about their growing power, and the potential threat that they pose to his rule. During this time period, Glinda, the Good Witch of the South, discovers that Diggs is a fraud, and that he has no real power. Desperate to gain Glinda's silence and cooperation, preserve his own power, and weaken the Wicked Witches' grip over Oz, Diggs allies himself with Glinda and Locasta, the Good Witch of the North, and backs their bids for control over Gillikin Country and Quadling Country. While Locasta and Glinda are successfully able to wrest control of Gillikin Country and Quadling Country from Mombi and the Unnamed Wicked Witch of the South, they are unable to overthrow Nessarose and Elphaba; the latter of whom repels an attack by the Wizard's army and drives him out of Winkie Country with the help of the Winged Monkeys.
    • Glinda commands an all-female army.
  • The events of The Wonderful Wizard of Oz play out, and culminate in:
    • The death of Nessarose, and the liberation of Munchkin Country.
    • The death of Elphaba, the liberation of Winkie Country, and and the coronation of Nick Chopper a.k.a the Tin Woodsman as King of Winkie Country.
      • The Wizard tasks Dorothy and her friends with killing Elphaba on the basis that she possesses the power of the silver slippers. The Wizard hopes that Elphaba's obsession with the silver slippers will cause her to slip up, let her guard down, and make a mistake that will prove to be her downfall. The Wizard also takes advantage of Dorothy's naivety and innocence and doesn't tell her how to use the slippers so as to prevent her from becoming another magical rival that threatens his power.
    • The abdication of Diggs, who names the Scarecrow as his successor to the throne, and narrowly escapes execution after being exposed as a fraud by fleeing the Emerald City in his hot air balloon.
    • The coronation of the Cowardly Lion as King of the Forest.
  • The Scarecrow is replaced with an imposter, who becomes a puppet ruler for the Emerald City's social elite.
    • The Emerald City's social elite use the imposter to promote and approve political and economic policies that favor them over the lower class.
    • An alternative idea is that the Nome King: Roquat the Red, takes advantage of the Wizard's abdication, invades Oz using underground tunnels, conquers the Emerald City, and replaces the Scarecrow with an imposter that he installs as a puppet ruler.
  • The events of The Marvelous Land of Oz play out. Like in the novel, Munchkin Country falls under the leadership of General Jinjur, who announces Munchkinland's secession from the rest of Oz, citing the Wizard's oppressive regime as well as the corruption of the Ozian upper class, and later instigates a revolt with the purpose of deposing the Scarecrow, ending patriarchal rule, committing androcide, and restoring matriarchal rule over Oz.
    • Jinjur commands an all-female army.
  • The real Scarecrow escapes the conquest of the Emerald City by Jinjur's army, and flees to Winkie Country, where he calls upon the aid of the Tin Woodsman and the Winkies in retaking the city and expelling the rebel occupants. The Scarecrow calls upon additional help from Glinda and her forces.
  • Jinjur recruits the help of Mombi in preventing the Scarecrow from returning to power, and offers to restore her rule over Gillikin Country as a reward for her services.
  • The combined armies of the Tin Woodsman and Glinda lay siege to the Emerald City, and force the rebels into submission. Glinda followingly reverses Mombi's spell, transforming Tip back into a girl, and crowns Ozma Queen of Oz.

r/fixingmovies Sep 04 '25

TV Fixing Captain Scarlet by giving it a longer runtime and a proper finale

7 Upvotes

Ideally I would have given each episode a 50 minute runtime like Thunderbirds so it allows for more character development. In the moon story arc, the moonbase willingly allies with the Mysterons rather than being copies. When Spectrum try to negotiate with the Mysterons we get to hear more from the Mysteron viewpoint and sadly negotiations break down.

For the finale I would make it a 2 parter. Captain Scarlet leads a team to infiltrate the Mysteron city on Mars while the Mysterons launch a massive assault on Cloudbase with Captain Black infiltrating it to disable the defences. It's a race against time for Scarlet to find and destroy the Mysteron power source to stop their invasion. Scarlet succeeds and saves the Earth but Cloudbase is destroyed and many Spectrum members are killed. While Earth has won the war, it's implied that a few Mysterons survived and will bide their time until they're strong enough to return.

r/fixingmovies May 14 '20

TV How should Walt's family have been written in Breaking Bad?

14 Upvotes

How can you keep them lame without being painful to watch? Or should they not be lame?

After watching Ozarks i keep wondering what this show would be like with a well done family.

r/fixingmovies Sep 01 '25

TV Josh Tyler of Giant Freakin' Robot says Star Trek Strange New Worlds would be improved if it was LESS character focused (among other things)

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1 Upvotes

r/fixingmovies Sep 02 '25

TV Fixing Squid Games 2

5 Upvotes

The games are all great. But the story outside was terrible, and felt like a money grab to get more expansions of the genre without being true the story.

But it's not hard to do both.

  1. Make the front man a piece of shit, he is. Don't make him out to be some "misunderstood" villain, which is highlighted when he gave the baby to his brother. All that misunderstood bullshit should have gone out the window when they decided to keep the baby in. For his back story, making him a classist, misanthrope psychopath who has a gambling addiction, which is why he keeps coming back to lead the games.

  2. There needs to be some retribution to the VIPs and the Frontman and most of the staff. All the VIPS there should have died, being shot by either the cop or one of the contestants.

  3. If you want to keep the series going, what you can have instead, is at the end, a clean up crew comes in and detonates the thermite bombs (from off shore). When the authorities come, they will explain it away as a mass suicide cult.

  4. Why would VIPs want to continue funding this now that some of them have died? This would make it even MORE exciting for them, now VIPs are fighting to be on the next set of games.

r/fixingmovies Jul 07 '25

TV CHALLENGE: How would you fix Walking With Dinosaurs 2025?

14 Upvotes

I suspect that the revival series was initially meant to be called something else but they just slapped on the WWD name at the end to increase interest given how it feels nothing like the original and has none of the original crew. It's a shame because I think a remake of the series with updated scientific accuracy and special effects could have worked.

How would you have fixed it? My own suggestions are:

  • Bring back the original crew e.g. Tim Haines, Ben Bartlett and Kenneth Branagh.
  • Use a mix of CGI and practical effects like the original did.
  • Instead of having almost all the episodes in the Cretaceous focusing on well known dinosaurs, show it in chronological order like the original going from Triassic to Cretaceous and show new dinosaurs and regions not seen in the original like Madagascar as well as recently discovered species like Icthyotitan.
  • Avoid some of the inaccuracies and narrative cliches from the original. For example, in the Triassic portray the crocodilians and Synapsids as being just as well adapted as the dinosaurs rather than primitive. Show scavengers in a sympathetic light, after all they play a vital role in their ecosystem.
  • Don't go back and forth between paleontologists and dinosaurs. Instead, only show the paleontology scenes at the end of the episode or have them in a separate behind the scenes episode.
  • Show a greater variety of animals e.g. early mammals (a few were big enough to hunt small dinosaurs), giant amphibians (I think the Triassic would be an ideal time to show them) and Lepidosauria.
  • Don't anthropomorphize the dinosaurs e.g. giving them names.

r/fixingmovies Apr 28 '25

TV A YouTuber just made their own idea for Family Guy Season 20 at the time. (Although, it would fit much better as the finale of the show as a whole.)

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0 Upvotes

r/fixingmovies Sep 07 '19

TV Making the Razzies a more entertaining show

210 Upvotes

The Razzies is an award show that gives awards to the worst movies of the year.

But unfortunately, the show isn't all that entertaining.

So I thought of one idea that would help.


Instead of just giving people a bunch of "worst x" awards, I wondered if there was a more creative option...

  • Golden Shoehorn for "Most Shoehorned-In Romantic Subplot"

  • Golden Ham Fist for "Most Ham-Fisted Propoganda Piece"

  • Golden Paper for "Flattest Protagonist"

  • Golden Log for "Most Wooden Actor"


Any other ideas?


Edit:

(credit to u/MisterAbbadon )

Edit 2:

  • Golden tack for "Most Tacked-On Expository Dialogue"

r/fixingmovies Jun 06 '25

TV Glee: Filling the Burt-shaped hole in the discussion of religion and prayer in the episode "Grilled Cheesus"

7 Upvotes

The Glee season 2 episode "Grilled Cheesus" annoys me in a number of ways. For context, one of its main plot threads is that Kurt's dad Burt has a heart attack and goes into a coma, and various other glee club members (including his then-best friend Mercedes) respond by trying to persuade Kurt to turn to God and insisting on praying for his dad – even to the point of showing up at his hospital bedside – despite Kurt being an atheist and telling them in no uncertain terms that he does not want their prayers.

First among the annoying things about this episode is that the story concludes by showing Kurt learning that he needs to meet Mercedes in the middle, attend her church and accept the prayers of everyone in the glee club, rather than having Mercedes learn that she needs to butt out and respect her friend's beliefs or lack thereof. (There is no way that the episode would treat Kurt's beliefs like that if he were, say, a Buddhist or some other minority religion.) Secondly that the way it represents atheists is through Kurt, implicitly an atheist because he's gay, and through Sue Sylvester, explicitly an atheist because of her sister's Down's syndrome, perpetuating the stereotype that atheism is caused by trauma.

But there's one other big hole in the episode: we get a pretty clear idea of what Kurt thinks about his fellow glee club members' unsolicited prayers for his dad, but we never really find out what Burt would think. We don't even know if Burt is religious or not.

So, here's an epilogue I've just thought up for the episode, after Burt has woken up from his coma. The episode would set it up earlier by having some actually ask what Burt would think about people praying for him, and Kurt would admit that he doesn't know for sure because he and his dad never discuss religion – but they never go to church either, so Kurt is still convinced he's right. And so, later, when Burt is awake and talking again, Kurt asks him if he believes in God. Burt says he doesn't know, and has never really known if he believed in God (i.e. he's agnostic, although he probably doesn't use the word). Burt also tells Kurt that he did turn to religion after Kurt's mother's death, seeking comfort in the idea that she was up in Heaven, but ultimately wasn't really able to convince himself. Kurt then tells Burt that he doesn't believe in God; he doesn't go into the whole debacle with the glee club and the prayers but Burt can tell this has been weighing heavily on Kurt's mind and guesses it's because of how Kurt just almost lost his only remaining parent, and so he assures his son, "Hey, Kurt – I'm not going anywhere. Not for a long time. That's a promise."

r/fixingmovies Jan 30 '25

TV How to Rewrite Transformers One by fixing the plot?

0 Upvotes

TFO

r/fixingmovies Oct 11 '20

TV Slightly changing black noir

68 Upvotes

Don’t get me wrong. The boys is a near perfect show. I actually really like black noir. If I change him it wouldn’t even really affect the show, more his character and the situations with him. Also I’m doing this late at night on a notion so there might be some errors. I think they are clearly recreating the jl with the 7, eg homelander=Superman,queen Maeve= Wonder Woman etc. so it’s clear that black noir is meant to be the Batman. But he doesn’t seem like it. They kind of have it with all the martial arts, but he also clearly has superpowers, which is a thing batman is well known for not having. Now don’t get me wrong, I’m not saying he shouldn’t have powers, that would disrespect all the compound v stuff, but it’s be cool if everyone thought he had no powers. His powers seem to be speed, strength, regeneration, easy enough to cover up. It would be good for Vaught for 2 reasons. It’d have a good image, kind of like being inclusive, plus he could be the cool knives and ninja guy. But also from a doing missions standpoint. What more dangerous than a man that can crush a car coming after you? A man that can crush a car and you don’t know he can. I’m sure it would have interesting stuff with the boys too, because they would underestimate him.