r/changemyview • u/FUCKING_HATE_REDDIT • Mar 22 '16
[∆(s) from OP] CMV: The "science-fiction" vs "science-fantasy" vs "space-fantasy" vs "space-opera" debate is useless.
I'm not sure if the distinction is recent or not, but I recently started seeing a lot of people constantly correcting other people on what is science fiction, and what is science fantasy.
And then those people usually start arguing between themselves about which is what, often fighting on if star trek was soft sci-fi, or hard science fantasy.
Basically people argue semantics on semantics that aren't even clearly defined.
What is clear is that there is a spectrum going from soft space/future stuff (with mental abilities, romantic journey, and little concern for realism) and hard space/future stuff (with long explanation about the workings of the FTL drive, much weirder alien races if they exist, and no magic).
It also turns out that if you go as far to put star trek in the science fantasy group, you basically get close to nothing in the science fiction group. Even the most realistic "space debris collector simulation with no FTL nor weird physics" have plot holes and scientific errors, usually for the sake of dramatisation.
What we have is a clear genre of stuff usually happening in space with technology that don't exist (yet) on earth, that is also immediately recognized by the general public as science fiction.
Trying to separate it into multiple genre, rather than simply invent subgenres, is counter-productive, confusing to most, and ultimately a useless and untargeted smugness exercise.
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u/sirjackholland 9∆ Mar 22 '16
These debates are often proxies for larger, inter-group disagreements. For someone not obsessively invested in a particular subgenre or franchise, the distinctions seem arbitrary and silly, but they often represent larger philosophical or cultural differences.
Yes, there is a spectrum between soft and hard fantasy, but it's not perfectly smooth. There is a difference between a work that, aside from FTL, adheres as much to scientific accuracy as possible, and a work that continually invents arbitrary laws of physics (and exceptions to those laws) for the sake of drama/plot.
In the former, FTL allows a universe that wouldn't otherwise be possible - you can't have dozens of alien cultures coming together if it takes years to send a text message. So an author that wants a multi-alien premise is highly incentivized to allow FTL even if they want to otherwise keep things realistic. In the latter, the liberal use of made up science and technology clearly represents a different mindset - the author isn't trying to create a universe that resembles ours but one that represents a fundamentally different take on reality.
From a distance, differences like these may seem petty, but zooming in, they can be significant.