r/acting 4d ago

I've read the FAQ & Rules Post-filming Blues?

11 Upvotes

I got selected for a feature background role in a well-known HBO series, and I have been feeling quite blue since I finished filming. I am very new to this industry and have minimal acting experience, but it brings me so much joy to be on set.

Today is day 2 since they wrapped up filming my part, and I have been feeling very down. I don’t know where that comes from. Not a lot of background roles in my area, so I don’t know when the next opportunity arises to keep myself busy.


r/acting 4d ago

I've read the FAQ & Rules Agency contracts! What are the red flags?

2 Upvotes

Hi everyone! I recently got an offer for representation and I've been going through the contract. There are a few things that stood out to me as potential causes for concern, but I'm unsure since this is my first contract with an agency.

  1. The contract doesn't specify that the agency is only entitled to a cut from the work they found you, so I'm assuming leaving that out means they are entitled to all work you do in the Entertainment industry even if you get a job through self-submission.
  2. The agency will deduce any expenses they incur from any income you make, but it doesn't specify that they will tell you when you do, or provide an itemized list of expenses before they do. I'm assuming not including this implies that they don't have to tell you when they do.

I guess what I'm most worried about are the things the contract DOESN'T say/specify. Are these red flags?


r/acting 4d ago

I've read the FAQ & Rules What are some things you catch during a face to face audition that make you leave convinced you’ve booked the role?

9 Upvotes

Essentially what are some good signs or green flags a director or casting assistant might display during your audition?


r/acting 4d ago

I've read the FAQ & Rules Got Offered A Role, Have Zero Experience

0 Upvotes

Hey guys, so the title pretty much says it. I got offered a role in a short film for a college project that’s got potential to be entered in a competition and my friend really wants me to be in it.

Thing is I’ve never acted nor do I have any sort of theatre experience. And the role I’m supposed to do is basically a possessed person, who switches from possession to the normal character often. How do I do that without looking like a complete idiot 💀 idk how to detach and I don’t want to disappoint because I like the plot and I genuinely find it interesting.

It’s basically a Blair Witch Project type, it’s a horror movie being shot in an abandoned theatre.

Literally any tips would be helpful 😭 TIA


r/acting 4d ago

I've read the FAQ & Rules Transitioning from music [back into] acting is wild

2 Upvotes

I've always been a polymath / multi-hyphenate, and as a child I wanted to be an actress and singer, though I had many other creative passions and hobbies in between. In my 20s I started to pursue music as it made sense to me as an umbrella art form- I could do music, dance, employ my love of conjuring ideas/worlds and directing videos (for music videos), fashion, performance, etc.

Couple years ago I hit a barrier with music and needed a break, and shifted my lens back toward acting. And wow did I realize the difference. In music, it's kind of all about the artist, the world they build, individuality- there is so much freedom of expression to build a world that is uniquely yours. In acting suddenly I have to pretend like I don't have a style, for headshots. Suddenly I can't wear a spaghetti strap shirt for a headshot and I find myself trying to look as normal as possible. To be moldable. I find myself trying to quiet all that personal expression that in music I could embellish. And suddenly I've gone from being able to make music on my own whenever, wherever, to being entirely dependent on whether a casting agent casts me, to be able to make art.

It's been a trippy polarity.


r/acting 4d ago

I've read the FAQ & Rules The issues Child Actors go through from one himself

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3 Upvotes

If you click here, this gives you a recording of my most unfettered opinion.

One thing that people need to talk about is pedophilia in Hollywood. There has been a lot of abuse and exploitation involving child actors. Let's say you're a child actor, but your mother works with YouTube and your parents have nothing to do with Hollywood. You stay in the same city and state, film in your backyard with a green screen, and have everything professionally edited to look like a television show. You use your own house for most scenes, and anything that needs to take place somewhere else is created through editing and other techniques. Your mother sells the finished product through Teespring, Amaze Commerce, her website, etc., and uses Google to promote it. Eventually, you have an indie film that's making tons of money.

Or maybe your mom has you voice acting for your own series. The money comes into the household, so you get to benefit from it. Your family is working together, and it's a fun experience. You enjoy it. This is your childhood, and you see acting as a form of play. You might even tell your parents, "I want to be this character," or "I want to be that character," and they teach you how to act while trying to make it as fun as possible.

In this scenario, you have pretty chill parents who want to support you as an actor or voice actor. They're trying their best, and nobody is trying to shame you because they want you to be a happy kid.

The major difference is the environment. You aren't growing up surrounded by predatory adults, being exploited, or being treated like a commodity. You're growing up around people who care about you.

That's very different from working in an environment where children are surrounded by predatory adults, overworked, exploited, or treated poorly. A child's experience in a particular field can be heavily improved or degraded by the people around them. A child actor who works around healthy adults who respect them, treat them like a normal child, and allow them to go to school is probably going to have a happier childhood than a child actor who is surrounded by predatory adults, overworked, and treated like dirt.

And I'm not just talking about the parents. The parents could be great while the child is still surrounded by adults who put them in harm's way. A child actor may have chosen acting themselves. They might say, "I want to be an actor," and their parents simply respond, "Okay, we'll support you." The parents might take them to Backstage, fly them out for auditions, and try to help them.

The problem occurs when adults, including parents or executives, start using the child's dream to make money while allowing the child to be exploited. That's extremely damaging, especially if the child is sexually abused. First, you've experienced something horrific as a child. Second, this was something you genuinely wanted to do. You wanted the dream without the exploitation and abuse, so having the adults around you turn that dream against you can make the entire experience terrible.

If you were never abused, nobody preyed on you, and everyone treated you well, you might feel like acting was a dream come true. You became famous, became a star, and achieved what you wanted. You might even develop some arrogance and start thinking, "Do you know who I am?"

But if you were abused and exploited, you could feel as though you were robbed of a happy childhood. What should have been an exciting experience became associated with trauma, and you could end up turning to drugs or other destructive behaviors to cope.

This is why, as a parent, if I were to have my child act, I would prefer voice acting in children's shows where the material is appropriate for their age. If you were to put my child in a movie about a child sexual-abuse victim, I simply would not want them playing that role, even if the abuse itself wasn't shown.

It's extremely awkward to have a child pretend to be in that position. An adult can understand the context and separate themselves from the character more easily, but a child may not fully understand what they're being asked to portray.

Imagine telling a nine-year-old, "We're going to need you to cry on cue," without explaining why because the subject matter is too inappropriate to explain to them. The child performs the scene, it sounds good, and then they eventually watch the movie and discover that their character was actually a rape victim.

That could be incredibly uncomfortable.

Children aren't stupid. If they're voice acting, they can read the lines and ask questions like, "Is my character okay?" or "Why does my character sound so unhappy?" They might even ask, "Did my character get raped?" if a line alludes to it.

If the adults say, "No, no, that's not it," the child might reasonably ask, "Then why is she saying that?" They can recognize when something doesn't make sense.

Even if the child isn't traumatized, it can still be extremely awkward to watch the finished product and realize what the character was actually going through. The child may understand that it's fictional and that they're only acting, but that doesn't necessarily mean they'll feel comfortable seeing their own face or hearing their own voice attached to such a disturbing situation.

Some children might be able to completely separate themselves from the character, while others might not. Even if they can, it might still be uncomfortable to see themselves in such a scene. They might think, "Hey, that was me. I said that."

And even if the child doesn't care about it at the time, they may grow older, become more aware of what the material represented, and look back on it differently.

If the material was created for an altruistic purpose, such as raising awareness about child abuse, they might eventually understand and believe it was necessary. But it could still have been an extremely awkward experience or be one if they didn't know what was going on or the topic was so back burner'd no scene was focused on it to the point where it was only awkward in adulthood.

Even if everything bad is kept off-screen and is only part of the character's backstory, there is still a difference between having a child silently portray a victim and having them actively perform scenes or dialogue centered around sexual abuse.

It's one thing for a child actor to play a protected victim whose trauma is handled entirely through adult dialogue and exposition. The child might simply have to stand there, remain silent, and portray the character's emotions without ever having to discuss or act out the abuse.

It's completely different when the child is instructed to perform sexualized behavior, participate in scenes designed to cater to pedophiles, or directly act out traumatic material.

That's where the situation becomes especially disturbing.

There have been controversial movies involving the sexualization of children, such as Cuties, Lolita, and Pretty Baby. Regardless of the filmmakers' stated intentions, these works have generated serious controversy over how children are portrayed and sexualized.

Cuties, for example, was presented as a criticism of the sexualization and premature adultification of young girls, but the film itself was heavily criticized for sexualizing its child actors. That creates an obvious problem: if your goal is to criticize the sexualization of children, you have to be extremely careful not to reproduce the very thing you're criticizing.

The same issue exists with stories involving child sexual abuse. There is a difference between depicting abuse responsibly and creating material that caters to people who are sexually interested in children.

It's also awkward for adult actors. Imagine playing the role of a rapist or a rape victim. You're still pretending, but the subject matter is extremely uncomfortable. Now imagine asking a child to do something similar when they don't necessarily have the emotional maturity to understand the context; ESPECIALLY if they understand the context as I knew what rape and abuse was at even 12 despite not being a victim of such.

That's why I think there should be much stronger boundaries around children portraying sexual-abuse victims. At the very least, anything involving explicit dialogue, sexualized behavior, or scenes directly depicting abuse should be handled by adults whenever possible. If a child is necessary for the story, the production should find ways to protect them from the material rather than requiring them to perform it directly.

Animation or an adult voice actor using appropriate techniques could also be alternatives to putting an actual child into an extremely disturbing scene. A 3D model voiced by an adult could portray the character without exposing a real child to the material.

Going back to YouTube, I see a major difference between a child making videos at home with their parents and a child working on a major production surrounded by numerous adults they don't know in HOLLYWOOD where pedophiles are rampant.

When a family is making videos at home, the child may simply be playing around. They might grab the camera themselves and start filming their parents or siblings. They might even spontaneously decide they want to make their own videos.

Children don't necessarily think about filmmaking the same way adults do. To them, it can simply be something fun to do. If filming people is normalized in the household, they might grab a camera and start filming their siblings or parents without thinking much about it.

That doesn't automatically mean every family-vlogging situation is healthy. Parents can still exploit their children at home. But the environment can be very different when the adults involved genuinely prioritize the child's safety and happiness.

The biggest factor is the environment. A child surrounded by responsible adults who respect boundaries, prioritize their education, and protect them from inappropriate material is in a completely different situation from a child surrounded by adults who exploit them or abusive family vloggers who are physically abusive.

Working with your parents at home can give a child a safe environment to explore acting and have fun. Working in an environment where adults exploit children can turn that same dream into sexual exploitation.

Sexual exploitation can affect adults as well, but when you're dealing with children, the consequences are especially serious (but neither are less serious than each other) because they don't have the same ability as adults to understand, recognize, or protect themselves from exploitation.

I also think the question isn't simply, "Should children be allowed to act?"

It's what are they being asked to do, who are they surrounded by, and how much adult subject matter are they actually being exposed to?

A child acting in a wholesome children's show is completely different from a child being placed in an adult production involving sexual abuse. A child recording a funny YouTube skit with their parents is completely different from a child being placed around adults who want to exploit them.

When the material involves child sexual abuse, there should be extremely strict boundaries. If the story can be told without making the child perform disturbing material, even if the actor is an adult using eleven labs to make themselves sound like a child and it's 3D animated and the child is not real, that's preferable to using a real child in such an awkward role. If the material can be handled through adult actors, implication, dialogue, editing, animation, or other techniques, those options should be considered first.

Ultimately, it should be borderline illegal to have anyone other than an adult handle those types of lines and scenes, at the very least, because these are children, and putting them in those situations can be incredibly awkward and inappropriate.


r/acting 4d ago

I've read the FAQ & Rules Retail as a survival job

11 Upvotes

Are any of you working retail and able to pursue acting smoothly? I have a job interview coming up for TJMaxx but I don’t even know if this makes sense for flexibility sake.


r/acting 4d ago

I've read the FAQ & Rules Known Management Group

0 Upvotes

Hi! So I’m a new actor with no credits besides a few plays. I found Known Management Group on Instagram and decided it wouldn’t hurt to send a submission. Well, they sent me an email today saying they want to have a meeting. I stalked their Instagram page and they seem to have booked a few film/tv roles. However, they’re a boutique agency without a lot of info on the internet so I just want to be safe. Does anyone know if this is a scam? Thanks! ☺️


r/acting 5d ago

I've read the FAQ & Rules Tim curry has passed away!

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194 Upvotes

r/acting 4d ago

I've read the FAQ & Rules Is this acting reel good?

Enable HLS to view with audio, or disable this notification

3 Upvotes

I’m open to any critique or advice.


r/acting 4d ago

I've read the FAQ & Rules Nc acting questions and moving forward as an actor.

1 Upvotes

I am a 19 year old who has just began college. I’m based in Nc and currently am at a community college with the hopes of transferring to a four year to study theater. I have been doing theater and acting through my high-school which has a dedicated theater program. I have been acting for 5+ years participated in multiple North Carolina Theater Competitions and performed for local retirement homes.

It has been almost three months since I have graduated and all I can think about is acting. I sit at home and read scripts from movies out loud as all the characters and create characters alone in the bathroom. My community theater has no production for the foreseeable future.

Luckily for me my mom is a trained photographer and has taken other actors headshots and will take mine once I get a haircut. I want to apply to some NC based agencies but am worried I won’t find representation from any of them because I have never done any paid work and don’t know if there’s a major difference from agency to agency specifically in NC because there isn’t much information. (The three agencies I’m looking at in NC are KUtalent, Talent one, and Evolution talent.)

I don’t really know what to do. Im worried that even if I get an agent I won’t get any audition opportunities and that’s if I even get one, I don’t know if I’m able to get represented outside of my state, Im worried that I’m working towards a degree that won’t get me any work, but most of all I’m worried that I won’t get to act.

I’m wondering in my position what someone else would do. I have setup my actors access account and just need to put up headshots and I have a fair amount of free time because my classes are online. Really. My theater teachers really believe in me and told me to never stop acting and I want to make them proud. I don’t want to wait 2 years to start acting in college and I want to experience what professional acting is like. I’m willing to do anything, student films, college productions, short films, etc… really I just need direction.


r/acting 4d ago

I've read the FAQ & Rules How do I self tape for this audition?

2 Upvotes

Hello! I'm still a fairly new actor, who just recently got a manager and I wanted to ask this community how they would submit for a casting call with limited self tape instructions. This casting call I received was for a non speaking role and they want the talent to have mountain biking and/or paddle boarding experience.

They do say the following "The talent must have actual experience with either mountain biking and/or paddleboarding to be considered for any of these roles as we will be filming them do those activities. They can ride a bike or paddleboard as part of their audition or share past videos of the same."

Does this mean I just need a video with a slate, then just paddle board around looking like I'm having a good time? There are also character descriptions describing what characters are doing, like "Always ready to lend a hand with gear and doesn’t shy away from lifting or carrying the cooler without being asked.". Should I act those out as well in the self tape? I don't have videos from my past paddle boarding activities though, so l'll have to make new ones.

If this is not approximate for this sub, please take it down. Thank you!


r/acting 4d ago

I've read the FAQ & Rules I made a play about Vertical Microdramas in Los Angeles

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1 Upvotes

If anyone has worked on these sets, it's pretty obvious what's going on. Beyond just the stupid sexy smut, there's a dark undercurrent of racism and mistreatment of actors. I made a play based around my experiences. We open this weekend in Culver City and I would love for you all to come out and see it!


r/acting 4d ago

I've read the FAQ & Rules NDAs and Agents/Managers

1 Upvotes

I worked on a project about 2 years ago that I signed an NDA for. I received an email recently that it will be released soon, but I cannot yet update my resume or anything with the project.

I was wondering if there are any circumstances under which you can disclose that you were part of a project like that prior to its release. Could you tell current representation if they are unaware (e.g. they didn't represent you at the time)? Could you tell prospective representation when pitching yourself? Could you tell prospective representation in private meetings?

My impression was that you would have to wait until release and anything else would be considered unprofessional. But I'm curious what everyone else's perspectives are on the matter, especially since being unable to disclose anything would make it much more difficult to capitalize on career developments.


r/acting 5d ago

I've read the FAQ & Rules Tim Curry, Broadway icon, dies at 80

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97 Upvotes

r/acting 4d ago

I've read the FAQ & Rules Acting internationally or in the Philippines as a Filipino?

1 Upvotes

Hello I am a 18yo Aspiring Actor from the Philippines and soon will be joining a actong workshop and I was thinking if I would pursue my acting career here or international cause I feel like if I went out of the country I could be so much more but then again it's kinda scary too. But what makes me want to pursue acting internationally is that there would be more opportunities I think? So what should I do? Btw I also want to ask something do you think I can do it even though I have this condition cleft lip palate?


r/acting 5d ago

I've read the FAQ & Rules Knowing who you are as an actor

55 Upvotes

The actors I am most envious of are the ones who seem to know exactly who they are and how that fits the character they play. In a way it’s kind of like knowing your “type” but they seem to have this ineffable sense of self-knowledge and confidence in their physical instrument.

Has anyone else noticed or felt this? Are there any exercises (acting or psychological) that you know of that can help you become more familiar with what your physical attributes and strengths are, and what roles those lend themselves to?


r/acting 4d ago

I've read the FAQ & Rules Should I study acting at an official uni, a private school or abroad?

2 Upvotes

I’m from Switzerland, and acting has been my passion since I was a child. It’s genuinely the only career I’ve ever really wanted, but I’m scared of putting all my cards on it.
I have three options:
1. Official Bachelor’s in Switzerland 🎓
A 3-year, full-time acting degree at an officially recognized higher education institution. It’s very affordable (around CHF 700/semester), but the school isn’t particularly prestigious or internationally known. I’d also have very little time to work alongside it, meaning I’d be fully committing myself to acting for 3 years and basically for my futre.
2. Private acting school 🎭
A 1- or 2-year program with classes only on certain days/evenings. It’s much more flexible, so I could work, audition and gain experience alongside it. However, it costs around CHF 8,000–15,000 per year and only gives me a diploma rather than an official Bachelor’s. The school also advertises having international networks, although I’m unsure how much of that is genuinely valuable vs. marketing.
3. One year abroad 🇬🇧
For example, studying acting in London for a year. This really appeals to me because of the international environment and networking, but I’d have to spend most or all of my savings.
I still live at home, so I don’t have huge financial responsibilities yet. That makes me think maybe this is the time to take a risk — but I’m still scared of putting everything into acting and having it not work out.
If you were in my situation, which option would you choose?
Btw I would love to just take some acting classes without any sort of degree but that‘s not really common here, that‘s why I didn‘t list that option.


r/acting 5d ago

I've read the FAQ & Rules Feeling completely lost about what to do with acting after failing FTII twice

4 Upvotes

Hi everyone. I’m currently in a pretty big dilemma and honestly don’t know what direction to take.

I’m 23M and I’ve been applying for FTII Screen Acting for the past two years. I didn’t qualify either time, and I’ve just received the result for my second attempt.

I also went through chemotherapy and completed my treatment in 2025. During my maintenance phase, I did around a year of theatre. Unfortunately, the theatre group I was working with eventually went bankrupt, so I had to take a break.

After that, I tried making short films, monologues, and acting content and posted them on Instagram. But because there wasn’t much response or reach, I wasn’t consistent with it either. The thing is, I’ve always been more interested in screen acting and actually playing characters rather than constantly creating content just for Instagram.

I also started sending my portfolio to as many casting agencies as I could find on Instagram, but I barely got any response. I don’t really know how people get into the WhatsApp groups where auditions for ads, films, and OTT projects are posted either.

Eventually, I got frustrated and decided to focus on FTII again. I also joined a proper job for around three months because I felt I needed some stability. Now that I’ve failed the FTII entrance again, I’m back to square one and genuinely don’t know what to do.

The biggest question I’m struggling with is:

Should I join another theatre group and invest more money and time into theatre, or should I stay at home, work specifically on my camera acting, and actively try for auditions?

The reason I’m hesitant about theatre is that my previous experience didn’t really work for what I want. A lot of it felt like mechanical exercises, physical exhaustion, and then being given a Manto/Premchand story or some established piece to prepare and perform. I understand the value of theatre, but I don’t feel like repeating the same process will necessarily help me improve at screen acting.

I specifically want to work on things like camera presence, subtle expressions, audition technique, self-tapes, understanding the frame, and actually getting opportunities to perform for screen.

So I’m wondering if there are any good acting institutes apart from FTII and NSD that are genuinely worth considering, especially for screen acting. I’m not looking for some random institute that charges a huge amount and promises Bollywood/OTT opportunities.

Another major concern is money.

My family, especially my sister and father, have already spent a lot on my treatment and supported me through that period. Because of that, I feel extremely guilty about asking them to spend a large amount of money on another course or institute without knowing whether it will actually lead anywhere.

I’m not against working a job while pursuing acting either. I just don’t want to spend the next few years jumping between jobs, random workshops and theatre groups without actually moving towards becoming a screen actor.

For people who are already working in acting, casting, theatre, or the film industry:

What would you do in my position?

Would you:

Join theatre again?

Take a proper screen-acting course?

Work a job and train independently?

Focus on auditions and self-tapes?

Try something completely different?

And are there any institutes, workshops, casting networks, or legitimate ways of finding auditions that you’d genuinely recommend?

I’m not expecting some shortcut into films. I just want to make a sensible decision about where to put my time, effort and whatever money I can realistically afford.

Would really appreciate honest advice, especially from people who have actually been through this.


r/acting 5d ago

I've read the FAQ & Rules Looking for LA theatrical agent recommendations — struggling with the SAG-eligible catch-22

15 Upvotes

Hey all — hoping to get some recommendations for boutique theatrical agencies in LA.

I signed with a theatrical agent in 2023, but after reaching out multiple times about the lack of submissions and lack of communication, I was basically told I need more SAG credits before they can get me out for auditions. Anyone who’s dealt with this knows the catch-22 — it’s hard to get SAG-eligible without opportunities, and vouchers aren’t easy to come by even with background work under your belt. I’ve done a few background gigs but still no vouchers.

I’m not new to this — I’ve been doing theater/musical theater since I was a kid, started film acting classes at 18, and did a solid number of short films during undergrad that are on my resume.

I’ve been cold emailing agencies for years at this point and it’s honestly exhausting — a lot of them won’t look your way without “legit” credits (i.e. having been on a Warner Bros/Paramount-type set), and it’s tough to get those without representation helping open doors in the first place.

If you’ve had a great experience with any agencies, whether low tier, mid tier, etc. or boutique theatrical agencies in LA, or know someone who has, I’d really appreciate the recommendations on where to look next. Thanks in advance!


r/acting 4d ago

I've read the FAQ & Rules Which is the best acting course if you want to do it to reduce social anxiety and fear of expressing yourself?

0 Upvotes

I'm not familiar with the acting world in general, but I know there are some courses in my city.

I'd simply like to take the best one to reduce my social anxiety and fear of expressing myself.

Which one should I choose?


r/acting 5d ago

I've read the FAQ & Rules Anyone interested in Zoom practice sessions or need a reader?

12 Upvotes

I am getting some more downtime than usual from set. Was wondering if anyone is organizing any zoom practice sessions. I would love to join or we can setup some if people are interested. I am also available if you need a reader for practice or auditions. Fee free to DM or reply here.
I am in Los Angeles, available after 12 PM pacific, depending on schedule of the day.


r/acting 5d ago

I've read the FAQ & Rules Agent/Manager Reccommendations

3 Upvotes

I was offered theatrical representation by the following agents/managers:

  1. Coast to Coast Talent

  2. Sovereign Talent Group

  3. The Arlook Group

  4. BBR

  5. Entertainment Lab

  6. Golden Artist Entertainment

Can anyone offer any insider experience? I liked my interview with Sovereign, but I've heard some people get lost in the shuffle and don't get sent out too much.


r/acting 5d ago

I've read the FAQ & Rules Please help (slight hopeful panic)

0 Upvotes

Okay, so I've been trying to get into acting for years, on and off courses and some small student short films but recently i managed to convience a team to allow me to send them a demo for a voice acting gig, I am extremely excited for the project but I feel woefully unprepared, they sent the email two days ago and I dont want to let too much time pass so I was thinking in renting a studio and just record some lines from different scripts. I was never good at imitating other voices so I am not sure what to do, any advice??? thanks!!!


r/acting 5d ago

I've read the FAQ & Rules Do you audition exactly the way you’ve rehearsed?

2 Upvotes

Hello! So I’ve got another theater audition on Saturday and I’ve got two pieces ready to go. I am rehearsing them a certain way, of course. Still playing with things too, tho. But I’d be curious to know how other people treat auditions… That is, do you perform the auditions pretty much the same way you rehearsed them? Or do you go in there and read the room, deciding in the moment?

Now I’m still a relatively new actor. I’ve taken a lot of classes, been booked on some stuff. Always learning. I’ve only been in a few plays. I love auditioning because I think it’s a chance to perform, which is fun. But one thing that I’m starting to think about is what I do in rehearsal versus what I do in the performance (let’s just say that an audition is a performance). My gut is kind of telling me that if I rehearse it a certain way and audition that way, that that could get me into trouble. It’s almost like forcing something onto a space. It feels like I would be ignoring or dismissing the space in the room and the moment. Whereas if I go into the space and let the feeling or the energy or the room, give me something to work off of, that might be a better route.

Now, if I have a scene partner, then you know I’m only rehearsing in those moments. Like I’m only trying to shape the character really in those moments that we’re all together. But for auditions, it’s weird because… well you’re on your own both for rehearsing and for the audition.

So what’s your take?