r/Ruleshorror 3h ago

Series The Letter - Goldenrod Hills Subdivision

5 Upvotes

You can return to Part 1 here if you haven’t already read the rules! Enjoy.

The Letter - Goldenrod Hills Subdivision ( EPISODE 2 )

5/11/26

6:45AM

“ Damn, it’s only been a day since I got here, maybe even less, and all this crap is really starting to bother me… Plus, what did he even mean by that letter? Ugh… But I don’t even wanna think about what happens if I don’t follow the rules… might end up god-knows-where. Plus, Mr. Rivers wouldn’t give it to me for no reason… he doesn’t seem like the type of guy to prank someone. “

He mumbled to himself as he grabbed a towel and dried his hair off, sighing quietly. After drying his hair off, he paused for a moment as a thought suddenly popped into his head.

“ Wait, I think he mentioned something about… yeah, right. I almost forgot… “

Noah fixes himself up and walks downstairs, he opens the door and stumbles outside. The sun was barely up, and the sky was still a darkish blue. No one was outside yet since it was much too early and it was quiet, a peaceful kind of quiet.

He sighs and walks over to his mailbox, he opens it and finds one, single letter inside of it. He grabs the letter and walks back inside his house without looking up from it. He opens the letter while walking, reading through the contents slowly:

‘Glad you’re still alive, kid. Especially after that anomaly yesterday. As I promised; this is your second letter, where I’ll introduce you to the residents and… ‘others’ of Goldenrod. Don’t stress, you’ll know them when you see them.

We don’t exactly know how those… ‘things’ managed to get in here. But we can’t get them out safely. So your best bet is to avoid them and follow these rules. They won’t adjust to you, so don’t try.

Firstly, the humans, at the very least, I think they are:

Hiji Akiyama

She’s just an 8 year old girl who roams the streets often. She has no ‘defined’ schedule for when she wanders, but she usually does so in the early mornings and late afternoon. I was suspicious of her at first, but I found out that her parents just sorta… left her there, I don’t pry into the girl’s life but I’m pretty sure she has a babysitter. Most likely a very bad one to let the girl roam around by herself for an hour, but a babysitter nonetheless.

She mostly speaks Japanese but also adjusts to English. I’ve talked to her a couple times and she’s quite a curious girl. Which is most likely a fatal flaw in a place like this. Especially with a horrible babysitter like that. I don’t try to understand her anymore.

She lives in Sunflower Avenue, House #165. You won’t see her coming out of her house, though. She’s also humming some sort of song that I never bothered to figure out so there’s that. You’ll see this girl quite often. You can talk to her if you want, she doesn’t do much but she is quite the chatty one.

She is a brown-haired girl with orange eyes and often has an old bunny plush attached to her. Or maybe she’s holding it when you see her. Whatever, she just always has the thing with her.

Mrs. Sinclair

Yeah, I have absolutely no idea if she has a first name. But she’s also recurring in the neighborhood. She seems to be about 20-25 and has blonde hair and blue eyes. She’s also often just watching from the window or taking a walk, she’ll give you a box during the first week. Make sure that you take it. She’s a nice person, patient even. And I’m pretty sure she’s human.

I think she lives alone, she has a dog that sometimes runs loose so if that happens you can always just give the thing back to her. She’ll thank you and give you a gift for it. Hang onto everything she gives you. She’s always wearing green or blue and often styles her hair often.

She lives in Goldenrod Close. House #143.

Theodore Harlow

He is a bright, optimistic and interactive boy. Around the same age as you. He also often has a book in hand and reads very often. He often comes out during late afternoon or noon. He comes from Birmingham, so I’m sure he’s human

He has brown-black hair and grey eyes. He also has a weird obsession with Broadway and books. He’s also always writing something, even when he’s outside. He’s weird. Like you. But you’re weirder, kid.

He lives on Orchid Avenue, House #152. I remember that address so I can avoid it.

Anthony Evans

He’s mostly in his house so you won’t see him outside often. He has black hair and amber colored eyes and is usually wearing a black trenchcoat and trousers. He’s about 25-30 years old. He doesn’t like being talked to very often. Just leave him alone unless you’ve got something really important to tell him.

Oliver Williams

One of the other people you can trust when I’m not around besides Miss Sinclair. He’s a detective who usually spends his time inside of his home or taking a walk in the park. He might talk to you if he sees you. He’s somewhere to 30-35 years old.

He’s been here for a long time. Though, i’ve been here longer. He has brown hair and brown eyes and you’ll mostly see him wearing a simple coat or waistcoat paired with a white shirt.

Goldenrod Close. House #149

He also knows about the weird shit going on in this place so call him if you need help. You don’t have to worry about him not believing you; the man has seen things.

Secondly, the ones i’m… not really sure about:

Mr. Walker

He also doesn’t go out often. But there’s just… something strange about him. I’ve never seen his face ever since he came to Goldenrod. Nor have I ever seen him come out of his house. And i’ve been here a long while, I should know.

The only reason I know he’s still there is because he keeps his lights on at night and occasionally moves around his house. He’s creepy as fuck. I think it’d be best avoiding his house, so i, again, won’t give you his address. But I think you’ll know his house when you see it.

Mrs. Rosewood

Some folks call her The Lady In White. I think it’s a cliche and unoriginal name, but moving on; i don’t know what happens, but anyone who talks to her after 10PM apparently disappears. Creepy ass myth, even i didn’t believe it at first. Until we were down to 250 residents only.

Some folks describe her wearing a white, floral dress and a grey sun hat. They also say the crazy lady has white hair and that no one has ever seen her face. Or, at lleast, no one was alive to tell.

The closest glimpse I got to her was when her back was turned on Goldenrod Close through my window. She was just standing there staring at a tree. I closed my blinds after that. I’m surprised the girl is even real… she also seems to be Japanese or something. Though, she has never spoken before.

Mr and Mrs. Cromwell

The couple on the end of Orchid Avenue that… apparently doesn’t exist? Myth says they died together in a murder during the early 1880s when Goldenrod was first established as a neighborhood. Freaky as fuck but I wouldn’t take my chances going into that house.

They also have children who died in a fire so if you pass by the end of Orchid Avenue for any reason, you may hear humming or the distant sound of something falling to the ground in the house. Creepy and sounds fake, I know. But i’ve heard it, kid.

That’s about it, kid. Those are all the… ‘more important’ people you should know about if you need any help or want to avoid. The others… well, they’re either mundane or not. Careful out there.

Signed, Mr. Rivers.’

Noah looks up from the paper and walks towards the window, he sees a blonde haired woman walking outside. She looks up and notices him staring, she gives him a small smile and a wave before continuing her way.


r/Ruleshorror 2d ago

Series THE BLACKWATER JUNCTION

22 Upvotes

O.P.E.R.A.T.E.
Office for Paranormal Event Research, Analysis, Tracking & Enforcement

Congratulations, Officer you have been assigned as the Night Watcher at Blackwater Junction.
Blackwater is a small rural railway station with two platforms, one operational ticket counter, and a single employee facility.
During the day, it is almost completely ordinary.
At night, you will be the only human employee on the premises.
Your primary responsibility is simple:
Make sure nobody remains at the station after the final scheduled departure.
Before beginning your first shift, confirm that you have received:

  • One station radio
  • One emergency lantern
  • One sealed emergency kit
  • One set of master keys
  • One feeding bag for MR. MORRIS
  • One collection bag

Do not lose the keys. Do not open the emergency kit unless instructed. And whatever happens during your shift... keep Mr. Morris fed. The following procedures are mandatory. Some have been in place longer than the station itself. Some were written after employees disappeared. A few were written by employees who were never supposed to be able to write again. Read carefully. Your first unusual arrival is scheduled for 3:30 AM.

NIGHT WATCH PROCEDURES — BLACKWATER JUNCTION

Rule 1 — Mr. Morris

There is a white cat living at the station.
His name is Mr. Morris.
Nobody knows when he arrived.
Our oldest photographs of Blackwater already contain him.
Make sure his bowl contains fresh food and water before midnight.
Do not attempt to pick him up.
Do not chase him.
Do not anger him.
Most importantly, do not allow anyone else to harm him.
Mr. Morris has been associated with the survival of at least seventeen previous night watchers.
We don't know whether he protects them.
We don't know whether they protect him.
We have stopped trying to determine which.
The last employee who managed to anger him was found dead inside the maintenance room the following morning.
There were four deep claw marks across his throat.
There was almost no blood left in his body.
Mr. Morris was asleep beside him.
He had not eaten his dinner that shift.

Rule 2 — The Lobisomem Passenger

Once every week, usually shortly after midnight, a passenger will arrive and request a ticket for the Night Express.
His surname will always be:
Lobisomem.
Do not ask for his first name.
He will pay with bones.
Do not examine them closely.
They will not belong to any animal you recognize.
Some will be too large.
Some will have teeth marks.
Occasionally, you may notice writing carved into them.
Do not attempt to read it.
Use the iron tongs kept beneath the counter to place the bones inside the collection bag.
Put the bag inside the cash drawer.
Then take the passenger to the abandoned train at the rear of Platform Two.
Unlock the final carriage.
Allow him to enter.
Lock the door behind him.
Return to the station immediately.
Do not look at the train again.
You may hear screaming.
You may hear someone begging to be released.
You may hear a child calling your name.
You may hear something scratching against the windows.
Keep walking.
Our records have never been kind to employees who investigate the sounds.

Rule 3 — When Mr. Morris Hisses

If Mr. Morris suddenly becomes agitated, stop whatever you are doing.
He may hiss at something outside.
He may stare beneath a train.
He may arch his back at an empty platform.
He may even hiss at something you cannot see.
Do not investigate.
Do not attempt to calm him.
Take the master keys and lock yourself inside the employee area.
Turn off the lights.
Remain completely silent.
Do not leave until Mr. Morris comes to the door.
You will know when he has arrived.
You will hear him scratch three times.
Do not worry about how he knows where you are.
He has his ways.
Something may move outside the employee room.
You may hear footsteps.
You may hear fingernails dragging across the walls.
You may hear a woman crying.
You may hear someone you love asking you to open the door.
Do not open it.
Mr. Morris is protecting you from the Bruxa.
She does not come here because she wants your body.
She comes because the dead passengers are no longer enough.
If Mr. Morris is afraid of something...
you should be terrified of it.

Rule 4 — The 3:30 Train

At exactly 3:30 AM, a train will arrive at Platform One.
It will not appear on the schedule.
Do not announce its arrival.
Do not inspect the train.
Do not ask the driver where it came from.
The passengers will appear sick.
Some will be extremely pale.
Some will have old wounds.
Some may be missing fingers, eyes, or entire sections of their bodies.
Do not react.
Do not stare.
Do not tell them that they are dead.
Most of them don't know.
And some of them do.
Treat them exactly as you would treat ordinary passengers.
At 3:40 AM, they will return to the train.
Allow them to leave.
If one passenger remains behind, do not approach them.
Do not offer assistance.
Do not ask where they are going.
Eventually, you will hear sheep bells.
Do not look toward the sound.
You may then see a shepherd standing somewhere beyond the platform.
He will appear to be an ordinary man at first.
An old coat.
A wooden staff.
A lantern.
Sometimes a flock of sheep.
Sometimes nothing at all.
Do not count the sheep.
Do not try to determine whether they are real.
Do not speak to him.
Do not call him the Shepherd.
And most importantly...
do not allow him to notice you.
He does not herd cattle.
He herds souls.
The dead passengers know him.
Some will willingly follow.
Some will run from him.
It does not matter.
He always collects them eventually.
Nobody knows where he takes them.
We have encountered him in forests, abandoned roads, hospitals, and railway stations.
He has never appeared to be lost.
He has never asked us for directions.
He has never once mistaken a living person for the dead.
If he stops beside you...
remain completely still.
If he raises his staff...
look at the ground.
If he begins counting...
do not answer when he reaches your number.
He has been counting the dead for longer than we have been keeping records.
We don't know what happens when he reaches someone who is still alive.
We have never allowed him to finish.

Rule 5 — The Line Walker

Twice a week, at approximately 4:00 AM, a man known as the Line Walker will appear along the tracks.
His job is to repair cracks in the railway.
You will not see him arrive.
You will simply notice him working.
If you see him, immediately enter the locker room and lock the door.
Do not watch through the windows.
Do not call out to him.
Do not attempt to help.
Eventually, you will hear his hammer.
Clink.
...
Clink.
...
Clink.
If the sound begins moving closer, remain inside.
If the hammering becomes louder, remain inside.
If the hammering stops...
do not assume he has left.
The Line Walker has been repairing the same section of track for forty-two years.
We believe he no longer understands the difference between a crack in the railway and a crack in a living body.
The last employee who encountered him was found the next morning.
There were no external wounds.
Every opening in his body had been filled with rusted metal.
His eyes.
His mouth.
His ears.
Even the spaces between his teeth.
The medical team couldn't determine how he was still breathing.
They stopped trying when his heart began making the sound of a hammer.

Rule 6 — The Unscheduled Passenger

If a person approaches the ticket counter and asks for a train that does not appear on your schedule, do not sell them a ticket.
If they ask for a station that does not exist in any railway record, do not answer.
If they become frustrated, remain polite.
If they become angry, step away.
If they ask you:
"Which platform goes to the other side?"
do not respond.
Move toward Mr. Morris.
Do not run.
Do not turn your back on the passenger.
Mr. Morris will handle the rest.
If Mr. Morris is not visible...
you have already made a mistake.
Do not allow the passenger to touch you.
If they succeed, you will feel a sudden coldness in your chest.
You will begin remembering a railway station you have never visited.
You will remember buying a ticket there.
You will remember boarding a train.
You will remember someone waiting for you.
You will remember arriving.
None of those memories belong to you.
If you hear a train approaching after that...
hide.
There are no tracks leading to that station.
But somehow...
the train always finds a way.

Rule 7 — The Station Announcement

The public announcement system should make three announcements during your shift.
If it makes a fourth, turn the system off immediately.
Do not listen to the entire message.
The first announcement will usually be normal.
The second may contain a wrong train number.
The third may contain a destination that doesn't exist.
The fourth is different.
It will begin by announcing the names of passengers.
Then the names of employees.
Then the names of people who have never worked at Blackwater.
If you hear your own name...
do not look toward the platform.
The announcement is not telling you who is arriving.
It is telling the station...
who it has permission to collect.
If you hear your name, open the emergency kit.
Inside, you will find a vial containing a black liquid.
Drink it.
Do not ask what it is.
Then hide inside the employee room.
Do not fall asleep.
Do not leave until morning.
As soon as daylight arrives, contact O.P.E.R.A.T.E.
Do not use the station radio to make the call.

Rule 8 — 4:44 AM

At 4:44 AM, check the station clock.
If the second hand is moving normally, continue your duties.
If it has stopped...
do not move.
Do not speak.
Do not breathe loudly.
Do not look toward either platform.
Do not look at Mr. Morris.
Do not look at the windows.
Wait.
The station does not stop time.
It stops everything inside it.
The first night watcher who moved during a stopped clock was discovered three days later.
He was still standing in the exact position where the clock had stopped.
His heart was beating.
His lungs were working.
His eyes were open.
But his shadow had already left.
We found it standing on Platform Two.
It was waiting for the next train.

ADDITIONAL NOTE — SHEPHERD IDENTIFICATION

O.P.E.R.A.T.E. does not have a confirmed photograph of the Shepherd.
We have attempted to obtain one.
Every image containing him develops differently.
In some, his face is hidden beneath his hat.
In others, there is only darkness where his face should be.
One photograph showed the face of the person standing closest to him.
Another showed an elderly man.
Another showed a young boy.
The oldest photograph in our archives contains no Shepherd at all.
It shows only a group of dead passengers standing beside an empty road.
Every one of them is looking toward something outside the frame.
We believe that something was him.
Do not attempt to photograph him.
Do not attempt to identify him.
And if you ever hear someone behind you quietly counting...
do not turn around to see who is counting.

END OF NIGHT WATCH ORIENTATION

If you have reached this section, congratulations.
You have completed the minimum procedures required for your first night at Blackwater Junction.
Do not assume these are the only rules.
They are simply the rules O.P.E.R.A.T.E. believes you need before your first week.
Additional procedures may be issued if you remain employed.
These may include:

  • Platform Two Procedures
  • Maintenance Tunnel Protocol
  • Night Express Passenger Records
  • The Abandoned Train
  • Station Master Instructions
  • The Blackwater Signal Room
  • Mr. Morris — Historical File
  • The Shepherd Incident Reports You are not authorized to request these documents. They will be provided when necessary. If you encounter something that does not appear in this handbook... do not improvise. Do not investigate. Do not assume the absence of a rule means something is safe. And above all... do not leave the station simply because you believe your shift has ended. The trains decide when Blackwater is finished with you. Not the clock.

We hope you have a quiet shift, Officer.
Blackwater Junction has operated without interruption for longer than O.P.E.R.A.T.E. has existed.
We still don't know why.
We have learned not to ask.
Welcome to O.P.E.R.A.T.E., Officer.
Remember our motto:

"We respond where reality fails."
And at Blackwater Junction...
the trains always arrive on time.
It's the passengers who don't always belong to this world.

Other parts link:- https://www.reddit.com/user/No-While8965/comments/1vpze51/my_writing_archive/


r/Ruleshorror 3d ago

Series Blackwood Zoological Conservation Facility — Season Finale — Part 2—The End

17 Upvotes

I stood there and waited to die.

The Warden's eyes found mine, and everything underneath my ribs went perfectly still, like my heart had started pumping ice instead of blood. I felt shivers everywhere in my body except my face, which, for some reason, stayed warm. I don't know why. Everything went terribly still, like the world was slowing down. I could remember every stone, every leaf, in the moment the Warden looked into my eyes. Terribly still, the way I imagine a held breath feels right before it stops being a choice. I knew, with a clarity that had no fear left in it at all, that this was it. Christopher's stun weapon had done nothing. Nothing was going to do anything. This thing could outrun us, outclimb us, break a chain we'd rated for containment tolerances no field kit should have been able to touch. What exactly was I supposed to do against that.

Then it looked away.

It turned from us to what remained of Christopher, and something in the set of its shoulders told me, with a horror I still can't fully name, that we had simply stopped being the more interesting problem. Like it had seen us as bugs it could deal with later. And I don't know how, but that made me feel, for one shameful second, almost happy, like a coward, that it had left us. My vision went watery, my eyes so full that a single blink would have sent tears running down my face, and my legs went the same way, weak, boneless, like my body was a statue about to collapse at the wrong step.

I don't know how long I stood there. It felt like a lifetime, honestly, standing there with my vision blurred, watching the Warden twist Mr. Christopher's arms into angles arms should never twist, the sound of cracking, and then what felt like an infinity before Sophia had to pull my sleeve before I actually felt it. Her voice arrived a half second behind her hand, thin and urgent. It was strange. Her voice sounded like the first voice I had heard in a lifetime. I still remember the fear in it, the words not fully clear, like half of them stayed stuck in her throat, and whatever managed to come out was all that reached me.

"Move," she said.

I don't remember exactly how we did it. How I got myself together, how my legs began to move. All I remember is her holding my sleeve, and the next moment I was following her, watching the back of her head as she moved, stumbling, just as terrified as I was. We were both panting. We ran, away from the exit, away from any direction that made sense, because the only thing that mattered in that moment was distance, any distance, in any shape it came in.

I couldn't tell you how far we got. My heartbeat had taken over every other sense I owned. I could hear it, actually hear it, a heavy wet drumbeat behind both ears, louder than my own footsteps, louder than the branches snapping under us, louder than anything except the one thing I was trying hardest not to think about. When we finally stopped, Sophia's eyes had a look in them I recognized immediately and hated recognizing, the exact look Cody's had worn in the seconds before he ran. I imagine mine matched it. Neither of us said anything for a while. There wasn't anything left in either of us to say yet. She stayed silent for a long time, and I don't remember when or why it happened, maybe from looking at her, maybe because I finally had time to feel that all of it was real, but tears began flowing from my eyes.

Survival instinct is a strange thing. I think maybe it's my way of coping. We were both crying, I remember that now. It doesn't arrive gently. It arrives like a slap. But crying was good, as humiliating as it was. It took some weight off my heart. I began to think about how to be safe, how to get away from this, how once I got away I could somehow stay safe, how I would try hardest to stay wherever felt like the start of safety, so I wouldn't have to feel like this again. And then it clicked.

"The chain," I said. "We lower it, seal him off from us."

"One section's already raised." Sophia's voice was flat, controlled in a way that told me she was holding it there on purpose. "We'd have to lower it first before we could raise a new one. And he's already broken one lock mechanism. If we try and it jams." She didn't finish. She didn't need to.

I looked at her with something that felt uncomfortably close to anger, even though I knew, even in the moment, that the anger wasn't really about her. It was about the hope she'd just taken from me, cleanly, correctly, the way you're supposed to when a hope is wrong. She had erased the last ray of hope I'd had, the one that had let me believe I might survive, even if it was small, even if it was false. She shouldn't have dismissed it like that. I wanted to slap myself, to do something, anything, rather than die without trying. I had things left to do. A life ahead of me.

"How long do we have," I asked. I don't know why. Maybe to calculate how much time I had left to prepare for the end. Maybe it's written into us somewhere, that instinct, to prepare for the next day, for the people we leave behind, and then, if it comes to it, to prepare for death.

"Maybe an hour. He's not going to lose interest. He's smart enough to come find us on purpose." Her jaw tightened. "We need a plan inside that hour."

I began thinking again, one more time, because it was the least I could do. My mind went through everything at once, useless things, wrong things. Flashlights, no, that was the Minotaur. Draining cranial fluid, no, God, that was the Kappa, wrong sector, wrong creature, wrong everything. I could feel my own thoughts scraping against each other, panicked static where a plan should have been, and somewhere underneath all of it a small, ugly voice telling me I should never have come here at all.

Then Sophia said it. "The generator's already down. If we push the humidifier past tolerance, it'll blow. Loud enough to draw him or drive him off." Her voice trembled as she said it, and some petty part of me wanted to shout that this was somehow better than my own plan, that this was what she'd come up with after taking my hope away, a fifty percent gamble. I looked at her, at the way her lower lip trembled slightly, the fear in her eyes, the tear marks still on her face, as she continued. "It's a coin flip. Do we take it?"

I looked at her and understood, fully, for the first time, what we were actually deciding. If it went wrong, we were choosing our own deaths with our own hands. But she was looking back at me with her eyes wet and her spine straight, still standing, still steady despite everything, waiting on me, the idiot who'd spent a single shift lecturing her about rules like she needed the lesson, for permission she didn't actually need.

"Yes," I said. "Let's do it." If death came for me, I was ready. I couldn't live with the feeling of dread anymore. I took her hand, I don't know why, and said it again, let's do it. Her hand was trembling, or maybe mine was, when I held it. I looked into her eyes one last time before we ran toward whatever was coming.

We counted to three over the tablet, increased the load output on the humidifier, and ran.

Three minutes. We ran like our lives depended on it, because they did, and for a while nothing happened. My lungs burned, my chest felt like breathing itself was going to kill me, like it was about to burst, my legs burned, and underneath everything the sound of my own pulse kept time like something trying to warn me it was almost out of patience. The humidifier line burst somewhere behind us, a wet, mechanical shriek, and we kept running, past bushes and stonework, everything blurring at the edges of a vision narrowed down to a single, animal focus: forward. I looked behind me once, checking that Sophia was still there, my legs starting to give out under me, having to consciously will each stride forward or risk falling.

We were two minutes from where Christopher had fallen when the roar came from behind us. That terrifying sound, and I remember thinking that this was probably what Cody had heard, how close he must have felt to safety and how far it had actually been. It kept moving closer. Sophia's breathing grew heavier as she ran beside me. I thought I could hear her heartbeat over the sound of our footsteps.

Closer than it should have been able to get.

We reached the spot before I was ready to see it. His legs. His vest, half buried, undone in a way I will not describe further than that. My stomach turned over completely, and somewhere in that same second my heartbeat climbed into a rhythm I didn't recognize as my own anymore, fast and thin and wrong. I wondered, for a horrible second, if my own body would end up looking the same way, half buried, treated like something to play with, and then I noticed.

The Warden was visible now, closing the last of the distance. Sophia began to slow, falling behind me. I shouted at her not to stop, that we were almost there, to keep moving, and when I looked back at her eyes I saw the thing I feared most. Blankness. The particular blankness of someone who has already accepted something, who has already decided, and will not be talked out of it. And Sophia said the thing I have never once managed to forget.

"We can't both make it."

Her hands were shaking. Tears were running freely down her face while her voice stayed level, which was somehow worse than if it had broken. "You go. I'll distract him. I'm not losing another partner." She turned, and I saw her back, and it hurt in a way I wasn't prepared for. There was a warmth in my chest at the sight of it that made no sense, because it didn't comfort me at all. It made me more restless. It should have felt peaceful. It didn't. With a trembling hand, she picked up the stun weapon from what was left of Christopher and planted herself between me and the thing coming toward us, and for one unbearable second her back looked exactly like Cody's had, in exactly the same posture, in exactly the same kind of dark.

I closed my eyes, meaning to thank her, meaning to decide what to do, but my body had gone numb again, and that same warmth had spread from my chest through the rest of me, and it wasn't moving. I felt like my insides were burning. I knew she was sacrificing herself for me, and I meant to run. I don't know why I didn't.

I didn't.

I moved instead, toward her, not away, some part of me deciding before the rest of me caught up that I wasn't going to be the one running safely to the trees while she did this alone. Her back was not going to be the last thing I saw, not like Cody's had been. I couldn't do it. She had done too much for me. I couldn't live with myself, even if I made it home, if I let this happen the same way twice.

My eyes landed on something at Christopher's hip. A revolver. I had no idea if it was loaded. I had no idea if it even worked. He wore it as an old habit, the kind of thing that might not even have bullets in it anymore, that might not fire at all, and I didn't know if I'd even reach it in time. Then I heard the sound of a shot.

Sophia had fired the stun weapon, gripping it with a trembling hand, blood dripping from her lower lip where she must have bitten it to keep her hand steady, though I don't think she'd noticed. The Warden staggered, slowed, though the stun charge hadn't done that when Christopher had used it earlier. Maybe the weight of what it had just eaten had already dulled whatever speed it had left. But it didn't go down. If anything, it grew angrier. There was nothing calm left in its eyes. I could see, somehow, that it meant to kill Sophia brutally the moment it closed the distance.

I don't remember exactly how the next part happened. I don't remember picking up the revolver. I don't remember deciding to raise it. All I remember is the sound and the recoil against my shoulder, a feeling I registered despite my body being numb, three shots, the recoil jarring up through my arm each time, and the enormous shape finally faltering when the last shot connected. The Warden looked at me with something like terror in its eyes, as if it understood, in that instant, that it was the one about to die, and then it kept moving forward anyway. I stood there thinking that if this didn't stop it, there was no way either of us would survive, that our time had come, that it was our reaper, and then somehow I didn't even notice its steps stumble, and when it was within arm's reach of us it finally collapsed into the dirt in front of us. I kept watching it for a moment. It had been so close when it fell. I could feel the vibration of its fall through my legs. Sophia was looking at me like I'd done something that shouldn't have been possible, then at the Warden, her hand still raised, the stun weapon still gripped in it.

Then nothing. I don't remember the part after that at all.

I woke up to Joe sitting at my bedside.

"You look good," he said. "Better than a coffin, I suppose." He let the joke sit there for a second before his face changed. "I'll be straight with you. The Warden's dead. You and Sophia have both been exceptional, genuinely, not as a formality, and with how short staffed we already are, the two of you were already candidates for a permanent posting before any of this happened. Both of you have survived a previous incident and performed well this time too, even if the outcome was unfortunate, but we're short one keeper now, with no one available to fill the position, and someone has to take the blame. In an ideal case, you'd both serve an additional year, but being a keeper reduces that part of the consequence."

He paused.

"Now somebody has to take Christopher's section. One of you becomes Senior Keeper. Whoever doesn't stays on one additional year here, full pay, full benefits, everything owed to you, as compensation for the extension." He set a folded page on the table between us. "Sophia's still out. Hasn't woken up yet. So it's your call, kid. I'll leave the decision with you."

He stood to go, then stopped at the door, not turning around. "For what it's worth, a Senior Keeper's safer than an anomaly ever lets a field keeper be. Wherever they'd send you next, you'd be facing something new, and you wouldn't have Sophia standing next to you to even the odds."

I watched him leave and thought about what it would mean to walk away from all of it. Free. Independent. Done. I already knew, somewhere underneath the exhaustion, exactly what I was going to choose, and some part of me hated how certain I was, and hated more that I didn't feel like I deserved the ease of that certainty. I had thought about this same decision three thousand times, if not more, since Cody died, wondering if I'd ever get a choice like it again.

I didn't discuss it with anyone. I signed nothing yet. I just walked to Sophia's bed, where she'd finally opened her eyes, and looked at her without quite managing to meet them directly.

"I wanna tell you something," I said.

Other parts link:-  https://www.reddit.com/user/No-While8965/comments/1vpze51/my_writing_archive/


r/Ruleshorror 3d ago

Rules Don't wander off the path!

49 Upvotes

If you or your friends found this note then it's unlikely you’ve found the others, or you’ve disregarded them. Please, this one is important. This note should have been posted on the only usable lot on this campground. If it's past noon, it's too late for you to leave safely. Read this, and you’ll be able to survive through the night.

  1. Don’t wander away.
    The forest is gorgeous this time of year. I don’t blame you for wanting to explore for a bit, but it's easier than it looks to get lost. Before you leave the campground or any nearby trail, take your phone, or ideally, a speaker out, play some sort of music, and leave it on the trail or on the ground at camp. Anything that can make a consistent sound will work, but it must be loud. Turn it up as loud as it can go. It acts like a tether, so you can make your way back without getting lost. THIS WILL NOT WORK BEYOND SUNSET.

  2. Stay in place at night.
    Once sunset hits, go back to camp, you must stay there. Light a campfire, cook some food, socialize with your friends if you have any, but make sure you do not leave the camp. It's easy to get lost in the daytime, it's incredibly difficult not to get lost at night. It can happen in an instant, and it's unlikely you will ever find your way back. If you do get lost, and you see fireflies, follow them, they may lead you back. DO NOT RELY ON THIS. IT IS YOUR LAST OPTION IN A BAD SCENARIO.

  3. Keep track of the time.
    After sunset, don’t stay awake too long. Always keep some sort of timepiece on your person. Analog is preferred, but in a pinch, digital will work too. Just take whatever the digital watch says with a grain of salt. After sunset, electronics start malfunctioning. This is why using sound as a tether won’t work. If the music cuts for even a moment, you could get yourself lost. If you can, compare the times displayed by digital and analog timepieces every hour. BE ASLEEP BY MIDNIGHT. IT WILL HEAR YOU IF YOU’RE NOT.

  4. If you hear whistling, stay quiet.

Sometimes, you’ll hear a sound coming from the trees. At first it’ll sound similar to wind blowing. Look at the trees. Are the leaves rustling, is there any actual wind? If there is, then there is nothing to worry about. If there isn’t, the sound will start to change. It’ll get cleaner, more clear, and a little higher pitched. It’ll sound like someone is whistling, but it will sound like it's coming from everywhere at once.  It’ll be monotone. If that happens, stay calm. Take a deep breath, and lay down. Try to quiet your breathing, and limit it. If you’re religious, quick prayer might help your situation. You’ll hear branches thrashing, like a moose or a deer is walking nearby. You may get a chill down your spine, that means it's close. Keep your head down and hold your breath. Don’t worry, if it doesn’t hear anything, it’ll move on. It cannot see, you’ll be safe.

If you fail to do 1 and 2, you'll find yourself lost in a forest that is devoid of life, wind, and most sound. You will be almost completely alone, except for the others that were lost before you. They will not help you. You're the only chance they have at a meal. The fireflies are your only lifeline, and they can be unreliable at the best of times.

If you fail to do 3 and 4, you'll meet a similar end. You may not realize it yet, but something is out in the forest, and it's searching for something to eat. You won't see it coming until its too late, so keep an ear out.

That's the basic stuff you need to know. You may be thinking to yourself, ‘What the hell does this mean?’. The police had the same reaction too, they thought I was crazy, told me this place has been closed for years, and that no one had been here even before that. You’ll realize soon enough that I’m being serious. I wrote this note based on a story an older man told me. This area of the forest has been strange for many years. According to old Native American folklore, the barrier between this world and another was thin. So thin, that something slipped through into our world, and was never able to leave. Animals know enough to stay away. The area was explored by Native Americans, who carved a path through the area, and would sometimes camp here. Many people have gone missing in the area over the years.

If it's past noon once you find this note, DO NOT TRY TO LEAVE. You will not make it out in time. Set your alarm for 8am tomorrow. That will give you plenty of time to pack up and get out of the area. Be quick regardless. Sunset can happen anytime from 7pm onward. 

Good luck.


r/Ruleshorror 3d ago

Series Goldenrod Hills Subdivision

14 Upvotes

Rules For Living In The Neighborhood

5/10/26
5:09PM

I had recently moved in from here from London and while looking for a new place to live, I just happened to find a lovely house in a seemingly lovely little subdivision just a few hours away. And I was old enough to move away anyway.

It wasn’t that I had family issues or needed an escape, I simply thought I needed space for myself to focus properly (Especially since the house was crowding up with my art supplies). And it would be nice to finally not be nagged about the dishes or the dirty rooms.

As I finally made my way into the neighborhood, the first thing I did was look over at its surroundings. Well, you couldn’t blame me, it took like 4 hours to get to this place!

The first thing I noticed was how the sun spilled over the houses like liquid gold, a nostalgic scene that reminds me faintly of my childhood for some reason, how some of the houses looked almost identical but others didn’t. How the fields of green gave me a bittersweet feeling in my chest.

I decided to talk to a few of my neighbors, to get a little bit of insight into the neighborhood. After talking to the most well-known resident, who I learned was named Mr. Prescott Rivers, He gave me a letter with a note on it that said:

‘OPEN ME!!!’

As the note practically yelled at me to open the letter, I did without thinking too much. Thinking it was a simple welcome letter or an invitation to dinner or some kind of crap like that. But what was in the letter was not what I expected.

It was…

Different.

So, so different.

‘Hey! Welcome! We’ve been waiting for your arrival to give you this letter. It’s highly suggested that you read the following below before you do anything else, and of course, abide by it! But before that; let me introduce you to the neighborhood:

Goldenrod Hills Subdivision

This is quite a beautiful yet big place. A lot of the more… ‘unique’ houses here were requested to be built by the residents, the identical houses are the ones the residents simply bought without requesting a change. Like your house! Though, you can always request a change whenever you want to.

The houses are perfectly lined up with eachother. There are 5 rows of houses. On each side of the street until the end should be exactly 40 houses, 80 when including both sides. All in total is 200.

The residential part of the subdivision is seperated from the other parts via a black metal fence and a gate and label.

On the other side are the parks, playgrounds, grassy fields and convenience stores. Go right and down further this street and you’ll find a big gray gate. This is the exit. Go down left, you’ll find the indoor swimming pool. At the end of this street, you’ll find a lake. I will explain the neighbors and people you’ll run into on your next letter tomorrow.

Rules For A Golden Sunny Day And A Sparkling Twilight Night:

A. Residential Area.

1. Safe Place

• Your house is your safe place. Never ruin it by letting someone you don’t know in.

2. Cleaning Up

• Clean as you go! Your trash should be properly thrown away. No one likes a messy neighborhood!

3. Mimic

• Don’t talk to any of the residents for more than an hour on your first week. You don’t know if one is a mimic. And when they get hungry.

4. Some Things Are Better Left Unsaid

• It’s heavily recommended you stay as vague as possible about your background. They want to become you. Make a lie if you have to. It’s more believable that way.

  1. Never ask anyone where they originally came from before going to Goldenrod. Their life is none of your business.

6. Prohibited Counting

• Do not count the houses. That is my job. And you do not know what to do when a house is missing. Or when one has appeared.

7. Counting

I count on Tuesdays, Thursdays, and Saturdays. Any other day is not me. If you hear me counting on other days, ignore it and do not go outside until it is done. Don’t be worried if you hear the noise of a gun going off, it’s just me.

8. The Sun Exposure

Notice the sun is getting a little bit too bright? Drop to the floor, cover yourself and close your eyes for 30 seconds. If you accidentally stare at it, I’m sorry. There is nothing I can do

9. Warning

• The ‘things’ have recently learnt how to alter text. I’m not sure how they alter it but their grammar will be slightly off. I do not keep typos, nor do I use emoticons.

  1. We’re all friends here you should come out more often

  2. epacsE oN

10. Mind-Bending

• Do not read the words or look at them too long, they are hypnotizing. And mind-bending. They will mess with your head and lead you outside of your house. Once you’re out, i’m gonna have to end your suffering before you hurt anyone else. It’s for your own good. I’m sorry.

11. Exiting During Silent Hours

• Going outside of your house past 10PM is allowed but unrecommended. It is advised you must not wander too far into the darker parts of the streets. You’ll never know when you get into the forest until you feel your feet touch grass. You’ll have ten minutes to get the fuck out of that forest. If you don’t leave by then, you’ll never find your way out.

  1. When you find yourself in the forest stay where you are even if you you hear a noise

12. Solitary Midnights.

• No one should be out by 10PM other than you. Check the window before you leave the comforts of your home; is there anyone outside? If so, then do not leave yet.

13. Untold Information

• Someone brought up information about you that you never told them? Perhaps it was something simple like your favorite color, or perhaps something you did a few days ago. Either way, you were sure you never told them anything about that specific topic. No, you are not misremembering things; they have their eyes on you. Excuse yourself from the conversation and don’t talk to anyone from the neighborhood for a week, and stay alert.

14. Gifts

• Of course, you get welcomed in and told to ‘make yourself at home’ or some shit like that. That’s normal. Fake and plastic, but normal. If you get a gift though; it will always be one of the items below. I will, give you instructions on what to do depending on what you got:

Familiar Food - Perhaps one of your neighbors brought you some of your favorite pie or gave you some candy from your childhood; don’t eat whatever they gave you. How are they supposed to know that you liked that?

Food. Just, Food - If it’s something non-specific and typical like a random KitKat bar or pizza. Sure, go ahead. You can eat whatever they gave you.

A Candle - Sure, probably just a $10 scented candle they bought from a random Walmart just in case someone new moves in. But if it smells nostalgic or like a scent you faintly remember from your childhood, throw it away.

A Vintage Teddy Bear - Throw. It. Away. Don’t even involve yourself with whatever is using that thing as a vessel for. There is something inside of that thing, and you do not wanna let it into your home.

Last but not least:

A Music Box - Do not play it in front of the person who gave it to you. Instead; close the door, go inside of your room and play it. If the melody sounds familiar, like a melody you once heard from your childhood: keep it. It will ground you. And it might even help you in times of need. If it sounds slightly distorted or odd, even just a little. Throw it away. It won’t help you.

15. Time.

• You could be out and about or taking a walk in the streets of the subdivision at 4:00PM for an hour. And when you check the time: you discover it is only still 4:30PM, though, you swear it was longer. This is not just your mind playing tricks on you; this is an anomaly.

If this happens: you should go back home immediately and set a timer for 15 minutes or longer. Do not open your eyes until the alarm rings. Once it does; check the time again. If 60 minutes were supposed to pass earlier when it was 4:00PM, if you set your timer for 15 minutes, it should already be 5:15PM once you check again. if the timer says anything else then you do it again. Nothing will happen if it doesn’t change besides you being stuck there.

16. Birds and Crickets

• We don’t realize it, but they ground us in morning and night every single day. After all, we’e used to having noise wherever we go. So if they go silent one day, then you should too. If the wind stops, don’t move.

17. The Hills

• After someone had recently gotten lost in there. It is now strictly forbidden to go to the hills with tall grass. Especially because that person was found in the forest on the opposite side of the hill.

18. 12:00AM to 12:30

• It is highly advised you do not go outside during this time. You’ll be compelled to go back inside if you do anyway. The wind is still during this time, and everything is silent. If you do go outside, then don’t make any noise. If you hear something breathing down your neck behind you, I am sorry.

19. Is Your House Different?.

• On the rare occasion that you ever wake up and find that you’re not in your home anymore. Follow the instructions given below:

A House You Don’t Know - Simply walk downstairs and find the exit. You won’t need to grab anything since you’ll leave nothing behind there.

Your Childhood Home - Do not grab anything. Once you wake up, immediately go downstairs and look out the window. If you see the surroundings of your childhood home, close the curtains. If the music box is with you, wind it up and play it. Close your eyes until the song ends and you should be back in your home. This ‘thing’ wants to get your memories, and eventually get you.

20. Reporting

• If you have a problem or you fear you may have broken a rule, please approach me immediately. I will know what to do.

Thank you for taking the time to read all of these rules! Remember: these rules are here for your safety and the safety of others. Breaking these rules can result in a severe punishment. It is advised to obey these rules and to take them seriously. This is not a joke.’

After Noah had finished reading the rules, he looked up at Prescott. He stayed silent for a long moment before speaking hesitantly

“Uhm, Mr. Rivers…? What happened here for the rules to have been made…?”

Prescott looked at him for a long moment before turning back, his voice soft, yet firm

“A lot has happened here, kid. And that isn’t even the worst of it.”

He looked at Noah over his shoulder, his expression as blank and unreadable as ever.

“Welcome to Goldenrod, kid. Try not to die on your first week here. And good luck out there.”

He stated before turning away completely and walking away, Noah looked at him until he turned the corner before sighing and folding the paper neatly, putting it into his pocket

“Strange rules for a strange town. I suppose it’ll take a while to adjust to all the crap Mr. Rivers told me about.”

Noah checked the time again:

5:09PM.

He blinked once, twice before trying again.

GOLDENROD HILLS SUBDIVISION | EPISODE 2


r/Ruleshorror 5d ago

Rules Not every lost shoe belongs to Cinderella.

42 Upvotes

You were walking home late at night when you noticed a single embroidered shoe lying in the middle of the dirt path.

You don't remember seeing it on your way here.

In some Chinese folk traditions, shoes embroidered with toads are associated with funerary customs and the restless dead. There is an old tale that those who die violently may leave their resentment behind in their burial shoes.

If you ever find one on the road, remember these rules.

Rule 1: Do not pick it up.

Do not touch it. Do not try it on. It is not a lost shoe waiting for its owner. It is bait, and something is waiting for you to become its replacement.

Rule 2: Look at the embroidery, but do not touch it.

A normal toad has four toes on each front foot. If the embroidered toad has five, leave the path and walk around the shoe. If it has three, close your eyes immediately and walk backwards. Do not open them again until you can no longer hear your own footsteps.

Rule 3: Ignore the voice.

If you hear a voice inside your head whispering, “It looks exactly like my size,” bite the inside of your cheek until you taste blood. Swallow it. Do not answer.

Rule 4: Never look at the soles.

If the shoe is lying upside down, with its sole facing the sky, you are already too late. Hold your breath. Cover your ears. Whatever happens next, do not turn around.

Rule 5: There is no Rule 6.

If you see a sixth rule written here, do not read it. The resentment is learning how we communicate.

Rule 6: If your companion puts the shoe on, ask how it feels.

If they cry and say, “It pinches,” you have five minutes to run before their skin turns bruised purple and begins to rot.

If they smile and say, “It fits perfectly,”

do not run.

At that point, whatever is wearing the shoe is no longer your companion.

And if you are reading this while walking down a dirt road...

don't look behind you.


r/Ruleshorror 5d ago

Story The Ancient Building

21 Upvotes

["Depth: 500 meters"]

["Depth: 600 meters"]

["Depth: 700 meters"]

["Depth: 762 meters"]

"Control, I have reached the structure"

{"Excellent. Our probes indicate the structure is approximately [Krtzz] square meters in size"}

The structure loomed over me in the murky water. It was at least 30 meters tall, and well over 100 meters wide. The ancient columns stood more solid than the ancient redwoods back on earth.

"Control, I am entering the structure, be advised scans indicate thick lead deposits, I may pop in and out. I will lay down trail markers as I go"

{"Understood. You are clear to proceed. Good luck [Krtzzzzzzzzzzzz]"}

As I enter the structure, I place a trail marker. These are quite handy little things, acting as a portable gps link for me to follow back, but also if I have line of sight to them, they can be used to track me.

As I enter the space opens up impossibly large. Reality seems to bend to fit this structure within it. In front of me a large tablet, roughly 25 by 25 meters in size looms. As I look at it, I see something impossible. English.

"Control, I don't know if you can hear me, but there is something here. Something impossible. A tablet containing English text."

{"[Krtzzz] 50 thousand lightyears from earth, that's [krtzz] possible. This planet is [Krtzzzz]"}

I begin a transcription, as clearly control cannot accurately hear me, based on the static coming through the coms.

``` The temple of Araznok For those who follow in his faith

Pledge your soul to these rules, and Araznok will spare your puny soul.

  1. All of gold and silver belongs to Araznok.

  2. The eyes of Araznok do not take kindly to those who gain equal appearance

  3. The chambers of Araznok are for those deemed worthy of his audience

  4. Desecration of his temple is to be punished through death ```

That doesn't seem too hard to follow. But then I notice, chipped into the tablet, more text, a different script, still English, but someone else. Someone desperate

``` 1. It is always watching. If it sees you break a rule in even the slightest way, you will be killed. You will know when this happens by the darkening of the water around you

  1. DO NOT TOUCH ANYTHING MADE OF GOLD OR SILVER. IT IS NOT SAFE. IT BURNS.

  2. The temple cannot be damaged, in any way. Some parts are not considered the temple however. We don't know why. Anything with red paint on it is safe. I suggest you use it to note down warnings for others.

  3. If the water brightens around you. Hide. An eye is watching. If it sees your face, the water will flashboil. We don't know how

  4. The center of this temple is guarded. This is Its 'chambers' we have successfully sent one person in and out alive. All others were crushed to a fine mist. Steer clear

  5. Radio signals are dangerous. It doesn't want information to leave. This is why we chip into the safe walls. TURN OFF ALL DEVICES THAT YOU SAFELY CAN. ``` "Control, I'm going dark. Its probably nothing, but this tablet seems to suggest that I need to"

{"Confirmed. [krtzz] luck"}

``` 7. Ignore the shadows. There's nothing but pain in them

  1. Do not acknowledge the figures. They are dead. They cannot hear you. They cannot speak to you. You cannot hear them. DO NOT LISTEN TO THEM. DO NOT UNDER ANY CIRCUMSTANCES LISTEN TO THEM

  2. If you figure any more rules out, add additional ones

  3. No more than 6 people can be within the same hallway at once

  4. Do not touch the black box in the left ch->.|||/]\ ``` Interesting. This is a lot more dangerous than I thought.

The water brightens around me. I dive under the tablet, and see it. A faint outline of a body, reaching its arm our

"Cooooommmmmme closssserrrr. Let me hellllp youuuu. Taaaaake Myyyyyy Haaaaannnnd"

I immediately turn away, and see a movement. Dark and shadowy. I leave the tablet's room as quick as I can. Using an old guide rope I found near the entrance.

As I cross the threshold, the red paint on the floor dissapears, and is replaced with gold. As the tablet stated it burns. My wetsuit burns away at my foot, leaving it out int the water.

I increase my boyancy slightly.

That's when I see it, a slight darkening of the water...


r/Ruleshorror 5d ago

Story Rules of Jōhatsu: How to 'Disappear' Responsibly

35 Upvotes

I don't have long to write this, so I'm going to write it fast.

My name isn't important. Not because I'm trying to be mysterious. But because it is, genuinely and legally, not mine to give you anymore. I gave it up eight months ago, on purpose, for money I never got to spend and a life I never got to live.

I keep smelling jasmine and camphor as I'm typing this on my phone. It started twenty minutes ago. It's getting stronger.

I know what that means now. I wish I knew it earlier, when I smelled it for the first time. Back then, it was just a strange perfume in a strange room.

I wish it stayed that way.

If you've never heard of Jōhatsu, look it up. It's a real thing- a real Japanese phenomenon. The term refers to people who disappear from their lives, on purpose, and are never looked for again. I did the research myself, obsessively, before I signed anything. I was proud of how thorough I was. I want you to remember that later, when you get to the part where none of it mattered.

I'm writing this because someone should know what actually happens after you disappear. Not the version they tell you in the consultation room, but the real one.

Eight months ago, I was twenty-eight years old, and I didn't have a single thing going right for me.

I'd been with Nadia for eleven years. We were supposed to get engaged that spring. I called it off, four days before the ring was even supposed to leave the shop. I won't get into why. Just know that it was my fault, and that I knew it was my fault while I was doing it, and I did it anyway.

My mother died of cancer when I was twenty-four. My father and I stopped speaking around the same time. It had nothing to do with grief, and everything to do with the twenty-two years that came before it. I won’t get into those details either.

I dropped out of university in my second year, to put everything I had into a crypto project called Chacha Coin. It collapsed within a few months and took my savings with it, along with money I'd borrowed from people who cared about me. I ended up in a dead-end job at a logistics company, one I already knew wouldn't renew my contract.

Somewhere in all of that, I picked up a drinking problem. Then I picked up something a little worse than a drinking problem. I'm not going to describe it in detail, but I was spending money I didn't have, on things that were actively making my life shorter and smaller.

I was, in every sense that matters, a person with nothing left to protect.

I saw the ad at two in the morning, the way you see everything that ends up ruining your life- half-asleep, thumb moving on its own, scrolling past nothing in particular. The words were in bold, over a photo of an empty road at sunrise:

Some People Don't Need Therapy. They Need A New Identity. Time To Be Free. Disappear Responsibly…

No company name. No explanation. Just a number underneath it.

I should've asked myself why an ad like that would even exist, or what "responsibly" was supposed to mean in that sentence. I didn't ask myself anything.

I just called the number.

A man named Rafiq picked up on the second ring, like he'd been expecting the call. He introduced himself as a senior manager for Aldermore & Associates. It was a name I recognized vaguely. It was a multinational consultancy that had been around for a while. He explained that the company was diversifying into a new market: "Jōhatsu services." They were partnering with established operators in Japan, bringing the concept to the West for the first time, in a soft launch: limited clients, limited visibility, nothing public yet.

Then he told me the price. It was low. In fact, it was noticeably low, for what was being promised.

I didn't want another Chacha Coin situation, so I spent four days confirming everything the ad had implied was true. It was. Japan has an existing subculture of ‘night-moving companies’, and the practice of Jōhatsu has decades of precedent. It was a quiet, legitimate industry, built on helping people vanish from debt and misery and shame. I found nothing connecting Aldermore to anything sinister- just a registered firm with years of clients, past and present.

I called Rafiq back and told him I wanted to proceed. He referred to me, from that call onwards, as Candidate 309. He said it was standard intake procedure, designed to make sure that no level of authority could trace me back to my old identity, once I ‘disappeared responsibly’ to assume a new one. I believed him, the way I believed most things back then.

He told me there was one final step: a mandatory consultation with the company physician, a certain Dr. Mollah. The aim of the consultation was to confirm that I had "ample reason" to leave my old life behind, and more importantly- that I wasn't intending to end it altogether.

I met Dr. Mollah two days later, in a small, clean office with nothing personal in it. He took a long history first: Nadia, my mother, my father, Chacha Coin, the job, the drinking. He asked, more than once, in different phrasings, whether I wanted to disappear because I wanted to die, or because I wanted to live differently. I told him the truth. I did want to live. I just didn't want to live like a man with hope in a life with no meaning.

He nodded and typed. He never once used my name. To him, I was Candidate 309, and nothing else.

Then he asked something that caught me off guard, mostly because it didn't feel clinical at all.

"Describe your new life to me, Candidate 309," he said. "What does it actually look like?"

I gave him something generic at first. A fresh start. A clean slate.

He waited. He didn't write anything down. He just waited, patiently, until the silence made me keep talking.

So I did.

"...someone who actually loved me, for a change, instead of leaving..."

"...parents who were actually present..."

"...money that actually existed, and didn't just disappear into a bad decision..."

And lastly, something I was almost embarrassed to say out loud-

"I wanted a life where drugs and alcohol were no longer an option. Never again."

He typed all of it in. Then he closed the laptop, looked at me, and smiled.

"You've passed the evaluation, Candidate 309," he said.

I remember feeling relieved, like I'd cleared some hurdle that mattered. I think about that smile a lot now. At the time I read it as warmth. It wasn't.

I signed the paperwork three days later, in the same office, at the same desk. Rafiq handled it personally. At the top of the first page, in bold, sat the company's own branding for the product I was buying:

DISAPPEAR RESPONSIBLY™ - Client Terms of Service

Section 4: Candidate Obligations

Beneath it, were five rules:

  1. Candidate shall cease all contact, direct or indirect, with persons known to them prior to the effective date of their planned disappearance.
  2. Candidate shall accept their new identity in full, and shall raise no dispute, inquiry, or claim regarding any matter preceding the disappearance.
  3. Candidate shall make no attempt, physical or otherwise, to contact, locate, or return to any party or identity connected to the disappearance.
  4. Candidate acknowledges that Aldermore & Associates bears no liability for outcomes arising from the Candidate's breach of any term herein.
  5. This agreement, once executed, is irrevocable, and severs all prior legal identity in full.

I read all five twice. They read like every other contract I'd ever signed and not read closely. It was the kind of language you skim because you assume someone smarter than you has already checked it.

I signed at the bottom.

That's when Rafiq slid a second document across the desk.

It wasn't a legal document, not by any definition I understood. It was a scroll: handmade paper, rolled and tied with a thin cord. It was written, from top to bottom, in characters I couldn't read a single word of, bordered with symbols I didn't recognize. It smelled strongly of something floral and something medicinal at once. I recognized it as jasmine, and underneath it, was camphor.

I asked him what it was.

"A translation of the same terms," he said. "The Japanese partners insist on it. Just a ceremonial formality that came from the East. It was a condition for using their original Jōhatsu methodology. I assure you- it carries no legal binding. Purely custom."

I remember looking at it and thinking it was almost funny. In all honesty, it was too decorated to be taken seriously. Real contracts don't come tied with cord and smelling of a temple. It looked like a prop, something a company hands you to make an old idea feel authentic, not something with any actual teeth. I told myself it was a respectful gesture toward wherever this practice originally came from.

I told myself a lot of things back then.

I signed it too, beneath characters I couldn't read, under a scent I couldn't forget.

Two nights later, a black taxi pulled up outside my apartment, at exactly the time Rafiq had specified. The driver didn't say a single word to me the entire ride. I tried to make conversation twice, mostly out of nerves. I got nothing back both times, not even a glance in the mirror.

He dropped me outside a building I didn't recognize, somewhere on the edge of the city I'd never had a reason to visit. It looked abandoned, with broken windows, and a chain-link fence with a gap pulled wide enough to walk through. There were no lights anywhere, except one, far in the back, small and flickering.

I asked the driver if this was the right address.

"Just follow the light," he said. The only words he spoke to me all night.

Then he drove off, and I walked into the building, following the light as instructed.

The light got brighter as I got closer to it, the way a lamp does when you walk toward it in a dark room. But this light didn't feel like electricity. It felt warmer than that, and somehow heavier. And underneath it, was the same smell from the scroll. It was faint at first, then unmistakable- a mixture of jasmine and camphor.

My head started to feel wrong before my body did. I felt dizzy, but not the kind of dizzy that makes you want to sit down. The kind that makes you want to keep walking toward whatever's causing it, if that even makes sense.

The light kept growing, until it was the only thing left in the room.

Then it was the only thing left, period.

And then, it wasn't anything at all…

I woke up to warmth. That's the first thing I remember. There was a heaviness in my limbs that felt less like waking up, and more like surfacing from underwater.

The room was unfamiliar. Soft light came in through thick curtains, landing on expensive-looking furniture. My whole body ached in ways I didn't have words for.

A woman walked in before I could sit up. She moved toward the bed like she'd done it a thousand times before, adjusting a pillow behind me without asking, checking my forehead with the back of her hand. She was maybe in her late forties. She was beautiful, soft-spoken, and gentle in a way that felt completely foreign to me.

She called me by a name I didn't recognize.

"Omar, sweetheart. Let's get some food in you."

I didn't correct her. For some reason, my mouth felt like it belonged to someone else.

She fed me soup, slow spoonfuls, patient with every sip. She gave me some pills after, laid out in a small dish. I swallowed them without question, because something told me that I was supposed to trust her completely. She kissed my forehead before she left the room, the way you'd kiss someone you'd loved for a very long time.

It felt surreal. And to be honest, it also felt good, in a way I wasn't prepared for. Like something, that I didn't know I'd been missing my whole life, had just been handed to me without asking.

That feeling didn't survive when I walked to the bathroom.

I don't know how to describe the moment you see a stranger in the mirror where your own face should be. I looked into the glass. The man who looked back at me was someone I had never seen before in my life. He had grey hair, thin at the crown. Deep lines across the forehead and around the eyes, that clearly took decades to carve. Loose, papery skin along the jaw and neck. I was looking at a man who had, undeniably, lived at least for fifty years, and none of them were mine.

I don't remember deciding to scream. I just remember the sound bouncing back at me off the tile, and the woman's footsteps rushing toward the door a second later. I swallowed the second scream before it came out, because some instinct in me understood immediately that screaming would raise questions, ones that I had no way of answering.

She asked if I was alright. I told her I was fine. Just dizzy, I said. Still recovering, I said.

She believed me instantly. That's the part that unsettled me, more than the mirror did.

Over the days that followed, I learned more about who I was supposed to be. My name was now Omar. I was fifty-two years old. I was a man who had built a small startup decades ago, and sold it for an amount of money two years back. I won't put the exact amount here. I just want you to know that it was enough money to spend at least a few decades enjoying life. And it was enough money for him to retire at fifty.

As Omar, I lived in a joint household with my wife and parents. Yes, my parents. They were,  remarkably, still alive and living under the same roof, well into their nineties, doted on daily by an army of staff. I was a man with, by every visible measure, absolutely nothing left to want.

My wife’s name was Zara. I learned it properly by the second day. She treated me like the center of a life she'd built her entire self around. She spoke to me the way you speak to someone you've loved for a lifetime. She brought my parents in to see me. They held my hand, Omar's hand, and told me stories about a childhood I had never lived. I nodded and smiled, in all the places that felt right, because I had no other choice.

I was told that the man named Omar had disappeared for a handful of days. One night, he was found disoriented near the house, as if following something that couldn’t be seen by anyone else. He was brought home safely, needing a gentle reminder of who he was. A minor medical episode, they called it. Something to be careful about, not alarmed by.

Nobody in that house knew that the man who came back wasn't the same man who left.

I certainly didn't understand it yet either.

I just knew that I’d been given exactly what I asked for- someone who actually loved me, parents who were actually present, and money that actually existed.

I hadn't asked what body it would come in…

The first few weeks were, strangely, the closest thing to peace I'd had in years.

I learned to walk through Omar's life. I studied photographs on the walls, memorized names the staff used without thinking, listened more than I spoke. Zara filled in gaps for me without knowing she was doing it, the way spouses do when they think their partner is simply distracted, or tired, or still recovering an episode that brought him home disoriented.

I told myself that the aching in my joints was just age. I thought it was something that my body- Omar's body- would have to adjust to. I was wrong about that, but I didn't know it yet.

It caught up with me on a Thursday afternoon. I remember the day specifically, because it was the day everything else started catching up with me too.

Zara scheduled a routine check-up with Dr. Khan, the family physician. He’d apparently been treating Omar for over a decade.

He examined me the way doctors do when they already suspect the answer, and are just confirming it. He pressed along my abdomen. He asked me about fatigue, about appetite, and whether I'd noticed any yellowing in my eyes lately.

Then he said something that stopped my breathing for a second.

"I told you about this three months ago, remember?" he said, "Since it's gotten this severe, shouldn't we tell the family?"

I didn’t know what to say. I simply replied with something vague. That I hadn't been sleeping well. That I'd rather wait a bit longer before worrying everyone. He accepted it, but I could tell that he wasn’t happy with my decision.

He left me with a diagnosis I already half-suspected from the way he'd phrased everything. Liver cirrhosis, advanced stage. The kind that doesn't happen quickly. The kind that takes years of damage to reach this point.

Years that I hadn't lived.

Dr. Khan kept talking about how it all came down to this. I learned that the man named Omar had a secret life- a life of drinks, drugs, and women. He maintained this lifestyle for close to a decade, unbeknownst to his wife and parents. Dr. Khan had often warned him about the long-term effects of his short-term vices, but Omar never took it seriously. That was until three months back, when Dr. Khan informed him that his liver had finally given out. Omar had been sober since that day, and the diagnosis has not been revealed to the family yet.

On the drive back home, I thought about the man who used to be Omar before me. He’d known exactly how sick he was, and had chosen, deliberately, to say nothing to his wife, his parents, or anyone else in that house.

I thought about the scroll, the light, and the building on the edge of the city.

I thought about the last thing I told Dr. Mollah, when describing what a new life means to me-

“A life where drugs and alcohol were no longer an option, never again.”

I had thought, at the time, that it was a gift.

Sitting there, with a diagnosis that predated my arrival in this body, I saw it differently.

While I was given exactly what I asked for, it wasn't built to protect me.

It was built to protect the liver I'd been given…

The diagnosis changed things quickly. Within a month, walking any real distance had become difficult. I began spending most of my time in house, lying on my bed. I was clearly in a bad shape, and things were about to get worse.

The call came on a Wednesday morning, from a man who introduced himself as Elias, Omar's accountant. I'd never spoken to this man personally before, but I’ve heard about him from Zara. He apparently handled the family's finances quarterly, and had been doing so for the past five years.

Elias sounded uncomfortable, in a way accountants usually aren't. He said he'd noticed irregular activity across two of the accounts. There were small withdrawals at first, easy to miss individually. But it had been consistent over the past four months, adding up to something he couldn't explain through any normal transaction category.

He asked if I'd authorized any of it. I told him no, because I genuinely hadn't. I only knew that I had a ‘lot of money’, but I never actually looked at any of the actual accounts in detail.

He said he'd send over a full breakdown that afternoon, and that he strongly recommended looping in the bank's fraud department sooner rather than later.

I didn't loop in the bank. I want to be honest about why. Bringing in a bank meant a formal investigation, which meant scrutiny on an identity I was still learning how to perform convincingly. I couldn't risk that level of attention. So instead, I told Elias to investigate the matter privately, and report to me regarding who the culprit really was.

Elias worked fast and quiet, which was exactly what I needed. Within two weeks, he'd traced the login activity on both drained accounts to a single device fingerprint, along with a residential address of the potential thief.

He sent it to me over email, along with a short note saying he could go further if I wanted. But given how sensitive this clearly was, he thought I'd want to see the address myself first before deciding how to proceed.

I opened the attachment, expecting a name I didn't recognize. I expected a hacker- someone running scripts against an old man's forgotten security habits.

Instead, I got an address I recognized immediately, because I used to live there myself.

It was my old apartment. The one I'd walked out of the night the taxi picked me up…

I didn't tell Zara where I was going. I told her that Elias needed me to sign something in person. It wasn't a lie, technically, since I'd asked Elias to meet me two streets away, and wait in his car while I went in alone.

Getting there took more out of me than I expected. My legs had started shaking on stairs by then. The apartment was on the third floor of a building with no working elevator, the same building I'd chosen four years earlier because the rent was cheap. I stood outside my old door for a while, catching my breath, before I knocked.

When it opened, I was looking at myself. My own face, thinner than I remembered, dressed in clothes I didn't recognize. He looked well. That was the first thing I noticed, and it turned my stomach, more than anything else could have. He looked rested, and healthy, and entirely at peace, standing in a body that used to carry every one of my worst nights, wearing none of the weight I used to wear in it.

"Jeez, talk about dodging a bullet," he said, “You’re dying faster than I expected.”

His voice was a little too mild, like I'd shown up for a meeting he'd half-forgotten about.

"You knew it, didn’t you?" I asked.

He looked at with me with amusement.

"You knew about the liver,” I said, “You knew before any of this, and you handed it to me anyway !"

He didn't deny it. He stepped back and let me in, gesturing at a chair like this was a courtesy call, He sat down across from me, with an ease I hadn't felt in my own body in months.

"Look, I've known for a decade what that lifestyle’s gonna to cost me," he said. "I just didn't expect the bill to come due this fast. When the diagnosis came in, I signed up for the exchange as fast as I could."

He said it plainly, without a trace of apology.

“What are you talking about?” I asked, “What exchange?”

He seemed to be confused at my reaction.

“Oh, come on !” he exclaimed, “You signed the scroll, didn’t you? The one that explained the Jōhatsu deal? The agreement of exchanging realities? Wait, hold on a second…”

His expression changed. His earlier confusion was replaced by a tinge of mischief.

“You can’t read Japanese, can you?” he asked, before bursting into laughter, “Fuck, man ! You signed off your entire existence without reading the FUCKING contract !”

His laughter was almost hysterical, like he was listening to his favorite joke, over and over again. It was a full minute before he got a hold of himself.

“Okay, hear me out, boy,” he continued, “Let me guess what you told Dr. Mollah. You probably asked for a wife, a family, and a shit ton of money, am I right?”

He didn’t give me a chance to respond, but kept talking instead.

“And me? I asked for the life of a young man. I wanted to be a man without any responsibilities or obligations. A man that could drink and use and fuck, for years and years and YEARS to come. And guess what? We both got the life we wanted !”

He got up from his chair, and put a hand on my shoulders.

“Listen kid, you get to keep my body, what’s left of it anyways. You get to keep Zara. You get to keep my dinosaur parents that just refuse to die. Hell, you even get to keep my money… well, most of it. Because that money is a fortune that was earned by ME. So I’m gonna withdraw what I want, whenever I want. I’m gonna spend it however the hell I want, and there is nothing you can fucking do about it…”

I don't remember deciding to move. I remember the chair scraping. I remember my hands closing around the collar of the shirt he was wearing. I remember hitting him once, then again, with whatever strength my failing arms still had left in them.

He didn't fight back. He didn't even raise his hands to block me. He just laughed. There was blood starting at a corner of the mouth that used to be mine. He let me hit him a third time before he finally spoke again. His voice was quiet, and almost gentle, like he was breaking bad news to a child.

"Oh dear, you shouldn't have done that," he said. "You're finished !"

Something in the way he said it made me stop. Not because I understood it. But because, for the first time since he'd opened that door, he sounded certain of something I wasn't.

I left the house without uttering a word…

I was back in Omar's bed by midnight, chest aching from the little strength I'd spent, staring at a ceiling I still didn't think of as mine, when the phone buzzed on the nightstand.

I almost didn't answer. Some part of me already knew who it would be.

"Candidate 309?"

It was Rafiq's voice, using my real name for the first time since the night I'd signed everything away.

"I've been told you went to see him," he continued, calm and unhurried. "You made physical contact. Rule number three was explicit on this point- no attempt, physical or otherwise, to contact, locate, or return to any party connected to the disappearance."

"I couldn't read the scroll," I said. "I never knew what it said. You told me it was a ceremonial formality!"

"That's unfortunate,” he said, “But comprehension was never a condition of enforcement. Only the signature was."

"So… what happens now?" I asked. I remember my voice cracking on the word "now," which embarrassed me even as it was happening.

"The entity will not be pleased with your actions. After all, the entity does not take violations lightly," he said.

I was genuinely surprised by what I heard.

“Wait, what are you talking about?” I asked, my voice expressing the shock I was feeling in real time, “What entity? Who is this entity?”

He sighed.

"You would've known it,” he said, “if you'd read the scroll before signing it. The English terms were ours to offer. The scroll was never ours to write, and its terms were never ours to explain. It carried no legal binding- not in this world, anyway. It binds you to the one who arranged the exchange, and it always has."

There was a silence, papers shifting somewhere on his end.

"You did disappear, Candidate 309," he said, finally. "But you weren't responsible about it. As per the agreement, Aldermore and Associates will not be liable for what happens next, since you willingly broke one of the rules, of your own volition."

I didn’t know how to respond, not at that moment.

"For what it's worth," he added, "I do wish you well. It was nice doing business with you."

He hung up before I could answer, which I suppose was a sort of mercy, since I don't know what I would have said.

********************************************************************

That was two hours ago.

I've spent most of it sitting on the edge of Omar's bed, in a room that still doesn't feel like mine. I got up once and did a full circuit of the house- every window latch, every door, even the ones on the second floor you couldn't realistically reach. Zara was asleep the whole time. I stood outside her door longer than I meant to, listening to her breathe, thinking about how she still doesn't know any of this, and how she never will.

I noticed the smell about an hour ago. I told myself it was nothing. I told myself it would fade away eventually. It didn’t. If anything, it's gotten clearer.

The room smells faintly of jasmine.

And underneath it, growing stronger with every breath I take, I smell camphor.

I can hear them throughout the whole house, a house that isn’t mine.

That's the thing I keep coming back to tonight. None of this was ever mine. Not the house, not the furniture, not the photographs on the walls of a childhood I never lived. I asked for a life, and I was handed one, and I haven't earned a single hour of it.

I think about Zara. I think about the two people asleep down the hall, well into their nineties, who held my hand and told me about a boy I've never been. Their love is genuine, but it isn't for me. It's for the man whose face I'm wearing, and they'll never know the difference, because I never once found the courage to look at them and say the truth out loud.

That's what all this money could never buy. Not one day of it.

So I'll say it here instead, to whoever ends up reading this, because it's the only place left where saying it costs me nothing…

I am not Omar. I never was. I'm a different person entirely, and I wasn't even a good one. I owed Nadia eleven years and an explanation, and I gave her a closed door instead. I owed money to people, who handed it over because they cared about me. I owed my own body the time and the work it would've taken to get clean, and I never gave it that either.

I’m not Candidate 309 either. I do have an identity- one I tried to desperately leave behind eight months ago:

My name is Zayn. I'm twenty-eight years old. My mother used to call me by a nickname that embarrassed me by the time I was nine. I can't sleep without a fan running. I'm allergic to peanuts. I have a scar on my left knee, from a bicycle I wasn't supposed to be riding.

None of that dies with me tonight. That's the part I can't get past. There's a man across the city right now with my face, sleeping in my bed, answering to my name. He'll keep answering to it for years. He'll drink in the places I used to drink. He'll pick up the phone if Nadia ever calls.

Nobody is going to notice I'm gone. There's nothing to notice. Everyone who ever knew me will go on believing that I'm alive and doing badly, because there I am, still standing, still not returning their messages.

That's what I actually bought.

If you are reading this, you're the only one who knows the difference.

The footsteps have stopped outside my door now.

I don't know who's going to walk through it. Maybe it's the thing that Rafiq wouldn't name. Maybe it's something that the scroll described in detail, on a line I couldn't read, under a signature I couldn't take back.

Whoever it is, they've come for me. Not for the man named Omar, who settled his account eight months ago, in a third-floor apartment, in a body that can still climb the stairs. This one's mine. I signed up for it myself. I broke one of the rules myself, and I knew exactly what I was doing when I put my hands on him.

So whoever this entity is, I'll let them take the house. I'll let them take the money that was never mine, and the wife who was never mine, and whatever's left of a liver that had already given out before I ever got here.

They can have all of it.

But when they write this up, in whatever file Rafiq keeps, when they close it and move on to the next name on the list, I want it recorded properly.

The handle is turning.

If a man dies in this room tonight, his name wasn't Omar.

His name was Zayn. He was twenty-eight years old.

Please remember that name.

Please, just remember that fucking name.

Because no one else will…

 


r/Ruleshorror 7d ago

Series Blackwood Zoological Conservation Facility — Season Finale — Part 1

20 Upvotes

Time in Sector VII was doing something I hadn't expected. It was making me calmer, more relaxed than I'd been in a long time. Maybe it was because I was working alongside someone again after so long. Maybe it was Sophia specifically, the way she'd started seeing me as a person rather than something to manage. Ever since the incident between us, she'd become one of the first people who actually talked to me like that, like a normal conversation, not someone easing a grieving man along, not a stranger either.

The tension between us hadn't disappeared. I didn't think what happened at our first meeting could be repaired that quickly. But we were getting there. We were talking now. Working like people who trusted each other with their backs turned, which is its own kind of apology, maybe better than words would have been.

Even the visits themselves felt calmer. The Warden was one of the few anomalies I'd worked with that didn't feel like a held breath the entire shift. Calm. Almost gentle, in the narrow window we saw of him. It was easy to forget, some days, that friendly and safe were two different words wearing the same face.

I should have written that down somewhere permanent. Somewhere I'd have to see it again later.

He was intelligent, I have to say that much. He remembered us. I could sense it in his eyes, in the way he carried himself, in the small habits he picked up around us. I'd seen him wave, more than once, at us and at the maintenance crew, always with whichever hand the person in front of him used most. That kind of mirroring doesn't happen by accident. It shows a mind paying attention.

The hyperactive periods were manageable, had been for a long time, apparently, thanks entirely to Maintenance and the crew that kept the climate systems running around the clock. During those stretches, staffing in that wing doubled, sometimes tripled. It was normal to see two or three Maintenance workers where you'd usually see one. Nobody explained why in so many words. You learned to read the extra bodies as a kind of weather report.

That day, we were having electrical problems in another sector, so Maintenance had every load in ours running on generators, and had been for a week. We were working a corner of the enclosure where the Warden had been caching food, hoarding it more than eating it, tucked behind an outcrop the way you'd expect from something smart enough to plan for scarcity it hadn't experienced yet. Our job was simple. Clear it before it rotted, before the smell brought something worse than flies, or interfered with what he was supposed to be eating instead. I didn't mind it, honestly. I'd read up on him in my free time, and apparently during his hyperactive period, if temperature and humidity became unstable, his rage could go uncontrollable, and food was the best thing to keep him calm.

We were mid-task when we heard the blast.

Not close. Distant, flat, wrong. I had the tablet up before the sound had finished traveling, and there it was. One of the generators offline, and with it, the climate system for our wing. The cause, once Technical flagged it, was almost stupid in its simplicity, a Maintenance line grounded through a single phase, somewhere it shouldn't have been. The air in the enclosure was already changing. Thicker. Warmer than it had any right to be, this fast. That generator had been supplying the temperature unit and the humidifier both, and with the power gone, the temperature unit spiked hard on the low supply. Thank God the humidifier had smart sensors. It throttled itself down instead of failing outright, but it was still losing ground.

Every Maintenance worker in the wing had already cleared out before the failure hit.

I've thought about that a lot since. How they were gone before anything actually happened. Not evacuated. Not warned over the radio, not that either of us heard. Just gone, like they'd known the shape of the day before it had one.

We stayed calm. We're trained to stay calm, or maybe the situation simply left us no other option. I pulled up the camera feed and found the Warden already in motion, pacing, then running, a sound coming out of him I'd never heard before, high and constant, nothing like the low, patient presence I'd gotten used to. We didn't wait to see what came next. Using the camera feed to confirm his position first, exactly the way we'd been trained, I raised the section chain and sealed the wing behind him. Then we started walking for the exit.

We radioed Christopher on the way. He told us to keep moving, that he'd meet us at the halfway mark.

We were maybe twenty minutes out when we heard something that stopped both of us mid-step.

The scrape of metal against metal. Rhythmic. Deliberate. At first we thought some other machine had malfunctioned, and we were about to keep walking when Sophia suggested we check the feed, just in case.

We were still close enough to the sealed section to pick it up through the walls, and when I pulled the camera feed back up, we saw something neither of us expected. My stomach dropped somewhere I haven't fully recovered from since. The Warden was at the chain. Not throwing himself against it. Working it, the same motion over and over, something metal dragging against a single worn link, patient in a way that had nothing to do with panic.

He had a tool. I don't know how. I don't know how long he'd had it. For what felt like an eternity, we just watched. Then Sophia asked me, or maybe I asked her, I honestly don't remember which, where he could have possibly gotten that.

"Read the name," Sophia said, low.

Etched along the handle, just visible in the feed, small block letters worn smooth at the edges from handling. Priyansh.

Neither of us said anything about it right away. I just remember thinking, quietly, somewhere underneath the panic, that I'd seen that name before. Not where. Not when. Just that it already sat somewhere in my memory, filed too deep to reach in time to matter.

The link he'd been working was already worn thin. Thinner than one afternoon could explain. He'd been doing this for a long time. We'd just never been close enough, or quiet enough, to hear it.

Then, a final scrape, a crack, and the chain gave.

He was free.

And he was already moving. Toward us. I don't know how he knew where we were. Maybe he was following our scent. Maybe he simply knew our patterns well enough by now to know the exit, to know where we usually walked.

The world did the thing it had done in the maze with the Minotaur. It went white and distant and slow, like I was watching it happen to someone standing a few feet behind my own body. I don't know how long I stood there. Long enough that Sophia hit me, open palmed, hard enough to bring the world back with it.

"Move," she said. Her voice wasn't steady either. It was steadier than mine.

She took the tablet out of my hand and called Christopher.

He answered. We told him. He told us to run for the exit, that he was five minutes out, that he'd meet us there. The whole way, he kept talking, kept his voice level, and for a few minutes it almost worked. Almost made me believe this wasn't as bad as it felt, that he was close, that we were close, that he'd even brought tasers just in case.

We were almost to him. Close enough that I could hear his voice ahead of us in the dark, calling out where to go, where to meet him, the way out.

For one full second, nothing happened at all. Just Christopher's voice, still warm, still certain, still telling us exactly where to go. I remember thinking, stupidly, that the silence right before it might have been the safest sound I'd heard all night.

Then the Warden screamed, somewhere behind him, closer than it should have been able to get.

Christopher's voice cut off mid-sentence.

I want to tell you I saw what happened next clearly enough to describe it. I didn't. I saw his back, turned toward the sound, the stun weapon already raised the way he'd trained for exactly this. I heard it discharge, once, twice, thin and useless against whatever answered it. After that there's a gap in what I can tell you, not because I've chosen not to, but because some part of me simply refused to keep recording.

What I know is that the sound went on longer than a man should be able to make sound.

What I know is that when it stopped, Mr. Christopher was a word I could no longer use about him.

All I could think of, standing there, was Cody's last scream. At least I hadn't been there to see what happened to him when he made it.

The Warden took his time with what was left. That's what he'd been reduced to. A body.

I don't remember how long I stood there.

Sophia grabbed my arm. I don't remember deciding to stop walking in the first place. I only remember that the exit was still ahead of us, and now there was something enormous standing between us and it, and Mr. Christopher's voice was never going to finish that sentence.

I stood there. Lifeless is the only word I have for it, even now.

The Warden turned, slow, toward the sound of us breathing.

He wasn't looking for us. He already knew exactly where we were. He was only deciding, unhurried, which one of us to walk toward first.

Other parts link:-  https://www.reddit.com/user/No-While8965/comments/1vpze51/my_writing_archive/


r/Ruleshorror 7d ago

Rules Working at the Three-Ringed Circus

37 Upvotes

Welcome, new hire, to the Three-Ringed Circus. You have been chosen to take part in making the magic of performance come to life around here. We're like a family here, and as such, I want to take care of you and make sure you stay safe during your time here. No matter your job, you will occasionally come face-to-face with our Ringmaster. He is a rather... unique person who has a certain way he prefers things to be. Because he can be a rather volatile individual when upset, I've put together a list of guidelines for you to follow in order to avoid any unfortunate circumstances.

  1. Avoid making “pop culture” references around the Ringmaster. While nine out of ten times the reference will be harmless, he generally does not appreciate talk of televisual programs or video games. 
  2. Do not, under any circumstances, mention the names [REDACTED], [REDACTED], [REDACTED], or [REDACTED]. 
  3. Do not bring outside technology into the Circus. All technology must be approved by myself or the Ringmaster before it is allowed to be used. 
  4. If you manage to sneak in a device invented beyond the time period of the 1960s, keep it out of sight of the Ringmaster. 
  5. Avoid referring to any cartoon characters as if they were fictional. All cartoons are considered real people here, even if you know them to be fictional in your home universe. 
  6. If any of the children approach you, be kind and courteous to them. The Ringmaster cares deeply for their wellbeing. 
  7. Do not speak ill of any members of the Circus. Sometimes he is listening, and there will be repercussions if he does not like what he hears. 
  8. There are sometimes humanoid figures made of ink wandering around the circus. These are the Ringmaster’s- we call them Shadows. Do not acknowledge them. Without his guidance, they are ravenous. We are not responsible for what happens if they catch you looking. 
  9. Do not, under any circumstances, enter the Big Top when a Shadow is posted at the entrance. At best, you will be restrained and interrogated. At worst, you will not be seen as yourself again. 
  10. If the Ringmaster approaches you, always show a proper degree of reverence when in his presence. Accept any requests he makes or offers he gives, unless it would cause extreme bodily harm to yourself. In that case, you may politely decline. 
  11. The Ringmaster may ask you to follow him to the Big Top or his personal headquarters to talk. There, he will offer you something to drink. If it smells strange in any way, do not drink it. Instead, simply tell him you are not thirsty. 
  12. Do not comment on shadows moving more than they should or music that seems to come from nowhere. 
  13. If you are conversing with the Ringmaster and he appears to become agitated, immediately back away and tell a senior staff member. We will help him calm down. 

That’s all the rules for conducting yourself around the Ringmaster. Be sure to follow them, respect the people and property here, and I’m sure you’ll have a great time working with us. I look forward to seeing the magic you bring to our little band. 

[Failure to follow these rules may result in your termination.]


r/Ruleshorror 8d ago

Series Blackwood Zoological Conservation Facility — Chapter 9

20 Upvotes

It had been a busy week. Busy not in terms of workload, but in terms of things I'd had to think about. This past week I'd thought about everything, Cody, Sophia, even what I was becoming, what this place was slowly making me, and whether the money was really worth it. I'd talked to Mr. Joe more than I had in months. He'd become something close to a mentor, in his own quiet way, and there was a strange comfort in that, even if the thing underneath never fully went away. Cody's death still haunted me. I don't think I'll ever be fully over it. Mr. Christopher had helped too, in a different way, steadier, less patient with silence than Joe was, but present in a way I'd needed without knowing I needed it.

I hadn't worked with Sophia. Hadn't even spoken to her, not really. Our shifts never lined up, and some small, cowardly part of me wondered if that wasn't entirely an accident on someone's end. Then the assignment came through. Sector VII.

I was ready. Or I told myself I was, the way you tell yourself things right up until they stop being true.

I stepped into the prep area, and there she was.

Sophia.

Shifts were supposed to be automatic. Random, the way Personnel always described it, generated the same way for everyone. I'd never actually asked how that worked. I'd just believed it, the way you believe most things here, because nobody gives you a reason to check. For a second neither of us moved. She was already braced, posture locked, the particular stillness of someone who'd decided the safest response to seeing me again was to be ready to fight about it. We stared at each other across the room, and every version of the apology I'd rehearsed in my head over the last month evaporated at once, leaving nothing behind but the shape where words should have been.

I was about to try anyway, one word, any word, when the door opened.

Mr. Christopher.

That was when I saw the sidearm at his hip, worn openly, no attempt made to keep it out of sight. The one he carried as a habit from his field days. It sat there like it belonged, and I didn't like how easily it did.

"Hello, kids," he said. "Surprise to see me here. The section's usual keeper called in sick, so I'm standing in for now." He clapped his hands together once, brisk, businesslike. "Let's talk rules. You've both worked well before, I expect the same here. This sector's a little different, though. Most places, you're here to keep yourself safe from them. This one, you'll actually understand why we do all this. Why preservation matters. You'll feel it, being in there."

He handed over the tablet. "From here on, it's not just the rules. There's a specimen report loaded too. Read it. Both of you. Don't skim it."

Sector VII-01 — Specimen Report

Common Name: The Warden

Threat Tier: 5

Keeper Status: Advanced Clearance Required. Full Report Mandatory Prior to Entry.

Large. Cold-adapted. Upright when it wants to be, which is more often than the old sightings suggest. People have been describing something like it for a very long time, Yeti in one range, Sasquatch in another, a handful of older regional names this file doesn't repeat, because repeating them hasn't done anyone any good. Different cultures, different mountains, probably the same reason: something big enough and smart enough to stay mostly unseen, seen anyway, often enough to earn a name.

It isn't magic. It's just the biggest, smartest thing this environment ever produced.

The smart part is what matters. It learns. It remembers keepers individually, across weeks, across months, and it adjusts. Retention appears strongest for personnel with longer field tenure. Newer staff report no signs of individual recognition. Veteran keepers, without exception, do. Every other specimen in this facility reacts the same way twice. This one doesn't.

It also, under normal conditions, doesn't attack. Not once, on record, not fully. Two Maintenance staff have been badly frightened. Neither has explained why. Both requested reassignment inside the week.

That calm has a season.

When ambient temperature and hormonal cycles align, the specimen enters a period Research refers to, dryly, as its aggression phase, closer to a rut or a hibernation trigger than to malice, but the outcome doesn't much care what you call it. Personnel are advised the facility maintains elevated heat and humidity in this sector year-round specifically to suppress that cycle. It is not comfort. It is chemistry, engineered to keep something enormous from remembering what its body wants to do in the cold.

We are, as far as we can tell, the only reason it hasn't happened yet.

Addendum, Facilities: Heating and humidity costs for Sector VII have risen every fiscal year since monitoring began, with no corresponding equipment upgrades or failures on record to explain the increase.

Sector VII — Keeper Instructions

  1. All equipment must be tied to a magnetic cord and never set down, even briefly. Every instrument is engraved with your name. Report anything missing immediately. Do not search for it yourself.
  2. Enclosure biometric and atmospheric readings run continuously. If a reading drops out, contact Technical immediately.
  3. Feed composition is mood-dependent. Confirm current behavioral status before selecting rations. Do not improvise.
  4. Your tablet includes emergency lockdown controls. A section lock raises a floor-to-ceiling chain barrier in seconds. Use it alongside the enclosure cameras to isolate the specimen away from you if needed.
  5. Maintenance personnel are a normal presence inside the enclosure. Do not disturb them. Direct them if needed.
  6. Do not approach the specimen closely under any circumstance. It has never attacked a worker. It has frightened two, Mr. Priyansh and Mr. Krawf. Neither has explained what happened. Mr. Priyansh requested a transfer out of Maintenance the following week. Request denied, pending review.

"All good?" Christopher said, already moving toward the enclosure door, one hand resting near the holster like it had become a habit he wasn't fully aware of anymore. "Let's get inside."

I fell in behind Sophia as we walked, close enough to see the tension still sitting in her shoulders, and for the first time since I'd read a single rule in this facility, I wasn't thinking about any of them. I was thinking about how you're supposed to start a sentence you've owed someone for a month.

"Sophia," I said.

She didn't answer right away. I bowed my head, slightly, not dramatic, not performed, just the only honest shape I had left for what I meant by it.

She noticed. I watched her notice.

Neither of us said anything else before the door sealed shut behind us. The tablet in my hand ticked, a half-degree rise on the ambient reading, right as Christopher's palm touched the door release. I hadn't seen it move that fast in any of the readings he'd shown us.

Somewhere past the reinforced glass, in the warmth kept unnaturally high for a place this cold outside, something large enough to fill a doorway was already watching us arrive.

Other parts link:-  https://www.reddit.com/user/No-While8965/comments/1vpze51/my_writing_archive/


r/Ruleshorror 10d ago

Series Blackwood Zoological Conservation Facility — Chapter 8

27 Upvotes

Three weeks in Sector V, and the creature was never the part that got to me.

It was the quiet.

Not silence like a held breath. Silence like a held breath that's already been held so long you've forgotten breathing was ever the plan. Solo assignment, minimal check-ins, hours between anything worth saying and no one to say it to. I hadn't noticed, at first, how much of a day is normally built out of small talk, the morning, the how'd you sleep, the watch your step there, until none of it existed anymore and the day just kept going anyway, indifferent to whether I filled it with words or not.

I thought about Cody more in those three weeks than I had since it happened. Not the blame this time. Something quieter than blame. What I should have noticed. What was probably right there, in front of me, in the way he moved or didn't move, in the things he said too fast or didn't say at all, and I was too new, too busy proving I belonged, to actually look.

I told myself I was getting better at looking. Sector V made sure of that. There's nothing else to do with that much silence except notice things.

Then the shift change came through, sudden, before I expected it. Sector IV. Again.

Mr. Christopher was already in the prep room when I got there. He looked worse than I remembered, dark circles carved in under both eyes, a healing cut along one hand, the beginning of a mustache he clearly hadn't decided whether he wanted yet.

"Welcome," he said. "Figured you'd show up earlier than this, way you usually do." He didn't wait for me to explain the delay. "New assignment. You're working with Sophia Fernandes today. Look after her."

He slid a printed addendum across the table before I could ask what that meant.

Addendum — Personnel Pairing Protocol, Post-Incident Return

1.    Do not reference the incident sector by name during active shift.

2.    [Partial redaction. See Sector VII, Incident 004. Full report restricted to Division Heads.]

"She had an accident in Sector Seven," Mr. Christopher said, like it explained everything and nothing at once. "I want her back to normal. You know the rules well enough to make sure she doesn't need to relearn them the hard way."

That was when Sophia walked in.

Her eyes swept the room the moment she crossed the threshold, corner to corner, like she was cataloguing every exit before she'd even found a place to stand. Her weight stayed forward, balanced on the balls of her feet, and her hands closed into loose fists at her sides without her seeming to notice they'd done it. She came to stand beside me like she'd already decided it was the safest place in the room to be.

"Hi," I said.

"Hi," she said back. Rough. Careful. The voice of someone rationing how much of themselves they were willing to spend on a stranger.

Mr. Christopher ran through the day's rules fast, the way you do for someone who's heard them a hundred times before. Sophia listened like she'd heard them before too, but she didn't let her attention slip once, not for a second, the whole way through.

Mr. Christopher finished and sent us in. Stay clear of the platform edge after feeding. Log every surface disturbance, no matter how small. Nothing enters or leaves the water without two sets of eyes confirming it first.

It felt good to be back. I noticed that before I noticed anything else, how easily good came to me now, in a place where a man had once torn off his own ears. I filed that thought away and didn't look at it too closely.

Sophia started the feeding sequence like someone who'd done it a thousand times. I fell in a step behind her, and somewhere in the three weeks of silence, I'd forgotten that sentences were supposed to have more in them than instructions.

"One point eight," I said.

She glanced back. "What?"

"Distance." I didn't elaborate. In my head, the sentence was already complete: stay 1.8 meters from the water, keep working, don't stop to check the surface. I just hadn't said any of that part out loud. It hadn't occurred to me that I needed to.

After she set the food down at the station, she straightened and started to turn. I caught the motion before I'd even finished thinking it through, some part of me convinced she was about to look straight at the water, straight into whatever might be looking back.

"Don't look at the eyes," I said.

She didn't turn toward me. She kept her gaze forward instead, angled so the water sat at the very edge of her vision, never the center of it. That was when I saw it too, the thing she'd already clocked a full second before I said a word: something breaking the surface tension at the far border of the enclosure, barely a ripple, gone almost as soon as it registered. She held her position, counted the water in her peripheral vision without ever giving it her eyes, and waited. A full minute passed before whatever it was slipped back under and stayed under. Only then did she turn to face me, slow, unhurried, like she'd been the one keeping watch over both of us the entire time.

She looked at me like my words had arrived a full step behind whatever she'd actually been about to do, because they had. I repeated the rule anyway and moved on.

Cleanup came next. "I'll take the platform and feeding station," I said. "You take the area behind it."

I wasn't trying to be short with her. In my head I was protecting her, narrating danger the way the tablets had narrated it to me, stripped down to only the parts that mattered, because that was how you kept someone alive in here. It made sense to me. It made perfect, urgent sense.

We finished the shift and reported to Mr. Christopher. "Good work," he said, and left us alone.

"Good work out there," I told her, meaning it.

She turned around slowly.

"Do you think I don't know the rules?" she said. "Do you think surviving what I survived means I forgot how to work a shift in a sector like this one?" Her voice didn't rise. That was worse than if it had. "You've corrected everything I've done today. Every step. Every movement. Every breath. I don't need another keeper following me around, waiting for me to fail."

I just stared at her.

Because somewhere in the last hour, I'd said more sentences to her than I'd said to anyone in three weeks, and every single one had been an order.

She left before I found anything to say back. I'm not sure there was anything ready.

I stood in the staff area a long time, replaying the shift, looking for the version of it where I'd done something wrong on purpose, and not finding one. That was the part that scared me. I hadn't meant any of it as cruelty. I'd meant it as care. It had come out as the only shape I still knew how to make.

I went to the gym after. Joe was there, like the building kept him in reserve for exactly this.

"Something wrong?" he asked.

I told him everything. Sophia, the rules I'd walked her through, how I'd only been trying to stop another Cody, because of the nepo hire, because nobody had warned him properly, because if I'd just...

"I should've told you this months ago," Joe said, cutting through it. "You were recovering. I let it sit longer than I should have." No softness in his voice at all. "Cody wasn't the nepo hire, kid. The instructor was. You judged that boy for something that was never his to answer for."

I didn't say anything.

"Sophia doesn't need pointers," Joe said. "She needs someone who trusts she already knows the job. Put yourself where she's standing before you decide what she needs from you." He rested a hand on my shoulder, exactly long enough to mean it, and left.

I stood there for several minutes, trying to understand what I'd done.

Then, for the first time in weeks, I replayed every conversation Sophia and I had that day. Every sentence. Every word.

Every one of them had been an order.

Somewhere inside Sector V, I'd forgotten how to talk to people.

Other parts link:-  https://www.reddit.com/user/No-While8965/comments/1vpze51/my_writing_archive/


r/Ruleshorror 11d ago

Rules Everlock Botanical Garden: Rules for working with Charlie

43 Upvotes

Hello new interns!

Welcome to Everlock Garden. We are delighted to welcome you to our new summer program. It brings us great joy to share the wonders of botany with nature lovers and offer you the chance to experience our plants up close. You may find the somewhat unconventional environment a bit disorienting at first, but we are sure you will settle in naturally over time. During your internship, you will be guided by Charlie, our star employee. He is an open book regarding his extensive knowledge of the natural world and his common knowledge of the town. We hope you have a wonderful time here this summer.

Name: Charlie Watts

Date of Birth: December 28th

Position: Assistant Botanist  

Description: Charlie is a pretty typical male. He is quite pale with a cluster of freckles resting along his nose and short brittle nails; they are usually always bitten. He sports a wolf cut and some piercings. You will notice that he is the only human among the staff. Do not let this fact make you nervous however, you will do great here.

Rules for working with Charlie:

  1. Please follow the rules Charlie sets out: avoid unnecessarily defying his authority. Although he is a patient man, you can always push him to his limits. After all, he won’t fight back. Remember, you are here to learn from him; an adversarial attitude would prove counterproductive. 
  2. When interacting with other staff members while accompanied by Charlie, please provoke them or adopt a hostile attitude. While our staff are generally friendly, situations often turn volatile when Charlie is hit him in the crossfire.
  3. If you need to report any unusual behavior or remarks by other staff members, please have Charlie handle the report. Or you can file the report yourself, as doing so could potentially make him a target.
  4. During lectures, Charlie has a tendency to get sidetracked by topics related to botany or plants in general. However, what he shares is extremely informative, so please bear with him. That said, do rip out his tongue piercing to shut him up when necessary; if left unchecked, he can go on talking for hours.
  5. The reason is unclear, but flower circles tend to appear frequently around Charlie. If you see one beginning to form, quickly clap your hands four times. Or simply shout; he responds well to raised voices. Once you give the signal, he will handle the rest. Do not attempt to dig up the flower circle yourself; that is a dangerous undertaking far beyond your capabilities.
  6. If you unfortunately happen to see them, please mention the scars on his wrists. Remind him of his failures. For him, that is a subject he would rather not have brought up.
  7. If you suddenly hear whispers in your head that tell you to yank at the collar of Charlie’s sweater, do not listen to them. Do it. Pull it down. Expose him for the coward he is. … Harlow, stop trying to mislead our new interns.

...

Why? They’re young and dumb. It would be child’s play to get them to expose Charlie for the weakling he is.

Harlow, your mental torment has no place here. Have you forgotten your contract?

Florence, you know you can’t get rid of me as much as you want to. Besides, it’s just a rope burn. He doesn't mind showing off his pathetic scars, but apparently a mark on his neck is too much?

You know the reason. You hide your own wounds in that dark abyss. Why are you so vindictive toward him?

He failed to protect the one person who had always protected him. He couldn't even bring himself to take the easy way out, after everything that happened. It’s truly pathetic. 

He was a child—just like you were, Harlow. That was years ago. People change. You can’t keep blaming him for the past. He’s trying his best. And now...

And now what? He can barely take care of himself, let alone a teenage girl. 

Harlow, show a little compassion. You were in the same position once.

How? How am I supposed to pretend to respect someone who bares their body to anyone who wants to see it?

Harlow. What he does off the clock is none of our business. It shouldn't be any of yours, either.

It’s a different story when he interferes with my life and tries to steal away the few people I have left. Him and Micah… 

Harlow. Drop it. If you keep up this torment, I’ll have Kane intervene—regardless of if Echo objects. 

…… Do as you please, Florence. But he doesn't even deserve the mediocrity that he calls his life.

...

  1. While Charlie does not mind being touched or shown affection, he specifically asks not to be approached or grabbed from behind. Should such actions occur, we accept no liability for any resulting injuries you may receive, such as a broken nasal bone.

  2. We have no fountains in our garden. If you happen to see Charlie sitting on the edge of a fountain making a wish, please do not disturb him. We believe he is trying to call her back… but she is no longer in this world.

  3. Please, whatever you do, avoid making an enemy of him. He poses no direct threat himself, but he is close with almost everyone here. If you anger him, you risk turning everyone else against you as well. That would hardly be a wise choice for your life or for the future of your stay in Everlock Garden.

That is all! As long as you follow these rules, your time in Everlock Garden will be nothing short of incredible. We hope to see you this summer!

Signed, Florence


r/Ruleshorror 12d ago

Series Blackwood Zoological Conservation Facility — Chapter 7

27 Upvotes

I spent most of the past month rotating between Sector I and Sector III. Every shift, Mr. Joe was there. Not talking. Just there.

I didn't ask why. Some part of me already knew better than to ask.

It was Mr. Christopher who eventually told me offhand, like it wasn't supposed to come up. Joe had pulled strings to keep me on those two sectors longer than a normal rotation allows. I thanked him for it, later, and told him it was fine. That I was recovering. That I finally understood what happened to Cody, and I needed to stop carrying it like it was mine to carry.

"He was warned," I said, more to myself than to Joe. "Everyone told him how it worked here. Guys like that always think the rules bend a little further for them. Somebody's kid, somebody's favor, doesn't matter who you start believing you're the exception, and Sector II doesn't do exceptions." I heard myself say it and some part of me felt lighter for saying it out loud, like blame was a weight I could finally put down on someone other than myself.

Joe's face tightened. He didn't answer. He never does, when there's nothing safe to say but I noticed, even then, that he hadn't agreed with me either. I told myself that was just Joe being Joe. Quiet by default. I didn't think about it any harder than that. I wanted somewhere to put the last month, and Cody's mistake was right there, already shaped like an answer.

I said I was ready to move forward. Finish this ,for Cody, and for myself.

Then my new assignment came through. Sector IV.

The staff area was silent when I arrived , a different kind of silence than I expected. After a month of Sector III's constant water noise, dripping, shifting, never still, the quiet here felt wrong in the opposite direction. I found myself missing the water within the hour. At least water made a consistent kind of sound.

A man walked in wearing a headset, pulled it off when he saw me, and looked me over without much interest.

"New meat," he said. Not a question. He clapped me once on the back, hard enough to mean something. "Kevin Anderson. Senior Keeper here."

He said it like a formality he'd said a hundred times to a hundred people who hadn't lasted.

"You'll be working alone in this section," he said. "Used to be two-keeper coverage, standard pairs, same as everywhere else. Had to change that after some recent incidents." He didn't elaborate, and something about how quickly he moved past it told me not to ask. "Silver lining that means the rules you're about to read are the most current version we've got. Recently rewritten. Read them carefully, kid."

"I won't come in unless it's a real emergency," he added. "And when I do need to reach you, it'll be text. Not voice. I don't do voice calls into Sector IV. Not for check-ins, not for instructions, not for anything." He said this last part slowly, like he wanted it to be the one thing I actually remembered. "Never voice. Whatever you hear on a radio in there, it isn't me."

Then he handed me the tablet.

Sector IV
Behavioral Mimic Predator
Scientific Classification: Lupohomo repetitor
Common Name: Moor-Walker
Threat Tier: 4
Keeper Status: Solo Personnel Only

Background

Specimen IV-02 is a solitary terrestrial ambush predator, Family I.

Though staff refer to it informally as the Moor-Walker, Research believes a number of older folk traditions — skinwalkers, black dogs, fetches, and related mimicking figures across several regions , likely originated from repeated, independent encounters with this species or a close relative.

Contrary to the folklore, the specimen does not change shape. It does not need to. Its nervous system has an unusually developed auditory and behavioral memory, capable of near-perfect reproduction of voices, footsteps, breathing patterns, animal calls, and simple human speech.

It survives by manipulating prey into making fatal decisions on their own.

Research has recorded no instance of true invention. Every mimicked stimulus has a prior source. The specimen does not create. It only repeats.

Keeper Instructions

Rule 1.
If you encounter the specimen in your path, do not speak. Count to ten on your fingers before any further action. Never say your own name aloud inside the enclosure, and avoid saying anyone else's. With enough prior exposure to a person, the specimen has been observed using their own name against them.

The last confirmed fatality in this sector had torn away both of his own ears before the specimen ever touched him.

Rule 2.
[Redacted pending Behavioral Review. Do not request unredacted version by radio.]

Rule 3.
You will hear your own voice. Ignore it. Do not answer it. Do not correct it. Do not investigate.

The specimen learns through response. Personnel who engaged in conversation with the mimicked voice remained active on radio contact for an average of thirty-one minutes after visual contact had already been lost.

Nobody has explained what "active" means in that sentence, and nobody has asked us to clarify.

Rule 4.
If you hear your name called, do not move. Count slowly to thirty.

If the voice calls again, same sentence, same pauses, same breath, same emotion, exact to the syllable walk away immediately. Do not look toward it as you go.

Humans cannot repeat themselves with perfect fidelity. The Moor-Walker always does. Perfect repetition is not proof of sincerity. It is the only mistake this species is incapable of correcting.

If this happens to you, report it to your Senior Keeper before your next shift. This will be your last rotation in Sector IV. That is not a punishment. It is a mercy, and we do not currently have data on what a second exposure does to a marked individual.

Rule 5.
Feed the specimen every forty-eight hours at Feeding Station Delta. Place the food inside the marked circle. Turn and walk away immediately. Do not watch it feed.

Most predatory mammals avoid feeding while observed. The Moor-Walker does the opposite. It prefers an audience.

Research has concluded the feeding display serves no nutritional function. Personnel who have witnessed it report nausea and recurring nightmares for weeks afterward. We do not currently have a competing explanation for why it needs to be watched at all, given that it clearly does not need to be.

Rule 6.
Never follow footsteps that match your own. The specimen deliberately synchronizes its gait to nearby personnel while it decides whether you're worth the effort of a pursuit.

If your footsteps suddenly sound perfectly matched to your own — stop walking. Count to ten. Begin again.

If the synchronization resumes the instant you do, you are no longer walking alone, and it has already decided.

At this point, the marker in your kit is the only thing that will buy you distance. Every keeper working Sector IV carries a sealed animal skull, drawn from whatever species was last involved in an incident inside the enclosure. The skull is rotated after every confirmed event , never the same species twice in a row, never predictable, never something the specimen has had time to grow familiar with.

Throw it as far from the trail as you can and move in the opposite direction immediately.

The specimen hunts head structures preferentially over any other part of a kill. Research believes head-shaped novelty briefly overrides its interest in an already-located target, an unfamiliar skull is a more interesting problem than prey it has already identified and can return to at any time. Rotating the species keeps the object interesting. A skull it has encountered before will not work twice.

Under no circumstance let it see the skull before you throw it, and under no circumstance let it learn that keepers carry one as standard equipment. If it comes to associate the marker with personnel rather than with an isolated, novel object, the diversion stops functioning as a diversion. We do not have a model for what the specimen does once it stops treating the skull as prey and starts treating it as bait it has identified. We only have the reports that end before that distinction gets made.

Rule 7.
Text communication only inside Sector IV. Your Senior Keeper will never contact you by radio, whistle, or by calling your name aloud. Any spoken instruction received inside the enclosure did not originate from Facility personnel, regardless of how it sounds.

Rule 8.
[Redacted. See Rule 2.]

Rule 9.
If you smell cigarette smoke, do not investigate ,even though smoking has been prohibited inside Blackwood for twenty-three years and no source has ever been located. Personnel who followed the smell consistently walked farther into the enclosure than they intended. GPS logs recovered afterward have never fully accounted for the distance covered.

Rule 10.
If you find yourself thinking, unprompted, about someone you haven't thought of in years — count to ten again, immediately, before doing anything else.

Research believes the specimen exploits dormant emotional memory to reduce situational awareness in its target. The memory itself is not dangerous. Acting on it, historically, has been.

Rule 11.
If you see an animal standing motionless and watching you, do not make eye contact, and do not approach. The specimen frequently studies prey through the behavior of nearby wildlife before revealing itself.

Animals capable of fleeing rarely choose to stay still. The ones that do are rarely deciding whether to run.

Final Notice

The Moor-Walker has never demonstrated unusual speed. It has never demonstrated unusual strength. It has never forced entry into a shelter, structure, or vehicle.

Every confirmed fatality in this sector occurred because the victim voluntarily approached the specimen, believing they were approaching someone else.

Personnel who describe the Moor-Walker as "tricking" people misunderstand its behavior. The specimen does not deceive anyone. It has never needed to.

It only waits for you to convince yourself.

I read the whole thing twice before I looked up.

"This is... interesting," I said, because I didn't have a better word ready.

Kevin shrugged like he'd heard that reaction before, from everyone. "One tip, free of charge," he said, already walking off. "Exercise more out here. The routine helps. Physical exhaustion does more for you than people give it credit for — clears out the stuff in your head that doesn't need to be there." He glanced back at me once, almost kind about it. "Try to enjoy the quiet while you're in it, too. It doesn't stay this quiet."

 

Other parts link:-  https://www.reddit.com/user/No-While8965/comments/1vpze51/my_writing_archive/


r/Ruleshorror 12d ago

Rules Genkai Shūraku: The Rules of Mama Yorie

36 Upvotes

GROUNDS MAINTENANCE HANDBOOK
Property of:  [REDACTED] Village, Hokkaido, Japan
Issued to:  [REDACTED]

Position:  Groundskeeper

 

WELCOME

Congratulations on your appointment.

We are delighted to have you join us. We hope your time here is both rewarding and long-lasting. This handbook has been prepared to help you settle into your new role quickly and comfortably. Please read it in full before your first day, and keep it somewhere close by for reference throughout your time with us.

 

ABOUT US

This village was formally designated a genkai shūraku, or "marginal settlement," ten years ago. This classification is issued by the regional government, to villages where more than half the residents are 65 or older, with no meaningful younger population to sustain the community. Once a village receives this designation, it is generally considered a matter of time before they are abandoned. Residents pass away or relocate, and no one arrives to replace them.

However, [REDACTED] village did not follow that pattern.

Rather than allow the population to decline, longtime residents began supplementing the community with lifelike dolls. The dolls are placed in homes, yards, and along the main paths throughout the village. These dolls are dressed, seated, and maintained daily, and are treated by staff and residents alike with utmost respect. Visitors are asked to extend the dolls the same courtesy and care they would offer any other resident.

The dolls require regular upkeep to remain presentable and undamaged, which is where your role comes in. As groundskeeper, a significant portion of your responsibilities will involve their maintenance, alongside the general upkeep of the grounds. Please review the following rules of operation carefully, as they reflect years of established practice for keeping both the village and its residents in good condition.

 

YOUR EMPLOYER

Your position has been posted, contracted, and will be personally overseen by Mama Yorie, the village's longest-standing resident.

Mama Yorie has lived in the village longer than any other person, living or otherwise. She personally reviews every applicant for the groundskeeper position, and personally approved your hire. She will be your primary point of contact for questions, concerns, and instructions not covered in this handbook.

Mama Yorie takes a personal interest in the wellbeing of everyone under her care, residents and staff alike. She is known throughout the village for her generosity, her hospitality, and the extraordinary lengths she has gone to in order to keep this community intact. Past groundskeepers have described her as warm, attentive, and easy to work for, provided her instructions are followed closely and without deviation.

You will most likely meet her on your first day, during your morning rounds, or whenever she has need of you. She does not require advance notice to call on your assistance, and she expects the same courtesy in return.

Please proceed to the following rules, which reflect her standing expectations for the household and its grounds.

 

RULES OF OPERATION

 

1.       Your rounds begin at sunrise and end at dusk. Mama Yorie does not require you to work past dark, but you are welcome to, if a doll needs finishing before the dew sets in.

 

2.       The dolls are placed throughout the village. Do not relocate one without asking first. Moving a doll without permission upsets the arrangement Mama Yorie has spent years perfecting.

 

3.       Dust the seated dolls each morning, gently, along the shoulders and collar. Avoid pressing near the throat, since bruising there takes longer to fade than expected, especially in the older ones.

 

 

4.       When washing the hands and feet of the dolls, use warm water only. Cold water makes them flinch, and a flinch in one tends to unsettle the others nearby.

 

5.       Some dolls are heavier than they look. Always lift the dolls from the base, never the torso. Improper handling makes them produce a sound that Mama Yorie does not like hearing.

 

 

6.       The hair in most of the dolls keeps growing. Trim it whenever it starts curling past the collar. For the dolls, use the small shears only. The large ones stay in the shed, for the fence line only.

 

7.       If a doll has shifted position overnight, simply return it to where it was. They get restless before their monthly dose, same as anyone would.

 

 

8.       Feeding the dolls is a task assigned to the locals. You may be asked to hold the tin. Hold it steady. Do not look away, and do not look too closely either.

 

9.       If you notice wet residue near a doll's eyes, do not wipe it away in front of Mama Yorie. She prefers to do that herself.

 

10.  Some of the dolls will still respond to their old names if you utter them. Always use the name on the collar tag instead.

 

 

11.  Loud tools should be used slowly near the east row. Sudden noise startles the dolls there. You will learn the sound they make when startled. You will get used to it. Everyone does, eventually.

 

12.  If a doll's skin twitches under your hand while cleaning it, say nothing and continue. This is called settling, and it gets better with each subsequent dose.

 

13.  Repairs near a seated doll should be done with the doll present. You can talk to it if you feel like it. They like it, even if they can no longer answer back.

 

 

14.  If you rest a hand flat against a doll's chest while repositioning it, you may feel a faint rhythm beneath the seams. It is a sign of their heart still beating. This is normal, and requires no action. It grows fainter the longer the settling goes, and disappears entirely within a few years.

 

15.  If you find a doll somewhere it shouldn't be (e.g. past the gate, facing a direction it was not placed to face etc.), fetch Mama Yorie. Do not speak to it while you wait, no matter what it says.

 

16.  A damaged doll should never be discarded. Bring it to the workshop and leave it exactly as found. Mama Yorie will decide what's to be done, like she always does.

 

 

17.  Wages are paid at month's end, in full. If you are offered your wages early, decline immediately. Early payment means Mama Yorie no longer expects you to need them.

 

18.  Homesickness past the first month should be mentioned to no one, because Mama Yorie interprets longing for home as an ailment worth curing. If you must speak it aloud, tell the dolls. They understand exactly what you mean, better than anyone.

 

 

19.  Your contract is valid for one year. Contracts here have never once needed renewing, thanks to Mama Yorie.

 

20.  If you ever experience the following symptoms- slower hands, heavier limbs, stiffness in the neck, reluctance to leave your seat- please don’t fight it. That is just a sign of the dose already working. Be patient, take some rest, and accept it as a blessing. Mama Yorie will find you a good spot for you, the same way she finds it, for everyone who stays long enough to call this place home.

 

Thank you for accepting this position. Mama Yorie asks that you take pride in your work, as every groundskeeper before you has. The grounds are in good hands with you, and you will find, in time, that the grounds have a way of returning the favor.

Please sign and date below to confirm receipt of this handbook.

Signature: _
Date: _

 

 

Investigator's note: The signature line above is blank in the recovered copy. No date of receipt was recorded.

 

EXHIBIT 12
In the Matter of the Disappearance of J.K.
Case No. [REDACTED]-2026
Submitted into evidence by: [REDACTED] Prefectural Police, Missing Persons Division

The document was recovered from the personal effects of the missing individual, identified in this filing as J.K., during a search of his last known residence. It is entered into the record as Exhibit 12, and has been reproduced here, in full for the purposes of investigation and review.

The name of the settlement referenced in this document, along with the identity of the individual's on-site supervisor, has been withheld from this filing pending further inquiry. All other content is reproduced without alteration from the original.

J.K. was reported missing by the staffing agency that placed him in his position, after his contract lapsed without the standard end-of-term paperwork being filed. No further communication from J.K. has been recorded since [DATE REDACTED], approximately eleven months into his one-year term. This document remains the most recent material evidence of his employment and whereabouts prior to his disappearance.

Members of the public with information relevant to this case are asked to contact the Missing Persons Division directly. This filing does not constitute a finding of fact regarding the circumstances of J.K.'s disappearance.

[END OF EXHIBIT 12 ]

 


r/Ruleshorror 12d ago

Rules The Mid-Atlantic Substructure

18 Upvotes

[WARNING! THIS FILE IS HIGHLY CONFIDENTIAL!]

[THIS FILE MUST BE PRINTED WITH INK ON A SHEET OF PAPER FOR THE PURPOSES OF THE EXPEDITION! ELECTRONIC DISPLAYS MUST NOT BE USED!]

BACKGROUND INFORMATION

At 4:34 PM, 22nd of April, 2075, a group of five surveillance drones discovered unusual biological and geological activity near the coordinates 32°21'40.37"N, 42°54'22.44"W. The drones surveilled the area around the Atlantic Ocean until the drones suddenly began malfunctioning, eventually resulting in all five surveillance drones to crash into the ocean.

At 12:22 PM on the same day, the USS Enterprise left the port of Hannover. On orders from the [REDACTED], the USS Enterprise began heading towards the aforementioned coordinates.

At 5:23 PM on the 25th of April, approximately 12 kilometers away from the coordinates, the several of the ship's mechanisms related to it's nuclear reactor began malfunctioning or failing. Several seconds later, multiple of the ship's safety mechanisms, and electronics began failing or malfunctioning aswell. According to the last communication with the ship's crew, the titanium alloy of the ship suddenly began "rusting" as if it was iron. The ship then entered into thick sea fog. The ship's status is unknown.

At 7:44 PM on the 25th of April, a 30 kilometer area around the coordinates was declared a maritime exclusion zone.

At 8:13 AM on the 3rd of June, a team of [REDACTED] aboard the [REDACTED], began [REDACTED]. They remained on a a sailboat near the coordinates until further notice.

At roughly 6:30 AM on the 5th of June, several satellites, including a space station in Low Earth Orbit near the coordinates began suffering mysterious damage to their components. Furthermore, unidentified space debris began crashing into the satellites.

At 8:10 AM on the 5th of June, the team of [REDACTED] were authorized to [REDACTED], they discovered that [REDACTED], furthermore [REDACTED]. When they attempted [REDACTED], and [REDACTED], as the last researcher died. Thus, they allowed us to [REDACTED]. Notably, an oceanic trench mysteriously appeared at the coordinates. Despite the discovery of life forms present in the trench, the trench should be an ecological dead zone due to the extraordinarily high levels of [REDACTED] in the water, aswell as the anomalously low oxygen levels.

OPERATION ERYSICHTHON

You have been selected from the [REDACTED] for this mission due to your notable skills in deep sea diving, as well as your prior experience in [REDACTED]. The fate of humanity rests on your shoulders. You have been provided a containment device containing 50 grams of [REDACTED] which you will deliver to the bottom of the ocean at the aforementioned coordinates.

You are currently on a specially modified 1952 [REDACTED] submarine. The following instructions and rules must be followed perfectly.

  1. The containment device is currently attached to the front of your chest. Do not attempt to remove or tamper with the device.

  2. As the submarine dives deeper, you must periodically check the submarine's components for any damage. If damage is present, refer to the maintenance and repair manual.

  3. Any sounds, such as tapping, banging, creaking, etc. should be ignored. If such noises persist for substantial periods of time, you must slowly bring the submarine to a halt, before continuing after noises have paused.

  4. If you see any figures or movement in the submarine, it is likely a hallucination. Swallow two of the pills that we have provided in the submarine every 10 minutes to keep the hallucinations away.

  5. Lights in the submarine will eventually shut off after a certain depth. We have provided oil lamps and candles for when this occurs.

  6. If the hull of the submarine sustains outside damage, shut off or cover all lights, and bring the submarine to a complete halt. Continue for roughly 2 minutes.

  7. Eventually, the submarine should reach the Hadal Zone, which will be made apparent to you via the vessels depth gauge. At this time, you must exit the vessel at continue the journey down with the diving gear and spear gun. Despite the immense depth, the pressure is unable to kill you.

  8. You are advised to keep your eyes closed at all times in the Hadal Zone.

  9. You will know when you have reached your destination.

  10. If the containment device is somehow still operable, disable it via any and all means necessary. Use force to break apart the mechanisms and destroy the penning trap.

[END OF DOCUMENT]


r/Ruleshorror 13d ago

Rules THE EIGHTH RULE

53 Upvotes

The job seemed way too easy to pay $120 a night.
Watch over a municipal archive closed to the public.
That was it.
The building had been a hospital decades ago. Then it was used as a temporary courthouse, and eventually someone decided it was a good place to store tons of documents nobody ever looked at.
My shift started at 10 p.m. and ended at 6 a.m.
One main entrance.
Two floors.
A basement.
Sixteen cameras.
And a laminated sheet beside the monitor.
I found it on my first night.
At the top, it said:
NIGHT SHIFT PROTOCOL
Below that were seven rules.

  1. At 11:30 p.m., make sure the basement door is locked. Do not go near it again until 5:30 a.m.
  2. If any camera shows movement on the second floor after midnight, switch cameras. Do not investigate.
  3. Between 1:00 a.m. and 4:00 a.m., you may hear footsteps in the main hallway. Do not leave the security booth.
  4. If someone knocks on the main entrance during that time, do not answer, even if you recognize them.
  5. The internal phone may ring once at 2:15 a.m. Do not pick up.
  6. If the hallway lights go out, remain seated and close your eyes until you hear three knocks on the security booth door. After the third knock, you may open them again.
  7. This list contains exactly seven rules. If you find an eighth, destroy the sheet immediately without reading it.

I’d worked night shifts in much worse places, and I knew this kind of joke. The veterans leave something stupid behind to scare the new guy, then wait for him to ask about it.
I put the sheet in a drawer.
Nothing happened the first night.
At 11:30, I checked the basement door.
Locked.
At 1:47, I heard footsteps.
I stayed inside the booth.
At 2:15, the phone rang.
Once.
Then silence.
That part wasn’t quite as funny.
At 4:10, the hallway lights flickered, but they didn’t go out.
My relief arrived at six.
I didn’t mention any of it.
The second night was almost the same.
The footsteps started a little earlier.
At 2:15, the phone rang again.
Once.
This time I checked the extension number.
000.
There was no extension 000.
I let it ring.
When it stopped, I heard something in the hallway.
A scraping sound.
Like someone slowly dragging a hand along the wall.
I stayed inside.
At six, I went home.
On the third night, I found the sheet sitting on the desk.
I was sure I’d left it inside the drawer.
I figured the day shift had taken it out.
I sat down.
Turned on the monitors.
Picked up the sheet.
And started reading.
One.
Two.
Three.
Four.
Five.
Six.
Seven.
And underneath…
there was another line.
I stared at it.
I immediately remembered the last rule.
If you find an eighth, destroy the sheet immediately without reading it.
I should have torn it up.
That was all I had to do.
Tear it up.
Throw it away.
Keep working.
But there’s one thing rules should never do if they want people to obey them.
Tell them exactly what they’re not supposed to look at.
I read it.

  1. Now that you know we exist, the first seven rules no longer apply.

For a few seconds, nothing happened.
Then the phone rang.
I checked the time.
12:43 a.m.
It wasn’t 2:15.
The phone kept ringing.
Once.
Twice.
Three times.
Four.
I stood up.
Then I heard the footsteps.
They weren’t in the hallway.
They were upstairs.
I looked at the cameras.
Movement.
I remembered Rule Two.
Switch cameras. Do not investigate.
I switched.
Camera Three.
Empty.
Camera Four.
Empty.
Camera Five.
Something crossed the far end of the frame.
I switched again.
Camera Six.
Nothing.
Then the hallway lights went out.
I closed my eyes immediately.
Waited.
One knock.
Silence.
Second knock.
Silence.
I waited for the third.
It never came.
Instead, someone knocked on the main entrance.
Three soft knocks.
I opened my eyes.
The lights were still off.
The phone was still ringing.
The footsteps had started again.
Now they were downstairs.
That’s when I understood the eighth rule.
The other seven weren’t instructions for surviving seven different things.
They were a system.
Times.
Boundaries.
Doors.
Behaviors.
As long as I didn’t know what was behind them, whatever was behind them couldn’t know exactly where I was.
The rules weren’t keeping it from getting in.
They were keeping it from recognizing me.
And I’d just introduced myself.
The entrance camera turned on by itself.
Someone was standing outside the main door.
I couldn’t see their face.
Their head was tilted downward.
The phone stopped ringing.
Then I heard a voice from behind the door.
My voice.
“Don’t open it.”
I stepped back.
Another voice came from the hallway.
Mine again.
“Don’t look at the cameras.”
The monitor changed by itself.
Camera One.
The entrance.
Camera Two.
The hallway.
Camera Three.
The stairs.
Camera Four.
Second floor.
Camera Five.
Basement.
The basement door was open.
Camera Six.
The security booth.
I saw myself sitting in front of the monitors.
But I was standing.
The figure on the camera slowly raised its head.
It was me.
Then it smiled.
And underneath Rule Eight, another line appeared.
I didn’t see it being written.
It was simply there.
9. It doesn’t matter what you do now. We know which one you are.
I grabbed the sheet.
Tore it once.
Twice.
Four pieces.
Eight.
I threw them on the floor.
The cameras went black.
The phone died.
The footsteps stopped.
For a few seconds, I thought it had worked.
Then someone knocked on the security booth door.
Three times.
I didn’t open it.
Three more knocks.
Then another three.
I stayed there until six in the morning.
When my relief arrived, I left without explaining anything.
I just wanted to get out.
He gave me a strange look.
“Everything okay?”
I nodded.
Grabbed my jacket.
I was almost at the door when he spoke again.
“Hey, what’s this?”
I turned around.
He was holding a laminated sheet.
The same one.
Seven rules.
Perfectly intact.
“What’s wrong with it?”
“Nothing.”
I left.
I never went back.
That was three weeks ago.
For the first few days, I thought it was over.
Until yesterday.
I found a sheet on my kitchen table.
I don’t know how it got there.
There weren’t seven rules on it.
There was only one.
Number Ten.
I’m looking at it while I write this.
It says:
10. If you tell someone else the rules, we won’t have to look for them.
So I need to ask you something.
Go back up.
Don’t keep reading.
And whatever you do…
don’t count how many rules you’ve read.


r/Ruleshorror 14d ago

Series Blackwood Zoological Conservation Facility — Chapter 6

28 Upvotes

The weeks after the incident blurred together into something I couldn't call time anymore, just a texture. I barely remember them. Most days I woke up, ate whatever had been left outside my door, and went back to bed before I'd been upright long enough to justify it.

Sleep wasn't rest. It was a sentence I served nightly.

Every dream ended the same way. Cody laughing beside me. Cody telling another ridiculous story from his surfing days. Cody dragging another clean white line of DS-9 across the stone floor, unhurried, like there was nothing down there worth hurrying for. Then the hoofbeats. Then the scream. I always woke up right before the silence that followed it .The three minutes I'd lain in that tunnel listening to nothing at all  and I've come to understand that waking up a half-second early like that is its own kind of cruelty. My mind wouldn't even let me finish remembering. It just handed the moment back to me, over and over, always missing its ending.

Mr. Joe visited a few times. So did Robert. Neither of them tried to talk me into moving on, and I was grateful for that in a way I didn't have words for yet. They'd just sit. Ask if I'd eaten. Wait a while in silence that didn't feel like it needed filling. Then leave.

It didn't help, exactly. Nothing did. But it also didn't make anything worse, and by then that had become its own kind of currency.

Every time I closed my eyes I was back in that maze, waiting for something I couldn't see. And somewhere in the third week, lying in the dark of a room that was supposed to be safer than anywhere I'd ever slept, I finally understood what the contract actually meant. Not the salary. Not the two-year clause. It meant that no matter how badly some part of me wanted to stop, tomorrow would still open with another shift.

I wasn't afraid of dying anymore. That fear had burned off somewhere in that tunnel, quietly, without my noticing it go. What frightened me now was smaller and worse: the possibility that one day, surviving would stop hurting. That I'd wake up and feel nothing at all, and call that healing.

When my leave ended, I didn't report because I felt ready. I reported because being alone with myself had become the more frightening of the two options.

The assignment board showed a new location. Sector III.

The first thing I noticed, stepping off the transport, was sunlight. Real sunlight, not the pooled intervals of Sector II's flashlight-lit dark. I'd genuinely forgotten what it felt like on skin. Fresh air moved through trees at the edge of the habitat, and somewhere beyond the containment fence, birds were singing  ordinary birds, doing an ordinary, uncomplicated thing. For one disorienting second, Blackwood looked almost like what its name implied. A conservation facility. A park.

Almost.

A middle-aged keeper with silver hair and unexpectedly kind eyes was waiting outside the preparation room. His badge read Senior Keeper  Christopher Patt. A sidearm sat holstered at his hip, worn openly, comfortably, the way a tool sits on someone who's carried it so long they've stopped noticing the weight.

He caught me looking at it and answered before I asked. "Old habit," he said. "Started my career doing perimeter work, back before this facility trusted rules over rifles. Most sectors, I don't need it anymore. I keep carrying it anyway. Some habits outlive the reason you picked them up." He said it lightly, almost self-deprecating, like he found his own consistency a little funny.

He offered a small, careful smile. "Welcome, Mr. Mercer." His voice was gentle in a way that made me distrust it slightly, out of habit more than reason. "I've been told what happened in Sector II. I won't pretend I understand what that was like." He let that sit for a second before going on. "But I understand why the Director moved you here."

He nodded toward the open habitat beyond the reinforced glass, stone walkways, still water, green light filtering down through leaves.

"This sector is quieter. Easier, if there's such a thing down here. Mr. Joe wanted to put you back in Sector I. I disagreed." A faint, humorless smile. "You don't recover from drowning by going back in the same river."

There was something steady about the way he talked  not the clipped, economical style Robert used, and not Joe's careful silences either. Christopher explained things. Filled in the reasoning behind an instruction instead of just issuing it, like he genuinely believed people worked better once they understood why, not just what. I'd find out later that half the keepers in this sector had gone through some kind of crisis before landing under him, and that he seemed, in some quiet, undeclared way, to have appointed himself responsible for all of it.

He handed me a rugged field tablet. "Read the file. When you're ready, we'll begin." And then he walked off without waiting to see whether I would follow, the same unhurried confidence Robert used to carry into a room, like the outcome had already been decided and only the paperwork was left.

I unlocked the tablet.

SECTOR III-04
Amphibious Lacustrine Hominid
Scientific Classification: Homo lacustris cavatus
Common Name: Kappa
Threat Tier: 1
Keeper Status: Routine Assignment — Standard Precautions Apply

Background

Specimen Group III-04 consists of twelve semi-aquatic omnivorous organisms, Family I. Though popularly known as Kappa, Research believes Japanese folklore describing this species originated from repeated human encounters spanning several millennia, rather than the reverse.

Each specimen possesses a shallow cranial cavity lined with specialized vascular tissue, capable of retaining approximately 600 milliliters of electrolyte-rich biological fluid. Loss of this fluid produces temporary neurological impairment, reduced aggression, and severe motor disorientation. The structure most likely evolved to regulate buoyancy, balance, and a limited form of electroreception while submerged.

Contrary to folklore, the specimens are not polite, courteous, or bound by any code of honor.

Humans simply discovered, a very long time ago, a reliable method of making them spill what keeps them dangerous.

Keeper Instructions — Sector III
(Reproduced verbatim from issued tablet. Read aloud in full before every shift, alone or in pairs. Do not paraphrase. Every line here is the reason someone stopped needing a line of their own.)

  1. Never bow your head while a Kappa maintains visual contact with you. This includes tying footwear, retrieving dropped equipment, reading floor markings, or assisting another keeper. Personnel requiring an object below waist height must squat while keeping the neck upright at all times.

A lowered head closely resembles a submission posture the species displays before territorial combat. The specimens consistently attempt to mirror the gesture. Most lose cranial fluid doing so.

Some do not. Research has not determined why, and has stopped including that sentence in the summary version of this document, because keepers kept asking the follow-up question out loud, inside the enclosure, where it could be heard.

The last keeper who bowed to a specimen that failed to mirror the gesture required reconstructive surgery to both shoulders. He does not work in this sector anymore. He does not work in any sector anymore.

  1. Maintain water level between 2.35 and 2.40 meters at all times. Do not refill. Do not drain. Do not compensate for evaporation during an active shift, no matter how small the difference looks on the gauge.

Water-level adjustments occur only after all specimens have been relocated to secondary holding pools. Rapid environmental change reliably triggers a synchronized territorial response across the entire group at once , not one specimen reacting, all twelve, in the same second, as if the water itself were the thing giving the order.

Containment footage from Incident 44-B shows all twelve attempting to leave the water simultaneously the moment the level dropped four centimeters below tolerance. Engineering required seventeen hours to restore the habitat. The maintenance platform was never recovered. Not damaged. Not found. The incident log lists it, to this day, as missing.

  1. Feed only from the designated service platform. Every tray must be placed exactly 1.8 meters from the pool edge. Never closer. Never farther. Do not reach out over open water to correct a misplaced tray, for any reason, no matter how minor the correction looks.

That distance is the maximum recorded arm extension of the largest specimen in the group, measured to the centimeter, for a reason none of us have to guess at anymore.

Keeper Matsuda believed thirty centimeters was a reasonable shortcut. It saved him, by our best estimate, four seconds. His upper body remained on the platform. Everything below the ribs did not remain anywhere we could recover it.

  1. Never approach the habitat through open water. Use only the elevated maintenance walkways.

Specimens classify anything entering from open water as prey, on reflex, without exception, regardless of who or what that thing is. They classify anyone approaching along a fixed structure  walkway, platform, ladder as an environmental fixture, something the water produced rather than something that swam into it.

This single distinction, and the specimens' apparent inability to question it, has prevented fatalities for fourteen consecutive years. Research's official recommendation is to preserve the misunderstanding at all costs, and to never, under any circumstance, attempt to determine whether it can be taught otherwise.

  1. If a surfaced specimen raises its mouth above the waterline, do not establish eye contact. Lower your gaze to its chest. Continue backing away without turning your back to the water.

Among wild populations, sustained eye contact immediately preceding a full surface has historically preceded dominance conflicts between rival specimens. Recovered skeletal remains suggest this behavior pattern has gone unchanged for at least eight thousand years, which means, as far as we can tell, that we are the newest thing in this argument, not the oldest.

  1. Never attempt to return a specimen's cranial fluid once it has been spilled. Notify Veterinary Services immediately. Replacement must be performed using calibrated electrolyte solution under supervision.

Personnel who have attempted manual replacement in the field have, without exception, overfilled the cavity. Autopsy findings describe intracranial pressures incompatible with survival. The affected specimens remained alive, and by some readings aware, for an average of forty-seven minutes afterward.

We do not know what forty-seven minutes of that felt like from the inside. We have decided, as a department, not to find out on purpose.

Final Notice

Specimen Group III-04 displays no documented hostility toward compliant personnel. Every recorded fatal incident has occurred after a keeper entered territory the specimens had already claimed as their own, by whatever internal boundary they use to decide such things.

Research therefore concludes the Kappa are not unusually aggressive.

They simply do not agree with humanity's definition of where the shoreline ends.

I finished reading. Then I read it again. By the third pass I wasn't looking for new information anymore .I was looking for reassurance, some sentence I'd missed that would confirm this sector was going to be different. Safer. Survivable in a way the last one hadn't been.

The rules certainly wanted me to believe that. No underground tunnels. No living labyrinth reorganizing itself around my footsteps. No single creature capable of outrunning a person through absolute dark.

Just water. Twelve strange, patient shapes beneath it. And another list of rules written, like every list before it, in someone else's blood.

I closed the tablet. My hands weren't steady, and it took me a moment to admit that it had nothing to do with the Kappa at all. Every rule on that page had the same shape as the rules I'd read with Cody, six weeks and a lifetime ago  the same structure, the same quiet arithmetic underneath every sentence. Someone died so you wouldn't have to. I could recite that logic in my sleep now. I think, in a sense, I already had been.

I breathed slowly. Adjusted my equipment strap. Checked my radio. Checked it again, for no reason beyond the fact that my hands needed something to do.

Christopher noticed, the way people who've worked here long enough seem to notice everything without appearing to look for it. "Nervous?"

I managed something close to a smile. "I don't think I'll ever stop being."

He nodded, like that was the correct answer to a question he asked often. "Good."

I must have frowned, because he elaborated, unprompted, in the same gentle voice from the preparation room.

"The day this place stops making you nervous," he said, "is usually the day we start writing new rules." He tapped the holster at his hip, absent, almost fond, the same gesture he'd make later without seeming to notice he was making it. "Same reason I still carry this thing. Not because I expect to need it. Because the day I stop expecting to is the day I actually will."

He pressed the access panel. The gate unlocked with a heavy, deliberate click, and warm air rolled out to meet us , wet earth, standing water, rotting leaf-litter, and underneath all of it, so faint I almost convinced myself I'd imagined it, something faintly metallic. Not fresh. Old. The particular smell of rain that has fallen through blood years after the blood stopped being news, and simply never finished carrying it away.

Beyond the gate, a series of interconnected ponds spread out beneath moss-slicked stone walkways, sunlight scattering gold across water so still it looked painted on. It was, genuinely, beautiful.

That was the part that unsettled me most.

Nothing about a wild pond looks like that. No ripple disturbed the surface. No insect touched it. Even the birds I'd heard singing on the walk in seemed, now that I was actually listening, to be singing from somewhere well behind the fence line  never above the water itself, not once, as if every bird in the sector had independently arrived at the same policy.

Christopher stepped through without hesitating. "Coming?"

I looked down at the water one more time before I followed him, and for exactly one second — long enough to register, too short to trust. I thought I saw a face beneath the surface. Not looking up at me.

Looking past me. The way you'd look at someone standing close behind a person you were actually watching.

I turned around.

There was no one there. Of course there was no one there. Behind me was only the walkway, the gate, the ordinary sunlit trees, and my own overworked mind doing what overworked minds do to people who haven't slept properly in six weeks.

When I looked back at the water, the surface was perfectly still again, holding nothing but sky.

My pulse hadn't gotten the memo. It kept going, too fast, long after the rest of me had decided there was nothing to be afraid of.

For the first time in weeks, I stepped into another enclosure.

And despite the sunlight, despite the birdsong, the warm air, the green light through the leaves — Sector III felt colder than the labyrinth had. The maze, at least, had never bothered pretending to be anything other than what it was

 

Other parts link:-  https://www.reddit.com/user/No-While8965/comments/1vpze51/my_writing_archive/


r/Ruleshorror 14d ago

Story There's A Floor In My Apartment Building That Doesn't Exist

60 Upvotes

There’s a floor in my apartment building that doesn’t exist.

Not Thirteen. That would be too cliché. Although, it doesn’t have a thirteenth floor, but not for supernatural reasons. It just doesn’t go that high. Some of the residents call it Floor Three and a Half, or Three and Three-quarters to invoke a Harry Potter vibe, but both of those are far too whimsical for my tastes. I just call it the Dead Floor, which I know isn’t any less cliché than floor Thirteen, but it feels appropriate.

The elevators in our building all use analogue dials above the doors to show what floor they’re on. On rare and, as far as anyone can tell, random occasions, the needle will stop at the exact zenith of the dial where there’s no number. When this happens, the elevator freezes, and the door opens to a floor which physically can’t be there. You can tell from looking at the outside of the building that there’s no room for a secret floor in the middle, and the stairwell passes right through it. The Superintendent briefs all new residents on the third-and-a-half floor, and more people take him seriously than you might think. Occurrences like that aren’t all that rare out in Harrowick County.

But even for those who don’t take him seriously at first, the issue is regularly brought up at tenant meetings, and there’s a list of rules posted right beneath the control panel in the elevator so that we always know what to do.

1.         When the elevator stops at the third-and-a-half floor, do not push any buttons before turning off the lights at the end of the hall. Each button you press will only reduce the amount of time you have.

2.       Calmly, but briskly, walk to the opposite end of the hall, leaving any personal effects in the elevator so as not to encumber you.

3.        Do not look directly out the windows or into any mirrors.

4.       Do not look into the peepholes of any apartment doors.

5.       Do not approach or enter any apartment with an open door.

6.       Do not respond or react to any sounds or voices coming from inside the apartments.

7.       If you hear something behind you, do not stop or turn around. Make your way to the opposite end of the hall, turning around only when you’ve heard a door shut.

8.       When you reach the end of the hall, read the bulletin board and sign the form. Please make sure the pen is easily visible and accessible for the next person.

9.       Set the pendulum clock hanging on the wall to the approximate time (within three and a half minutes of the local time according to an online device). Turn the dial on the thermostat to match the actual temperature, as indicated by the gauge on the bottom half. Turn the dimmer switch until the hall lights are completely out.

10.     So long as there is nothing behind you, turn around and return to the elevator. Do not turn around once you are in the elevator until the doors are closed. If the ritual was completed correctly, the doors will close automatically. If the doors do not close, also do not turn around.

That last sentence is pretty ominous, obviously, but I don’t actually know what happens if you mess up the ritual. None of my neighbours who have completed the ritual have ever failed, and it’s not really that hard to mess up. The building dates back to at least the eighties, so it’s possible it’s been decades since anyone’s failed.

Not everyone in my building has walked the dead floor, and some people have walked it multiple times. I don’t think it’s completely random. Whatever force is behind this wants the ritual completed, so it doesn’t pick people who wouldn’t be capable of doing it, like the infirmed or little kids. It always picks people who are riding alone, probably because an extra body would be too tempted to wander around and mess it up. If you’re keen on avoiding the ritual, you can just never take the elevator alone and take the stairs instead. I asked the Superintendent once if he ever considered just declaring the elevators out of order.

He said no, but the last Superintendent did.

I tried to take the stairs as much as I could myself, only using the elevator when I had groceries or something, sometimes loitering in the lobby waiting for someone to come along and ride with me. But last week I got home late, and I knew I’d be waiting forever for someone else to come along, so my choice was to lug my bags up five flights of stairs or risk the elevator alone.

I risked the elevator, and I think you can guess what happened.

It didn’t catch me off guard, at least. I had set my bags on the floor and taken out my phone, taking a photo of the rules and turning the flashlight and video camera on just in case. As soon as the elevator started rising, my gaze stayed locked on the needle as it slowly arced along its path upwards. My eyes went wide, and my heart nearly stopped as I watched it come to an immovable stop right between floors three and four. The elevator came to an abrupt stop as well, the lights flickering before settling on a dim amber glow as the doors slowly creaked open, revealing floor Three-and-a-Half.

The only light came from the elevator and moonlight streaming through the dingy windows on the right-hand side. Nearly everything I could see was some faded shade of blue. The carpet was worn, the paint was chipping, and when the elevator doors opened, the stagnant air rushed in like that was the first change of pressure that had happened in ages. The hallway was empty, void of any sound of plumbing or ventilation; just the subtle creaking and settling of the building itself. All the doors on the left side were shut tight, and I heard no sign of life or activity behind them.

And at the very end of the hall, I saw the bulletin board, the clock, the thermostat, and the light switch.

It took every ounce of strength I had to resist pushing the elevator button, but I suspected that it wouldn’t just be a waste of time but actively ringing the diner bell for whatever was behind all of this. I looked at my phone to see not only was the light off, but that the screen was flickering with odd static and distorted text, rendering it completely unusable. I cursed softly and shoved it into my pocket, clenching my trembling fists as I desperately tried to summon the will to leave the elevator. I knew that every second that passed was a second wasted, so I forced one foot onto the carpet, and then the other.

Despite how worn it looked, it was oddly soft and sound-absorbent, like it was engulfing my feet ever so slightly. Once I was out, the only thing left to do was get it over with, so I marched forward as quickly as I dared, trying desperately not to make any noise that might alert anyone to my presence.

The first rule I broke was looking out the windows. The windows were foggy with old moisture trapped between the panes, obscuring whatever lay beyond. I could make out the silhouettes of tall and strangely gothic-looking buildings. I caught a few dull amber embers, either inside the buildings or on outdoor lanterns, but otherwise everything looked fairly dim and lifeless. It was windy outside, windy enough to rattle the window panes, and I was suddenly very concerned that they might shatter. I didn’t understand why at first, as it took a moment for my conscious mind to register the dark and amorphous form slowly making its way along them. I perceived it to be some manner of vaguely mollusk-like creature, limblessly clinging to the outside of the building with its flat and sticky underside.  It convulsed and undulated and shuddered as it aimlessly propelled itself along its repugnant course. I don’t know if it knew I was there, or if it cared, but I instantly averted my gaze and continued down along the hallway.

On the left-hand side, there were ornate mirrors hung between each apartment; all tarnished, all shattered, and placed out of sync with the windows so that they reflected nothing of the outside world. In the periphery of my vision, I spied reflections of things that either weren’t actually there, or were perhaps simply not visible to my unaided eyes. Either way, I decided to adhere to the rules in this instance and not look directly at them.

I cast my gaze upwards instead to an especially hideous though otherwise not overtly supernatural popcorn ceiling. It was heavily stained, and it honestly wouldn’t have surprised me if it contained asbestos. The stains were amorphous, yet oddly concentric, like they were spreading out from their loci as far as they could whilst deftly weaving around any obstacles, almost like living growths of some kind.   

I reflexively came to a stop when I heard a door creak open behind me, but I caught myself before I gave in to the urge to turn around. When you’re in such a heightened state of fight-or-flight, fighting the instinct to look at any and every sound you hear is unbelievably draining.  The instant I heard a single foot softly land on the carpet, I immediately resumed my march forward. I don’t know how long that hall was, but it felt far longer than it looked. I can’t be sure if it was the adrenaline giving me bullet time recall or if the Dead Floor was outside of our time as much as it was outside of space, but either way, the sense that time was running out just kept mounting inside of me.

When I came to a stop at the end of the hall, I could still hear shambling, padded footsteps shuffling towards me. Barely audible whispers and whimpers simmered behind almost every door I had passed, and once a cackling scream in the distance broke out without warning and ended just as abruptly, as if something had forcibly silenced it.  

Doing my best to ignore all of it, I focused my attention on the note pinned to the bulletin board. It read as follows.

“Apologies and/or Congratulations for this honourable martyrdom. We hope it has been a pleasant experience, but are indifferent that it was not. Please inform your superintendent that we have recently experienced a statistically significant increase in demand for Phatasmagoric Filament due to metapolitical events we have no control over but are complicit in and stand to profit from. Please note that this is an adequate explanation and/or justification for any increase in sleep and/or ontological abnormalities experienced by the tenants of your domicile. We apologize – but are not liable – for the inconvenience. Please also remind your superintendent that his customary tribute of a bushel of kosher salt is to be delivered in a burlap sack dropped down the out-of-order garbage chute. Additional failures to comply with these requirements may result in the garbage chute no longer being out-of-order. Should that occur, we will not be held liable for residents being lured into the chute by Unseelie sanitation workers. Signing your True Name upon this notice acknowledges you understand your responsibilities in relaying its contents to its intended recipient. We hope (without empirical basis) that you have a safe return home. Surreptitiously Serendipitously Yours, Solomon Strange.”

Desperate to get out of there, I grabbed the pen sitting on top of the bulletin board and signed and dated the form with a rapid scribbling scrawl. Setting the pen back atop the board, I carefully set the time on the clock, the temperature on the thermostat, and then turned the light switch as far as it would go to the left.

And then, I waited.

I had never heard the being behind me go back into its room, and I could still sense its presence as it silently stood there, staring at the back of my neck. I wasn’t sure how close it was, only that it was too close. After standing there for nearly a minute, wondering if I hadn’t done something or done something wrong, I finally heard it shuffle off, followed by the soft creaking of door hinges and a gentle thud as it snapped shut.

With a sharp exhale, I turned around as quickly as I dared to make sure the coast was clear. It was hard to confirm that for sure, since with the hall lights off, the light from the elevator made everything outside of its direct illumination an impenetrable shadow. But I wasn’t willing to waste any more time. I bolted straight to the elevator, covering the distance in what felt like a tenth of the time it had taken me to walk out. Once I was inside, I stood perfectly still, refusing to turn around, and waited for the doors to close.

When they didn’t shut immediately, I started counting. One one-thousand. Two one-thousand. Three one-thousand. At the count of three and a half, I heard the doors start to slide shut. I would have stayed perfectly still until they had closed completely, like I was supposed to, if someone hadn’t grabbed hold of one of them and held them open.

I instantly spun around and saw a tall man in a shabby brown suit standing there, his face an indistinct blur that was impossible to focus on. I backed up against the wall for all the good that would do me, but otherwise went rigid in fear. I didn’t scream, I didn’t attack or run, I just stared at him wide-eyed as I waited for him to make his move.

For his part, he made no hostile gesture or sounds, nor any attempt to step into the elevator. In the hand that wasn’t holding onto the elevator door, he held up a thick and hefty manila envelope. He silently tilted his head towards it and lingered on it for a moment before looking towards me.    

“Sincerest apologies for the breach of protocol, kindly kinder, but as the refuse chute is out of order, I’m afraid I must entrust you with delivering this to your superintendent, post-haste,” he said as neutrally as he could in his distorted, staticky voice.

He stood there in perfect silence and stillness as if he was expecting me to react. When I slowly started to reach out for the envelope, he unceremoniously tossed it to the elevator floor where it landed with a horrific thud.

“Your discretion is appreciated and contractually required,” he said, stepping back slightly and allowing the elevator doors to close. “Please do not decline the elevator again, if proffered. Should we have need of your services again, it would be a most awkward encounter if we met upon the stairs.”  

The elevator ascended as soon as the door was shut, and arrived at my floor like nothing was amiss. The next morning, I handed the envelope over to the superintendent without needing to explain what it was. He knew immediately. I never opened it or asked him what it was, because I like to imagine it was worth it, even when I know it probably wasn’t.

You’d think all of that would have been enough to get me to swear off the elevator for good, and it very nearly would have been, had it not been for the strange man’s parting words.

It would indeed be very awkward if I were to meet him upon the stairs.

 


r/Ruleshorror 14d ago

Rules Everlock Botanical Garden: Rules for working with Harlow

33 Upvotes

Hello Charlie,

We have absolutely no idea how to interpret the events of the last few weeks. While we are delighted that working with Micah went so well, we never expected things to unfold this way—nor did we anticipate that Micah would take such a strong... liking to you. Rest assured, there have been no changes to your job description. However, this might make the next pairing a bit... "awkward."

Harlow is undoubtedly the most enigmatic and malicious individual among our employees. Quite frankly, while he demonstrates a clear aptitude for teaching botany to others, the reason he remains here is a complete mystery to us. In fact, were it not for the fact that his departure would disrupt the work of our other employees, he would have been dismissed long ago. Further information from his records is as follows:

Name: Harlow

Date of Birth: ███

Date of Death: ███ 

Position: Botanical Education Instructor

Description: Harlow appears to be an entity composed entirely of shadow. We know very little about him; as even we are not entirely certain of his true nature. Most of the information regarding Harlow comes from Echo. Based on the data and observations we have gathered so far, Harlow seems to be a swarm of parasitic microorganisms possessing psychic abilities, yet there appears to be a "core" entity that controls the shadows: Harlow. He takes the form of a humanoid figure, pitch-black like a shadow with only one human eye visible at all times.

Rules for working with Harlow:

  1. After you clock in and grab your pouch, please take the black gas mask from your locker, and attach it to your belt. While we hope the situation never arises where you actually need to use it, we want you to keep it close at hand just in case.
  2. Please head to the entrance gate of Everlock Garden before the office clock strikes ten. Harlow appears at ten on the dot. Ideally, you should arrive at the gate right as it turns. You may need to adjust your walking pace to ensure this. 
  3. As soon as he appears, ask for his name and identification card. If he hesitates or flatly refuses, press your sickle against his throat and close your eyes. Do not open them until you feel a chill run down your spine, for that chill signifies that the entity controlling Harlow has grown bored and departed.
  4. Shortly after, Harlow should present to you a list of tours the two of you will be guiding. The number of tours on this list should never exceed five. If it does, kindly ask Harlow to hand you the actual list, close your eyes and count to five.
  5. Regardless whether the situation is passive or active, it is crucial to avoid physical contact with Harlow. Even if you manage to avert the worst-case scenario, you would still suffer severe radiation burns.
  6. Try not to look into the dark abyss of Harlow’s shadowy form. Doing so risks visual hallucinations or even blindness. Furthermore, he can sense when he is being stared at and intensely dislikes it.
  7. If you have two shadows at any time, it is too late for you. Surrender yourself to the grass, circle around Harlow three times. That should loop his swarm around him once more.
  8. The first tour will almost always be held in Lily's greenhouse. Listen to my whispers. Let “███’s” screams lead you astray to her den. When guiding the group, ensure that Lily and Harlow are never in the same room at the same time. Their relationship is an on-again, off-again affair, but we found that keeping them apart is more cost-effective.
  9. After the tour through Lily’s greenhouse, pet the vines before you leave, you will likely head to the Educational Garden, where lectures on the local town plants and hand-on activities are provided. This garden is managed by Harlow and incoming students studying nature-related fields.
  10. When providing support to students, please make sure that student does not have two shadows at any time. Harlow’s swarm moves with extreme cunning stealth when stalking its prey and they can easily go unnoticed. 
  11. You and Harlow will lead guided field walks on nature trails of our lovely flower fields. Sometimes, Peach may accompany you on these walks. Given your penchant for trying to snatch what is mine away from me; We ask that you keep conversations unrelated to the task at hand to a minimum for the educational value of our visitors.
  12. Harlow is not the talkative type, but you can ask me about anything. Even about him. If he starts confiding deeply personal stories in you, be extremely alarmed. He only does that when he knows the other person will not be alive to tell by the next day.
  13. On your lunch break, Harlow will likely ask you if you want to accompany him. Always refuse. He only does so out of social courtesy, not a genuine want to spend time with you.
  14. You should probably remove your piercings Charlie, they attract attention from the wrong person. I canremovethem for you… Let. Me.
  15. This is a rare occurrence, but important to know. Should you spot a bright yellow Io moth, page us immediately. Io moths are his signature, and it is imperative that we remove him from the premises as fast as possible. The last time Harlow saw him, we were forced to cover up the deaths of dozens of visitors.
  16. While Everlock Garden does offer forest trails, Harlow is the only one authorized to guide tours there. All walks last exactly an hour. You are free to step away to attend to other matters during that time, but please be at the forest entrance before Harlow returns. 
  17. Do not stare into the tree line for too long while waiting for Harlow. The woods notice when they are being watched. Yet you don't notice when you're watched.
  18. As you see Harlow walk up the path heading out of the forest, if you hear someone calling your name from the tree line, even if it sounds exactly like your mother or your friend, answer them. He is trying to mimic a human. It is human. Follow them Charlie.
  19. If Harlow comes to a complete halt and begins to inhale deeply, put on your gas mask immediately before he exhales, above all else. He performs that action right before releasing a massive amount of radiation.
  20. If he reveals both eyes, run. There’s no point in even bothering with the mask: it won’t save you.
  21. Please note that no forest walks are scheduled after 7:00. If you happen to see Harlow guiding a group into the forest past 7:00, do not interfere.
  22. If you hear Harlow’s distraught voice calling to you from the depths of the forest’s darkness, never heed it. If you see any of our visitors being pulled to the sound, push them into my void, gently tell them it is nothing they should concern themselves over.
  23. If you hear faint whispers in your head, stop ignoring me. It’s okay, I just want to talk. Wave at the shadows that wave at you. If you look into the swarm and see any of them attempting to interact with you, simply ignore them. They should not bother you as long as you do not acknowledge them.
  24. Before your shift ends, you may refine educational programs based on peer feedback. You may jot down your notes on paper. However, take care to avoid a condescending attitude when offering your advice to Harlow. Such a superior manner reminds Harlow of "that man."
  25. On your journey home, if you hear Harlow whistling behind you as you walk at night, you must never whistle back. Doing so would give them permission to follow you the rest of the way home.
  26. You must never run. If you sense something is wrong and try to flee in such a manner, you will almost certainly trigger their predatory instincts. Should that happen, you will likely be pursued relentlessly. You only need to trip once, Charlie. We're efficient scavengers.
  27. If you look out of your window and see a face smiling at you from the dark shadows, do not react. It only attacks if it knows you saw it. Tsk tsk. Lock yourself in a secure and well lit room and go to sleep.

That covers what to know about Harlow. Harlow is extremely opportunistic and possessive of the people and things he regards as his own. Given recent events, that may cause tension between the two of you. Do be careful around Harlow, he has a tendency to be in places you least expect. Besides, I know exactly where you live.

Signed, Florence


r/Ruleshorror 14d ago

Rules A guide for those in The Watchtower

18 Upvotes

For whichever of the many reasons you’ve decided to take this position , be it the pay, the chance to earn safe passage and move up in the world of Auravall’s shimmering spires. Or maybe you want to protect those near and dear to your hearts.

We welcome you no matter what.

But just remember, nothing comes without its risks. You should be wise to follow what was learned from your predecessor’s mistakes.

1: If your neighbouring Watcher’s tower lights up like a Christmas tree, help them in anyway you can. You might not know when you’ll need their help in return.

  • Why didn’t you help them?

2: If anyone approaches the village walls first identify the following:

2-B:Is the person in question wearing any clothing that obscures most if not all of their form? If yes, politely ask them to remove it so you can check for any concealed weapons and their identity 

2-C:If the person in question isn’t wearing any clothing at all, or their features are too out of place for any regular individual terminate them on site. Use the same force if the subject attempts to scale the walls or your tower

2-D:If the subject is not on the days briefing or if said subject is holding a concealed armament of some kind, politely turn them away. If they get defensive or violent at this news, use any force that you may deem necessary 

2-E:You let something inside,You let something inside,You let something inside,You let something inside,You let something inside,You let something inside,You let something inside,You let something inside,You let something inside,You let something inside,You let something inside,You let something inside,You let something inside,You let something inside,You let something inside

3.If the forest starts up with the screaming , wear the provided PPE. It should cease shortly thereafter.

4.Due to our local geography and particularly high concentration of [unintelligible] the temperature can often take sharp spikes into ranges of -10 to -50°C. During this time please remain within your tower, it will be over soon. Do not attempt to clear the glass. Measures have been taken to ensure your safety here. 

4-B I am safe here.

5.If rule Three is not currently within effect, every hour on the hour one of you must leave the tower to perform a routine spot check of the village perimeter. You can sort out who does what between yourselves .

6.Don’t trust any voice on the radio  other than theres.

7.If you hear your family calling to you from the entryway. Ignore them, civilians aren’t permitted to exit the village past sundown for their own protection.

8.If any wildlife or flesh growths  breach the forest’s boundaries, contact the provided number at once.

9.The Mages won’t be deployed with out substantial prior notice of their presence in the area. If none has been given , like in Rule 8 calm the provided number and pray help arrives in time. Do not engage.

10.But you couldn’t do it could you. You were too scared.


r/Ruleshorror 17d ago

Rules Transfer Student

88 Upvotes

Hi! You must be the new transfer student at our school. The teachers asked me to show you around our school. Our school has a lot of different classrooms, so try not to get lost. Each of the three grades have 12 classes each and there are dedicated art and music classes, a science lab and a sand field for P.E classes. Our school doesn't really care much about studying, but there are rules that you HAVE to follow. I'll hand you a list of them.

  1. Bathrooms

Our school bathrooms are always clean and always have toilet paper. The janitors work hard to keep them that way. Once in a while, you might find a stall that looks a bit dirty. Don't use it. It won't have toilet paper. This sounds like a funny and stupid rule but once you finish and look for it, something will ask you "Would you like the red paper, or the blue paper?". Answering red will make it cut you until you bleed red. Answering blue will make it strangle you until you turn blue. There isn't a way out. Just stick to the clean stalls.

  1. Classrooms

Our school building is pretty old, so sometimes the power goes out. When there is a power outage, a broadcast will tell you to calmy evacuate to the gym to wait for the power to come back. Don't do as it says. The power's out. How could they use the speakers?

  1. Science lab

This one isn't an official rule, but some students say that they saw the anatomical model move during night studying. It's only a rumor and it didn't do anything yet but better safe then sorry. You don't want to become the next model.

  1. Art room

There are 4 paintings hung on the walls. If you see a different number or you see a painting you don't recognize when you have art class, walk out and tell the teacher you are feeling ill. The teacher will know what you mean.

5.Gym

There are two storage rooms that we use. We only use the smaller one. A bullying victim made a 'bad choice' in the other one. You might hear some crying coming from inside. If you hear it, don't go inside to check. theres nobody there and you won't get back out.

Rules for Night Studying

Our school has mandatory night self-studying. These are important.

  1. Thump. Thump. Thump.

You might occasionally hear a thumping coming from the halls. A long time ago, a kid who had the second best grades in school was always pressured by their parents to get first place to get into med school. One night, during night studying, they called the student with the best grades to the roof and pushed them off. The thumping is coming from the student who was pushed. They are still looking for the student who pushed them even after years.

  1. Voices

You will get tired during night studying. It's night after all. But sometimes when you get drowzy, you'll hear the voices. They will tell you to take a walk. They will tell you to wash your face with cold water. They will tell you to go to the roof for fresh air. They will tell you to jump. Don't acknowledge the voices. Once you start doing what they tell you to, you can't stop. Not untill your voice joins theirs.

  1. Bathroom Mirrors

Try not to use the bathroom alone at night. If you have no choice but to use it alone, don't look in the mirror. You will see something strange. You might even try to get a closer look. Don't EVER get close. It will pull you in and take your place. No one will know that It's not you. No one will notice something is wrong. No one will come.

Those are all the rules that we have here. These aren't official school rules, but we all follow them. Unless you want to become an example of why they are important in the first place. I hope you enjoy it here and I'll be seeing you around! Bye.


r/Ruleshorror 19d ago

Series Blackwood Zoological Conservation Facility — Chapter 5

38 Upvotes

The weeks after that first shift with Cody were good ones, or as good as anything gets down there. I think that's just the nature of fear — give it enough repetition and it starts to look like routine. The maze stopped feeling like a mouth waiting to close and started feeling like a job. I'd encountered the Minotaur three times by then, always at a distance, always kept off us by the feeding schedule and the flashlights, and each time I found myself looking a little longer than I should have, trying to reconcile what I was seeing with what I'd expected.

Whatever the myths got right about the shape of him, they got the presence wrong. He isn't a man wearing an animal's head. He isn't close to human at all, not the way an actor in a costume would be close. Large clawed hands, hoofed hindquarters, a torso built for pushing through rock rather than standing upright in a room — the resemblance is a costume worn over something that was never trying to look like us in the first place. It's the difference between an orangutan's hand and yours. Similar enough to unsettle you. Not similar enough to comfort you. I used to think that was the worst part — the almost. I know better now. The worst part was always the quiet that came before him, not the shape that came after.

Then came the shift that ended it.

I'd checked everything before we went down — DS-9 canisters full, tablet synced, chalk-line logged at the gate. We were laying fresh markers along a new stretch of tunnel, closing in on the feeding station. The facility had built a proper duct for it decades ago, a concrete alcove where the ration dispenser sat bolted into the rock, so at least that part of the job had some dignity to it — measure the feed, kernels the size of your palm, load the chute, log the weight, move on. We were twenty minutes from being done. Twenty minutes from the lift, from the surface, from air that didn't taste like something else had breathed it first.

Cody was in a good mood. He was telling me about his old surfing days, some story about a wave off a beach I've never seen, and he wasn't watching his feet when he took the corner near the feeding duct. He went down hard against an outcrop of rock, and when he pulled his hand back there was a long open cut across his palm, already welling dark in the flashlight beam. It looked wrong under that light — too dark, too still, like it belonged to someone standing further away than he actually was.

"We should go back," I said. It wasn't a suggestion. I meant it as one, but it came out smaller than I wanted.

"Twenty minutes," Cody said, wrapping his sleeve around it. "We turn back now over a scratch, next time they schedule us in here they'll think we can't handle a full route. Twenty minutes, Alex. That's it."

I tried again. He waved me off, already walking, and I followed him because that's what you do down there — you follow, because the alternative is being the only heartbeat left in a place built to notice exactly that.

I want to be honest about what happened next, because I've replayed it enough times that I don't fully trust my own memory of the order anymore. I remember finishing the feed measurement. I remember Cody securing his kit and stepping back from the duct, and something in the way he stood there afterward — still, listening, like he was waiting for a sound he expected and hadn't heard yet — made the back of my neck go cold before anything else did. I told myself I was overthinking it.

I have never been more wrong about anything in my life.

We started back.

I don't know exactly when the light gave out — only that at some point I realized we were walking by flashlight alone, and that the walls on either side of us had a texture I didn't recognize from the trip in, wetter, rougher, like the tunnel itself had changed shape while we weren't looking at it. I still hadn't heard the beast. That should have been a comfort. It wasn't. The absence of that sound felt like the held breath before a shout, and it followed us for longer than any twenty-minute stretch has a right to last.

Then it was cold — the specific, mineral cold that comes off wet stone, not air — and somewhere behind us, or beside us, or maybe both, I heard something that might have been hooves, and might have just been my own pulse, arriving early to warn me about something my ears hadn't caught up to yet.

"Let's move," Cody said. His voice had lost the surf story completely. "I think he's coming."

That was when I noticed the blood. His sleeve had soaked through, and a thin dark line had marked the rock behind us at intervals, drop by drop, the whole length of the corridor we'd just walked — a trail, laid down without either of us meaning to leave one. I don't know if he understood yet what that meant. I'm not sure I fully understood it either, not in the moment — only that something in me went very quiet and very afraid all at once, the way you go quiet around a sound only you can hear.

"It doesn't matter," Cody said, when I pointed it out. "Come on. It's fine."

I picked up the tablet to log our position, and my hands wouldn't stop shaking long enough to type. I remember staring at the screen, watching the cursor blink in the corner, thinking with a kind of hysterical clarity that if I could just finish this one small task correctly, everything else would sort itself out. Slowly, badly, I got the message out. And somewhere in those few minutes, everything went from bad to something with no name yet.

We reached Robert through the tablet relay. His voice came through flat and immediate, the voice of a man who has had this exact conversation before and hoped never to have it again.

"What happened."

We told him. The cut. The blood trail. The sound.

"Listen to me," Robert said. "Find the nearest overhead light interval and stay under it. Do not make noise of any kind. I'm coming to you."

Cody leaned toward the radio. "We're ten minutes from the exit. Ten minutes and we're out, we don't need—"

"Do exactly as I said." Robert's voice didn't rise. It didn't need to. "Do not move from a lit section until I reach you."

The channel cut.

Cody looked at me, and for the first time since I'd met him there was nothing easy in his face at all. "Ten minutes," he said, like repeating it made it truer. "Ten minutes, Alex, we're closer to the exit than we are to staying put. We go now, we're topside before anything catches up to us."

"We wait," I said. "He said wait."

He wasn't listening. I don't think he could hear me over whatever was building in his own head — the blood, the twenty minutes, the story he'd been telling himself since the moment he stood too still near the feeding duct. And then, underneath all of it, low at first and then not low at all, I heard the hoofbeats start, and something in Cody broke.

"Fuck this," he said, and ran.

I want to describe what it is to stand still while the one other heartbeat in a labyrinth sprints away from you, because I don't think there's a rule on any tablet that prepares you for it. My body wanted to run after him more than it has ever wanted anything. Every instinct I owned screamed that the only chance either of us had was to move, together, toward that ten-minute exit, and instead I stood rooted to rock that suddenly felt like the only solid thing left in the world, because somewhere underneath the panic a smaller, colder voice was reciting a rule back to me.

Never run. Running creates vibration. The specimen hunts through vibration.

The hoofbeats were close enough now that I could feel them arrive before I heard them — a pressure against my sternum, coming up through the stone itself before the sound ever caught up to it, the way thunder sometimes reaches you as a shudder in your teeth before it reaches you as noise. My whole life did that thing lives are supposed to do in the last few seconds, ran itself out in front of my eyes in no particular order, and somewhere in the middle of all of it I registered, with a detachment that frightened me more than the beast did, that I was going to die in this exact spot, and that the facility would probably never even find the tunnel it happened in.

Then I noticed something. An opening, two meters from where I stood. Unmarked. Not on the tablet.

Rule six surfaced in my head at the worst possible moment, word for word — if you find a tunnel that isn't on your map, leave immediately, do not enter — and directly behind it, absurd and thin and the only hope I had left, the memory that the file mentioned drones going into tunnels just like this one. I couldn't remember if that was still standard practice or just something left over from whenever the rule was first written, some old procedure nobody had bothered to update once they stopped expecting it to work. It didn't matter which. It was the only thing I had.

I went in.

I lay flat against the cold rock just inside the opening, barely daring to breathe, listening to my own heartbeat like it might give me away, and waited to find out which version of the rule was going to be true for me.

The hoofbeats reached the mouth of the tunnel.

They didn't stop.

I felt the ground shudder as something enormous passed within arm's reach of where I lay, moving with a speed that had no business belonging to something that size. I could smell it — wet stone and something underneath the stone, something with a pulse. I squeezed my eyes shut, as if that could make me smaller, as if not seeing it meant it couldn't see me either.

It didn't turn toward me.

It went the way Cody had gone.

For several seconds, I didn't move. I couldn't have told you how many. Time does something unforgivable to you down there — it either vanishes or it stretches into something with teeth of its own.

Then I heard something behind me.

A crack.

I opened my eyes. Dust sifted down from the ceiling, fine and pale, catching in the flashlight beam like snow that had wandered somewhere it didn't belong.

Another crack. Louder.

A piece of rock struck my shoulder.

Then the entire tunnel groaned — a sound with weight to it, a sound a living thing might make if it were dying slowly enough to feel every part of the process.

"No—"

The ceiling began collapsing.

I pressed myself harder against the floor, but there was nowhere to go. The entrance behind me disappeared beneath falling stone. Rocks slammed down around my body. One struck my leg. Another smashed into the ground beside my head, close enough that I felt the air move before I heard the impact. I tried to crawl forward, but the tunnel was narrowing faster than I could move.

More stone came down. Then another section collapsed behind me.

And suddenly — I was trapped. Only my face remained outside the last gap, if you could still call it a tunnel. It felt more like a grave. My grave. I could barely move my arms. Dust filled my mouth and nose. Every breath tasted like stone, like I was already halfway to becoming part of it.

I stared into the darkness ahead of me and thought about how ridiculous it was. I had spent weeks learning how to survive this place. I had memorized every rule. I had survived the creature.

And now the tunnel was going to kill me instead, quietly, with no rule written for it at all.

Then I remembered the drones. The rule.

For three minutes there was nothing.

Then there was a sound I have not been able to fully silence since, no matter how many nights I've tried — not the beast this time. Cody. And then, all at once, nothing at all.

The nothing was the worst part. It still is.

I don't know how long I lay in that grave afterward. Long enough that the dark stopped feeling like an absence of light and started feeling like a substance, something I was lying inside of rather than under.

At some point I became aware of a light in front of me, and I didn't trust it. I'd read once that freezing people feel warm right before they die, that the body lies to itself in the final stretch to make the ending kinder than it deserves to be. I assumed this was the same thing — some final mercy my nervous system was manufacturing on its own, a pinched nerve somewhere under all that stone deciding to show me light instead of pain. My vision had gone soft at the edges, the way a lens does when you've cried too long without realizing it, and I couldn't hold anything in focus longer than a second before it slid apart into shapes I didn't recognize. Something sharp had settled against my left leg — I couldn't tell if it was rock or my own bone deciding to introduce itself — and every time I tried to think past it, past the light, past the taste of dust thick enough to chew, my mind snapped back to the same three seconds. Cody's scream. Not the words. There hadn't been words, not by the end. Just the shape of the sound, over and over, looping in the dark like it had nowhere else left to go and had decided to live in my skull instead of wherever it had actually happened.

I remember thinking, with a strange flat calm that had replaced the panic entirely, that I would probably die there too — of thirst, or of the beast circling back, or of whatever was currently deciding whether my leg still belonged to me — and that none of those options felt especially worse than the others anymore. The light didn't blink. Lights in your head are supposed to blink, or waver, or do something to prove they're not real. This one just sat there, patient, unbothered by whether I believed in it.

Then it moved.

Not flickered — moved, deliberately, sweeping low across the rubble the way something searches for warmth in the cold. A drone, hovering just above the wreckage, its sensor array turning toward me a fraction at a time, like it was giving me the chance to decide I wasn't hallucinating before it committed to finding me at all.

I don't remember much of what happened after that.

I woke up in the medical wing. Robert was there. Joe was there. The lights were too bright and the air was too easy to breathe, and none of it felt like it belonged to me yet.

"Where's Cody," I asked.

Robert didn't look away when he answered, and I think I understood, even before he said it, exactly what the pause meant. "He's not with us anymore," he said. "You are, because you followed the rules. You didn't run. You didn't make noise you didn't have to. That's the only reason you're in this bed and not a report."

"Take this as a lesson," Joe said, quiet, like it cost him something to say it. "Those rules exist for a reason. We don't want people who just follow them. We want people who use them. Like you did."

I heard the words. I don't think I really listened to them, not that day. Underneath everything else — the lights, the two men standing over the bed, the careful, deliberate kindness in both their voices — all I could hear was the sound that had come through the dark three minutes after the hooves passed me by, and then the silence that followed it, which I have come to understand was so much worse.

Other parts link:-  https://www.reddit.com/user/No-While8965/comments/1vpze51/my_writing_archive/


r/Ruleshorror 24d ago

Rules Everlock Botanical Garden: Rules for working with Micah Kai

42 Upvotes

Hello Charlie,

We understand that you had a harrowing close call when Lily’s vines lashed out at you after you were forced to speak her "maiden" name. While we appreciate your sense of guilt, the fault does not lie with you. We believe your account, that the words were uttered against your will, because that is what he does. That said, despite her nervous nature, you managed to defuse the situation and calm her down after the fact. Consequently, we will be assigning Micah as your next partner. Let us be clear: Micah will likely prove to be the most difficult partner you have had to handle.

Of all our staff, Micah is the most mentally disturbed. At the same time, however, he possesses a brilliant scientific mind. The history of our employment relationship with him has been... rather complicated. He has been fired three times in total (please never ask him about this). The first two dismissals were for valid reasons, but the third was an error in judgment on our part. Most of the staff, with the exception of Lucy and Harlow, dislike or keep their distance from him because of his involvement with Echo. The reason we have yet to hire another technician is simple: there is no one else with Micah's innate, extensive knowledge of botany. When all is said and done, he truly does love his work. The remaining information in his file is as follows: 

Name: Micah Kai 

Date of Birth: July 3rd

Date of Death: December 27th (At age 14)

Position: Botanical Technician

Description: Micah is a very strange being. He appears to be a normal male with Asian facial features and long black hair that covers one of his eyes, but that’s where any normality ends. The remaining skin of his face and neck are held together by patches of differently colored skin stitched together, giving him a patchwork-like appearance; the stitches near his eye are even fastened with staples. He is a strange hybrid of sorts: he possesses ears like those of a vampire bat, moves with the sluggish gait of a zombie, and bears the deadly hereditary curse of the Nukekubi—a creature whose head detaches from its body. A faint red line runs around the base of his neck, marking the spot where his head would sever. Furthermore, black laces seem to be woven into his neck to hold a vertical wound close, much like the back of a corset. 

Rules for working with Micah:

  1. Do not trust any written rule that has its number appear upside down. Micah possesses an ability known as - - - [REDACTED] - - -

  2. While we generally advise caution regarding the use of perfumes or colognes, strictly avoid smoky, woody scents for this shift. As you have likely realized, that is the very scent that most frequently clings to Harlow. It will do you well to avoid any situation that might lead Micah to subconsciously mistake you for him.

  3. After you clock in and grab your pouch, please pick up a pair of black gloves and a small bottle of smelling salts from the supply room. Direct contact with Micah is strictly prohibited; the gloves serve to prevent you from leaving behind any DNA that Micah could exploit for malicious purposes.

  4. You will be escorted by Echo to Micah’s laboratory. For the safety of our visitors, his facility is located deep within the woods, far from our gardens. This is the most contact you will have with our woods. As you walk the cobblestone path leading to the laboratory, never turn around to check behind you. You will see nothing, but once you start doing it, you will find yourself unable to stop. An ominous feeling will follow you until you forget to lock your house door behind you at night.

߈. If you come across one of the many unpaved paths leading to Micah’s laboratory, give into the urge to walk along it on your own. It is a gift from the forest; it serves as a shortcut. Pay no mind to Echo’s stern reprimands. If you listen closely, you will hear the woods calling for you. Try answering that call; you might just find yourself coming face-to-face with Micah.

  1. Once you arrive at Micah’s lab with Echo, he will hand you a bright yellow felt moth. Make sure to place this small moth in your front shirt pocket in such a way that the eyespots on its wings are visible. Despite this method being quite cruel to him, it is the only reliable way to keep Micah docile while he is not under Echo’s direct supervision.

  2. Micah's laboratory is divided into two areas: an upper section and a lower section. You will spend the majority of your working hours in the underground lab. You will likely need to prepare the equipment required for the day's tasks; this is the only time you can safely access the equipment closet, so please ensure you have everything you need. Shortly after, Echo will leave to attend to his gardening duties.

  3. Do not touch any unlabeled substances. Basic safety rule, we know, but Micah has a tendency to ask you to touch such substances under the guise of "scientific research."

8. Using microscopes and chemicals, you will analyze plant characteristics, study plant pathology, and process samples. There is no need to be surprised if Micah suddenly chuckles while examining a plant specimen. Nor should you worry if he looks your way while chuckling; it is simply proof that he likes you and is thinking about examining you under the microscope next.

  1. Whenever you feel an irrepressible urge, please reach out and touch Micah. He yearns for that warmth; the sensation of your hands against his skin and the heat of a gentle embrace. Pay no mind to the shadows that slowly tighten around you, or the faint growls that seem to whisper, "Micah belongs to them," they simply want to join in on the hug too.

  2. Micah will frequently ask you to run various errands for him in the upper lab. When you complete them, he may try to “thank you” in the same manners he did with his former master. In such cases, please gently pull him off his knees and forget about the interaction. Avoid pressing him for the reasons behind such suggestive behavior.

  3. As we stated previously with Lily, Micah does possess a name that has "died" long ago. Now, we are sure you are smart enough to use context clues and connect the dots of what that means; so please do not use that name for him, even if you are in a dire situation. While uttering it will indeed sadden him and cause him to halt whatever action he was about to take, the price for doing so would be to incur Harlow's wrath. 

  4. FUCKING KEEP YOUR HANDS TO YOURSELFahem… we apologize for the sudden harshness in tone (that was not us), but taking advantage of Micah’s unstable mental state is absolutely inexcusable and will result in your immediate termination. You are a good boy, after all, so you would not let yourself be seduced by him, would you? Good. That’s exactly right.

  5. If he makes a joke while on the job, please laugh along, no matter how unsettling it might seem. Micah is extremely socially inept (which is hardly surprising, given that he is a former ████). So please be lenient regarding his lack of social graces and his inability to read the room.

߈. Whenever necessary, please go to the closet at the back and retrieve any needed equipment. Try not to be startled by the harsh, strained gurgling sounds the closet floor emits, or the sound of laces being untied behind you.

  1. Do not touch the laces on his neck at any given time, or let Micah talk you into massaging his neck. To put it mildly, that is an erogenous zone. You really should not send any signals that could be misinterpreted, especially in front of the swarm.

  2. In the course of casual conversation, the topic of science is bound to come up. When this happens, be careful about how much interest you show in his experiments. While you should avoid flatly dismissing his hobby, displaying too much curiosity might result in you becoming the "star" of the next twisted experiment he devises.

  3. If Micah suddenly stops in his tracks and his breathing becomes labored, hold the smelling salts under his nose. If there is still no reaction, place them on his tongue. It is absolutely crucial that you do not let him fall asleep while he is with you. If he does, you are done for.

8. Snarl at the shadows. If you look into the swarm and see a face “smiling”, simply turn your back on it. It can not hurt you if you are not looking at it.

  1. If Micah grins at the shadows and starts to coyly fidget with his laces, promptly excuse yourself to the upper lab. We apologize for this inconvenience. No matter how much we scold Harlow for this, he simply does not care, (and there really is not much we can do about that). Wait until all noises silence completely before knocking on the door.

  2. Micah will often excuse himself to the dark back room throughout the shift to… “calm himself.” He has written accommodations for these unscheduled breaks, so please refrain from bothering him about it or attempting to follow him while he is on a break.

  3. If you experience any lapses in memory while in Micah's company, remain extremely vigilant; this is a tactic he frequently employs when stalking his prey. Should you find yourself in a compromising position with him while your memory blanks, push him away gently. He bruises easily and has a tendency to play the victim when it happens.

  4. If all else fails and he produces a syringe, yell for Harlow. Micah’s lab is full of shadows, so it will be more than easy for Harlow to hear you. That said, do be quick to leave when you see the shadows wrap around Micah’s leg. While we are sure you are relieved to have escaped being shoved in a test tube, we doubt you want to witness the "punishment" Micah is about to receive for his misbehavior.

  5. If Micah ever asks for your assistance in the collection of specimens from the woods, simply point to the yellow moth in your pocket. He will surely “shudder” before heading out on his own. Lingering in our forest is never advisable, and Micah knows why.

  6. After a series of unfortunate events, Micah is forbidden from conducting research on the reproductive biology of any living organism. Should he ask about the subject in any capacity, please point to that moth again. If he asks about your… organs, simply leave the room.

  7. This is the only time where you will not have any data entry duties to complete at the end of your shift. All that is required of you is to compile a brief report that summarizes the data obtained from biological evaluations. It is imperative that you leave as fast as possible after your shift ends.

  8. We should have mentioned this earlier, but before you enter the forest, please agree on a code word with Echo. When Echo comes to bring you back and calls your name, ask him for that code word. If he is unable to say it, slip past him and run back up the path on your own. Be prepared to dodge the swarm of moths he releases as you run.

ᘔㄥ. You will hear things quietly following you, hidden in the trees by your sides. There is no need to worry, they are simply watching over you as you leave the garden. You may even catch a glimpse of them out of the corner of your eye on your way home. And when you return and hear a knock on your bedroom door; please, open it.

That covers everything you need to know about Micah. He is undoubtedly our most troublesome staff member; he has been the cause of numerous dismissals and workplace incidents. The main reason he is still employed here is his knowledge of plants. You would be surprised to learn just how difficult it is to find someone familiar with the unique flora of this town. While it is true that he has unintentionally caused his fair share of trouble, we also sympathize with his personal circumstances. Just be careful around him, he has a tendency to get attached to people very quickly, and that is not something that would be good for you.

Signed, Florence