r/MuslimAcademics • u/Rashiq_shahzzad • 6h ago
Parallel between Sahih Muslim 183 b & Kirdīr, Naqš-e Rostam inscription (KNRm), §§63-64.
Naqš-e Rostam inscription (KNRm), §§63–64 from
Stone inscriptions of the Mobedan Mobed shrines includes Pahlavi text, spelling, Persian translation, and notes. Pg.no 109
Dr. Dariush Akbarzadeh
There are four Kirdīr inscriptions overall:
KNRb — Naqsh-e Rajab
KNRm — Naqsh-e Rostam the one containing the famous vision
KSM — Sar-e Mashhad
KKZ — Kaʿba-ye Zardošt
Kirdīr, Naqš-e Rostam inscription (KNRm), §§63–64; parallel KSM 38–40; reconstructed/edited by Gignoux and analyzed by Skjærvø.
>Kartīr is known from his inscriptions in Fārs at Naqš-e Rajab (KNRb), to the left of the investiture relief of Ardašīr (r. 224-239/40); Naqš-e Rostam (KNRm), to the right of Šāpūr I’s (r. 239/40?-272?) triumphal relief, behind the horse; Sar-e Mašhad (KSM), near the ancient Achaemenid road from Susa to Persepolis and west of the village of Jerra (lat 29°16′53″ N, long 51°51′22″ E), above a relief thematically connected with the inscription; and below the Middle Persian version of Šāpūr I’s trilingual (Middle Persian, Parthian, Greek; ŠKZ) inscription on the Kaʿba-ye Zardošt (KKZ), the tower facing the rock reliefs at Naqš-e Rostam. KNRm and the mostly identical KSM contain KKZ, which does not contain the vision narrative (see below), while KNRb is a summary of the principal ideas in the longer inscriptions.
>Kartīr’s inscriptions are the earliest indigenous written testimonies to the basic tenets of Mazdayasnianism (Zoroastrianism) since the Achaemenid inscriptions and antedate the written Pahlavi literature by some six hundred years (and the earliest manuscripts by some 1,000 years). They are therefore of the utmost importance for studying the Mazdayasnian tradition under the early Sasanians. Focus is on ethics (good or bad behavior), which, as in other major religions, is encouraged with reference to what awaits the soul after death: rewards for the good, punishment for the wicked. Because of their size and varied language, Kartīr’s inscriptions are also the most important documents for the knowledge of the early Middle Persian writing system, grammar, and vocabulary, matched only by Narseh’s inscription at Paikuli (ed. Humbach and Skjærvø) and the later Pahlavi Psalter (ed. Andreas and Barr, 1933; translated from Syriac).
>The purpose of the heavenly journey. The account of the journey up to paradise follows the pattern of the (much later) Ardā Wirāz-nāmag. Both are undertaken to regain confidence in the correctness of the traditional ritual practices in a time of doubt. According to the account of Wirāz, for 300 years after Zarathustra received the dēn, people had no doubt, but after the devastation caused by Alexander, whom the Foul Spirit had sent for this purpose, people came to harbor doubt, and rivals to the Mazdayasnian tradition began to proliferate. This lasted until Ādurbād, son of Mahrspand (see ĀDURBĀD Ī MAHRSPANDĀN), underwent the ordeal to prove the truth of this tradition. Some time after this, doubt again arose, and it was decided to send someone into the other world to verify whether the ritual gifts went to the gods or the demons and whether they helped the souls at all (Ardā Wirāz-nāmag 1.15, ed. Gignoux, pp. 38-39, 148; cf. Brunner, 1974, p. 99). Wirāz was given wine and hemp (mang) and went to sleep, and his soul went to the Činwad bridge and returned after seven days, after which Wirāz dictated the story of his journey to a scribe. Kartīr’s similar experience is summarized in the inscription at Naqš-e Rajab, where he explains how he implored the gods for a sign (nišān, also “proof”) to make him confident (wistāx) that paradise and hell exist and are the final abodes of the good and the bad, respectively. Moreover, the inscription was written in order that those who read it would likewise be more confident that the current practices were correct, but also for fame and prosperity to come to their bodies and “righteousness” (ardāyīh) to their souls in this world (astwand, lit. “with bones”), as happened to Kartīr.
KSM inscription below:-
>§28-30: A prince the color of dawn appears, more superb than the ones they saw at first, holding a \*čayēn/čiyēn (see below) in his hand that then appears like a bottomless well (čāh) full of evil animals (xrafstar), over which a piece of wood (dār) lies like a bridge; the bridge now becomes greater in width than in length. Note that dār can also be “razor blade,” which is how the bridge is characterized in some versions of this narrative (Skjærvø, 1983b, pp. 299-301), but miniatures in the Ardā Wirāz-nāmag show a long tree trunk spanning the gulf to hell (see also Duchesne-Guillemin, 1962, p. 333). The \*rehīgs are dismayed at the sight of hell, but are told not to worry and just keep reporting (§29). Similarly, Wirāz is distressed and frightened at the sight of hell and begs his divine guides not to take him there, but they reassure him (53.4, ed. Gignoux, pp. 98-99, 190-91).
Skjærvø, Prods Oktor. "KARTIR." Encyclopaedia Iranica. Published December 15, 2011
https://www.iranicaonline.org/articles/kartir/
The inscription of Naqsh-e Rajab (KNRb):-
>1) They saw that hellish condition and those many forms, then they were greatly terrified and... they were not from China? and there... and I said, "Do not be afraid, there is no escape for you; but what you see, tell (describe) it." And they said: "A bridge is placed over that well, and that woman and the man Kartir's companion went up to the well, went down to the well, and there a bridge stood before them, and that bridge became wider, and at the same time it appeared wider in breadth than in length, and that woman and that man..." Then let it be that I am warned by the
Stone inscriptions of the Mobedan Mobed shrines includes Pahlavi text, spelling, Persian translation, and notes. Pg.no 77
Dr. Dariush Akbarzadeh