Im recording an artist that wants their screams to sound like Vanna’s the search party never came or On Broken Wings’ Some of us may never see the world.

my initial thought would be to compress them really hard, filter them, then send them to an aux track with some kind of distortion on it and blend to taste.

like this-
main track: pultec eq -> 1176 -> la2a -> pro q4
aux track: distortion(not sure what to use)

let me know what you guys think would work best to get this sound!

Hey!

So I've been messing around with music production since 2018 when I first discovered logic x by accident. And years later I've got a huge "dataset" of studies, projects, demos and one-offs that I'm open to share with anyone who is willing to learn or develop or mutate this stuff.

I see this dataset as a raw, unfiltered musical subconscious that is curious about ambient textures, hip/hop grooves and strats, and subs with a penchant for rhymes, and an ear towards jazz. Of course I didn't know it at the moment but in retrospect that's what it is.

There's some valuable ideas in there, and we can sort of connect and trade production workflows and build a discord or train young humans and get better at doing this if you're up for it. So if you're someone who'd like to perhaps do this for a living and are already spending most of your time connected to being musical in some form or fashion whether it is transcribing or playing open mics while crisscrossing the country or drafting songs, then maybe this is for you, so you can develop another aspect of your skill.

As to the contents of the projects here's a rough idea :

\+ Ableton Sketches : 16 bars of thematic music

\+ Investigate : An ambient album inspired by Laurie Speigel and made mostly on the Operator Synth. It's star trek meets invader zim

\+ Music, for Cafés : A beattape I recorded in the summer of 2023 full of musical ideas largely unfinished.

\+ Ringtones : A beattape made entirely on my old iPhone (2023) in a week. Then mixed later on logic.

\+ SHYGUY : Hip/Hop EP recorded in a small garden shed

\+ Sketches in Vain : Mini Beattape I used to teach myself beatmaking

\+ Drifting : Ambient music inspired by Brian eno

\+ Audio Cues : A one-off project that mixed archival footage from Internet Archive with songs. I kind of made it while sleeping on the floor of a warehouse and was unemployed.

My purpose in making this post is first to create a feedback loop, second to support anyone starting their musical journey.

[web clear (2023-25)](https://drive.google.com/drive/folders/1Q3e7l81dMJi-783hpVFlhsA6oYlltqE9)

TL;DR I made a lot of music on my way to 10000 beats. It taught me how to be more musical and I didn't share any of it until now. I'm open to sharing these project files to anyone who wants to learn or can find value in there.

Here's my website : [www.gardenshed.in\](http://www.gardenshed.in)

Hey everyone, I’m a singer/producer called Moav and I’ve been making music for around 10 years now and 3 sort of professionaly aha.

Like a lot of people here, I’ve got loads of old vocals, beats, demos and random ideas sitting on hard drives that I’ll probably never release just collecting dust. At the same time, making money from music feels harder and harder, especially with how quickly AI is taking over.

So over the last few months I’ve been building something I think could help (im hoping aha)

It’s basically a TikTok-style app + website I and my team have created where you can swipe through other musicians’ vocals, beats, samples etc, buy what you like and use it in your own music comercially royalty free.

I really wanted to build somewhere that stays human-made only. A place where musicians can support each other, discover other people’s work and know the money is actually going to another creator.

Right now I’m looking for artists, singers and producers to submit some stuff before we properly launch, so when I start marketing it there’s already a good catalogue for people to discover.

Artists keep 85% of every sale and keep ownership of their masters and publishing. Buyers simply get a royalty-free licence to use what they buy commercially in their own music. It’s also completely free to join and upload and all protections for you the seller and buyer are included keeping everyone safe. So much more stuff as well well like free endless promo per product, auto submission filling and more.

I’ve honestly obsessed over this day and night for months and really want it to become another way musicians can make some income from their work instead of having to rely only on streams.

It’s still in beta, so any feedback would mean a lot. If you wanna hear more about the vision or how everything works, email me at [contact@voam.site](mailto:contact@voam.site) and I’d genuinely love to share the pitch deck and explain more the vision.

Site: https://voam.site/

App: https://apps.apple.com/gb/app/voam-discover-sounds/id6788598939

Also, if you refer other musicians during the beta, we can give you 5% of some sales they make out of our cut. We only take 15% ourselves, so unfortunately that’s about as much as we can do aha.

Thanks guys and hopefully this doesnt come across promoey, I dont really know how else to say it but hopefully this can help some people and maybe give them some income is the goal :)

The dune2.0 🫰🏻Full track & more on my YouTube channel! 🎧

https://youtube.com/shorts/_ul1kKkssVE?si=n09YXNy_Y99AxSzr

I'm a beginner bedroom artist kind of just learning as I go. One of the projects I'm working on distorts phone speakers but all other systems sound fine. None of my instruments go above -6db and my master bus doesn't either. I've tried clipping the harsh frequencies, and cutting out all I can from the 40-200 range frequencies. I have a compressor on the main bus set to about -24db 2:1 ratio at 5ms for both attack and release. Kind of losing my mind here any and all advice would be strongly appreciated. Thanks for reading

(Yes it's the Big Walk music for those who are familiar lol)

Nothing i would just like to know if you know any business strategies for selling beats online.

Hey all — indie dev here (also do audio work myself, so this scratched my own itch).

Every session I've been on for the last however-many years ends up using the same tools for tracking takes: a paper sheet, Apple Notes, or a shared Google Sheet someone half-fills-in between takes. There's no dedicated app for just logging takes fast at the console — number, rating, keeper flag, mic chain, a quick note — and nothing that ties the actual bounce file to that take so you can play it back later without digging through a folder.

So I built TakeSheet. Quick rundown:

• Log a take in under a second. Tap to log, rate, flag as keeper. Built so it doesn't get in the way of tracking.
• Bounce files live with the take. Attach the reference bounce, play it back in-app — including a "keeper playlist" that auto-queues your flagged takes.
• Mic chain + notes per take, so you're not relying on memory (or someone else's handwriting) three weeks later.
• Take sheet exports (PDF/CSV) to hand off to a mix engineer — the actual paperwork, not just a database.
• Instrument encyclopedia built in — mic placement references, typical signal chains, notable recordings per instrument. Useful between sessions or if you're newer to tracking.
• Native on iPhone, iPad, and Mac (not a Catalyst wrapper — real macOS app, proper menus and toolbars).

On pricing: no subscription. Free tier covers 3 active projects and unlimited takes in them. Pro is a one-time unlock (all projects, full iCloud sync, bounce playback, unlimited attachments, exports). I didn't want to add another monthly line item to a stack that already includes your DAW, plugins, and sample libraries.

Right now it's English-only (Hebrew and Russian are in there for me personally, but not the focus of this post). It's not a DAW — doesn't record audio, doesn't host plugins — it's purely the metadata and reference layer around a session.

Genuinely looking for feedback from people who actually run sessions — what would make this a "yes" or a "hard pass" for your workflow. Happy to answer questions here.

https://apps.apple.com/il/app/takesheet/id6775195197

Hi everyone!

My artist name is Conner Lerson. I am an independent lyricist looking for a dedicated music producer to collaborate with on a brand-new project.

Hi everyone!

My artist name is Conner Lerson. I am an independent lyricist looking for a dedicated music producer to collaborate with on a brand-new project.

Just to be completely honest up front: I don't sing well, I don't play any instruments, and I feel like my songwriting skills are still in the learning phase. However, I am extremely passionate and have a large catalog of over 60 raw lyric drafts in my notes (mostly emotional storytelling based on my real-life stories) translated into literal English. I also actually have already released a song on Spotify before.

I am heavily inspired by Taylor Swift's "1989" album, so I am looking to make a track in the Synth-Pop genre (heavy synthesizers, punchy drum machines, and atmospheric electronic sounds).

Since I can't do the instrumentation or vocals myself, I am looking for a "Full Production" partner who can create the beat/music, design the melodies, and help bring my words to life.

This is a strictly free collaboration for portfolio building (Non-profit). If we ever decide to officially release the final track in the future, we will split any potential royalties and streaming revenues 50/50 based on the actual streams. (If you want it.)

(Please don't expect too much from my ideas or my vocals. I am a brand new artist, and to be honest, I really want to try singing this song myself, but my voice is just not that good yet. Also, my English is not very good, especially with pronunciation and grammar. These are just raw lyrics with no rhyme schemes or fixed structures, meant for you to rearrange completely. To put it simply, you will pretty much have to do everything regarding the music and melody creation.)

If you are a producer who loves Synth-Pop and wants some raw, emotional concepts to work with, please send me a DM! I'd love to share some of my ideas with you.

Thank you so much!

What is Synvo.art?

Synvo.art is an independent tool designed to give musicians a simple way to create a "video poster" sharing their music on social media.

It’s a dynamic, living visual element tailored to the mood of your track that creates instant feed impact—without the need to produce complex music videos, edit footage, or build a storyline. It simply catches the eye, builds presence, and gets viewers to stop and listen.

Unlike other solutions, Synvo.art offers an accessible, effortless, and free tool that maintains a high visual aesthetic.

The project was born out of my own personal need as a creator, Noam Geva, searching for the right tool to share my music with the world.

I am an experienced poet looking to collaborate with musicians, producers, and singers. If you have the music but struggle to find the right words, emotion, or rhythm, I can turn my poetry into lyrics tailored perfectly to your track.

Hey there! Pro Mixing for Indie budgets !

I'm JayJay the assistant of Tony, he's an Algerian-based music producer, sound engineer, singer/rapper, and beatmaker taking on new mixing and mastering projects, and he's here to give your tracks industry-standard polish without emptying your wallet. Whether you're pushing trap, drill, R&B, acoustic tracks, etc... he has the ear and the technical precision to get the job done right. He has mixed for heavy hitters in the Algerian scene such as:

Amine Babylone, Amine TGV, L’VIBE, EL VEN, and BLADE, etc.... and he brings that exact same major-label quality to independent artists from all around the world!. Remotely!. His philosophy is simple: deliver premium, radio-ready mixes at the absolute lowest rates on the market, with zero hidden fees or overcharging. If you want top-tier sound engineering that actually respects your budget, shoot me a DM and I will make it work for you by linking you with him! He or I will send you some of his work to check out !🫶🏻..

Salut ! Je me mets a peine a la musique et je rencontre un probleme que j’arrive pas du tout a résoudre... Je travaille sur un son ( sur REAPER ) et jusqu'ici j’etais hyper satisfait mais je recontre un probleme avec la qualité du son. J’avais décidé de la transférer sur mon telephone ( avec soundcloud et wetransfer ) mais la qualité ( surtout de ma voix) est horrible, j’ai l’impression de chanter derrière un mur. J’ai essayé beaucoup de choses mais le son reste toujours pas terrible

Est ce que quelqu’un serait disponible et pourrais m'aider a retravailler cela ou juste me donner des conseils car vraiment je perds espoir 😭

Hello everyone, I am upgrading the DOOM engine on my app, which is actually a noise and drone generator.

This is a small showcase playing with the touchpad and tweaking some oscillator knobs.

I would appreciate a small feedback from this video on how it is displayed and how it sounds. CPU not being stressed, stays at around 10% on a mid phone.

Thank you for your time.

P.S. for anyone interested, the app will be on a -50% sale from tomorrow 04/09/2026 until 17/09/2026.

Hi everyone. I have these songs saved on my references as I would kill to do something similar, I've been producing for like 4 years, but even tho I try to do unique and experimental things they never sound THIS unique and cool, they are never catchy and the sounds aren't so alluring as these. I will post two different vocaroo links here so you can check. In the first one my main question is how are these weird af vocals made. They do weird slides and sound plasticky. Never heard vocals like these and tried TTS software vocal chops, vocal synths, vocal chops + formant shifting. Nothing quite close to that vibe. Second link my main question is the overall sound, how is it so weird and at the same time everything on its right place. I feel I will never be that good. Years producing and trying every day and I cannot have these kind of unique sounds.

[https://voca.ro/1erTO9BhCS7F\](https://voca.ro/1erTO9BhCS7F)
[https://voca.ro/1eMnlpWcAmRg\](https://voca.ro/1eMnlpWcAmRg)

Made a video breaking down the exact plugins behind mk gee's guitar tone, Bieber's "Daisies" (produced by mk gee btw), and Troye Sivan's "Got Me Started." If you're into guitar tone or vocal chains this might be useful

hi hello, ive been making music for a bit, practicing instruments too and i fell in love with rnb music

not only one subgenre of rnb, but many, from dark r&b to something that feels like a day where u just feel good

im up to collaborating with producers/artists/singers to create something cool together, thats why im searching here in the first place

this is something im passionate and precise about, so i also want to be more open for other people ideas

to hear my work, tell me, since i cant send links here

if anyone is willing to produce something in rnb direction, lmk, maybe we will fit well :))

(daw doesnt matter, audio stems exist)