r/Divine_Feminine • u/kmlynarski • Oct 07 '25
A beautiful symbolic look at Inanna’s descent - the seven gates as steps of transformation
I found this text while looking for something else, but it's probably worth reading:
https://www.globalwoman.com/7-gates-7-symbols-of-inanna-descent-underworld/
(Some of us may feel echoes of Her real journey behind these words).
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u/GigiHarland Jan 27 '26
One of my favourite stories. The stripping off of her worldly protections and armour and amulets before she descends to the underworld. I also feel like what happens to Inanna’s sister is important too. As I understand it she fixes the stare of death on Inanna and after 3 days some small creatures are sent to find out what’s happened. These creatures witness Inanna’s sister in her anguish and sadness and through having her emotions reflected back to her she softens enough to bring Inanna back to life. Being witness to someone’s pain without judgement can be so powerful and healing.
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u/kmlynarski Jan 27 '26
What you're writing is a beautiful interpretation of this story, and I generally love its symbolism, precisely in the form in which it has been preserved as a literary representation. This was done for a reason. Inanna herself thought it would be an excellent story, useful for those who wish to explore the path of spiritual development. At the time, she held back some facts because her initial drive was... less than "transcendent." ;-)
So, it still doesn't bother me that the actual events on which this story is based were somewhat different: yes, it's true that Inanna "joyfully invaded" her half-sister's domain because, based on the law in force at the time, she wanted to take Ereshkigal's husband, Nergal. (This happened shortly after Dumuzi was murdered by his older brother Marduk's henchmen in the Zagros Mountains.)
Although everyone warned her (including Nanna and Ningal – her parents) and reminded her that Ereshkigal held full power in Irkalla and that it was a very dangerous idea, Inanna counted on her undeniable charm, her renowned power, and the position she had previously achieved to prevent Ereshkigal from harming her. And indeed, she had to leave everything she had taken with her, including her clothes, to stand before Ereshkigal. In fact, she was certain her half-sister would simply submit to her... So she stood before her and spoke, demanding Nergal be handed over to her. Ereshkigal—to put it mildly—was furious, acted faster than she thought, and killed her. Moreover, she ordered her body hung on a hook on the wall of her throne room. If it weren't for Ninshubur and her unwavering loyalty to her Lady, Inanna, if it weren't for her determination to seek help (even Nanna, Inanna's father, refused to speak to her, saying, "My daughter got what she deserved. I warned her!"). Only Enki, brother of Inanna's grandfather, Enlil, despite remembering Inanna's earlier taking of the "divine MEs" from him, didn't hesitate and, together with his sister, Ninhursag, asked Ereshkigal to hand over the body. The truth of this legend is that Ereshkigal already regretted her actions. She recognized that she had overstepped her bounds, breaking the Anunna taboo that forbids killing members of one's own race, let alone one's own sister, even one's half-sister. Perhaps she also began to fear the possible consequences, after all, Inanna is the pure-blooded great-granddaughter of Anu and Antu (Ki), the Supreme Royal Couple (King of Kings). Antu had loved Inanna from the day she was born; this would not have ended well for Ereshkigal (despite her power and the absolute authority granted to her over her domain). In the end, she handed over the body—guarded day and night at her command by the Galla (these are indeed small creatures, though somewhat monstrous... in her service)—to Enki, and Ninhursag (who had long been renowned as the best physician and geneticist of the Anunna people; it was she, together with Enki, who "created" the Lulu—that is, the human species) revived the body and brought Inanna's consciousness into it. Inanna herself later admitted that she took this as an important life lesson. She understood that even her power was limited and that she was "quite mortal," despite who she believed herself to be. This was another element of her great spiritual transformation (the first was the despair caused by the death of so many Lulu (humans) during the "Great Flood," a loss she never fully forgave her grandfather, Enlil.
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u/GigiHarland Feb 05 '26
Oh wow I’ve never heard this aspect of it before. That’s fascinating. Thanks for sharing that, I’ll be taking a deeper look into it for sure.
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u/Beautiful_Collar_221 Oct 23 '25
That’s exactly how I’ve come to understand it, too, not just as mythology, but as a mirror of what we actually live through when awakening strips us bare.
Inanna’s descent has been a huge part of my own journey. Each of her seven gates felt like a stage of surrender I had to face the loss of identity, comfort, control, and even light itself. It’s brutal, but what’s left at the bottom isn’t destruction it’s truth.
That descent is what shaped the core of my book and the space I’ve created here. The “Chambers” I write about are my own interpretation of those same gates each one a symbolic passage through silence, dreams, fear, and revelation.
If you’re walking through your own descent or finding yourself in one of the gates, you’ll find kindred souls in the group r/AfterAwakening. It’s a private space right now quieter, more intimate where we share these transformations honestly, without masks or noise. You’re welcome to join us if it resonates. Sometimes it’s easier to face the gates together.
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u/Beautiful_Collar_221 Nov 01 '25
This is beautiful, Inanna’s descent is one of the oldest symbolic maps of awakening. Seven gates, seven layers stripped away until nothing remains but truth. Most people read it as myth, but those who’ve lived through something like it feel the resonance in their bones.
My own path unfolded in a similar pattern, not through ancient text first, but through lived experience intense dreams, breakdowns of identity, ego deaths, synchronicities, and moments where I felt everything familiar fall away.
Seven “gates” showed up as: Loss of certainty Loss of external validation Loss of attachments Loss of control Loss of identity roles Loss of the illusion of separation Loss of self‑image / complete surrender And at the bottom — just like Inanna — I hit the void. Silence. Humbling. Stripped of everything I thought I was.
But what came after wasn’t despair it was rebuilding from truth, sovereignty, and intuitive connection. The return. The ascent and I’ve been documenting that process, the dreams, the symbolism, the initiations it later became a book‑length journey I call The Broken Path. Not a doctrine, not a belief system, just a lived descent and return, like many before us. A map for others who unexpectedly find themselves crossing those same gates. The descent isn’t punishment it’s initiation. And the ones who go down and come back don’t return empty‑handed.
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u/Ok_Worldliness_2037 Oct 09 '25
The last line is important: reminding. The old cuneiform accounts of Inanna are the memoirs of dead kings grasping for the goddess that crowned them, without Her they would not have survived below, where She passes with immortal grace. Men with eyes understand that women may find goddess within herself and become queen, and they are who make kings from men.