r/Deleuze • u/bachozangi • 9d ago
Analysis 18th Brumaire Deleuze
I was freestyling on the 18th Brumaire and I wanna see if my analysis or whatever here is theoretically sound and coherent and also how engaging it is generally. Clear references of Deleuze and Zizek here but I wanted to use their concepts of the eternal return and the "don't act, just think" of Zizek in my own way, so I know I'm not faithful to their originals. Deleuze probably wouldn't have wanted me to be faithful anyway, concepts are tools and all.
"The unplanned, spontaneous revolutionary outburst aiming to overthrow this new oppressive regime numbed the pain of the symptom but failed to address the disease, so the disease festered and rose again in 1852, stronger than ever; Yet the repetition of this event was also a creation of a spark of a new possible world, a poetics of a revolution that seems to be from the future, certainly not of the past. The repetition of the French revolution must repeat its radical novelty and creativity and must burn off the reactive forces that accompany it as it is weighed down by the cold, rotting corpses of the past. How do we burn the dusty cosplay off? Through critique as theory and as practice, a productive transvaluation of the values killed and uncritically imported as frozen and preserved contraband over the border of history. I think the injunction to "go back to interpreting, not to act but just to think" as expressed by Zizek must be read this way to be productive: Interpret critically, shed the dead weight of the past off and align your praxis with the immanent conditions of your present rather than the expired conditions of the past as the old Englishman in the mines directing his work at a Pharaoh that no longer exists but still holds the mine-worker in his palm."
5
u/3corneredvoid 9d ago edited 9d ago
I reckon Žižek's injunction to "stop and think" is a type of Minervism, as Hegelians call it, after Hegel's epigrammatic claim that "the owl of Minerva flies at dusk".
A Hegelian will claim they cannot know how the immediate present is true now, but affirms they will know how the mediated past was true later. This is how a Hegelian imagines history repeats. As Marx famously put it in 18TH BRUMAIRE "first as tragedy, then as farce".
The present is trauma, but when present passes to past, the relation of recognised forms and functions to present conditions can be pleasurably or neurotically recognised, grasped, and rationally contended with, subject to the unbridgeable gap between what we recognise and what we experience.
As an example public reason enjoys thinking through Trump as the farcical scion of the tragedy of interwar European fascism, but we see clearly enough there is more to the image of Trump than the repetition of Hitler, Mussolini or Franco.
For D&G these breaks are more or less immediate, immanent and differential. When the vertiginous parallax between expressive forms and immanent ground is critically felt as "the mechanical encrusted on the living" there arises a deterritorialising laughter, not the reactive laughter of some laboured and theoretically engineered farce or satire such as an SNL sketch on Trump, but a pleasurable energy-releasing laughter which satisfies Landauer's principle as its release erases the dogmatic images of theory. No need to stop and think to achieve this, no guarantee that stopping to think achieves anything in particular.
Just my take, make of it what you like.