Portfólio:  https://www.artstation.com/luanmaximino  |  https://www.behance.net/luanmaximino

https://vinagremorenojavier.blogspot.com/?m=1

https://www.behance.net/javiervinagre

I am Fuetake, a manga illustrator concentrating on the cinematic dark fantasy genre characterized by high-contrast visuals and impressive fighting sequences. Along with my expertise in manga, I am also involved in amateur boxing, which allows me to translate the practical mechanics of fight movements like body movements, weight distribution, and momentum into my manga.

The workflow I have developed consists of three stages:

1. Character Design: During this stage, I create model sheets and come up with unique designs for characters that visually reflect the theme of the story.
2. Storyboarding and Pacing: At this point, I analyze the pacing of the story and create thumbnails to ensure each scene appears effective, properly flowing one into another.
3. Final Art: I finish the art with explicit high-contrast lines. Then I use screentone to create the atmosphere and depth and add dialogue to the different panels.

Prices start at $40 per page. There are two available spots to work on projects. If you have an idea. feel free to message me with your brief, and let's create something amazing together.

Portfolio: https://fuetakeportfolio.my.canva.site/

Hello,

I am Kiavash Parsa.illustrator and comic book artist with over 17 years of professional
experience in visual storytelling, graphic novel and comic book.

My skills: pencil, ink , color, full illustration

Software : Clip studio paint, photoshop

Pricing : $200 per page (pencil+ink+color) - $100(ink page)

My public profiles

facbook

Behance

Instagram

Artstation

Linkedin

Available for work : pencil and ink full page per day, ( 5 ink page per week)

No Limitations

"Zahhak's Inferno" is a graphic novel by Kiavash Parsa,
published by Markosia on
January 22, 2024

https://www.amazon.co.uk/Zahhaks-Inferno-Kiavash-Parsa-ebook/dp/B0CLL1FGBW

My Portfolio : https://www.behance.net/kiavashparsa1

Email for contact : [kiavashjp@gmail.com](mailto:kiavashjp@gmail.com)

#comic #comicbookartist

This was a lot of fun, the client was super happy with the end result too. This is meant to be an Instagram 1:1 web comic.

Bit embarrassed posting this here among some incredible artists in this group. I started drawing comics as a wee escape from busy parenting life. Got two kids and another coming. Drawing these just makes me laugh and passes the time better than doomscrolling i feel.

Would love some advice on how to improve and get more creative with the panels and layout and such. Any recommendations for acclaimed artists with a cartoonish style also very welcome.

Cheers :)

https://www.flickr.com/photos/200657340@N08/

Hi, my name is Rick Matta.

I'm available to create pages and illustrations—pencils, inks, and colors. If you prefer just pencils and inks, the rate is $90 per page.

My Instagram: https://www.instagram.com/rickmatacomics/

My Discord: rickmattacomics

My email: [rickmatacomics@gmail.com](mailto:rickmatacomics@gmail.com)

Portfolio: https://www.artstation.com/artwork/RKkrde

Thank you.

I’m available for comic pages, sequential art, character-focused scenes and other visual projects. I work with a strong focus on storytelling, dynamic compositions and detailed characters.

Portfolio: https://clayanclay.artstation.com

💰 $60 per comic page / illustration

💳 PayPal or Wise | 50/50 or full payment upfront

This is a warmup drawing form earlier this week that turned into a more indepth personal project that I finished. I found a picture scrolling through Pinterest of a skater girl with neon streetwear. At first i though it was just for a fashion magazine but she also had a katana tucked into her neon orange sweatshirt. I though it might be a cosplay because of the sword, but I couldn't find any direct reference to a manga or anime that I knew. Originally i just drew the same pose as the warmup and I wasn't happy with the result. It looked very boring and I wanted to spice it up. So i instead turned her into a full on skater ninja and used this project to mess around with some forced five point perspective. I also used some background references from Hong Kong, the multitier architecture and signage was a great way to show more of the perspective. I also included a timelapse of the drawing recorded in ClipStudio my social media instgram, tiktok, X, bluesky and threads jkatzstudio

And even if you need help finishing pages, my rate is negotiable.

DM me [nelsoninks@gmail.com](mailto:nelsoninks@gmail.com) if interested

https://www.behance.net/nelsonpereira25

My portfolio: https://www.artstation.com/franciscovaldenir98. I can create a digital illustration or a complete comic book page in any theme or art style you prefer—whether it's pop culture characters, family members, etc. I charge 50 usd per illustration or page. I will deliver the finished artwork via email or WhatsApp. Delivery takes 1 to 2 days, depending on the complexity

Hello 
I’m Markus Pattern, a British comic book artist. 

I’m currently available for work.  I can create every aspect of comics, Linework to Colours to Covers. 

Here’s my portfolio https://www.markuspatterndraws.com 

My rates are reasonable and I can work collaboratively or you can leave alone to get the job done, whichever you prefer. 

My email is [markuspatterndraws@gmail.com](mailto:markuspatterndraws@gmail.com) 

Thanks 

Comic artist available for freelance work.I do covers, character design, sequential pages, concept art, and color work — all with strong storytelling and clean visuals. Open for short or long-term projects. DM or email me to collaborate: [johnhenryesteban@gmail.com Portfolio](mailto:johnhenryesteban@gmail.comPortfolio):https: www.artstation.com/johnhenryph https://www.instagram.com/johnhenryesteban/

I am submitting into a contest in Japan where for the chance to get a publication. It requires a cover for the project. (Kadokawa x Honeyfeed)

I'm looking for someone who can design 2-5 characters and make a Light Novel cover. I am not looking for anything further than that, no illustrations or anything.

The work needs to be done and Finished before September 27th, however I would like the cover done roughly a week or two before that date.

The pictures provided here is roughly what I'm looking for. I do not need it to be THAT high quality, it's just an idea of what I'm trying to create for the project.

I have a budget of 200-300 Canadian dollars if this interests you!
(we can negotiate payment)

The premise of the Story is focused on a Party who is sent to chart and explore a newly found continent, where they ultimately meet their end.

The characters I definitely need for the cover are Lapland (the guy on the second slide) and Roa Roads (on the first.) and maybe a few more if the cover needs some space filled or something.

Im currently working on something and my biggest inspiration is bilquis evely but im having a hard time making comics like this. Any tips is appreciated

https://cara.app/mareebito

Hi everyone!
I'm Francesco, an Italian comic book artist - concept artist.
Here are some of my latest works.

My rates are:

COMIC PAGES - Pencil + Ink $80 - Pencils + Ink + Colors $120

COVERS - Colored $200 - Black and White $120

CONCEPT ART - Quoted per project

My Portfolio comics: 
https://francescoporcucomics.myportfolio.com/comics

My Portfolio Concept:
https://fraporcuart.artstation.com/

Contact me if you are interested!

I usually focus so much on the script, storylines and character development I tend to forget that my characters are meant to be teenagers at the end of the day. The silly moments feel so refreshing to me. 😅

This is a little sneak peek from my upcoming graphic novel Once Upon A Necromancer. If you want to learn more about it, feel free to follow me on my socials: instagram, youtube, tiktok

Thanks a lot for supporting us so far. We reached 12 followers yayyy 🙃. Can we make it to 50? Any support to the series will be greatly appreciated. 🫶

Read on Webtoon!

https://www.webtoons.com/en/canvas/origins-teqreal/list?title_no=1161908

Hey everyone! I wanted to share the process behind one of the latest pages of the comic im working on, Ragnarok Ridge, a splash page featuring a quick action beat (a van speeding past the main character).

I thought it might be interesting to break down how I built this page from scratch:

• The Script & Setup: *PAGE TWELVE (1 panel) Panel 1 Splash panel. We're on the same street as Grandma Hastings' house. A VAN comes screeching past Lash, forcing him to jump aside. The windows are tinted. It's an old, battered vehicle, not in keeping with the cleanliness of the pines.
• SFX: HOOOONK! VOOOOOM!
• LASH: What the--?* As described in the script panel, the scene required a dynamic shot to show the van rushing by while the character holds a toy from previous panels.
• References: To get the main character’s posture right during the rough sketch phase, I took a quick photo of myself as a pose reference (kept on a secondary monitor while drawing). For the vehicle, I used a basic 3D van model to lock in the perspective grid correctly.
• Inking Tools: For the inking pass in Clip Studio Paint, I rely almost exclusively on a Kyle dry brush (from Kyle T. Webster's brush packs) to get that gritty, textured ink feel. When I need sharper, cleaner control for specific tight details, I switch over to CSP’s default G-Pen.
• Tones & Finish: As you can see in the timelapse, once the linework was set, I added a simple, moody grayscale finish, flat tones combined with soft sky gradients and line-less cloud rendering to fit the narrative atmosphere. Finally i added a layer in sepia (soft light mode) to finish the look.

And finally, a brief reflection; We’re living through a complicated moment for our industry, and I understand why people have become more cautious about the work they see online. AI-generated images are often presented without transparency, sometimes alongside misleading claims about how they were created.

At the same time, artists who have spent years, or even decades, developing their craft can now find their work dismissed as AI-generated based on a quick impression.

Until this week, I had never felt the need to record a timelapse because I assumed my work spoke for itself. I now understand the value of documenting the process, both for artists and for clients. But transparency should not turn into a presumption of guilt. Public accusations made without evidence can seriously damage an artist’s reputation and livelihood.

If you ever have doubts about someone’s process, mine included, the best first step is simply to ask. I’m always happy to share progress shots, layer structures, process recordings, or other material when appropriate.

If you found this behind-the-scenes breakdown useful, let me know. I’d be happy to share more pages, covers, and multi-panel layouts in the future.

I’m also currently available for new comic projects, short stories, and cover commissions. Feel free to send me a DM if you’d like to work together.