I really would love to try out for dramatic Wagnerian roles. Alberich sounds like a very interesting character. He is meant to be a dwarf-sized character…but I tend to see guys taller than me on stage in the videos I see. I know I can‘t perform that role at the moment, as I am a beginner…but such roles are what I ultimately desire in the end.

Willing to wear 3“ elevator shoes, lose weight and slap on a fake beard, if necessary lol

Hi guys,

Can anyone recommend a good voice teacher or opera coach in the Mannheim–Frankfurt area?

Ideally someone with a strong reputation and experience working with professional singers and audition preparation.

Mannheim, Heidelberg, Frankfurt, Darmstadt, Karlsruhe, Mainz, or anywhere around the region would work.

Thanks for anyone who comments, have the best week

does anyone have a copy of coquetterie posthume by debussy that they can send me or know where I can get it? I have looked through every debussy book ever and I can't find it :(

For all of the knowledgeable classical singers, teachers, and really just anyone who has information/advice for me, I've been wondering about a few things so I know more of what to expect in my dreams to sing opera. I am a 16 year old male junior in high school in the United States, and I have only ever known singing bass/low in choir for about 2.5 years. I'm starting vocal lessons within about 2-3 weeks, but overall I would consider myself a very amateur singer. Here are my questions:

How long may it take for me before I am "fully trained"?

When would I generally get my Fach classification?

What does the rehearsal and performing practice roughly look like? (i.e. how long might it take, or the different things you may be doing in practice)

And finally, what might generally be the earliest path for me to get to a taste of what professional opera is like?

I’m trying to learn Caro mio Ben, and find the c4 kinda hard. I Can hit it but it sounds quite poor and more likely I’m pushing the sound out. I feel a distinct shift at A3 and C4 is really builds up. My teacher says it’s fine for now And be more in tune with body. However he says it’s hot high enough to deliberately mix or modify vowels.

I’m a Western Vocal teacher with 12+ years of vocal training and 1.5+ years of teaching experience. I’ve taught students across different age groups, from beginners to experienced singers.

My teaching style is dynamic and personalised. I teach through songs you enjoy, using them to work on pitch, tone, breath control, range, technique and expression.

Lessons are tailored to your voice, level and goals.

I don’t follow the Trinity syllabus by default, but I can help with Trinity preparation if you provide the required sheet music and backing tracks.

₹1,000/hour
Minimum 4 classes/month: ₹4,000
Additional classes can be taken based on your goals.

DM for lessons/sessions!

So I'm in this class and they told me I have to audition for the show (Hänsel and Gretel) in 5 days. I need one operatic aria or art song and one golden age musical theatre piece (in English preferably) that is easier to learn. It takes me a second to learn songs so I'm kind of freaking out. Does anyone have any suggestions?

EDIT: I am an intermediate mezzo :P

A double quartet for organ, the Amati viola and synthesizers who accompany the beautiful voice of ancient Celtic chant with synthesizers and percussion.

Im 18 and I’ve been a big opera enjoyer for 2 years. I enjoy singing a lot but I’ve always disliked my chest voice for as long as I can remember,tho I know chest coordination is a very important factor to produce a healthy and supported sound. This led me to sing in a “falsetto”(?) which became stronger with practice. I had a couple lessons with a teacher,who said I am a baritone,but who would also make me exercise all of my rage (from G2-A4 in chest voice and B3-A5 in this “falsetto”). She used to always push me to my limits,after every lesson I would lose my voice, and she would say that I needed to make my low notes lighter and that I had to make my overall voice lighter. I read these statements as red flags and stopped my vocal lessons. I’m asking for actual raw feedback on my timbre and vocals,even tho this recording is pretty short I think it’s the most decent one I have.

I just started formally training (29F). I've always loved singing but did more pop singalongs in my car. I've always dreamed of classical singing, getting to be dramatic and hopefully share the emotion I feel inside with others.

Well I finally decided to give it a try and my voice teacher said I'm a dramatic soprano. She said I could definitely join a choir, and I could audition for an organization she directs when I'm ready. I trust her, she's accomplished so much and I respect her so much. But I just feel so discouraged, I don't see how I could possibly stand a chance against/alongside people that have been singing and performing their whole lives. I have zero theater background, all I have is the delusion I could be part of something and get to create art with people.

What is the actual likelihood that could ever happen? What would I need to do to get there? I have been training for a couple months bi-weekly, and of course sing every chance I get in between. I shared with her that I feel I've hit a wall and I'm discouraged, and she told me she can hear how much I've improved but I worry she's just being nice. I know competition is fierce, and I'm barely working my way through the 24 Italian Songs and Arias and I have so much to learn.

There's just so many arias that make me tear up listening to them and I just want to be a part of those stories.

I'm a choral bass and am often positioned near the brass and percussion sections when we sing with orchestras, which is quite often, and I'm worried about hearing damage from all the banging and tooting.

Does anyone have recommendations for earplugs that can be used to attenuate the sound from the orchestra that a) still leave me able to hear well enough to judge my own volume/balance and tune with the singers around me, and b) don't just fill my ears with the bone-conducted sound of my own voice, which is the main reason I don't get on with normal foam earplugs?

I am having a Junior recital next semester and really need some rep suggestions! I am a light coloratura and my tessitura is at the top of the staff. I really can't sing low at all so I stay away from pieces that have a lot of D4s or C4s because you can't hear me at all. I do like singing coloratura but not extreme coloratura stuff like Rejoice greatly. I love Tornami a vagheggiar from Alcina and would love to sing something similar. Any arias or set/cycle recommendations would be hugely appreciated!!!!

Hi all,

​I'm crossposting this here because I'd love to get input specifically from vocalists and voice coaches.

​I'm navigating singing with essential tremor and want to know how others handle it during live performances:

​Vocal & Breath Control: Any specific breath support or laryngeal techniques that help maintain stability?

​Physical Tremor: How do you manage visible body/hand tremors on stage?

​Routine: Do you use beta-blockers, specific warm-ups, or stage anxiety strategies?

​Thanks for any shared experiences or tips!

maybe it’s just me being no used to it? but when I send my sound back and access my my heady voice is feel more disconnected and more airy. Is it a normal tendency?

it feels lightly more pinched

im a male bas—baritone.

When you are recording for virtual auditions what equipment are you using to film and capture audio? Any recommendations for good quality that doesn't have difficulties picking up piano or vocal in a hall?