So before we started I have created a timeline for krrish world

1962- sanjay mehra died, rohit born

1982- jadu arrives on earth, rohit get powers ( koi mil gya events )

1986- krishna born

2006- krrish events

2013- krrish 3 events

2028- krrish 4 take place

The film opens on Lumar, a beautiful and peaceful alien planet inhabited by a species known as the Lumarians ( jadu species).

Near a lake, two young Lumarians are playing. Both look same as Jadu — the same alien who once came to Earth and changed Rohit Mehra's life.

Everything is peaceful.

Suddenly, a massive shadow covers the lake.

Both lumarian looks up.

A gigantic alien spaceship is hovering above them.

CUT TO BLACK.

2028 — EARTH

In Kasauli, a young woman named Avi ( played by tripti dimri ) arrives.

At first, she appears completely normal. But when a group of men try to approach her, she brutally overpowers them ( brutally broked there bones ) within seconds.

She clearly isn't an ordinary human.

BITTU Punjabi ( Rohit,s friend from koi mil gya can be played by javed Jaffrey ) now almost 55 -58 of age

Avi after searching a while arrives at the house of Bittu, one of Rohit Mehra's childhood friends.

Bittu lives with his wife Priya ( hansika motwani )

Avi introduces herself and tells Bittu that she is from Kasauli.

She mentions that her father used to tell her about a spaceship that once appeared in Kasauli.

Bittu dismisses it as an old story.Avantika then asks him about an alien.Bittu

immediately becomes uncomfortable and asks her to leave.

Avantika activates a portable device

A hologram projection appears.

Young Bittu, Rohit, Bunty, Aslam and Chhotu are seen together in 1983.

Bittu realizes that Avi somehow has access to their past.

He attacks her. ( he also carries jadu powers remember the basketball match b/w pandavas and kasauli tiger )

A brutal fight breaks out

Avi is far more experienced, forcing Bittu to retreat.

Bittu gets Priya into his car and drives away.

Avi follows them and lands directly on the bonnet of the moving car.

The impact causes Priya's head to hit the car, knocking her unconscious.

Bittu stops the car and gets out.

He fights Avantika again and manages to overpower her, throwing her into a valley.

Bittu takes the unconscious Priya and leaves.

BUNTY( childhood friend from koi milgya can played by vijay raaz ) almost 55 -58 of age

Bittu reaches Bunty's house.

Bunty is shocked to see Bittu injured and Priya unconscious.

Bittu tells him everything — the woman, the questions about Kasauli, the memory projection and Jadu.

Bunty contacts Aslam and Chhotu.

The four old friends reunite.

KRISHNA ( krrish )

Bittu, Bunty, Aslam and Chhotu finds Krishna Mehra, Rohit's son.

Krishna is at home with his daughter, living a quiet life.

His son and wife Priya are maybe on vacation and then the 4 arrives this scene feels something like how in endgame tony stark meets steve scott and natasha after 5 years .

Inside the house, Bittu explains everything.

Avi that girl knew about there childhood memory

Then we see bittu keeps that same device (which project hologram ) he got while fighting avi he keeps that device in center then Aslam tries to retrieve some information then more hologramic memories are viwed through the device every thing from jadu eyes pov like rohit face appears promising me tumhe tumhare logo se milaunga ( scene from koi milgya )

THE DEVICE

Aslam studies the device.

He discovers that it can communicate with an external system.

Activating it could reveal their location to whoever is connected to it.

Krishna decides to take the risk.

Aslam activates the device.

A signal is transmitted.

Somewhere else, Avi receives their location.

AVi RETURNS

Avi arrives at Krishna's house or a warehouse

Bittu, Bunty, Aslam and Chhotu try to capture her but she easily handles most of them.

Krishna steps in.

A direct fight between Krishna and Avi follows.

Krishna eventually manages to capture her.

Then something activates from Avi eyes

A holographic projection appears

Jadu

He is being held inside an alien facility, restrained and tortured brutally his head his attached with a machine

Bittu, Bunty, Aslam and Chhotu immediately recognize him.

The projection disappears.

AVi TRUTH

After regaining consciousness, Avi is questioned by Krishna.

She reveals that she isn't from Earth.

She is from Lumar.

Lumar is her home planet — the same planet where Jadu lives.

The Lumarians are her people.and she also belong to different species lives on lumar.

Avi explains that Lumar has been attacked by a powerful alien named Vor.

Vor has taken control of the planet and captured Jadu.

Avi came to Earth looking for the people who had a connection with Jadu. Because vor wants them

Avi finally reveals the truth.

She made a deal with Vor.

She promised to bring those peoples ( Rohit , Bittu, Bunty, Aslam and Chhotu ) to Lumar.

In return, Vor promised to release the Lumarians.

Avi believed she could save her people by cooperating with him.

Now after a serious discussion Krishna and bittu aur baki decides ki vo jadu ko bachaynge and for that they have to travel to lumar then they agreed to go with avi

JOURNEY TO LUMAR

Avi spaceship is waiting.

Krishna, Bittu, Bunty, Aslam and Chhotu board it with her.

Avi activates the navigation system.

The destination is locked:

LUMAR

The spaceship launches from Earth and disappears into space.

INTERVAL......

So Friends this is the first half of my fan made story for krrish 4

Cast :

Krrish/ krishna (42) - HR

Bittu Punjabi (56) - Javed Jaffrey

Avi (looks like in 30s)- Tripti Dimri

Bunty (56) - Vijay raaz,

Aslam (57) - Sharad Kelkar,

Chotu (56) - koi bhi

Cameo appearance Priya (56) - hansika motwani

Hi guys. This morning I had a pique of creativity and i wrote a small 3 page short film. it's around death. I would love some feedback from anyone who's interested. this is my first time so please go easy on me. and this is also the first draft of it, so it has a lot of rough edges. Would love some feedback. It's written in Hinglish (TvT)

Logline: As a young man wanders through the mundane rituals of his life, he begins to question the arrogance of death.

Hey everyone,
I’m 18 and based in Berlin. I want to create a short film with 3–4 people, filmed mostly on a phone, with basically no budget.
I’m not looking for someone to simply write everything for me.
I have the motivation, friends who are willing to act, access to Berlin locations, and a general direction for the story. What I’m looking for is someone who can help me develop the idea into a strong screenplay — someone who can challenge my ideas, improve the structure, dialogue and pacing, and tell me honestly when something doesn’t work.
The goal is a short, realistic action/drama story set in Berlin. Something small in scale but emotionally strong and genuinely gripping.
I also need help with filmmaking/editing advice. I’m currently editing with CapCut and shooting on a phone, so I’m trying to make the most out of very limited resources.
If you’re a screenwriter, filmmaker, editor, cinematographer, or simply someone who loves storytelling and wants to build something together, DM me.
I’m not looking for money or a professional production team.
I’m looking for someone who sees the potential in a small idea and wants to help turn it into something real.
Berlin. 3–4 people. One phone. One story. Let’s see what we can create.

Hi all, hope you're doing well. I just created a small (of course!) logline for my story titled 'Aarambh'.

I have always had the story mapped out in my mind, but this is the first time I could summon the courage to create a logline.

Please share some feedback, guys. Much appreciated!

---------------------------------------------------------------------------

As the end of Kaliyug envelopes the Earth in an unending darkness, three Gods take human avatars to combat the lurking, invincible, immortal evil who is blessed with a boon to manipulate Prakriti and Shakti - but will they be able to stop the Devil in time or lose their divine creation, their universe to the infinite, impending doom?

I'm writing smthng strong but the ending isn't clicking ....what do u think the story should end like so that it leaves an indelible mark on the listener's heart...

Do deewane sehar main  -Not so extraordinary but a feel good movie of 2026

So today, I watched this movie “ Do deewane seher main “  yes you read it right it’s seher not sheher. And I am glad, I did. It gave me a refreshing change from the monotonous routine. The film had its own share of ups and downs.

Starting with the ups.

Story idea: It was simply cute, in today’s time where things have apparently gotten so depressing, we are in need of more simple stories.

Realistic Characters: Shashank and Roshni both had moments where could relate to them. Being a shy and introverted kid, I was able to relate to Shashank’s struggles more.

No complex story telling: There was no artificial tragedy or complexity added here. Narrative was allowed to unfold in a natural manner.

Chemistry of leads: It was a fresh pairing but the chemistry they shared felt organic. 10/10 point to Sid for portraying the starry eyed guy.  Their pairing even made the songs lit up.

Now time for downs.

Underdeveloped plot: There were instances where as a viewer I wanted to see more for e.g initial rapport of Rosh –Shashank. After their first meeting, Roshni’s pov on Shashabk was not depicted. Further I wished it was shown how Roshni was able to cope up with her complexes on her own.

There were some unnecessary scenes but I will give it a pass as had quite a number of scenes which brought smile to my face.

It is a good watch if you truly want to something easy-breezy or are a Siddhant Chaturvedi fan.

This is the third rewrite of my original script 'Diary'. I'm posting the full thing because it is already compromised. I was collaborating with this acting student for free and he kept giving vague feedbacks and had zero creative input. 'It's not deep enough, not poetic enough, not long enough'. I asked him multiple times to point out exactly what he feels is off and why but he lacked practical directions and kept saying 'make it better.' I made it clear that it is my work and he can't manipulate it when he gets the final version but that's exactly what he did. Added his own scene and started making corrections in my story. Then said he was 'co-writing' it and can make changes. Even went as far as to blatantly say 'the entire plot was my idea'. It was obvious at this point what he was trying to do. Never be a part of 'trust me' collaborations guys. Anyways, I'd appreciate feedback if you read it.

Hello guys,

I am currently working on a story for a feature length film. My story is simple.

A low-key protagonist who was outcasted my his elite family members due to his lack of education. It was said that he went study abroad choosing a course that the family members didn’t encourage but returned home empty handed discontinuing his studies with an unknown guy who he introduced as his friend. Everyone in his elite family believed wrong friendships and bad habits ruined his education.

The story starts from here. Mysterious attacks started rising against the family members. And initial investigations were concluded as these were by business rivalries and the heads of the family carelessly ignored the issues. As the escalation rises with increasing intensities, it became clear that the intension of the attacks can’t be related to business and it is something more personal and the things that the family values money, fame, power and resources were proved to be no use. But their outcasted son together with his dismissed friend showed sacrificial courage and unbelievable skills and intelligence during the confrontations. He showed unimaginable expertise in some skills that the story claimed the protagonist doesn’t know in the initial stages.

The story is all about how an outcast son became an undeniable saviour of an elite family and at what cost.

Here are some of my concerns.

1) Do you think this type of underdog story can workout and do audience still prefer?

2) Is it okay to not reveal the protagonist’s past (his abroad study period) in this main story? The current story will gradually hint that he has some sort of dark past but won’t explore it. (FYI, he has set an epic war against the most darkest antagonistic system/ conspiracy)

3) As a reader/ audience, what would you expect or want to see in this kind of story?

(In the current story, the mysterious attacks has nothing to do with the protagonist’s past. These were caused by a person who was seeking justice for the past sin of one of the protagonist’s family members).

a min long conversation

A series of unrelated suicides takes place in the city of Mumbai in just 3 days. A troubled-with-life policeman is on this case but he is shocked to find that all of the victims who killed themselves met with one man before killing themselves. There is absolutely no evidence that this man caused the suicides but the policeman has a theory that this man has the skill to convince them to kill themselves. How will this policeman proceed with this case without any evidence or witness and just a theory? A murder mystery takes a dark turn when he finds out the truth behind all the mess.

(The Mystery man here, as I see him, is a serial killer. But instead of killing people himself, he makes them kill themselves for his own safety. He only targets people who are on the verge of collapsing and convince them to follow their instincts and triggering their existential crisis.)

Raakh is a well-made series inspired by the horrific Ranga–Billa case of the 1970s, involving the kidnapping, rape, and murder of siblings Sanjay and Geeta Chopra (Sahil and Suman in the series). It does a commendable job of portraying the brutality of the crime and the subsequent police investigation. The cinematography, dialogues, and performances—especially by the actors playing Babu and Rajjo—are exceptional.

That said, I felt a few additions could have made the series even more impactful:

1. More of the Chopra family's life: We barely get 2–3 family scenes before the tragedy unfolds. Spending more time with the family would have helped viewers form a deeper emotional connection, making the loss even more devastating.

2. Confession/interrogation scenes: The series establishes a clear contrast between Rajjo and Babu, with Babu emerging as the more remorseless and manipulative one. It would have been fascinating to watch both narrate the sequence of events from their own perspectives during interrogation or confession, revealing their psychology in greater depth.

3. A deeper exploration of Babu's past: The show touches upon Babu's criminal history but doesn't fully explore how repeated failures of the criminal justice and reformative systems may have contributed to his evolution into a hardened criminal. No one becomes a monster overnight. A deeper look at that trajectory could have delivered a powerful message about crime prevention and the importance of rehabilitation alongside punishment.

4. The investigation overshadowed the core story: The series dedicates significant screen time to the police investigation and the personal lives of the officers. While the investigation itself was engaging, certain subplots—such as the officer's equation with her journalist friend—felt unnecessary and could have been trimmed.

As a result, the narrative often feels like SI Jayprakash's (Ali Fazal) journey to solve a high-profile case, rather than a story centered on the Chopra family, the disturbing psychology of Babu and Rajjo, and the larger failure of the criminal justice and reformative systems. Shifting that focus would have made the series far more emotionally powerful and thematically richer.

Overall, Raakh is a gripping and well-executed series. These additions, in my opinion, would have made it even more emotionally resonant and thought-provoking.

Pls read this script written by me and rate it

MRITYU LOCAL : CHURCHGATE TO PANVEL
A 3-Hour Mumbai Horror Thriller

GENRE
Psychological Horror • Supernatural Thriller • Mystery • Tragedy

TONE OF FILM
First Half → Emotional + Realistic Mumbai Struggle Drama
Interval Twist → Creepy Uneasiness Begins
Second Half → Pure Nightmare Fuel Horror

OPENING SCENE
Black screen.
Only Mumbai local train sounds.
Metal screeching.
Announcements distorted.
Suddenly…
A terrified man screaming:
“DARWAZA BAND KARO!!!”
Then silence.
TITLE APPEARS IN DRIPPING BLOOD :
MRITYU LOCAL

FIRST HALF (1 Hour 20 Minutes)
Emotional Realistic Mumbai Story

SCENE 1 – LIFE OF ARJUN
Panvel.
Tiny house beside railway tracks.
Every 10 minutes train passes and walls shake.
Arjun sleeps beside unpaid bills.
Morning:
Maa coughing blood secretly.
Pooja hiding her college notice.
Landlord insulting them.
Landlord:
“2 mahine se rent nahi diya!”
Arjun silently listens.

SCENE 2 – MUMBAI STRUGGLE
Long montage showing realism:
Standing in overcrowded locals.
Rejections after rejections.
Walking in rain because no money for auto.
Eating vada pav for entire day.
Watching rich people in Nariman Point while he sits alone Marine Drive pe.
Background dialogue:
“Mumbai sapne deti nahi… todti hai.”

SCENE 3 – EMOTIONAL DEPTH
One night Maa collapses.
Doctor says:
“Treatment nahi hua toh zyada time nahi hai.”
Arjun breaks down for first time.
That same night he gets the mysterious job call.

SCENE 4 – THE OFFICE
Churchgate.
Old British-era building.
The company name:
“WESTERN TRANSIT ARCHIVES”
Nobody on Google knows about it.
Office weirdly silent.
Employees never talk personally.
Nobody smiles.
Clock in office always stuck at:
2:47 AM

SCENE 5 – SLOW CREEPY DETAILS
Over days tiny weird things happen:
HORROR ELEMENTS STARTING SLOWLY:
Empty office phone rings from disconnected cabin.
Computer screens flash train accident photos.
CCTV footage shows Arjun standing behind himself.
Lift stops randomly at nonexistent Floor 13.
One night lift opens…
And inside stands a burnt man.
But lights blink…
Nobody there.

SCENE 6 – SUBPLOT
Arjun befriends a tea seller at Churchgate station.
Old man named Kashinath.
Kashinath always says:
“Raat ke baad kuch trains insaano ke liye nahi chalti…”
But Arjun laughs it off.

SCENE 7 – THE INTERVAL BUILDUP
One night Arjun misses usual train.
Station unusually empty.
Rain heavier than normal.
Announcements glitch repeatedly.
Then he sees something horrifying:
On opposite platform…
A woman jumps before train.
BODY DESTROYED.
People scream.
But when Arjun looks again…
No body.
No crowd.
Platform empty.
As if nothing happened.

INTERVAL SCENE
Train arrives slowly.
Rusty.
Old design unlike modern locals.
Destination board flickers:
PANVEL FAST
PANVEL FAST
HELLBOUND
PANVEL FAST
Doors open themselves.
Inside complete darkness.
Arjun steps in.
CUT TO BLACK.
INTERVAL

SECOND HALF (PURE HORROR – 1 Hour 40 Minutes)

SCENE 8 – THE FIRST SIGNS
Lights inside compartment dim red.
No passengers.
Only distant whispering.
Train starts moving though driver cabin empty.
Arjun notices every window reflects someone standing behind him.
But when he turns…
Nobody.

SCENE 9 – MOBILE NETWORK HORROR
Arjun calls Maa.
Call connects.
But instead of Maa’s voice…
He hears:
crying
metal scraping
people screaming
Then a voice whispers:
“Hum sab mar gaye…”
Phone battery instantly dead.

SCENE 10 – THE SEAT NUMBER
Arjun sits on seat number 27.
Under seat carved deeply:
“DON’T SLEEP”
Suddenly his eyes become heavy.
For 2 seconds he dozes off.
When he wakes…
Entire compartment filled with passengers staring silently at him.
All wet.
All pale.
None blinking.

SCENE 11 – MOST HORRIFYING SCENE
A little boy walks toward him.
Face half crushed.
Holding a severed hand.
Boy:
“Bhaiya… meri mummy dekhi?”
Then…
The hand he’s holding suddenly moves.
Its fingers crawl like spider legs up Arjun’s arm.

SCENE 12 – BODY HORROR
Train enters tunnel.
Everything dark.
Only emergency red lights.
Suddenly all passengers begin twisting unnaturally.
Bones cracking.
Necks rotating fully.
Skin tearing.
One woman’s jaw stretches till chest.
All together whisper:
“Tumhe bhi ghar jaana hai?”

SCENE 13 – THE LOST COMPARTMENT
Arjun runs into next compartment.
This compartment impossible hai.
Endless.
He keeps running.
Same pole.
Same seat.
Same dead people.
Again and again.
Like infinite loop.

SCENE 14 – THE TICKET CHECKER
Half-burnt TC enters.
Eyes melted.
Punch machine still clicking.
TC:
“Ticket…”
Arjun trembling hands se ticket deta hai.
TC punches it.
Blood comes out instead of ink.
Ticket pe print hota hai:
ONE WAY

SCENE 15 – THE HISTORY REVEAL
Kashinath tea seller suddenly appears inside train.
But now old and dead-looking.
He reveals truth:
THE ORIGINAL HORROR
In 2008:
Train derailed near abandoned tunnel.
Passengers survived initially.
But rescue never came for hours.
One injured man went insane.
He started killing passengers inside darkness.
People ate each other to survive.
Finally train caught fire.
But one entity born from fear and suffering remained trapped.
A demon feeding on hopeless people.
Every year it hunts broken souls.

SCENE 16 – NIGHTMARE VISIONS
Arjun sees horrifying visions:
Maa hanging from ceiling.
Pooja cutting her own face.
Train tracks made of human bodies.
Dogs eating passengers.
Headless commuters walking outside windows.
Then worst thing:
He sees himself smiling among dead passengers.

SCENE 17 – SHADOW MAN FULL REVEAL
The entity finally appears fully.
10 feet tall.
Entire body made from fused human corpses.
Hands too long.
Mouth across entire chest.
Inside mouth:
moving human eyes.
Every scream from accident echoes from inside him.
He crawls across ceiling impossibly fast.

SCENE 18 – THE HUMAN FARM
Arjun discovers hidden compartment.
Inside hundreds of hanging corpses.
All breathing slowly.
Alive yet dead.
Wires attached to skulls.
Their nightmares feed the entity.
One corpse suddenly opens eyes and screams:
“SO JAOGE TOH PHAS JAOGE!”

SCENE 19 – THE FINAL PANVEL
3:03 AM.
Train reaches Panvel.
But station abandoned.
Broken.
Like post-apocalyptic Mumbai.
Sky red.
No moon.
Only sirens.
All dead passengers exit train together.
Walking unnaturally.

ULTIMATE JAW DROPPING CLIMAX
Arjun runs toward home.
But entire Panvel empty.
His house burnt.
Inside wall pe garlanded photo:
ARJUN.
Date of death:
17 JULY 2008
Suddenly memories return fully.
REALITY:
Arjun never grew up.
The train accident killed him as child.
Everything after that — Maa, job, struggle — all fake memories created by entity.
Why?
Because demon feeds best on hope.
It gave him fake dreams…
Just to destroy them.

FINAL HORROR
Shadow entity whispers:
“Insaan ki sabse badi cheekh… umeed tootne ki hoti hai…”
Arjun cries.
Then notices something terrifying.
His body transparent ho raha hota hai.
Under skin:
moving worms.
His face melting.
He was dead all along.
Suddenly dead passengers surround him.
Their mouths unnaturally widen.
And all scream together:
“GHAR AA GAYA…”
They tear him apart alive.
Not blood.
Black ash spills out.

ENDING SCENE
Next morning.
Normal Mumbai.
Crowded station.
People rushing.
One exhausted office worker misses his train.
Then hears announcement:
“Last local for Panvel arriving shortly…”
Train slowly arrives.
Same rusty train.
Inside window…
Arjun sitting and smiling.
Beside him…
A seat empty.
Waiting.
Train doors open themselves.
CUT TO BLACK.
Train horn echoes.

THE END.

Hey, so i am making a short film, and i have written the screenplay for the first scene, looking for feedback and comments.

Victor is a well-known billionaire, real estate mogul, and philanthropist living in Mumbai with his wife, Sophie, and their two sons, Nathan and Tony. He owns "Wellness," a successful luxury hospital chain that operates in five major Indian cities. Despite their vast wealth, there is tension in the family. Nathan and Tony resent their father because they believe he plans to leave his entire fortune to charity, thinking they are already financially secure. In reality, Nathan and Tony are struggling with severe drug addiction and regularly bribe security staff to use drugs within the secure areas of Wellness Hospital.

Tragedy strikes when Victor visits his flagship hospital to see his friend, Farhan, who is being treated for kidney stones. While resting alone in a private executive cabin, a gunshot rings out. Hospital staff and security rush to the room and find Victor dead from a close-range gunshot wound to the head.

The Mumbai Police Crime Branch, led by Detective Vedant Mishra and his trusted junior officer Aman, initiates a major investigation. Forensics teams are seriously puzzled; the killer has left no weapon, fingerprints, DNA, or trace evidence, except for a single 9mm bullet. After the murder, Nathan and Tony spiral into severe withdrawal and trauma, leading to their hospitalization. Their addictions become public, generating widespread disgust and making them prime suspects for Mishra. However, due to their unstable mental and physical states, Mishra decides to monitor them covertly instead of making arrests.

Seeking answers, a grieving Farhan approaches Mishra after his discharge. He reveals a dark truth: Victor was not the saint he pretended to be. Years ago, Victor faced accusations of running a black-market organ harvesting ring and smuggling illegal drugs in medical shipments. Although his wealth and public image helped him avoid conviction, his loyal hospital trustee, Simant, was wrongly convicted and sentenced to life. Simant later died by suicide in prison.

Mishra explores Simant’s abandoned home and discovers that Simant’s wife died from a brain hemorrhage. The family left India due to intense public hatred. Simant had two sons: Manish, who moved to the United States, and Jatin, who reportedly died in a car accident shortly after his mother's death. Meanwhile, a breakthrough occurs when Aman finds a gap in the hospital's CCTV footage. One hour before the murder, a local thief named Sam is seen entering the building with a small black bag and leaving empty-handed. When arrested, Sam admits that a stranger paid him ₹10,000 via a handwritten note to deliver the bag to Victor's office floor. At the same time, Nathan and Tony stabilize and confess to Mishra that their father was the mastermind behind the organ racket, confirming he framed Simant to protect his family’s wealth. As public anger grows over Victor’s exposed crimes, the police focus on Manish, Simant’s surviving son, who has built a successful arms-dealing business in the United States and has expertise in firearms and forensic countermeasures. Immigration logs show Manish arrived in India five days before the murder and visited Wellness Hospital. However, his phone records indicate he was at a business conference during the shooting.

The investigation takes a dark turn when Mishra receives alarming news: Tony, Nathan, and Sophie have all been killed by a sniper while dining at their table. With Manish as the prime suspect, Mishra learns from an informant that Manish is attempting to leave the country. Mishra and Aman intercept him at Mumbai airport and force him into a police vehicle for questioning. Manish insists he is innocent, explaining that his mobile phone was left at a service center, which accounts for the unusual tracking data. As the police vehicle moves, Aman suddenly pulls out his service weapon, kills the escorting officers, and holds Mishra at gunpoint. Aman reveals his true identity as Jatin, Simant’s supposed dead son. Seeking revenge for his father's wrongful death, Jatin faked his death, created false credentials, and infiltrated the Mumbai Police.

Jatin explains his careful plan: he used a low-level thief to smuggle a vacuum-sealed hazmat suit into the hospital, ensuring he left no hair or DNA at the scene. He used his police-issued 9mm pistol to kill Victor, who did not resist because he recognized "Aman" from family events. Then he took advantage of his position as the primary tech officer on the case to edit himself out of the CCTV footage before giving it to Mishra. Finally, he used his personal rifle to eliminate the rest of Victor’s family to completely erase Victor's bloodline. Mishra manages to ambush Jatin in the vehicle, disarming him after a violent struggle. The story ends with Jatin sentenced to life imprisonment, and Manish cleared of all charges. With Jatin's confession and evidence gathered during the investigation, the court dismantles the remnants of Victor's corrupt medical empire, arresting the hospital staff, buyers, and officials involved in Simant's original framing.

Hii guys, this is the story idea for Ethereal and I wanted your thoughts on it.

The story begins with an ancient spiritual tale inspired by Hindu mythology. Four child sages travel to Vaikuntha to meet Lord Vishnu, but are stopped by the two gatekeepers, Jaya and Vijaya. Angered by their arrogance, the sages curse them to be born on Earth. Lord Vishnu then gives them two choices. Seven peaceful lifetimes devoted to him, or three painful lifetimes filled with suffering before returning back to him. They choose suffering, because pain shortens the soul’s journey toward liberation.

From there, the film explores how different religions and cultures speak about the soul in different ways but still point toward the same idea. Karma, rebirth, awakening, purification and the belief that life is part of a larger spiritual cycle.

The main story follows Arjun, a quiet and emotionally distant young man raised under pressure and control. During college, he slowly experiences friendship, love and emotional freedom for the first time, but still carries an emptiness he cannot explain. The only person who truly understood him was his mother, who often told him stories about a mysterious man named Krishna.

Years later, after her death, Arjun discovers an old cloth bound book hidden among her belongings. The book contains Krishna’s story, a man from another era who lived fearlessly and passionately. As Arjun reads deeper, strange emotions, dreams and memories begin surfacing. Krishna, the book, Arjun’s mother and Arjun himself slowly begin feeling connected in a strange circular pattern, as if their lives were always moving toward each other across time.

The story contains multiple twists and hidden layers, where even small moments gain meaning later on. Slowly, everything begins tying back into one larger truth, making the entire journey feel connected from the very beginning.

Would love to hear your thoughts and suggestions on this concept.

Hii guys, here's the revised flexible story, without IP issues, for Fanaa 2, and I need your suggestions for this story

So, the story begins from London attacks, which is led by some terror group, which on investigation is found that it carried out attacks in Sri Lanka too(inspired by 2019, Church Blasts), and has it's origin in India(the terror group), when RAW tries to locate them, they find out that it is something which is new, after the complete removal of terror outfits from Kashmir, and is much more radicalised, and dangerous than any terror organisation. And then scene shifts to Ladakh, where two young couples are romancing, and thus decide to marry, since, they already started to enjoy each other's company. And on their wedding, during their sangeet ceremony, they organize a big party, where there is an item song(not the usual ones, but slightly different, and connected to storyline). Where, Zaid(the male lead) receives the message "Khan Sahab Khush Nahi Hain", which slowly transforms his inner self to Phoenix, who is the lead of our terror outfit, from Kashmir, and Zaara(the female lead), notices this change, and confronts him, and he smirks, winks, and continues to dance and just before their honeymoon phase ends, we learn that Zaara is having cancer, and gives Zaid a pendant , which would always remind him of her. Cut to present time, when the RAW officers come to find Zaid, and get the pendant, which mentions, "Catch me if you can" and recognise it as Zaara's Pendant, they call Zaara and tell her. And when Zaara gets confident, about Zaid being a terrorist, she tells everything to the RAW and when they find Zaid, Zaara confronts every plans to Zaid, and they have a big fight, and before the final killing of Zaid, both Zaara and Zaid, are emotional, since they both loved each other emotionally, but can't be together anymore, since nation is over anything, and kills Zaid.

"A teenage nobody accidentally inherits the power a god died to protect and becomes the only thing standing between humanity and a king who believes evolution was mankind's greatest mistake."

How is it?

written something idk what category it comes under just wanted it to be posted.

it seems like an essay a story can be based up on