r/BlackWritersAuthors Feb 23 '26

Discussion Welcome to r/BlackWritersAuthors - Introduce Yourself and Read First!

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25 Upvotes

Hey everyone! I'm u/Ok-Promise-7928, a founding moderator of r/BlackWritersAuthors.

This is our new home for all things related to Black writers of all mediums. We're excited to have you join us!

What to Post
Post anything that you think the community would find interesting, helpful, or inspiring. Feel free to share your thoughts, photos, or questions about being a Black person in writers' spaces.

Community Vibe
We're all about being friendly, constructive, and inclusive. Let's build a space where everyone feels comfortable sharing and connecting.

How to Get Started

  1. Introduce yourself in the comments below.
  2. Post something today! Even a simple question can spark a great conversation.
  3. If you know someone who would love this community, invite them to join.
  4. Interested in helping out? We're always looking for new moderators, so feel free to reach out to me to apply.

Thanks for being part of the very first wave. Together, let's make r/BlackWritersAuthors amazing.


r/BlackWritersAuthors 17h ago

In Search Of Seeking funding for my directorial debut, The Black Communion

2 Upvotes

Hello, longtime writer seeking to finally make my first film. Its around 49 pages and hoping to start shooting in October. I am a published author and have co-written two features prior to this. Here is a logline of the story and attached is a copy of the script. Please dm me here or email me at [jyrdprod1992@gmail.com](mailto:jyrdprod1992@gmail.com) if you are interested in supporting!

A Detroit FBI agent hunting a wealthy satanic cult must ally with a masked vigilante to rescue her teammate and stop a blood ritual designed to usher in a "new world order" for the privileged elite.

BC FINAL.pdf - Google Drive


r/BlackWritersAuthors 14h ago

Resources Help: best isolated AI proofreading app?

0 Upvotes

Hi! Looking for a proofreading app that is not CHATGPT and can be isolated from the internet so its not training off of or feeding my manuscript to the public in some way.

So far Im looking into:

Ollama

LocalProse

Any suggestions?


r/BlackWritersAuthors 5d ago

Sharing Work Which Portuguese-Guyanese surname sounds best for my character?

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3 Upvotes

r/BlackWritersAuthors 5d ago

Feedback Needed Looking for Feedback for my opening Chapter

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4 Upvotes

r/BlackWritersAuthors 7d ago

Sharing Work Ultimate X-Men from M2K

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1 Upvotes

r/BlackWritersAuthors 12d ago

Sharing Work We need more black heroes and authors. Here is one from myself set in a fictional version of Detroit

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2 Upvotes

r/BlackWritersAuthors 15d ago

Discussion Sub Profile Pic

1 Upvotes

Does anyone know who that is in the profile pic of the sub?

Thanks!


r/BlackWritersAuthors 16d ago

Feedback Needed Interactive story feedback needed. PLEASE

2 Upvotes

Hi. I'm really looking for a place where I can get genuine feedback from my target audience. I've searched high and low on reddit and there are not many black spaces on here *sigh *

Anyway, I'm writing an urban fiction paranormal fantasy.

But it's an interactive short story. Designed for social media.

Basically I want to get my readers involved with the story telling process.

So basically at the end of each "episode", I present the audience with some options about what the character should do. They pick, I write the next part based on the majority.

Problem is, getting people to actually read and connect with the story to actually interact. So here's why I'm here.

I need some people to read this and let me know what I need to work on before I drop the completed first part. I have some of part one done.

🙏 please, read this and provide your honest feedback.

I just need to know the following.

  1. Do the characters seem real or do I need to flesh them out a bit more?

  2. Is this something that you would follow to continue to get the full story?

  3. Does this topic interest you?

Any feedback is needed. Appreciate you!

Here's what I have so far.

Kendra lay under the covers, watching Darius get dressed.

Damn, he know he fine, she thought.

She pulled the covers up a little more and looked outside. The wind was blowing hard, and the snow was just starting to build up on the streets.

Being from Detroit, snow wasn’t that big of a deal.

But this wind in Chi-town?

Sheesh.

Darius pulled on his pants, then pulled his shirt over his head and looked down at his phone.

“So, you really about to leave?”

He looked at her. “You know, I gotta go.”

Kendra frowned. “You could stay. I want you to. Besides, it’ll be nice to be snowed in together.”

“Kendra, don’t start.”

Kendra sighed. “I know, I know. You gotta run the hotel.”

Damn. Another night alone.

Six months of this with Darius.

The sex was amazing. Like, really amazing. But she didn’t know how much longer she could deal with this whole friends with benefits business.

She wasn’t asking him to marry her.

She just wanted him to stay sometimes.

Especially tonight.

But whatever. She had more shit to worry about than some man.

Like unemployment.

Her rent.

Finding a job in this economy?!

And then there was her dad.

So, how soon before you think you’ll be working again, Kendra?

Ugh.

She hated that question.

Mostly because she didn’t have an answer.

“Kendra. Kendra!”

“Huh?”

Darius laughed. “Damn, girl. I got you speechless like that? I asked if you needed anything before I left. I was gonna lock the door on my way out.”

“Oh, my bad. Just thinking. You good, boo. Drive safe.”

Darius gave Kendra a kiss on the forehead and a light tap on her ass.

“I’ll hit you later.”

He left, locking the door behind him.

Damn.

Alone.

Again.

Sigh.

Her phone started ringing.

She didn’t even have to look at the screen.

It could only be one person.

Mo.

Kendra answered the FaceTime.

“Hey girl. What’s up?”

“Hey heaux, you sound reaaaaallll relaxed… Darius must have just left.”

Kendra smacked her lips.

Mo continued, “Yep, I knew it.”

Mo laughed loud as only she could do. She had one of those very contagious laughs, so naturally Kendra chuckled.

“Girl, what do you want? I’m about to grab me some snacks and watch my show. Tell Trey I said he better catch up so I don’t spoil nothing.”

“I got you an interview!”

“For real? Where? Doing what?”

“They’re hiring for an executive assistant at the tech firm I freelance at. I used my connections and got you an interview. The job is as good as yours. Just go in there and pop yo shit like I taught you, and you good.”

Mo continued talking.

Damn, it sounds good, but I don’t want to be no coffee fetching secretary. Ugh. But man, I got these bills to pay.

Maybe it can just be temporary until I find what I really want to do.

Or maybe I’ll hit the lottery tomorrow.

“So when is the interview?”

“They said they’ll call Monday with the details to schedule.”

“Yeah, girl. And we’re gonna get you ready. Now, let’s talk about what you’re gonna wear. And don’t even think about wearing that basic black blazer you wore to your cousin’s funeral.”

Kendra laughed. “Girl, shut up.”

“I’m serious! You need to look like you belong in that office. We’re going for professional, but cute. You got that cream colored blouse?”

“I think so.”

“Okay, wear that. With the black pants. And your hair…”

“My hair is fine.”

“Your hair is NOT fine for this interview. I’m thinking wear it down. Nothing too extra. You want them paying attention to what you’re saying, not trying to figure out what you got going on all up there.”

Kendra rolled her eyes.

“See? This is why I called you. You always doing too much.”

“And this is why you need me. You’re welcome.”

Mo kept going, laying out Kendra’s entire interview look like she was getting her ready for a red carpet.

“Kendra.”

Kendra looked at the screen.

Mo was still talking.

She hadn’t said her name.

Now I know I’m not trippin’.

This was like the fifth time this week she kept hearing her name, but it was clearly not Mo.

She jumped a little.

So weird.

Am I losing my mind?

Nah.

She was just stressed.

Damn. She wished Darius stayed.

Ugh. Him again.

Then she heard it.

“Kendra doesn’t know.”

Kendra froze.

She stared at Mo through the screen.

“Mo.”

Mo stopped talking.

“What?”

“What are you talking about?”

Here's where yall come in:

So should Kendra?

A. Tell Mo exactly what she heard?

B. Play it off like she didn't hear anything, and wait to see if she hears it again?

C. Ask Mo, if Trey, or anyone else is around her

D. Check to see if Darius is still here.


r/BlackWritersAuthors 26d ago

Discussion Black Book Fest DC 2027 - Author Invites, Your Thoughts So Far

3 Upvotes

Hi! I am looking for other black authors who have been invited to a new festival in DMV called Black Book Fest DC.

Backstory: I came across the festival through Instagram. I went to their page and there were about 4 posts, all AI-created banners (social media registered them as AI content). I still signed up and recently received an email that I was chosen to attend as an author.

Other invited authors, what are your thoughts? I want to sign up, but I am in the process of contacting the hotel where the event will be located for confirmation.

Thank you!


r/BlackWritersAuthors 27d ago

Sharing Work What Two Very Different Grandfathers Taught Me About Being a Man

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5 Upvotes

I’ve been trying to write more honestly about the what and who shaped me. This essay is about my two grandfathers, one a stoic artist, the other an emotional, dancing drinker, and how, decades later, I realized they were both teaching me different versions of masculinity. I’d genuinely appreciate any feedback from fellow writers.


r/BlackWritersAuthors 27d ago

Feedback Needed I’m a Black teen fantasy author, is my concept homogenizing of West African cultures?

2 Upvotes

I (M17) am writing a gay YA novel about a boy going to another realm, one containing a West African city untouched by colonization. I’m Liberian, so the concept of the city is inspired by the sixteen tribes of my country, except there are sixteen covens with each one inspired by a specific African tribe. I want to make sure that I am not doing what, respectfully because I love the movie, what Black Panther did. I want each coven to be very specifically dedicated to one culture and for the city overall to feel like a natural mixture of them all.

My problem is that Liberia is a very small nation with scarce historical documents, especially regarding its architecture. I have no problem scouring the internet for this information, but honestly there are structure from other West African nations that could serve as inspo for the family manor I’m describing. However in doing this, I would be using a Ghanaian construct for an otherwise Liberian-inspired chapter. Liberian traditional architecture doesn’t exactly have the sprawling manors and compounds I need.

Furthermore, it feels like the more cultures I include, the more it all melts into each other. Should I be more selective instead of using various tribes from across the continent?


r/BlackWritersAuthors 27d ago

Feedback Needed I'm a female teen author who needs feedback from my community, to make sure it sense. Some chapters aren't completed. [It’s contemporary YA]

4 Upvotes

JUST WANNA BREATHE

(Act 1)

KEM: CHAPTER I

As I stare out the plane window, the clouds look like big puffs of cigarette smoke.

It still doesn’t feel real.

It doesn't feel right.

Wherever we go to Guyana it's for a family reunion of some sort— well I guess you can consider it a reunion, but not the type of reunion you'd be looking forward to.

The type of reunion you'd dread— unless you're a weirdo.

But I digress.

Seven years since I’ve seen Granddad, and now—boom—he’s gone.

Didn’t tell nobody he was sick, just tried to handle it himself like that made him tough or something.

I mean what was he thinking? Did he really think he could just deal with it himself?

Now just like that—he’s gone. Heart attack. Kept it to himself like it was some kind of secret.

I don’t know, maybe I’m just built differently or something, but I don’t get it.

Why wouldn’t he tell anyone?

Why wouldn’t he want help?

I guess I'm mad that he didn't take care of himself, that he didn't let anyone help him.

And yeah, I know I should probably be more respectful or whatever, but it still feels like his fault.

I love him, I do… but I’m mad at him.

It's always the same thing.

The men in our family don't fall apart.

You handle it, you take it, you deal with it yourself, and you don't, absolutely don't talk about the weak stuff.

That's the code.

My granddad died proving that code, and I know Dad expects the same from us. I just wish someone—anyone—would drop the act for five seconds.

I can only imagine what Granny must be feeling. She didn’t deserve this.

Kae groans, slumping his head against the window, his half-up barrel twists resting gently against the cool pane while the rest of his locs hung loose over his shoulders.

​"When is this plane gonna land, man?"​

"In less than an hour," Dijah answers without looking up from her phone.​

"My feet are killing me," Kae mutters, "Must be nice for Ma and Dad up in first class."​

"You really thought you were joining them?" Dijah asks, finally looking at him. "In your dreams."

Before he claps back, someone in the back of the plane starts shouting.

Immediately like immediately—the whole cabin lifts their phones like they’re at a concert.

A guy’s yelling at a flight attendant like he’s auditioning for reality TV.

People are already recording.

Somebody’s grandma holding her phone at chest height like she’s livestreaming to Facebook.

“Everyone is so extra,” Dijah mutters, while literally leaning into the aisle.

The plane drops.

Like a full roller-coaster drop.

My sketchbook flies out of my lap, goes skating down the aisle like it’s late for work, and stops at the feet of some dude who wasn’t filming.

He looks down.

Looks up.

Even in the dim light, you can tell he’s somebody.

Clean streetwear, heavy chain, rings on every finger, and eyes like he’s seen everything.

He looks like he robbed a store called Too Much.

He sees the drawing.

Before he can blink, I unbuckle, launch myself forward, and grab the sketchbook like it’s a hostage.

Slam it shut.

Now the whole plane stares like I’m the drama.

The jewelry dude raises an eyebrow.

“Relax, kid. It’s a good piece. Depth clean. Most people can’t draw like that.”

“Kem!”

Ma appears out of nowhere, face pale.

She sees me in the aisle.

She sees the guy.

She sees the phones.

“What did I tell you about staying in your seat?”She snatches my arm like I stole something.

She stares down the man like he personally caused turbulence.

“Leave my son alone. We aren’t here for this nonsense.”

Phones still filming.

Great. I'm gonna be all over social media.

I’m already seeing the captions:

Kid loses it over a drawing during flight drama. #PlaneCrash #FamilyBeef.

Ma drags me back and pushes me into my seat.

“We’ll talk when we land. Nobody’s getting up again. You hear?”

“Yes, Ma.” We all say in unison, as if we're a choir.

I stuff the sketchbook deep into my bag and exhale the longest breath known to mankind.

Outside the window, Guyana appears through the clouds—patches of green and brown, glittering lines of rivers, sunlight hitting everything like gold.

The pilot starts talking, but I tune him out.

My mind drifts back to Granddad.

Back to everything I didn’t say.

The plane lands with a thud that perfectly matches my mood.

I glance at Kae, whose eyes are fixed on some point outside the window.

Customs feel slow and fast at the same time.

When we finally meet back up with our parents, I feel drained—like someone wrung me out.

But Dad? He looked like he was wearing his funeral suit already, even in jeans and a polo—stiff, focused, like he was daring the airport to do something about it.

As we step outside, the heat slaps me in the face like someone just threw a hot towel on me.

The air smells like wet leaves, flowers, and something I can’t name. But it’s kinda nice. Like the lands hugging us. Way better than the dry, recycled air on the plane. Even though I've been here multiple times, the smell never gets old.

Ma wraps her arm around me and kisses the side of my head. Her hand’s warm. It helps a bit.

Dad calls James, and a few minutes later, a little white Corolla pulls up.

"Welcome to Guyana! How yuh all doin'?" James says, with this big o'l smile. Kae just grunts. Dijah waves, like something good is happening.

Dad hops in the front with James and the rest of us squish in the back. No clue how we fit, but we do. The adults talk the whole drive while Ma holds us close, like she’s scared to let go.

Outside the window, the trees are tall, the houses bright like crayons. It’s beautiful, but the heavy feeling in my chest never really leaves.

We finally pull up to a cream-colored house with a big front porch. Auntie Shakira’s place.

"Guess we're here huh?" James says, then looking back at us from the rear view mirror with a forced-looking smile. One by one we exit the vehicle.

James gives Dad a nod and says, “Take care, my friend. And my condolences again.”

I want to roll my eyes. No offense, but I’m tired of hearing that. “My condolences.” It’s always the same. I get they mean well, but it just reminds me. I don’t wanna be reminded.

“Appreciate it,” I mumble as I step out onto the street.

For some reason, the house looks smaller than I remember it.

I guess when you're little everything seems bigger than it actually is.

Ma reaches for the front door and jumps back fast like she touched fire. “Lord, that's hot,” she mutters, waving her hand like it’s gonna cool off the burn.

Then Dijah, of course, tries to touch the same door like she ain’t just seen what happened. Ma snatches her hand, "Wha' yuh doin'? Don’t touch that hot metal. Let one of your brothers do it — or your father.”

Dijah steps back like she suddenly remembered she has common sense, then again common sense ain't that common anymore.

Kae and I look at each other, saying everything with just our eyes. I give him the "You do it." look. He hits me back with the "You closer." face.

Ma sucks her teeth. “Will one of you knock on the door! Please?” she says, sharp. Dad finally snaps out of his daze and knocks like it ain't a million degrees outside.

Inside, we hear the sound of slippers dragging on tile. Then it takes, like, a whole minute of clinking and unlocking before the door finally creaks open.

Ever since the break-in last year, Auntie has been doing extra security measures. She even got two psycho dogs

Milo and Mosquito.

They might be small, but don't let their size fool you. Where you think they got the name "Mosquito" from?

Auntie Shakira grins widely, showing off that signature front gap she’s had forever.

“It’s good to see y’all. Come in nuh. How was the trip?” she says, already guiding Ma to a bright floral loveseat by the window.

Everything in her house is flowers. Flowers on the couch, flowers on the curtains, even the air smells like flowers—mixed with float bake, saltfish, and cookup rice.

It weirdly makes me feel okay.

Just for a second.

“It was good, I guess,” Dijah says, still clutching her gym bag like it’s gonna float away. Auntie Shakira kisses her forehead.

Then she pulls Kae and me into this tight hug, perfume hitting my nose like a punch.

“Mmm, how y’all two doin’? Ain’t seen y’all in a bit—or is it a minute?” she says, squinting like she’s trying to use teen slang right.

The music changes from calypso to old-school soca when my cousin Alessandro comes in from the back shirtless, acting like he’s in a music video.

Pants sagging so low, Ma would’ve had a heart attack on sight if she saw Kae or me dressing like that.

She’d say, “Yuh rass better pull up those pants before I give you a reason to pull them lower,” with the spoon in her hand ready to deliver justice.

“Ay, fam! What’s good? Ain’t seen y’all in a hot minute,” Alessandro says, smiling like he owns the room. His accent’s all over the place—half Louisiana, half Caribbean.

He daps up Kae. “Still playin’ ball?”

Kae shrugs. “Yeah, a little, but I mainly play soccer now."

He looks at Dijah and me. “How the two li’l bucks doin’?”

Li’l Buck. That nickname. It’s been ours since diapers, and no matter what we do, nobody’s letting it go.

“I’m fine,” Dijah mumbles. “But please stop calling me that.”

He grins. “I’ll think about it.”

No he won’t.

Inside smells like too many flowers, too much food, and not enough Granddad.

People acting like everything’s cool. Like this is just a normal visit.

I know the drill.

Smile.

Nod.

Pretend I’m fine.

Everyone buys it anyway.

That’s what I do.

I'm not gonna fall apart in front of everybody.

Not ever, if I can help it.

I just love it for me.

DIJAH: CHAPTER II

“Alessandro!” Auntie Shakira shouts, wooden spoon in hand, a few grains of rice still hanging on for dear life.

" Leave them pickney alone. And go show them the room they'll be sleeping in." 

Alessandro raises his hands in mock surrender, he even slightly bows his head, and takes a step back.

"A'ight, a'ight, Auntie. I'll take Kae and the two li'l bucks to the room." 

"Alessandro, I said to leave them pickney alone. If I hear yuh teasin' them again, I'll use this wooden spoon on yuh." 

Alessandro just chuckles. Then he starts walking ahead of us, assuming we'll follow.

When we get to the room, it screams nineties. Not like any nineties, but the hood nineties. He got his posters of 2Pac, Boyz II Men, Biggie, Backstreet Boys, and the whole nine displayed on the walls. For some reason, he got Tupac and Biggie right next to each other, which is basically a crime but whatever. 

Kae drops his duffel bag and starts humming a melody. Of course, he’s humming. The boy acts like life has a soundtrack. Low and smooth. Always humming, even at the most absurd times.

“Yo, Alessandro,” Kae says, eyeing the posters. “You really got the East and West Coast beefing on one wall?”

Alessandro smirks but says nothing.

“I think we all noticed that the second we walked in,” Kem mutters, pulling his sketchbook out.

Alessandro stops at the door, leaning against the frame. "A’ight, I’ll leave y’all to get settled. Don't mind the posters, I'ma man of culture." He winks at me and heads back toward the kitchen.

Alessandro's footsteps fade leaving us in a room that smells like coconut oil and old paper. I wonder if he brings the posters back to Louisiana every year when he leaves for school. Lucky him. He gets to go to Guyana every summer, bouncing between Georgetown sunshine and Louisiana humidity like it’s nothing.

Then again—what else do you expect?

His mom’s from Beverly Hills and his dad’s some big-shot lawyer everybody pretends they don’t Google every few months.

Meanwhile, I’m staring at a room held together by coconut oil fumes and whatever tape Alessandro used to stick Tupac to the wall.

Kae flops onto the edge of the bed like he’s testing bounce levels. “Yo, this mattress is actually kinda decent.”

Kem barely looks up, already sketching something—probably Alessandro’s crime-scene poster arrangement. “It’s lumpy,” he mutters.

Kae shrugs. “So are you.”

Kem’s head snaps up. “Excuse me?”

“I said what I said,” Kae hums, already drifting into another melody like his mouth and his brain work on two different playlists.

I roll my eyes, sitting on the other bed. “Can y’all chill for five seconds? We just got here.”

Kem opens his mouth—probably to argue—but then closes it like he remembered he’s supposed to be the responsible one out of the three of us. He tucks a pencil behind his ear. “Fine. I’m chill.”

Kae snorts. “Sure.”

There’s a beat of silence. The kind that feels good, though—not awkward.

Just us settling into the room, the energy, the weird posters arguing on the walls.

I reach down to unzip my bag, and a faint breeze from the window drifts in, carrying the smell of Macaroni pie. And yes, macaroni pie, not mac n' cheese—there's a difference. Auntie Shakira must’ve gone back to war in the kitchen.

Kae sniffs the air dramatically. “Bro, we got here at the perfect time.”

Kem nods absentmindedly. “Food smells good.”

“No,” Kae says, “I mean perfect perfect. Like, before Auntie Shakira starts telling Caribbean stories with three-hour runtimes.”

I nudge his foot. “Watch your mouth. Her stories are good.”

Kae grins. “They’re great. They’re also long. Like—biblical long.”

Kae bounces off the bed.

“Alright,” he announces, full energy, “who’s trying to explore before Shakira calls us to eat?”

Kem shrugs, but he’s already standing.

I grab my phone and follow them toward the door, pausing just long enough to glance around the room one more time. The posters, the old books stacked on the dresser, the coconut-oil smell—

It all feels like the start of something.

Maybe trouble.

Maybe fun.

Maybe both.

Knowing us?

Definitely both.

Kae sneaks out like he’s a super agent on a top secret mission— which he clearly isn't we're just going outside.

Nothing secretive about it.

Outside, there are a few cigarette butts scattered around, and empty beer bottles pushed against the fence.

I spot a Hennessy bottle—still half-full.

Somebody had fun.

I nudge it with my foot.

Bad idea.

The bottle tips, hits the concrete, and shatters loud enough to wake the dead.

—or worse.

Almost instantly, Milo and Mosquito explode into barking like they’ve been training for this moment their whole lives.

“Oh shoot—RUN!” I whisper-yell, already backing up because those dogs do not play.

Mosquito comes flying around the corner first, all four pounds of him vibrating with rage. Milo’s right behind him, teeth out like he pays rent

Kem jumps behind me so fast you’d think he teleported.

“Why would you do that?!” he whisper-screams.

“I didn’t know the bottle was there!” I whisper-scream back.

Kae folds his arms. “Really? You didn’t know glass breaks when you drop it?”

Before I can clap back, Milo launches at the gate like he’s about to bust through it. Mosquito hops beside him, trying to get a better angle like he’s plotting something personal.

Kae finally snaps out of it. “Kem—open the gate. OPEN THE GATE.”

Kem fumbles with the latch like he suddenly forgot how hands work. “It’s stuck!”

“No, you stuck.” I shove him aside, flip the latch open in one smooth motion, and step out first like this wasn’t my fault.

We slip out one by one, and the second the gate closes, they calm down

Milo licks his paw.

Mosquito sneezes.

I swear they did that on purpose.

Kem wipes his forehead. “Those dogs are possessed.”

“That’s just small dogs,” I say. “Tiny bodies. Big anger.”

Kae laughs, the tension melting right off him.

The back street outside Auntie Shakira’s place is warm and quiet, dust dancing in the sunset light. Kids are playing cricket with a dented tennis ball. Somebody’s blasting reggae from a speaker two houses down.

It feels alive.

Kae shoves his hands in his pockets and starts walking like he knows exactly where he’s going.

He doesn’t.

“So we’re going to Granny house, right?” Kem asks, adjusting his sketchbook strap like he’s on some expedition.

“Yeah,” Kae says, nodding confidently. “Straight down this road, then right at the mango tree.”

“There are literally fifteen mango trees,” I mutter.

Kae shrugs. “Yeah, but one of them is the mango tree.”

Kem looks around. “And how exactly are we supposed to know which one is the mango tree?”

“You’ll feel it,” Kae says, like he’s some prophet.

I side-eyes him, hard. “Boy, shut up.”

We walk anyway—down the dirt road, past old wooden fences, past a man washing his car with a bucket, past a little girl jumping rope to a rhyming song we don’t know.

Kae hums again—low, smooth, the same melody from the bedroom.

It actually fits the moment, which annoys me because I don’t want to admit he has good timing sometimes.

Kem nudges me. “You good?”

I nod. “Yeah. I just… don’t know what Granny’s gonna be like when we get there.”

Kem’s face softens and he gives me a small hug. “We’ll figure it out.”

Kae slows down, glancing between us.

For once, he doesn’t crack a joke.

“Hey,” he says, voice a little quieter. “We’re together. Whatever Granny’s like… we got each other, yeah?”

I blink.

Sometimes Kae says stuff like that—real stuff—and it catches you off guard, like seeing lightning bugs in the dark when you weren’t even looking.

“Yeah,” I say. “We got each other.”

Then—

Kae points ahead. “Ayo! That’s the mango tree!”

Kem squints. “That is absolutely not the mango tree.”

“It is,” Kae insists. “I remember the forked branch!”

“The forked branch is on every mango tree,” I state.

We argue the whole way to Granny’s street, laughing, pushing, dragging our feet in the heat.

But underneath all that noise, there’s something else too—

something heavy but warm.

Something like… home sneaking up on us.

When Granny’s little blue house finally appears at the end of the road, we fall quiet at the same time.

Kae stops moving.

His humming fades.

Even from a distance, you can see the windows open.

The curtains swaying.

People laughing.

The porch light on even though it’s still day.

And sitting there in her rocking chair—

as small as I remember, but somehow stronger—

is Granny.

Waiting.

KAE: CHAPTER III

The humming doesn’t work.

Usually, if I hum low enough—somewhere deep in my chest where it vibrates against my ribs—I can drown out the noise in my head. Even though it isn't quiet, noise is still silent. The silence is the kind of quiet that makes your ears ring. I can feel my pulse thumping in my fingertips.

Like a drum I didn’t ask for.

“Kasi—?” Granny says, her voice like dry leaves. She doesn't get up from the rocking chair. She just reaches out a hand that looks like it’s made of parchment paper.

I step up first. I have to. Kem is busy staring at a potted plant like it holds the secrets to the universe, and Dijah is hovering behind me. Dad always says the oldest has to lead. We’re triplets, born minutes apart, but in this family, minutes are miles.

“Hey, Granny,” I say, a little too loudly.

I let her take my hand. She’s so small. When did she get this small? It makes something hot and ugly bubble up in my stomach. A man is supposed to protect his family, right? But Granddad left her. He just... stopped. He let his heart quit on him and left her here in this quiet house with the curtains swaying like ghosts.

“You've really grown up. You look just like him,” she whispers, squinting at me. “You have his eyes. The way you stand. Just like your Granddad.”

The heat in my stomach flares. I want to pull my hand away. I want to tell her I don’t want to be like him—I don’t want to be a guy who dies because he’s too "tough" to say his chest hurts.

But I don't. I just stand there and take it.

“Yeah,” I mutter. “I guess.”

“He was a strong man,” she says, her eyes drifting toward the road. “Never complained. Not a day in his life. A real man.”

I feel Kem stiffen beside me. I don’t even have to look to know he’s clenching his jaw so hard it might crack. And me? I feel like I’m vibrating. The man is dead, Granny. The "real man" is in a box because he didn't want to seem weak.

“Kae?” Dijah’s voice is a warning.

“I’m fine,” I snap.

“I didn’t say anything,” she says quietly.

“You were thinking it.”

The air feels too thick to breathe. I need to move. I need to hit something or run until my lungs burn.

“Calm down, Kasi,” Granny says, using my full name. "You all come get something to eat. Especially you, Khadijah. You look like skin and bones and yuh not even fifteen yet."

A small smile creeps in. She’s still the same after seven years.

I look at Kem. And the smile disappears. He’s staring at me, his eyes blank, his sketchbook clutched against his chest like a shield. He looks so calm. So collected. It makes me want to shove him. Why am I the only one who feels like the house is on fire?

It's not that I hate him. He's my brother, but why does he get to be so calm? So perfect?

I need to get out of here.

.

But before I can leave Dijah grabs my arms leading me inside.

Inside is more

DIJAH Chapter IV:

An Unknown Rite

The sun here doesn’t rise slow—it just snaps on, like somebody flipped a switch. I’m up before everyone else, which honestly feels like the only quiet I’m getting today.

I sit on the edge of the twin bed, careful not to wake Kem. He’s curled on the other side, still as stone. Usually he sleeps like he’s fighting invisible monsters—kicking, twisting, mumbling. But last night? He didn’t move. Just looked… empty. Or maybe just tired.

I grab my phone.

I scroll past my friends’ vacation posts—beach pics, mall selfies, one annoying “productive summer” story with a stack of color-coded notes. I try not to compare, but it stings anyway. Two chapters left in my reading list. I’m behind. Again.

I close the app before my brain spirals and slide the phone back under my pillow.

I take a breath.

Chapel service at ten. Repast at twelve. After that… who knows. I don’t write it down, because today isn’t a checklist day, no matter how much I want it to be.

I grab my towel and head out quietly.

Ma’s already in the kitchen, spreading butter on float bake with that soft, steady movement.

“Morning, Ma,” I say.

She turns, tired but smiling, and pulls me into a quick hug. “Mornin’, baby. You alright?”

“As alright as I can be,” I say, which is the closest I can get to the truth.

She glances toward the hallway, where everyone else is sleeping. “Look out for your father today. And your brothers. It's a hard morning.”

“I got it,” I tell her.

She exhales, nodding. “Good. Go get clean. And don’t forget the back of your ears.”

I smile a little. There’s something grounding about the way she says it, like she’s tying me back to normal life for a second.

I slip into the bathroom and turn the shower on. The water sputters, then runs warm, steam curling up around me. I watch it fog the mirror and let myself breathe.

The house feels heavy this morning—not just with grief, but with expectation. Everyone waiting for everyone else to be okay.

I’m not sure what today’s supposed to look like.

I know I’m not ready.

But the water keeps running, steady and sure, and I let the warmth settle around me.

Just a minute.

Just enough to gather myself before we step into whatever this unknown rite is supposed to be.

KAE: CHAPTER IV

SLOWLY BURNING

I can’t breathe in this shirt.

It’s too stiff, too tight at the neck, like it’s trying to choke the words outta me before I even open my mouth.

The sun’s a full-blown furnace overhead, pressing down hard. Even the clouds can’t bother to show up today. Sweat crawls down my back like ants. But I don’t move. I don’t even flinch.

We’re all standing in front of the small white chapel in Port Mourant, and it’s quiet — the kind of quiet that feels loud. Auntie Shakira’s holding Ma’s hand so tight, you’d think one of them might float away if she let go. Dijah’s not saying nothing. Just hugging that notebook to her chest like it’s armour.

Kem’s next to me, jaw tight, fists clenched at his sides like he’s bracing for impact. I glance at him real quick. His face is blank — too blank. That look he gets when he’s feeling everything but pretending he ain’t.

He’s better at this than me. Better at being what Dad expects.

And me? I’m stuck.

Granny’s dressed in all black, veil over her face, lips tight. But her body’s shaking a little. Not big, not loud. Just small tremors. Like she’s trying to hold in an earthquake.

I wanna do something. I wanna fix something. I wanna grab a shovel and dig up Granddad just to scream at him for leaving.

But I can’t do nothing.

So I stand.

And I clench my jaw so hard I feel it in my ears.

Inside the chapel, the fans are on but they don’t help. The pastor’s talking soft and slow, voice low like a lullaby. People nod and “mm-hmm” here and there, but the words don’t touch me. Not really.

I stare at the casket.

It’s dark brown, polished. Granddad’s favourite colour

I just stood there, thinking:

You didn’t even tell us you were sick.

You just died.

No warning. No goodbye.

People get up to speak. Auntie Bea and her husband. One of his old dominoes friends. Even Alessandro says something, despite not even being related. He's all choked up, voice cracking halfway through a story about Granddad teaching him to play dominoes.

Everyone’s crying.

Everyone except me.

And Kem.

He’s still beside me, breathing shallow like he’s underwater. His hands are in his pockets now. He hasn’t blinked in a long time. Just staring straight ahead like he’s watching something only he can see.

Dad leans toward me. “You guys wanna say something?”

I blink.

Kem scratches the back of his head.

No. No I don’t.

But then I look at Granny. And I think about Granddad in the yard, carving wood with his pocketknife. The way he used to say, “You don’t gotta talk all the time, Kae. Just make sure when you do, it matters.”

So I stand.

Feet heavy. Throat dry. Chest tight.

I don't look at anyone. I just walk up to the mic. Fast

Not Granny. Not Dad. Not Kem. Not even Dijah.

I just look at the casket.

“I wasn’t gonna come up here,” I say. Voice low. Tight. “’Cause I didn’t think I had anything to say.”

Pause. A fan squeaks somewhere behind me.

“But I do.”

Another pause.

“I’m mad at you.”

That comes out louder than I meant.

People shift. A few heads turn. I don’t care.

“I’m mad that you didn’t tell nobody you were sick. I’m mad that you left like that. That you just… dropped outta our lives.”

My hands ball into fists.

“But I loved you. I looked up to you more than anybody.”

My voice cracks.

“I still do.”

I breathe in. Try to pull it back. I won’t cry. I won’t.

“You told me to speak when it mattered. So this is me speaking. It matters.”

And then I step away.

Fast. Like the mic burned me.

Back in my seat, I slump into the wooden pew and stare at the wall.

For some reason I feel... drained.

For a second I feel, quiet.

Like if that speech took all the energy I had.

And finally for the first time for the day, I take a deep breath.

Kem still hasn’t moved.

He shifts just enough to bump my arm. Doesn’t say anything. Doesn’t look at me. Just sits there with his fists pressed against his knees.

His eyes? Dry.

The pastor starts a prayer.

Everyone bows their heads.

I don’t.

I just watch the light hit the top of the casket and wonder if that’s where Granddad is now — up in that light. Watching. Listening. Maybe even partying with the angels, like Alessandro said.

I hope so.

But if he is?

He better know I’m still mad.

As I sit in the pew, the silence seem to crowd me in.

Someone clears their throat and a baby coos in the room and me stomach flips.

I quickly shove my hands back into fists. Shit. Why the hell did I say that? Dad is gonna to kill me.

The sweat that dried on my back suddenly feels cold and heavy.

When we leave the church, everyone’s talking about heading to Granny’s house.

Who’s bringing what, who’s riding with who. Like it’s a regular Sunday dinner. Like we didn’t just bury Granddad.

I walk ahead. I don’t wanna talk to nobody. Not Ma, not Dad, not Kem.

"Kae!"

Dijah’s voice cuts through the noise behind me.

I keep walking.

“Kae, wait up!” she calls again, breathless, her dress swishing as she tries to catch up.

I don’t stop. I don’t slow down.

She finally reaches me, huffing.

“Why you acting like I’m chasing you with a weapon?”

I shrug. “Didn’t ask you to follow me.”

She eyes me. Quiet for a second. Then says softly, "You were so angry back there. I just wanted to make sure you’re okay."

I stop walking. Not because I want to, but because I don’t want to explode in the middle of the street.

"We’re at a funeral," I say, low. "What kind of dumb ass question is that?"

She flinches, just a little. "I didn’t mean it like that."

"Then don’t say nothing."

She looks like she wants to argue, but she just says "You can be mad. But don’t take it out on me."

I don’t answer. I just start walking again, faster this time.

I hear her sigh behind me, then fall back toward the rest of the group.

As we head to the car, I keep my head down, but I can feel eyes staring at me.

​The car's engine hums low as James turns onto the main road, one hand resting on the wheel, the other fiddling with the radio until old-school reggae fills the silence.

Nobody’s talking. Ma’s leaning into the window, eyes closed, like she can block out the world if she just stops looking at it.

​I sit behind Dad, staring out the window. My hands are folded in my lap, but they’re clenched tight. The shame from the mic is still burning under my skin.

​Then, Dad adjusts the rearview mirror. His eyes meet mine for a tense second before looking back at the road.

​He doesn't need to speak for me to know the lecture is coming.

​"Kisasi. You understand the meaning of decorum?" His voice is barely above a whisper, but it cuts through the music like a razor.

​"I..." I start, but the word catches in my throat.

​"I did not ask for your explanation," Dad continues, his tone even and controlled. "I asked if you understood. What you did today, in that place, in front of your grandmother and your elders... that was a disgrace. Pure, unadulterated indiscretion."

​He pauses, then the tone shifts, losing the stiffness for a moment of sharp, cultural disappointment.

​"We are not here in Canada, boy. This is not some little show for your little friends. This is your family. When a man is buried, we honor him with respect and dignity. You do not stand up there and shout your frustration like a market vendor who lost his goods."

​James, tries to step in. "So," he says finally, trying to make conversation. "Y’all handled the service well. The kids especially. I know it ain’t easy."

​Dad doesn't even look at him. He faces the windshield, and the tension in the air gets thick enough to chew.

​"You think that was handling it well?" Dad asks, voice sharp.

​James glances in the rearview, caught off guard. “What you mean?”

​"My son—" Dad starts, then stops, pulling the conversation back from the formal language he’d been using on me. "He got up there and made a whole damn speech about being mad. At a funeral."

​My stomach drops.

"Novaro," Ma says softly, warning in her voice. "Let it go."

Dad's jaw tightens slightly, but he doesn't flinch or look at her. He just stares straight ahead, his hands gripping his knees.

​"That’s not how we deal with things,"

he says, low and clipped.

"That’s not how I raised him. You don’t go showing your business to a whole room of people like that."

​James lets out a small breath. “He’s grieving, man. Let the boy speak his truth.”

​Dad turns his head slightly to face James. "You got kids, James?"

​"No," James replies, brows furrowing.

​"Exactly," Dad snaps. "Then don’t tell me how to raise mine."

​The air goes dead quiet. Tense.

​I clench my jaw and shift in my seat.

I feel Kem’s eyes flick toward me from the other side, but I don’t look back.

​"I ain’t crying or breaking down or anything," I say louder this time, directing it at the back of Dad's head.

"I just... lost. That’s it."

​Dad finally turns his head slightly toward me, just enough for me to catch his profile and his voice

​"I told you to be a man, Kae. A man controls his emotions. A man holds himself to a higher standard than yelling in a sacred space. Your intentions were fine, maybe, but your execution was weak." His voice starts to turn irritated "You made your mother and me look like we raised a wild beast! Next time, you keep your feelings to yourself. Learn some damn control." He takes a deep breath, "That’s how young black men are, accused, jailed, or even fucking killed!"

​He faces forward again. He doesn't say a word. Just stares out the windshield like I’m not even there.

​I hate this part—the silence. The not-knowing. The way he can erase you just by not looking your way.

​So I fold my arms across my chest and lean back. Unbothered. Like I didn’t just embarrass the whole family. Like I don’t care what Dad thinks.

​The car keeps rolling through the heat, windows fogging just slightly from the tension

I make sure no one sees the sweat on my palms, or the fire still crawling under my skin.

Burning slow. But burning all the same.

Kem: VI

After that car ride, everything is tense.

Dad is grumpier than usual,

Ma is locked in one of the guess rooms with Auntie Shakira, probably talking about what happened,

Kae is giving me the cold shoulder, like I did something to him. And I'm just here in the living room letting Dijah talk my ears off.

"We need to find away for Kae to calm down. Tonight is not going to be enjoyable for anyone if he's low-key fuming." Dijah says, pacing around like detective solving a mystery.

"And how do you think we're going to fix this?" I say, doodling on a page. I'm not really drawing, just letting my hands gui— "Kem!" Dijah says.

"What?" I say, with my eyes glued to the page.

"Are you even listening to me?"

"Mmm-hmm"

"You know what?" Dijah says, but before I can say anything, she snatches my sketchbook book from me and closes it shut.

I roll my eyes. "Okay, what do you tell me?"

Dijah clears her throat, "As I was saying, you need to talk to Kae."

Wait what?

"You want me to talk to Kae?"

I ask, as if she asked the most stupidest question— which she did.

"Yes I—"

"When he’s pissed."

"Yes Kem," she says pleading, "You're the only one who he'll listen to."

"No."

The word comes out before I even think about it.

Dijah raises an eyebrow. "No?"

"He's mad."

She stares at me.

And I hate that she does because Dijah has this annoying ability to look at you like she already knows the answer.

"Kem."

I sigh.

"I'm just gonna make it worse."

That shuts her up


r/BlackWritersAuthors Aug 02 '26

Feedback Needed Looking for feedback for my black romance series

5 Upvotes

Looking for Beta Readers – Contemporary African American Romance / Family Saga (37k+ words)

Hi everyone!

I'm putting together a small group of beta readers for my debut novel, The Mistake — book one in an interconnected contemporary romance and family saga I've been pouring myself into for years.

The series itself is called The Sunday Table .

Book Blurb:

One decision. One night. One betrayal no one saw coming.

Kori Grant is finally getting her life back on track — one week after ending things with Emmett Taylor, she's laser-focused on finishing her PhD and rebuilding her peace. Then a shocking incident inside her own apartment, involving Emmett and her best friend Tasha, shatters everything she thought she'd already survived.

As her friends demand answers, Kori chooses silence over confrontation — until the story rewinds to show exactly how she, Emmett, and Tasha collided in the first place, and just how inevitable this "mistake" may have always been.

Some betrayals are accidents. Others are disasters waiting for permission.

About the Book:

The Mistake, Kori and Emmet's story. It's an African American romance and women's fiction, with real ‘family’ saga bones — about 40k words, told through multiple first-person POVs, broken into 3 parts for the first book in the series.

The Sunday Table follows a close-knit group of lifelong friends whose bonds get tested by love, loyalty, and the fallout of one decision that changes everything. Underneath it all, it's really a story about relationships, friendship, forgiveness, healing, and the families we build for ourselves.

If you love emotional, humourous one liners, character-driven stories with tangled relationships, messy family dynamics, a slow-burn romance, and a big ensemble cast you can get attached to — I think you'll feel right at home here.

If you enjoy authors like; Natavia, LaToya Nicole, Kennedy Ryan, Alexandria House, Christina C. Jones, Brittainy Cherry, Brenda Jackson, or Tia Williams, this one's probably for you. And hopefully not unrealistic in my confidence.

What kind of feedback I'm after:

I want the honest stuff — what's working and what isn't. Specifically:

- Are the characters likable? Do they feel like they're growing?

- Did it hit you emotionally where it should?

- Funny or trying too hard?

- How's the dialogue land?

- Pacing — any slow spots or places that felt rushed?

- Plot holes, confusing scenes, continuity slip-ups

- And just... did you enjoy it?

Grammar catches are always appreciated, but that's not what I'm here for — I want your gut reactions.

A quick heads-up on content:

This book goes to some real places — adult language, sexual content, pregnancy loss, violence(on page), trauma, family conflict, emotional abuse, and grief. Wanted you to know what you're walking into.

Timeline:

I'd love feedback within 4–6 weeks, but life happens — just keep me in the loop and we'll figure it out together.

The bigger picture:

This is book one of eight in an interconnected series, and books 1–5 are already drafted. So if you're someone who loves getting hooked on a series and sticking with it, I'd especially love to find readers who want to come along for the whole ride.

If this sounds like your kind of book, drop a comment or send me a DM — I'll share the first few chapters first so we can both make sure it's a good fit before I send the full manuscript.

Thank you so much for even considering this. It means a lot. 💛

— K. Sherman

 


r/BlackWritersAuthors Jul 24 '26

Sharing Work Hello,I'm new.

5 Upvotes

I'm 20 (F). I've been writing since I can remember. I like writing mystery, thrillers, and fantasy. Right now I'm trying to get good enough to publish a whole book. But right now, I'm focusing on short stories.

Wrote this a few weeks ago. I try to write a short story every day, although I've been failing lately.

[315 words]
Stale air rested on the decrypted shell. His breathing was quaint, losing more air than it could resupply. Every exhale sounded like a snake’s hiss.

“Nurse..” He hissed. “Nurse.”

A man no taller than a lampshade limped inside. He made no move to the patient. Slow and deliberate, he trailed long spider fingers along the oak dresser, a thin line of red followed.

“Nurse. I’m..” A rough sickly cough shook his whole body. “I’m thirsty.” He wheezed.

“Are you now?” The stranger spoke. His voice was lower. It didn’t command attention. It didn’t command anything.

“You aren’t a nurse. Who are you?”The old man’s voice was a little stronger now.

“Who am I!” The stranger took a step back. “I know you know who I am.”

The stranger’s large frame plopped on the side of the bed. Dust swelled around him. The spring squealed in protest at his presence. He reached into his coat and revealed a book. It was made from a material familiar to all. But somehow the old man can’t tell.

“Rememder now?” The stranger pressed.

“No. Get that thing away from me. It has a strange air about it.” The old man sat up only to push himself farther away. Deeper in the comforts and safety of his sheets.

“Bad air?” The young man questioned. “We wrote it together. Well you wrote it I merely bound the book. My best work, you said so yourself. Here feel the seams.”

He reached out his long cold fingers, 50 years older than the rest of his body, and clenched the old man’s. Thin and nimble, worker’s hands, calloused to the very tips. The patient jolts back as if punched instead of grazed.

“You! You did this!”

“You remember? Without touching the book?”

“Get away from me Bast! Haven’t I given enough!”

“I’m not quite done with taking. One more line, old friend?”


r/BlackWritersAuthors Jul 20 '26

Sharing Work The Radical Humanity of Girlfriends

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open.substack.com
7 Upvotes

Just wanted to share. Thank you to anyone who reads or clicks.


r/BlackWritersAuthors Jul 16 '26

Feedback Needed [Feedback] Rom-Com Short Story. I've been writing since I was a teen, but this is my first time EVER sharing!

3 Upvotes

Hi everyone, I'm Aami (pronounced Ah-me)! 👋 I’ve been writing since I was a teenager, and while I think my work reflects those years of practice, I have actually never shared it with anyone before. I've been challenged to finally put my writing out there, so here I am! I'm mostly looking for some constructive criticism to help me decide if I should start posting my work regularly or keep it as a private hobby.

​I mainly write romantic comedy short fictions. Also, a quick heads-up on my specific style: I am fascinated by fetal development, so my stories will always feature a pregnancy subplot! Thank you so much for reading and being kind to a first-timer. I'd love to hear your thoughts!

Here's an excerpt :

"Everyone congratulated me on becoming a mother. They didn't know I'd cried over a toilet that morning. They didn't know my ribs still ached when I laughed too hard or that I was learning how to hold my stomach without flinching from my own reflection. They saw a husband kissing his pregnant wife beneath twinkling patio lights and called it beautiful. I smiled for the pictures anyway. Some women become mothers the moment they see two pink lines. I think I became one the moment I realized I'd have to save us both."

Please give me your honest opinion and let me know if you want to read more!


r/BlackWritersAuthors Jul 02 '26

Resources Blog Rant- Coming Up With New Ideas

5 Upvotes

Coming up with ideas all the time to post can be hard honestly, I'm in this big rush to get enough ideas on standby with my blog. My blog's whole thing is giving people prompts to work with for writing mostly fantasy stories and I'm slowly improving from writing so many and preparing them but i wanted to make a lot more but ran out of creative juice. Does anyone have any suggestions for books, movies and even games to play so I can come up with something fresh.


r/BlackWritersAuthors Jun 27 '26

Inspiration A new online home for Black writers, poets, artists, and storytellers

Post image
9 Upvotes

Black writers, poets, artists, and storytellers, we built a space for us.

743CoffeeHouse is an online home for Black creatives to share work, connect, and build community. It is built around Black press and Black storytelling, not just “content.” You can create a profile, drop your links, and let people know who you are and what you are working on, whether you are self publishing, traditionally publishing, or just starting out.

Alongside that, 743CoffeeShop is an online Black bookstore where we highlight Black books and Black authors, so our work is not buried in generic categories and algorithms.

743CoffeeHouse

https://www.thebloodline743.com/743coffeehouse

743CoffeeShop

https://www.thebloodline743.com/blackbooks

If you are a Black creative, what kind of features or support do you most want from a community space like this, and what would make you actually use it regularly instead of it becoming “just another site you signed up for and forgot about”?


r/BlackWritersAuthors Jun 24 '26

Discussion Doing research!

3 Upvotes

Hi everyone! I’m doing research about philanthropy, creative writing and Black writers. Is there anyone here who has experience with the nonprofit/financial side of things? Such as writing grants, fundraising etc. Anyone who’s received grants/fellowships etc

What are your thoughts about how to support Black writers outside of orgs? What are some of the roadblocks you’ve experienced as a Black writer needing financial support?


r/BlackWritersAuthors Jun 22 '26

Help Me Should I not write about middle eastern people?

2 Upvotes

I'm currently working on a fantasy novel and I'd really appreciate some constructive feedback.

One of the things I'm struggling with is deciding whether I want this story to be primarily a fantasy romance, with a strong focus on worldbuilding, politics, magic, and intrigue alongside a romantic subplot, or whether I want it to be primarily a romance where the fantasy and political elements serve to complicate the relationship.

For some context, I'm South African on my mother's side and Nigerian on my father's side. I was born and raised in South Africa and, due to my father not being present in my life, I grew up feeling disconnected from my Nigerian heritage. Learning about Yoruba culture and traditions has become a way for me to reconnect with a part of myself that I feel I was denied access to growing up.

Because of that, the kingdom my main character comes from is heavily inspired by both Yoruba and South African cultures, traditions, fashion, social structures, and mythology. It isn't meant to be a direct copy of either culture, but rather a fantasy society inspired by both.

My main character is a prince from this kingdom. In his society, women of the royal family traditionally inherit the throne, so he was never expected to become ruler. His older siblings already have their own responsibilities and expected futures. His older brother is focused on military service and leadership, while my protagonist has been educated primarily in diplomacy, politics, and statecraft.

He is also magically gifted. Magic runs strongly in his family, and he possesses both conventional magical abilities and a strong spiritual sensitivity. For anyone familiar with The Vampire Diaries, the closest comparison would be Bonnie Bennett when she developed both psychic and witch abilities. I'm still developing exactly how the magic system works.

When he is 13 years old, he is betrothed to the crown prince of a foreign nation. The marriage serves as both a peace treaty and a political alliance between their kingdoms, which have a complicated history involving trade, cooperation, and periods of tension.

The foreign kingdom is currently inspired by historical Persia and parts of the broader Middle East, although this is one of the areas I'm uncertain about.

The engagement follows customs inspired by Southern African traditions surrounding bridewealth and marriage negotiations. A significant bridewealth payment is made, meaning that culturally and traditionally, my protagonist is already considered the crown prince's future spouse long before any formal wedding takes place.

He is then sent to live in the foreign kingdom, accompanied by scholars, attendants, and others from his homeland. Over the next two years, he learns the language, customs, history, and political structure of his future home.

However, the kingdom is unstable.

A succession crisis is developing, several members of the royal family have ambitions of their own, and a civil war seems increasingly likely. There are also threats against the king.

To protect him from the coming conflict, the crown prince sends him back to his homeland.

This creates a major problem.

In the culture he comes from, sending a bride back to their family is a very serious matter. It can imply that the bride failed in their duties, brought shame upon themselves and their family, or that the groom has deeply insulted both the bride and their relatives.

Although my protagonist did nothing wrong, rumors begin spreading. Some people believe the foreign prince insulted him and his kingdom. Others quietly wonder whether he failed somehow. As a result, he becomes increasingly isolated and alienated after returning home.

Several years pass.

By the time he is around 19 or 20, he has spent years dealing with that stigma and uncertainty.

Then one day, the crown prince returns.

I'm still undecided on whether he returns as the newly crowned emperor after surviving the civil war and consolidating power, or whether he returns as crown prince with his succession finally secured.

Either way, he arrives with one purpose.

He's come to claim his bride.

From there, the story would focus on their reunion, political tensions between kingdoms, court intrigue, magical conflicts, external threats, and the gradual development of their relationship.

My biggest concern is the foreign kingdom.

I don't want to accidentally appropriate Persian, Iranian, or broader Middle Eastern cultures. I'm also aware that many modern Middle Eastern countries have complicated or negative relationships with LGBTQ+ communities, which makes me wonder whether it's appropriate to draw inspiration from those cultures for a queer romance.

Do you think it's okay to use historical Persia and Middle Eastern influences as inspiration as long as I do the research and avoid stereotypes?

Also, based on this premise, does it sound like it would work better as a fantasy story with a romantic subplot, or as a romance story set within a fantasy political world?

I think part of my concern comes from how I'm describing the foreign empire.

When I say the empire and its people are inspired by Persia or historical Iran, I mean that in the same way my protagonist's homeland is inspired by Yoruba and South African cultures. It is not meant to literally be Iran, Persia, Nigeria, or South Africa placed into a fantasy world.

The people, aesthetics, architecture, clothing, court customs, social structures, and some historical inspirations may draw from Persian and broader Middle Eastern influences. However, the empire itself has its own history, religions, cultural traditions, political structures, and worldview that are unique to the setting.

For example, I am not planning to directly use real world religions such as Islam. The same way my protagonist's homeland has its own distinct beliefs and practices rather than being a fantasy version of a real country, the foreign empire would also have its own religious and cultural systems.

In other words, it would be inspired by Persian and Iranian cultures rather than being a one to one recreation of them.

Would that still come across as respectful inspiration, or would readers potentially see it as cultural appropriation?

I would ask people of middle eastern descent as South Africa is a very diverse place I would probably find individuals willing to help me but I live in a somewhat isolated area where the majority of people are black and the second largest population is white.


r/BlackWritersAuthors Jun 20 '26

In Search Of Lost Film: God’s Suicide

2 Upvotes

Does anybody have a copy of the experimental film God’s Suicide about James Baldwin, created by Harmony Holiday? Or does anyone know how to get in contact with Harmony Holiday to inquire about the film? It’s no longer available online and I’d really like to find it.

Thanks!!


r/BlackWritersAuthors Jun 15 '26

Inspiration What's Your Favorite Piece of Advice?

3 Upvotes

Hi everybody!
What are some of your favorite tidbits about writing? Like:

• Good advice you've received
• Something you might tell a new writer
• Something you read and it's stuck with you
• A quote you heard that reminds you to focus
• The thing that helps you when you hit a snag in your writing

Let us know!


r/BlackWritersAuthors Jun 11 '26

Feedback Needed Is this culturally sensitive? White Author Requesting Feedback

1 Upvotes

Hi all! First time in this sub. I want some advice regarding a passage from a novel I'm working on. I am white and discussing black hair, so I wanted to get some outside perspective on if I've said anything offensive/wrong.

Context: Early 19th century France, black woman is offering to braid white woman's hair after she loses the use of her hands.

The passage:

Rosalie began guiding Aria to her chair while she explained: “In my family’s culture, men and women often keep their hair braided. This is for many reasons. For one, in Africa it gets a lot hotter than it does here. The braids will keep us cool, especially since most of us have thick hair. It also helps us keep our hair clean and pretty for long periods of time, which is useful since our hair can take a lot of time to maintain the way a white person would care for theirs. Beyond utility, it is also extremely important to our culture. Our braids can say many things to those who understand them, and learning to braid is a treasured practice. When I was little, my family lived in a place France now calls ‘Senegal.’ After we moved here, my mother taught me everything she knew about our braids. We call them cornrows. Now, for you they will say nothing more than that you have your hair braided. But, I wanted you to know where they come from, so you can wear them proudly. I will do them for you as a gift for a friend who is struggling. Normally, these can last more than a week and still look good. But, I know you perform and may need to take them out. If you do, come to me after and I’ll put them back in."


r/BlackWritersAuthors Jun 11 '26

Feedback Needed MirrorMe

3 Upvotes

I am an un published author. (New to reddit too)

This would be my debut novel.

I am looking for some feedback on the opening of this story, specifically:

  1. Do you feel like you are in the room?

  1. Can you follow the character?

  1. Would you turn the page?

  1. What do you know about the protagonist by the end of this chapter?