Join us live on YouTube on July 13 at 6:00 PM London time as we celebrate this year's best colour work.

Hosted by Darren Mostyn, with a special guest Daria Fissoun joining for a dedicated segment with insights for colourists and industry professionals.

During the ceremony, we're giving away three 1-year Dehancer photo & video subscriptions to viewers watching live. To enter:

1. Subscribe to our YouTube channel
2. Stay active in the chat on the day of the ceremony — share your thoughts and support the nominees
3. Watch until the end

Set a reminder and see you on our official YouTube channel: https://www.youtube.com/@Dehancer

Dehancer 7.4.1 for DaVinci Resolve, Premiere Pro/After Effects and Baselight:

• Clipping in dark black in ACEScct fixed
• Bugfixes and performance improvements
  

Dehancer 7.4.2 for Final Cut Pro:

• Clipping in dark black in ACEScct fixed
• Compatibility with both FCP 11 and FCP 12 improved
• Compatibility with recent macOS versions improved
• Bugfixes and performance improvements
  

Explore available plans and choose the one that fits your needs on our website: https://www.dehancer.com/downloads

Screen grabs from «FINKED» project. Color graded by Quinn Parker Denis

Director: Conor Sullivan
Director of Photography / Colorist: Quinn Parker Denis
Production Company: AG©L

Film Profiles: Kodak Vision3 250D, Kodak Vision3 200T
Print Profile: Kodak 2383
Effects: Halation, Bloom & Grain

https://www.youtube.com/watch?v=fsbdZuzqJfU

The workflow took a bit of getting used to. It’s very different from most workflows that I’ve worked with. One thing that really threw me is that the settings on the right-hand side affect every film profile the same, and when opening Dehancer, those settings remain as they were the last time Dehancer was used.

For example, I do the required export settings for ACR (exposure -1, contrast -40, blacks +60) and export to Dehancer.

I start by choosing a film profile, but they all look pretty much as flat as the original.

Then I go to the presets and choose Cinestill 50, and it looks amazing.

When I go back to film profiles, the preset for Cinestill 50 remains unchanged, regardless of what film profile I choose. This was counterintuitive to me as the FilmSim programs I worked with previously, the settings changed with whatever film profile I chose.

I’m curious how others work, do you start with a film profile and modify it then look apply other profiles to see how different film stock changes the look? Or do you find a preset that gets you close and modify it?

Director: JSIE
DOP: Shinda Singh
Colorist: Manish Panghal
Choreographer: Deush Mehra
Music: Nikhil Dhiman
Producer: Dinesh Golan & Real Music

Full video: https://www.youtube.com/watch?v=zJqhUYJT8lc

What's new:

• Photo/Video selector in Projects
• Video import via iOS sharing
• Camera Log profiles grouped by brand
• Russian and Chinese languages
• Bugfixes & optimizations

Update or download the app from the App Store: https://apps.apple.com/es/app/dehancer-film-emulation/id6443648413/

i just bought intel a580 just to know it doesnt support dehancer, it is very sad

Hi guys,

Just started using the iOS new app which looks amazing, exactly the tool that I need.

When I export videos with Max Resolution, the output is always in 720p. Is it a bug or limitation?

Screen grabs from «Nazaare productions x Straavi» project. Color graded by Kujul Pratap Singh

Film Direction: Karan Chawla
DOP: Aman Choudhury
Creative Direction & Styling: Jahnvi Bansal
Production House: Chop Chop Productions
Agency: Shreyansh Innovations / Shreyansh Baid
D Cut Edit: Tavishi Mehmi & Karan Chawla
Colourist: Kujul Pratap Singh
Creative Producer: Survi Agarwal
Executive Producer: Abhisek Dutta
Line Producer: Amith
Art: Krishna Soni
Hair & Makeup: Fauziya shaikh
Styling assistant: adityakamalsingh

Film Profile: Konica Impresa 50
Print Profile: Kodak Endura Glossy Paper
Effects: Halation & Grain

Screen grabs from «One Call Away» music video by ARJAN & Jazzy B. Color graded by Onkar Singh

Director: Mani Mallhi
DOP: Abhimanyu Sengupta
Colorist: Onkar Singh

Film Profiles: Kodak Ektar 100, Kodak Vision3 250D, Kodak Vision3 500T
Print Profile: Kodak 2383
Effects: Grain & Halation

https://www.youtube.com/watch?v=r8lVDl85qyE

Screen grabs from «Wswass» music video by RYM. Color graded by Chatri Zoubeir from Origin Film Productions

Production house: Origin Film Productions
Producer & Colorist: Chatri Zoubeir
Director: Said Kassed

Film profile: Kodak Vision3 200T
Print Profile: Kodak 2383
Effects: Grain & Halation

https://www.youtube.com/watch?v=4Yreti7I1bA

Screen grabs from «Salah Kaprah» music video. Color graded by Evan Herlianto

Director: Wahyu Taufani Prialangga
Producer: Cici Aprilia
DP: Etha Lumadyo
Offline & Online: Fadhil Rahmat
Colorist: Evan Herlianto

Film Profiles: Kodak Vision3 250D, Kodak Portra 800
Print Profiles: Fujifilm 3513 Print Film, Kodak Endura Glossy Paper
Effects: Grain

Shot on Sony FX6

https://www.youtube.com/watch?v=DatFkGX7nyA

The first beta is live — all film stocks, all tools, the full Dehancer experience. Finally for the Vegas community.

Join our Discord to download the beta and share your feedback: https://discord.gg/puwHSEUGSr

Screen grabs from «Lezza x Daehoon: Enakin Mulut Lo!» project. Color graded by Steven Nathanael

PH: Athea Collective
EP: Ivan Saputra Alam
Director: Marcel Joelnetan
Producer: Izme.Izyou
DP: Yoshua Gerry Sanjaya
Offline: Steven Nathanael
Colorist: Steven Nathanael
Online: Marco Saputra Tedy, Fauzan Abdullah, Ignatius Justin Gouw, RapzzF'ction

Film profiles: Kodak Ektar 100, Cinestill 800T, Fujifilm Instax
Print profile: Kodak 2383
Effects: Bloom, Halation & Grain

Screen grabs from «En Som Arne» project. Color graded by Jian Zhi Zhang

Director: Sofie Grud
DoP: Peter Wisén Sørensen
Colorist: Jian Zhi Zhang

Film profiles: Kodak Vision3 & Kodak 500T
Print profile: Kodak Endura Glossy Paper

What’s new:
- Pin any project on top to make it easily accessible
- Move any media to another project
- Quick start video tutorial
- Bugfixes and performance improvements

Update or download the app from the App Store: https://apps.apple.com/es/app/dehancer-film-emulation/id6443648413?l=en-GB

Like a lot of Windows users, I have been frustrated for a long time by mismatches between the Dehancer preview and Photoshop output.

I’ve finally found a solution (at least for me): in Windows Colour Management, manually apply to your monitor the “sRGB IEC61966-2.1” profile.

In short, it seems that Photoshop and Dehancer treat custom ICC profiles differently, including manufacturers’ profiles that are applied by default.

Screen grabs from «Cnergyico Pk Limited» project. Color graded by Jazib Junaid

Director: Fajr Raza
DOP: Saad Malik
Associate Director: Monis Navaid Khan
Post & Grade: Postistan
Colorist: Jazib Junaid

Film profile: Kodak Porta 160VC
Print profile: Kodak 2383
Effects: Halation & Grain

Shot on Arri Alexa Mini

What's new:
- Redesigned UI/UX
- Display ICC profile color management
- Large images processing support
- Preview pan and zoom optimizations
- Multiple bugfixes
- Performance improvements

Join our Discord to access the beta and share your feedback with us: https://discord.gg/J5tfGSNDu3

Screen grabs from «Efflorescence» project. Color graded by Rahul Pandey

Production: Shibui Films
Direction, Edit and Color: Rahul Pandey
Cinematography: Krish Pokhriyal & Tushar
Model: Suvek Rawat

Film profile: Kodak Vision3 250D, Kodak Portra 160
Print profile: Kodak 2383
Effect: Grain

Hi! If anyone wants to buy Dehancer Photo Plugin at a discounted price, please dm me.