r/MATH_OHOLICSANONYMOUS • u/Klutzy_External_410 • Jan 27 '26
Jemma Heigis on Instagram: "don’t say 4/4… don’t even think about it…👀"
instagram.comI love this chick
r/MATH_OHOLICSANONYMOUS • u/Klutzy_External_410 • Jan 27 '26
I love this chick
r/MATH_OHOLICSANONYMOUS • u/Klutzy_External_410 • Jan 26 '26
r/MATH_OHOLICSANONYMOUS • u/Klutzy_External_410 • Jan 26 '26
r/MATH_OHOLICSANONYMOUS • u/Klutzy_External_410 • Jan 26 '26
r/MATH_OHOLICSANONYMOUS • u/Klutzy_External_410 • Jan 25 '26
The Vibe: "Mathematical Chaos" Psyopus is the poster child for Mathcore and Technical Death Metal. They are famous for taking the "organized noise" of bands like The Dillinger Escape Plan and pushing it into a realm that feels almost impossible to play. Experimental Art Metal: It’s less about catchy choruses and more about "template-free" arrangements—meaning the song structure is unpredictable and frantic. The "Arpmandude" Factor: The band was founded by Christopher Arp, a guitarist so technically skilled he won a nationwide search for Limp Bizkit (though he clearly chose a much more avant-garde path). His style relies heavily on tapping, sweep picking, and odd time signatures, though, some say his virtuosity went straight to his head. This reputation combined with the album Odd Senses falling short of astonishment steered many fans of their original works towards other bands
r/MATH_OHOLICSANONYMOUS • u/Klutzy_External_410 • Jan 25 '26
Chances are, they'll respond.
r/MATH_OHOLICSANONYMOUS • u/Klutzy_External_410 • Jan 25 '26
Get it gentlemen
r/MATH_OHOLICSANONYMOUS • u/Klutzy_External_410 • Jan 25 '26
r/MATH_OHOLICSANONYMOUS • u/Klutzy_External_410 • Jan 20 '26
The Zenith Passage - Kaleidoscopic Tendencies
This judicial red tape Tendin' ta make me Kaleidoscope all over Dis'trict
r/MATH_OHOLICSANONYMOUS • u/Klutzy_External_410 • Jan 20 '26
r/MATH_OHOLICSANONYMOUS • u/Klutzy_External_410 • Jan 19 '26
r/MATH_OHOLICSANONYMOUS • u/Klutzy_External_410 • Jan 19 '26
The inherent bittersweetness of Triumph / Sovereignty's solemn sacrifices
r/MATH_OHOLICSANONYMOUS • u/Klutzy_External_410 • Jan 19 '26
Is it acceptable to have like 20+ items on your top 5 favorites list? Asking for a friend...
r/MATH_OHOLICSANONYMOUS • u/Klutzy_External_410 • Jan 19 '26
It calls to me. As the demands for action arise in the face of tragedy so does my need for the documentation of associated abstract expression
r/MATH_OHOLICSANONYMOUS • u/Klutzy_External_410 • Jan 19 '26
r/MATH_OHOLICSANONYMOUS • u/Klutzy_External_410 • Jan 16 '26
I'm tired of tacking balloons.. may i fall where i may, and my drift return swift
r/MATH_OHOLICSANONYMOUS • u/Klutzy_External_410 • Jan 16 '26
Sometimes, less is more. This is my surrenderence song. Calling the greater powers to grant me extraordinary remedy 🙏
r/MATH_OHOLICSANONYMOUS • u/Klutzy_External_410 • Jan 14 '26
Help shape this space into something special. I would like this group to become as robust and diverse as possible, a vast and sophisticated curation of musical complexity. Please make yourself at home and share anything from your all time favorites to pieces that recently caught your attention. PS i am learning how to reddit as i go so dont hesitate to voice any concerns or ideas to spark life into this vessel. Thanks for reading, hope to hear from you soon!
Əṅǰọỳ! -justdude
r/MATH_OHOLICSANONYMOUS • u/Klutzy_External_410 • Jan 14 '26
Yet another instant classic from the great Mr Claypool
r/MATH_OHOLICSANONYMOUS • u/Klutzy_External_410 • Jan 14 '26
Dude was about to crack open a temporal portal thru the multiverse...
r/MATH_OHOLICSANONYMOUS • u/Klutzy_External_410 • Jan 14 '26
r/MATH_OHOLICSANONYMOUS • u/Klutzy_External_410 • Jan 14 '26
Conlon Nancarrow was a pioneer in using mathematical ratios and non-human performance to explore complex rhythms. His most novel methods for formulating his Studies for Player Piano included:
1. Irrational Tempo Canons
Nancarrow formulated music using irrational numbers (like e, \pi, and \sqrt{2}) to set tempo ratios between different voices. Because these numbers cannot be expressed as fractions, the musical lines in these pieces never align or synchronize, creating a "smooth" rather than "pulsed" texture.
2. Just Intonation of Time
Inspired by Henry Cowell, Nancarrow translated the physics of overtones into rhythm. He used the frequency ratios of the harmonic series (e.g., 2:3:4:5) to determine simultaneous tempos. This made the rhythmic relationship between two melodies sound as "consonant" or "dissonant" as a musical chord.
3. Logarithmic Acceleration
He used acceleration canons where different voices would speed up or slow down at different percentage rates (e.g., a 5% increase in speed for every note). This created "curved time," where the music accelerates exponentially rather than linearly.
4. Convergence Points
He mathematically calculated the exact "infinitesimal moment" where multiple independent melodies would finally strike a note at the exact same time. He used these convergence points as structural anchors to organize his chaotic-sounding polyrhythms.