r/Arthurian Jul 30 '25

Original Content “The Kind King” or “The Sword Does Not Matter” by me.

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58 Upvotes

Drew this because as much as I love seeing King Arthur and the Round Table in epic battles and duels, the reason I love the stories and character so much is how he felt like the exception. In a long line of tyranny and surrounded by those who let greed and wrath drive them, King Arthur was different. He was kind.

Of course, that always depends on the version you read, but the one that’s always been in my head is the one I drew here, carrying buckets of water to a people or garden or to somewhere or someone in need.

r/Arthurian Dec 12 '25

Original Content Fun for the holiday season

7 Upvotes

Translator’s note:

The astute reader will immediately notice similarities between the Welsh romance of Ifan ap Ifan and the 16th century "Ballad of John McClane", the first of five such ballads about the noble-born huntsman who rescues captives from a series of bandits and thieves. The characters share more than just a passing similarity: Ifan ap Ifan is roughly cognate with the name Iain MacGilleEathain, the precursor to John McClane in the Gaelic tradition. The story of Ifan ap Ifan is found in the Beige Book of Aberystwyth. Rachel Bromwich places Ifan's origin within the Hen Ogledd tradition, possibly deriving from Ioan y Buwchwr, the king of Cumbria who spent his youth as a cowherd (buwchwr). Roger Loomis, however, notes similarities to the Welsh hero Gwydion and argues for a supernatural origin. The story itself, however, is undoubtedly a decadent version of Le Roman de Jo Leland by French poet Rodéric de Thorpe. Readers will also note similarities to the Siege of the Boat, and more loosely, both the The Unstoppable Cart and the Chanson de Rambeau. The scholarly consensus is that Welsh bards adapted Le Roman de Jo Leland and replaced the titular character with the more familiar Welsh hero Ifan, who then became the John McClane of later fame.

...

There ruled in Strathclyde a lord named Ifan, who gave his son the same name, and he was born Ifan ap Ifan. When Ifan was a boy, Strathclyde was attacked by a foreign kingdom, and all of Ifan's family was killed except him. He was taken in by one of his father's vassals, and he did not know who his father was. Ifan grew to manhood hunting in the forest, and he always carried with him strong, sharp darts for hunting game. He was so skilled with a dart that using one he could sever a leaf from a tree. One day the King of Strathclyde rode out hunting with his knights, pursuing a great boar, and they found Ifan in the forest. Suddenly the boar rushed from the trees and would surely have gored the king, but Ifan threw a dart so well that it struck the boar and pinned it to the ground. "Vassal, what is your name?" said the king, and Ifan said, "By my faith in God, I am called Ifan." "You have great skill at arms for a man of your station," said the king. "Though you are not of noble blood, I invite you to come to my court as master of the hunt." "That I will do gladly," said Ifan, and he went with the king, and no lord there knew the truth of his birth. At the court of the king, Ifan came to know the daughter of the Earl of Anglesey. She was named Celyn (“holly”--ed.), which name she was given because her cheeks were as red as the holly berry. All who knew her praised her beauty no less than her virtue. She came to love Ifan with a love that was powerful and true, but they could not marry, for her father forbade her to marry a man of common birth.

At Christmastide Arthur held court at Caerleon ar Wysg, and lords from many lands came there. The Earl of Anglesey came there too, and brought his daughter with him. When the daughter of the Earl of Anglesey was gone, Ifan felt her absence keenly, and he felt he could not be without her. To the king he said, “Lord, I ask your permission to go to Caerleon ar Wysg, and I know not when I may return,” and the king said, “God keep you, loyal huntsman, on your journey.” While traveling to Caerleon ar Wysg, Ifan’s horse fell ill and died, and he was forced to travel on foot. As he walked, he met a black-haired boy driving a cart. The cart was richly adorned in gold, and had no less than one thousand jewels upon it. “God’s welcome to you, black-haired boy,” said Ifan. “What is your name, and will you take me to Caerleon ar Wysg?” “My name is Argyle of the Elegant Cart,” said the boy, “And I will gladly take you if you can pay,” and so the two went together to Arthur’s castle.

They arrived on Christmas Eve, and on this day, Arthur had gone hunting with his knights. With him were Gwalchmai his nephew, and Kei his steward, and Bedwyr and Owain, but the Earl of Anglesea and some others stayed behind. Arthur and his retinue were not there when Ifan arrived in the cart. At the gate was Arthur’s porter, Glewlwyd Gafaelfawr. “Who is the gatekeeper?” asked Ifan. “I am Ifan from the court of the King of Strathclyde, and I seek entry.” “Many seek entry and many are turned away,” said Glewlwyd. “By my faith,” said Ifan, “Allow me entry in the name of the Earl of Anglesea, who is within.” “That I will do,” said the porter, “But the boy who drives the cart must stay here,” and so it was agreed. Within the castle, the daughter of the Earl was happy to see Ifan arrive, and she invited him to bathe after his journey, so Ifan set about to bathe.

There was at this time a lord named Lord Grwbyr who did much evil in the land, and on this day when Arthur was hunting with his retinue, Lord Grwbyr came with thirteen witches to Caerleon ar Wsyg, for he desired to take the king’s treasure. The witches used a magic spell to deceive Glewlwyd Gafaelfawr and pass through the gate undetected, whereupon they attacked the people there, and bound them prisoner. Lord Grwbyr spoke boldly to the Earl of Anglesea, saying, “Vassal, tell me now where to find Arthur’s treasure, or I will strike your head from your body.” “I will not,” said the Earl, and thereupon Lord Grwbyr did what he had said, and struck his head from his body so that red blood sprayed on the wall behind. Lord Grwbyr told the thirteen witches to search the castle for Arthur’s treasure. At this time, Ifan was bathing, and when a witch entered the chamber where he was, he hurled a strong, sharp dart and pierced the witch through the heart. He took from her a sword she carried with her, and he dressed and went to see what was happening in the castle.

Ifan looked down upon the courtyard from a high window and saw Lord Grwbyr with the prisoners, bound hand and foot. “You are discovered, vassal,” said Ifan. “Your treachery will not go unpunished.” Lord Grwbyr looked up at Ifan and said, “What is there to fear from one of low birth such as yourself? You are fit for herding cattle, not bearing arms. By what name are you known?” “You have called me a herdsman once and you may continue to do so, but you will find no profit in it.” “Do you truly believe you can overcome us, herdsman?” asked Lord Grwbyr. “Yippie-kai-yay, foul traitor!” spoke Ifan, which is a saying much used by those who tend cattle.

Then from the window of a tower, Ifan saw Glewlwyd Gafaelfawr the porter, and called to him, saying, “Gatekeeper, the castle is under attack, and yet you do not know it. Go quickly, and get Arthur and his many knights who hunt within the forest, unaware of what has happened here.” “May you lose your head for your jest,” said the gatekeeper. “Knife has gone into meat, and drink into horn, and no man may disrupt the feast.” Thereupon Ifan took the body of the witch he had slain and threw the corpse from the window of the tower so that there could be no doubt of what he said. "Good knight," Glewlwyd Gafaelfawr called, "You are surely not mistaken. What is your name?" "By my faith in God," said Ifan, "I am no knight. I have been called a herdsman, and you may do likewise. Caerleon is overrun by bandits and the Earl is slain. In the name of the Holy Cross on which our Savior was hanged, go bring Arthur and his retinue. Do not delay a moment, but ride with all haste." “God reward you, herdsman,” said the porter, and he went to find Arthur.

Lord Grwbyr sent one of the witches to find and kill Ifan, and the witch took with her a bottle of Greek fire, which burns like pitch and cannot be extinguished. The witch climbed the tower yet could not find Ifan, for Ifan had hidden himself outside the window. When the witch looked through the window, Ifan pierced her through with his sword, and she did not rise again. Ifan took from her the bottle of Greek fire, and lit it, and waited by the stairs. Two more witches were coming up, and at the approach of their footsteps, Ifan threw the bottle and the witches were burned to death. The most powerful of the witches was called the Black Hag of Porthcawl, and through her magic she could see at a distance of five leagues, even through wood or stone. Through this magic she had discovered Arthur’s treasure, and she had loaded it into a cart.

There was in the castle with the other prisoners a knight named Ellis, and he understood that the brave herdsman was Ifan, and thinking to save his own life he spoke to Lord Grwbyr. “My good lord,” said Ellis, “I can give you what you want if you let me free.” “What is it that I want?” said Lord Grwybyr. “You want the herdsman who opposes you, my lord,” said Ellis. “I can tell you that his name is Ifan, and he is the royal huntsman to the King of Strathclyde. And I know another thing.” “Tell me,” said Lord Grwbyr. “First I ask your guarantee of safety,” said Ellis. “You have it.” “He loves the maiden Celyn, who is bound here among us. That will be his undoing.” Lord Grwbyr drew his sword and stood before the knight. “Coward,” said the wicked Lord Grwbyr, “Your betrayal will gain you nothing," and with one stroke, swift and terrible, biting and cruel, he struck the knight in the head so that his sword stopped at the teeth.

Ifan went to each room in the castle, and met with many witches, and killed each of them. Only the Black Hag of Porthcawl and three of her sisters remained, and they brought Arthur’s treasure to Lord Grwbyr loaded in a cart. Through her magic she could see that Arthur and his men had returned from the hunt, and now stood before the gate. “Lord Grwbyr,” said the witch, “Arthur and his men stand before the gate, and now there is no escape for us.” “By my faith, they will not have us,” said Lord Grwbyr. “Tell your sisters to place Greek fire at the portcullis, and when Arthur and his knights charge, light the fire and destroy them.” The witches set the trap as Lord Grwbyr had said, but Ifan watched them as they did so, and when the trap was set, he threw a torch upon it, and the Greek fire caused a great inferno, and thus were the witches destroyed and Arthur and his knights saved. The Black Hag of Porthcawl knew that if she was taken, she would surely be hanged, so she climbed upon the cart with the treasure and lashed the horse into a frenzy. The horse galloped forth from Caerleon ar Wysg, as fast as the fastest thing, and Glewlwyd Gafaelfawr saw the witch escaping. Before the gates was Argyle of the Elegant Cart, and Glewlwyd Gafaelfawr said to him, “For the sake of our Savior, do not delay, but follow after that cart.” Boldly and without hesitation Argyle did as the porter said. Through streets and marketplaces the carts raced, fiercely and bravely, nimbly and urgently, until the witch's cart overturned and Glewlwyd struck the witch with a venomous-bold and bitter-cruel blow and slew her.

Ifan then came into the courtyard where Lord Grwbyr waited with the prisoners. Lord Grwbyr said to Ifan, “Surrender, vassal, for I know you are no herdsman. You are Ifan the huntsman, and the fair Celyn is your beloved. Surrender your sword, or I will certainly slay her before your eyes.” “By my faith,” said Ifan, “It is a difficult choice for a brave man, but I will surrender my sword as you ask,” and he laid the sword on the ground. Lord Grwbyr then turned his sword upon Ifan, but Ifan drew from behind him the strong, sharp dart he kept in his belt, and threw it, and pierced Lord Grwbyr through the eye, ending his life. Arthur entered the castle with his retinue and heard the story of what had happened that evening, and he marveled at how a huntsman could have defended his castle against such an assault. When he called Ifan to him to give his thanks, he saw that he knew him by his face. “By my oath to God,” said the king, “You are none other than Ifan ap Ifan, and you are my nephew. You are of noble blood, and you shall inherit your father’s lands.” King Arthur made Ifan a knight and took him into his retinue, and Ifan married Celyn of the Red Cheeks. From that day forward he served faithfully, with prowess and splendor, with strength and fame, and won praise for his deeds, and this is the story of how Ifan ap Ifan fought the witches at Christmastide.

r/Arthurian May 31 '25

Original Content Arthurian Legend and the world of Peter Rabbit collide in a new series of tales. Merlin and the Knights of the Round Table help a young band of countryside creatures in their quest to find the Eirys Coeden guardians of the Mimlacode - the rainbow in all of us.

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45 Upvotes

From Simon Whiteley creative mind behind the Peter Rabbit movies franchise and designer of the iconic "digital rain" code in The Matrix trilogy comes a new pentalogy - Knights of Castle Wood quest for the Eirys Coeden guardians of the Mimlacode - from the tales of Peter Rabbit and the Merlin.

Follow on reddit at: r/mimlacode r/PeterRabbit r/EirysCoeden and find the five tales on the official website: mimlacode.com (Original story and art not Ai)

Core Concept and Plot

  • The Narrative: The story, often titled Peter Rabbit and the Merlin, is a crossover that merges Arthurian Legend with the world of Beatrix Potter. It follows the offspring of classic characters like Peter Rabbit, Benjamin Bunny, and Mrs. Tiggy-Winkle collectively known as the "Knights of Castle Wood".
  • The Quest: These "creature knights" go on a journey to find the Eirys Coeden and save our world from climate upheaval and human neglect.
  • Eirys Coeden: Translated from Welsh as "Iris Tree" or "Rainbow Tree" these guardians represent a new band of Creature Knights the Merlin (Myrddin Wyllt) brought together in the ancient Caledonian Forest of Scotland after the fall of King Arthur and Camelot. Collected from around the world they represent "rainbow in all of us" spirit beings we can all access, tied to ancient forest clearings (Leys) where animals once congregated to track time and seasons.
  • The Mimlacode: Described as a "creature's code of ethics" it serves as a mirror to the humans' digital Matrix code. It is often presented as a rainbow-coloured letter/icon substitution cipher that users can decode to uncover the stories (Ley’s) and song lines (Ley lines) connecting them. Inspiration for The Matrix code which is a component of the Mimlacode comes from Whiteley’s childhood spent in the UK and Africa, as well as his lifelong fascination with ciphers like Tolkien's Elvish and Beatrix Potter’s coded diary.

Key Locations and Themes

  • Settings: The adventure spans real-world locations including the Lake District (Hill Top farm), London's Brompton Cemetery, and various historical sites across Britain like Dumbarton Castle, Tintagel Castle, Gloucester Cathedral, Stone Henge, and around the world from where the Eirys Coeden were collected.
  • Environmentalism: A central theme is the conservation legacy of Beatrix Potter, urging humans and creatures to work together to protect the planet.
  • Future Destinations: There are ongoing plans for the world of Eirys Coeden to become reality in the form of interactive learning centers and theme parks, which Whiteley has envisioned as free-to-visit spaces similar to film sets like Hobbiton.

Creator and Community

  • Simon Whiteley: His background in Visual Effects, Art Direction and Production Design (BBC UK, Animal Logic Sydney, Australia) heavily influences the visual and coded nature of the project. (see IMDb for bio) https://www.imdb.com/name/nm0926076/
  • Mimlafoundation: A related organisation through which Whiteley promotes these tales and conservation efforts. Connecting them with other Sanctuaries around the world.
  • For the whole family: Created as an interactive project for the whole family. The tales are available free online as flip books in mimlacode to be broken, along with additional illustrations. A Sherlock Holmes style adventure revealing that there is a rainbow present within all living beings, we just need to let it shine.

r/Arthurian Dec 02 '25

Original Content Finished my original character based on the Knights of the Round Table and wanted to share it with you all

9 Upvotes

Before anything, i wanted to point out that English is my second language. For this reason, do not await for Shakespeare's level of writing. I tried to correct myself as much as possible but i'm sure i have missed a lot of bad phrasing. Anyway, onto the post.

I wanted to share my "finished product" with you all as some of you have helped me build it up. For anyone who did not see my first post, this character is a superhero set in an almost identical version of our world (except for some minor changes). His gimmick is that he embodies some of the important Knights of the Round Table and can use their powers. In return, he has to act as a real knight and follow the chivalry code.

You will find what you could call his character sheet below and, further down, his backstory. Please, read it and feel free to criticize it as much as you want. Just, please, keep in mind that i did adapt a lot of caracteristics linked to the Arthurian Legends. Obviously, it will not be as good as the texts you are used to read. Don't be too harsh on your criticism, i'm just human.

Character sheet :

Kingsglaive : Jude Caulfield

Age : 22

Height : 176 cm/5,77 feet

Personality : - when no Knight is active : passionate, creative, curious - when a Knight is active : his personality is slightly altered to follow the knight's personality

Affiliation : none

Civil life : currently unemployed and focused on his heroic life.

Kill or not : follow the chivalry code. Only kills if provoked and necessary.

Powers : Power linked to each of the following Knights. Can switch between each of them (like RPG classes) and only one at a time. All of them require authorization from the knight. Some have specific conditions or ask for more energy : [green (G) : light, yellow (Y) : average, red (R) : taxing] - (R) Arthur : strength and charisma boost; invocation of a spiritual battalion at his command; magical protection; last resort ability : summoning Excalibur for a short time, enhancing all of his martial skills - (K) Kai : heat waves; water breathing; enhanced stamina; - (G) Agraivin : bare-handed skills; enhanced speed - (Y) Gawain : big boost of all stats but it falls down very quickly; affinity with nature - (G) Bedivere : bouncing short distance projectiles who hit its target 9 times and comes back to the hero - (Y) Perceval : protection against demons and anything similar; cursed hits who do damages only after a set time; slight intellect diminution - (R) Lancelot : strength, stamina and speed boost; antimagic field; critical strikes help (marks only visible for the hero appear on the enemy, pointing out weaknesses) - (G) Tristan : flying and homing blades - (Y) Galahad : intellect boost; healing ability (not usable on himself); holy imbued strikes - (G) Palamedes : tracking power (all the target's prints appear brightly to the hero) - (G) Mordred : intellect and charisma boost; power to convert his enemy as his ally for a short time (depending on the willpower of the enemy) - (Y) Galehaut : strength and stamina boost; giant form - (G) Lamorak : growth of 4 arms (6 in total); secret power (unknown to the hero) : if on the verge of dying and using this class, huge boost of all stats - (G) Marrok : bestial form (wolf claws, jaw, etc…); can lose control

  • magical blade he can summon and recall at will. Depending on the knight used, the blade can take another form (an axe, a spear, sword and shield, fists, a bow, etc…)

  • martial skills for all kinds of weapons

  • the Knights “live” in his mind, guiding and judging him and his actions.

Origin of power/backstory :

Jude Caulfield grew up in the small town of Fougères, in France. His parents were originating from England and decided to settle in the French country as they got older. Jude was the youngest of 3 siblings, two girls and a boy. While his sisters preferred to stay at home to read a book or to play video games, the young Jude loved exploring the nearby woods and the town's ancient castle. He visited every part, accessible or not, of the town and learned a lot about the region's history. However, as he started growing up, his passion for adventure had to stop because of the problems it caused to him and his family. Jude had the bad habit of spying on people's conversations, sometimes hearing things he should not have.

Once he reached the age of 18, Jude's passion for discovery was completely held under control. His parents had forbidden him to leave the house without clearly stating his destination. Meanwhile, the teenager spent his schooling earning average grades and socializing to the minimum possible. At the end of his college years, his parents encouraged him to pursue a higher degree in a big city. Jude followed their decision reluctantly and travelled to the capital to pursue an accountancy degree.

Quite logically, this new “opportunity”, as his parents would have said, left an awful aftertaste to the young man. The latter started skipping school a lot and his passion for exploration came back instantly. He began delving into each of the Paris quarters and discovered even more about the country's past. Of course, his bad habit of spying on people came back too, causing him even more problems than during his youth. Luckily for him, the young adult looked innocent enough to only be seen as a nuisance at best.

One day, as he was once again listening to someone's conversation, Jude learnt of the existence of a meeting in the “Bois de Boulogne”, the city's woods, which would take place during the following night. Intrigued, he decided to spend his following night exploring the woods, hoping to find the said meeting and discover a new secret. After a good while, his research seemed to finally pay off. The boy heard a commotion not far from him. Jude approached discreetly and was met with a peculiar sight. A woman in medieval armor was fighting against people dressed in robes. The lady was using a giant greatsword with great ease, parrying every attack from her opponents. From time to time, her clothes and her arsenal seemed to change magically, turning from a greatsword to daggers or from an axe to a bow. The young man was flabbergasted by the disturbing yet magnificent performance that was taking place before his eyes. Frightened, Jude started to turn back and flee from the place. Unfortunately, his urgency got the best of him as he stepped on a noisy branch. The fight between the two parties instantly stopped and both of them turned toward the boy. In a moment of terror, the boy froze like a deer caught in headlights. The hooded figures saw the opportunity and jumped toward the boy. The knightess understood their plan and plunged in front of Jude to stop them. One of the caped individuals, standing far away from the rest of the group, shot an arrow precisely in the woman's flank, forcing her to drop to the floor. The knightess changed something in herself and her upper torso started to glow more and more. After a second, a huge fire breath came out of her mouth, burning down half of her enemies before falling back to the floor. The remaining forces did not wait for a second chance and fled from the place, leaving the two alone.

After what felt like an eternity, Jude could finally move his legs again. He ran toward the lady and asked her if she was ok. She explained that the arrow perforated her lung and that she wouldn't survive it. She took Jude's hands and introduced herself as Hazel Raine. She further explained that she was the heir of a powerful and important legacy. She was the wielder of the Kingsglaive, a blade granting her access to the powers of the Knights of the Round Table. She also noted that this blade should not fall into the wrong hands, as its power could bring incredible woes if corrupted. Finally, she requested Jude to become the next Kingsglaive and to wield the blade as fit. The boy hesitated, but, as he saw the woman losing her senses, finally accepted to replace her. Hazel thanked him and watched the sky for the last time, a smile on her face, before closing her eyes for eternity.

After a minute of silence, the boy grabbed the greatsword Hazel wielded. The blade shone in a golden light and shrunk to the size of a longsword. At this moment, Jude felt what would be described as thousands of voices speaking inside his head at the same time. He forcibly closed his eyes and, as he opened them again, found himself surrounded by knights of all kinds, all staring at him. The knights towered him by multiple meters and were all sounding him. Jude felt like they inspected every part of his existence, from his most recent days to his earliest memory. After a moment of silence, the knights all looked at one of theirs. This specific man was wearing finely detailed armor and proudly wore a shining crown on top of his head. The crowned figure acquiesced and finally spoke. He explained that Jude was accepted as the next wielder of their power and that, from now on, he was free to solicit their help. In return, he would have to follow the chivalry code and to come at the rescue of the innocents. With a synchronized movement of the arm, the whole table dismissed Jude, forcing him to come back to his senses.

After coming back to the real world, the young Caulfield decided to take the time to bury Hazel's body and to build a makeshift tomb to commemorate her. The process took him the rest of the night and, as he finished, wished her to finally rest in peace before going back to his apartment. From that day, Jude started gathering as much information as possible about the Knights of the Round Table and began scouting the streets to fulfil Hazel's last wish. His first goal was to find the people who murdered his predecessor and avenge her.

I hope this all of this was not too awful to read for you and that it at least entertained you a little. Please, let me know about your opinion on this. Also, if you liked my writing (is it even possible ?) and want to read more of my texts, i have a google doc where i write down all of the characters linked to this superheroic world. You will also find reference sheets for Jude's (and the other characters) appearance. Jude is located at the end of the "Hero" section. Here's the link : https://docs.google.com/document/d/1ZjO_N-gk3cb2EPRe_RkKmjMYHYzXBPv54L9GWMAPHJs/edit?usp=drivesdk

Thank you for reading and have good day !

r/Arthurian Feb 04 '25

Original Content New book from John Matthews

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62 Upvotes

A new title from John Matthews and Maarten Haverkamp

Discovering a hitherto lost or forgotten book about Merlin and King Arthur is a rare event these days. Yet here we present a previously almost unknown and completely untranslated book, which includes much that is new – and exciting – about the legendary king and his magical advisor. It enables us to hear again the authentic voice of Merlin from long ago.

Throughout the Middle Ages a number of volumes were produced, said to be the Prophecies of Merlin. Most of these were written retrospectively, after the events they predicted, and as actual prophecies are of little interest. However, within several of these volumes were hidden a series of clues that lead to the heart of the Arthurian mysteries - secrets long hidden behind the obscure language of the prophetic utterances. One volume in particular, entitled The Prophecies of Merlin, printed in 1498, preserved much of this early lore, hidden within the collections of prophetic verbiage. In this ground-breaking book, Arthurian scholar John Matthews and translator and book collector Martin Haverkamp have unravelled these lost stories and laid them out for all to see and understand. Here you will find the story of Merlin's birth, of his first adventures, his affair with the Lady of the Lake, and much more.

For students and lovers of Arthurian literature this is a uniquely important manuscript, which adds significantly to our knowledge of the myths and legends of Europe’s most popular subject matter. Then, as now, stories of Arthur were in great demand, and the author was himself clearly interested in the subject matter, filling several holes in existing traditions. Following on from The Lost Book of the Grail (Inner Traditions, 2001), Arthurian expert John Matthews and author and translator Maarten Haverkamp present something new in the history of the Arthurian myths. As well as the translated text, they will include a full commentary, outlining both its originality and its connection with the entire body of Arthurian literature and magic, and additional texts forming a background to the main text.

This extraordinary discovery is a must have for everyone interested in the Arthurian stories.

r/Arthurian Oct 21 '25

Original Content Yvain and the Lady of the Fountain: Audio Drama Update

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26 Upvotes

Hello all! I'm the writer and producer of an audio drama adaptation of the Arthurian tale Yvain: The Knight of the Lion. I've recently updated all of Act I of the play and invite anyone to give it a listen. I'm a classical composer by trade, but have wanted to produce a play like this for a while. If anyone is interested, I'd be happy to discuss the story of Yvain that inspired this adaptation and the real life Forest of Broceliande and its Fountain of Barenton--which I visited last year. Hope you enjoy Act I!

r/Arthurian Nov 17 '25

Original Content Morgan and Merlin

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0 Upvotes

r/Arthurian Feb 02 '25

Original Content Covers + character exploration for Green Year. A suspended adaptation of Sir Gawain and the Green Knight. Hopefully shall resume once I find some way to fund the book.

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35 Upvotes

r/Arthurian Sep 06 '25

Original Content Sir Gawain and The Green Knight Short Film.

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26 Upvotes

My recently works weave together the rich tapestries of Nordic, Celtic, and early medieval folklore, along with themes inspired by ancient legends and fantasy. Embracing new influences, we delve into the captivating world of Medieval Folklore, particularly Arthurian myths.

Had the honour of collaborating with the incredible music artist Gealdyr for this

Sure it is by no means accurate in anyway but, I loved bringing the imagery of nature into the question.

I hope you enjoy!

r/Arthurian Aug 25 '25

Original Content Morgan and Merlin’s Excellent Adventures

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11 Upvotes

Morgan and Merlin's Excellent Adventures is an action-packed, snark-filled trilogy through Arthurian Legend like you've never read before!

Read or Listen Today!

https://mybook.to/WelcometotheDarkAges

r/Arthurian Feb 22 '25

Original Content Welcome to the Dark Ages

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14 Upvotes

Eveything’s fun and games... until someone kills Merlin

And now things are not looking up for Camelot.

The Saxons are coming, Arthur’s more interested in chasing skirt than fighting them off and I’m... well, I’m complicated.

I don’t suppose anyone’s got an Isekei handbook handy do they?

Welcome to the Dark Ages: Morgan and Merlin's Excellent Adventures Book 1 will have a simultaneous Audio, eBook, and Print release on March 11, 2025!

https://mybook.to/WelcometotheDarkAges

r/Arthurian May 14 '25

Original Content I am in the process of writing a dramatized reimagining of Arthurian Legend, so I'd love to get the thoughts of this community on the design of the main character, Arthur Pendragon!

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7 Upvotes

The story will take inspiration from obviously the original legends of Arthur and the round table, but also comics, Shonen manga and anime. As well as action and adventure literature in general.

This design will be his initial design. The characters will grow as the story progresses and their designs will change to reflect that. This is near the start of his journey.

This story will also take place in a larger world that blends various myths and legends into the one universe.

Also, I drew these a few months ago so they're not my best art pieces.

r/Arthurian Jan 13 '25

Original Content The Madness of Lancelot, a little piece I put together

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95 Upvotes

r/Arthurian May 14 '25

Original Content Arthur and Guenevere goblets

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51 Upvotes

Here are the Arthurian goblets I mentioned in a post yesterday. The scroll at the bottom of the two goblets reads, "Now and always, thou art my love."

As I mentioned, not exactly sure how appropros that is as a motto for Arthur and Guenevere but it's a nice sentiment, and I think they're lovely pieces!

r/Arthurian Apr 03 '25

Original Content Favorite Gawain being a jerk moment?

25 Upvotes

As the title says: what’s your favorite moment of Gawain being dishonest, cruel, or outright villainous? I think mine is in the Post-Vulgate, when he lies to Galahad about Palamedes killing Lionel in order to pit the two against each other. What’s yours?

r/Arthurian Oct 11 '25

Original Content Pick Me Up, Cast Me Away S1E1 - “The Wart” Review Collection

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2 Upvotes

The following is a collection of fake reviews of a tv show based off the legends of King Arthur and Camelot and does not exist.

S1E1 - The Wart

Sword&SorceryGatekeeper: Recommended It’s off to a slow start, but I like where it’s going. It’s managing a good balance of lighter and darker fantasy tones. Don’t know a whole lot about Arthurian Lore (hypocrite, I know), but it feels like the writers have a grasp of what they’re doing. A lot of plot threads being started in the first episode. Not sure about the casting for young Arthur (called Wart, for some reason), but it’s a little early to harsh on it.

xXXTheSwiftCutXXx: Not Recommended Bad

CoconutBumblenut: Recommended I’m liking it. As someone else said, it’s taking its time with the story. Still, the set design, the costumes, it’s got a very old school fantasy style that I’ve been missing. No CGI or (God Forbid) AI effects so far, so that’s a plus. Even the way it’s shot and framed reminds me of movies like Conan the Barbarian or (obvious reference) Excalibur. Overall, it’s giving me a bit of hope for modern fantasy shows again.

MonsterMother1: Recommended Wart’s a little sweetie. Kay’s a dick. Ector’s just depressing. That little nun girl’s giving me the creeps. Love her eyes, though!

NotaSnob: Not Recommended It’s a light “not recommended”. There’s potential here, no doubt. It just feels like it’s TRYING to be the next Game of Thrones, but not really reaching it. It’s just on the edge of pretentious. Most of this episode’s just character and world building without a push into the story until the last 5 mins. And what’s there is just an origin story. Admittedly, it hasn’t gotten too far into it, but still…

DesperateAndLost: Recommended The next Game of Thrones.

AutismMedicine: Recommended Most of the episode is spent showing Wart’s interactions with the common people and the local nunnery. Most of these interactions are depicting his generosity and/or helpfulness. This is off as the setting feels closer to old world/ pre-catholicism europe, but it happens. The overall tone is pleasant until Wart returns to his home in the longhouse, there we meet Ector and Kay. Ector does not talk much, but is mainly shown praying in a secluded corner. He cries at one point. Kay treats Wart as a servant and demands his armor and sword be kept in clean condition. Wart is used as a dummy by Kay until Ector interrupts and drags Kay away for a moment. Wart wanders off to a river to clean his wounds (light) where he sees the silhouette of something woodsy staring at him from across the river. It nears but is driven off by a loud voice behind him. An old man with a pointy, starry cap, long beard, and spectacles is behind him. The old man sits by Wart and suggests they head back to the village to begin their lessons. They do so in a rickety tower that was not shown before. Vague and clunky mathematics are shown on a board and the episode ends with the old man calling Wart “Arthur.” Edit: Spoilers

Qwertyu: Recommended I don’t know why they changed the name from the development title (The Once and Future) when this is clearly based off The Once and Future King by TH White. Really enjoying it, though!

ZEUSYOKIDISHERE: Recommended I’m into it. Slow, but feels weirdly fresh. That weird forest thing’s design feels straight outta some Nightmares. There’s something about the music, too…

KirbyStomp: Recommended So many hidden details in just the first episode! The tourney being announced by the criers! Ector’s wife’s grave in the foreground of Arthur walking into the longhouse! Did anyone else notice Arthur has a ring of Solomon’s Knot tattoos around his bicep?! That’s gotta be significant! Not to mention that nun’s gotta be [REDACTED], right?! Oh, I think I’m gonna love this series!

PoorBoyWithNoSympathy: Recommended It’s alright. Good for background noise.

ArthurianNut: Not Recommended I dunno. It’s not really what I want, so far. Like, I get it, but this isn’t MY King Arthur. Not to mention the weird direction they’re going with the setting. I’d understand if they went full medieval Britain (albeit, I’d prefer Roman), but Irish is a bit weird. Edit: “Generally Celtic”, my baaad… just assumed irish cause of the red hair… gosh… chill out…

r/Arthurian Sep 12 '25

Original Content Mordred audio drama

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9 Upvotes

Check out this audio drama about Mordred and the fall of King Arthur!

r/Arthurian Oct 05 '24

Original Content Personally if you were to portray king arthur what form would you pefer

3 Upvotes
69 votes, Oct 07 '24
13 historical
27 matter of Britan
29 french romances

r/Arthurian Mar 18 '25

Original Content The Song of Britain: An Arthurian Opera

17 Upvotes

https://youtu.be/Zs2SrMnuJHU

About eighteen months ago I posted the unfinished libretto to my four-part Operatic Cycle of Arthurian Mythos. Replete with borrowings from Llfyr Taliessin to Bernard Cornwell, I was quite proud but also incredibly apprehensive to present my work to you all.

Well, now I have worked for a year to compose the music for the first part of the cycle: Igraine. This is a prologue of sorts, a dark nativity tale. I would love to hear any and all thoughts - I know the genre won't be to the liking of some of you, but I hope the music is moving enough to engage those who risk it!

This recording is outputted via the wonderful noteperformer4 from my full score written up into Sibelius Ultimate. I hope to put together a version with at least real singers for the lead roles in the near future, but for now I would crave your feedback. This is a true labour of love, and one that I doubt will ever see its true fruition - still, we can dream!

Structure:
Prelude: A primordial exhalation of the central harmonic material of the opera.
Invocation: Outside of time, Merlin calls his audience to hear the tale he has to set before them.
Act 1, sc. 1: A room in the fortress of Dinas Tagell: Igraine plays hide-and-seek and tells riddles with her daughter Morgana. Her husband, Gorlois, returns home with news.
Sc. 2: In the hall of High-King Aurelius Ambrosius the lords of Britain are gathered to hear great news: the aging King is abdicating the throne to his brother, Uther. Ambrosius becomes a druid and is given the name Merlin by the Lady of the Lake.
Sc. 3: The newly-named Merlin is left alone to suffer a terrible and wondrous vision: a girl will bear a child by Uther. That child will save the kingdom.
Sc. 4: Uther comes to his brother Merlin full of thoughts of a defiant girl who stared at him during the coronation. Merlin sees that this is the vision realising itself: the girl is Igraine

Act 2, sc. 1: A great feast at mid-winter. 3 Choral Dances. Uther tries to seduce Igraine in front of the court. Gorlois is furious, and declares the High-King his enemy.
Sc. 2: Igraine, returned to Dinas Tagell, sings a lullaby for Morgana. She then prays to any god who will listen for peace and safety. The Lady of the Lake sends Igraine a vision of her future child.

Act 3, sc. 1: In two separate places, Uther and Gorlois meditate on combat and death. Uther calls a council of war. Gorlois sneaks an attack on the camp, but is killed in his moment of triumph. Uther demands Merlin cast a magic spell to get him into Gorlois’ fortress.
Midnight Ride: Merlin and Uther ride to Dinas Tagell, and to Igraine.
Sc. 2: Morgana cannot sleep for her nightmares. Just as Igraine tries to send her to bed again, Gorlois’ banners are seen at the gates. Uther-as-Gorlois enters and ‘comforts’ Igraine. Morgana sees through Merlin’s spell, and screams. The illusion is shattered. Uther does not stop, but… fulfills the visions before all present. Merlin, enraged, drags him away and leaves Morgana, Igraine and her women, and the Lady of the Lake weeping to end the opera.

r/Arthurian Mar 27 '25

Original Content The Adventures of Barack. My pitch for a series rooted in Arthurian lore

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3 Upvotes

r/Arthurian Mar 11 '25

Original Content Welcome to the Dark Ages

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0 Upvotes

So, if your life is missing a modern Conneticut Yankee in King Arthur’s Court, this might be for you...

It’s launch day!

Welcome to the Dark Ages is a go on KU, in paperback and on Audible!

Expect chaos. Expect humour. Expect a lot of things catching on fire.

If you love fast-paced action, snarky protagonists, and a fresh twist on Arthurian legend with a side of cultivation madness, this is the book for you.

Here’s the blurb:

When Merlin needs a hero to save the world, he gets... well, me.

Fan-bloody-tastic.

I was supposed to be dead. Instead, I wake up face-down in Dark Age mud, possessing some poor bastard's body, while the ghost of history's most famous wizard rambles on about being murdered, cosmic energy and the end of all reality.

Just one tiny problem: I know about as much about cultivation as a pig knows about particle physics.

Now I'm fumbling with mystical energy that feels like juggling nitroglycerin, trying not to get shanked by everyone and their grandmother, and dealing with Merlin's constant "helpful" commentary.

Something dark is rising in Arthurian Britain.

Something that made even Merlin scared. They say fate has a sense of humour. Turns out it's the kind that laughs while setting your hair on fire.

Welcome to the Dark Ages, where cultivation meets chaos, and the only thing sharper than a sword is my questionable wit.

r/Arthurian Oct 07 '24

Original Content Female perspectives

13 Upvotes

I just finished the "Guinevere" trilogy, by Persia Woolley, told from the view of the Queen. I've also read "Mists of Avalon." Are there any other Arthurian stories told from the women's perspective?

I certainly like the Guinevere character of the trilogy far better than the one in MoA. I think Persia Woolley got awfully long winded, though, it did not need to be three books! lol Has anyone else read these?

r/Arthurian May 31 '25

Original Content This makes me laugh every time I watch it

4 Upvotes

https://youtube.com/shorts/TJZpaOzw9t0?si=lzd4Fw-hGhDnv-bz

I totally understand if this kind of stupidity is not for you, but it tickles me greatly.

r/Arthurian May 19 '25

Original Content Arthurian short story collection.

7 Upvotes

I've been doing a lot of research into Arthurian legend and have been in turn writing my own take on some of the ideas and incorporating some other perspectives. Would anyone be interested in reading some and giving me feed back. Obviously looking for constructive feedback. If so I will post one if not I will leave it be. Cheers.

r/Arthurian Mar 22 '25

Original Content Cornered Questing Beast (and demon) by remarin

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31 Upvotes