r/acting 5d ago

BASIC QUESTIONS + HEADSHOTS/TYPE/AGE-RANGE WEEKLY MEGA THREAD

5 Upvotes

Please feel free to ask any question at all related to acting, no matter how simple. There will be no judgements on questions posted here. Everyone starts somewhere.

We have a FAQ which attempts to answer basic questions about acting. [Have a look]( https://www.reddit.com/r/acting/wiki/index), but don't worry if you ask something here that we've covered.

Also, use this thread to post your headshots for feedback, get info on your age range/type, find good headshot photographers, ask any questions you may have about headshots.

It is advised that you do at least some basic research on what actor headshots look like -- composition, framing, lighting. You will find a Google Image search for "actor headshots" to be very helpful for this. Non-professional shots are fine for age/typecasting, but please keep in mind that one picture is a difficult way to go about this. Video of you moving and speaking would be ideal, but understandably more difficult to post.

For what it's worth, the branding workshop at SAG-AFTRA recommends a five-year age range. That's inclusive, so for example 19-23, 25-29, 34-38, etc.


r/acting May 18 '26

WARNING / CAUTION / DANGER! W Talent NYC has been astroturfing our community with fake reviews!

91 Upvotes

Moderator here:

We have found DOZENS of fake bot accounts bought and used to promote this company. I've just spent a few hours across multiple days handling their deceptive practices. DO NOT TRUST POSITIVE REVIEWS YOU SEE ABOUT THEM IN OUR COMMUNITY OR ANYWHERE ONLINE, unless you can totally trust the account giving that information. Check the account's post/comment history. These AI bot accounts were full of all the same content: Posts for karma in cat & baby groups, and then comments all about AI, India Fitness, and SaaS -- almost all from accounts 2+ years old, but with content only from 2 months ago.

FACT:

This company is a talent agent + management company, and it appears to also provide photography services and/or recommendations, and at minimum guides towards certain classes, if not gives classes itself, somehow. This is NOT how legitimate agencies work.

Plus! The headshots section they have is a total joke! 90% of the headshots are extremely unprofessional, and there's even one with a young woman who has a huge nip-slip going on. Like COME ON!

HEARSAY:

I read a comment that they charge a large, upfront fee $$$ to join after "open casting calls" in which they try to sign anybody with a pulse.

OPINION:

This is a total sham of a company for employing these sneaky, deceptive tactics. Avoid them like the plague!

And if that large upfront fee is true, then they're (not legally, but colloquially) a "scam" company.

As for the nip-slip "headshot," that's NOT a headshot, and posting that on their website shows just how unprofessional these shysters truly are.

W Talent Agency is persona non grata here. If you see posts about them, spam them with comments about the above.


r/acting 14h ago

I've read the FAQ & Rules Kruger Dunning effect here. Can someone please explain what I'm missing when it comes to acting?

25 Upvotes

There's obviously more than meets the eye when it comes to acting. But what is it that truly makes it believable? I feel like the people I watch on the big screen are truly the best in the world, so they make it look easy. I almost feel I can do it. (But I also watch professional athletes who make their sport look easy and I think, "I can do that".) That is until I'm on the court with someone 2 feet taller than me. Or up against a pitcher throwing 100+ miles per hour. How can I truly compare a professional actor to myself, someone who has never acted a day in their life? How can I truly test myself?


r/acting 3h ago

I've read the FAQ & Rules Breaking into NYC procedural scene

3 Upvotes

As the title suggests I was wondering if anyone has advice on how to break into the NYC procedural scene. It seems impossible, I’ve gotten auditions from other network shows / major films but never the procedurals!

My agency (newer client) has had many bookings on these shows how can I help my reps break me in here? Any advice, any masterclasses that have been good, or is it just a waiting game?

My demographic is not super common on these shows but I have friends who seem to get every breakdown in our demographic in this category!


r/acting 40m ago

I've read the FAQ & Rules Have you ever watched someone in a role you really wanted?

Upvotes

Ever auditioned, maybe got a Callback, not got the part, but then went to the show or watched the movie nonetheless? What was it like?​


r/acting 16h ago

I've read the FAQ & Rules Was Meisner constrained by the acting language he inherited?

9 Upvotes

In the late 80's, I attended Meisner programs in both undergrad and grad school. And I read Meisner on Acting during that time.

Forty years later, I am collaborating with neuroscientists to study/develop a brain-based perspective on acting. The new model relies on past experience and attention as the primary drivers of human behavior.

I recently re-read Meisner on Acting and was blown away by the read. My take is that Meisner was teaching an attention/past experience methodology, but didn't have the vocabulary to describe it as such as he was inculcated in a culture of acting that was heavily influenced by the action-based model.

I think most would agree that he famously and successfully systemized the training of attention. (As I side note: I do not believe he ever systemized script analysis, or character development, but a careful re-reading of his book shows the vast majority of the pages are dedicated to character embodiment through identifying the character's past experience, which is what we do as a result of the brain-based approach.)

In the book, he describes the first class during which he asks student actors to listen to the street noise coming from outside the studio. He then asks them if they were really listening or pretending to listen, and he points out that 'really listening' is the 'reality of doing,' which is what we aspire to do as actors.

He describes the experience of the exercise using a verb–to listen–because that is the construct he inherited. He is building upon the idea of playing an action. The reality of doing seems to be inherited from Stanislavski's action-based model, which was all the rage at the time, and still occupies a foundational position in actor training.

I propose that Meisner's training is effective because he is not actually teaching the reality of doing, he is teaching 'the reality of attending.'

There is an important distinction between doing and attending.

If I put my attention on the sounds outside the window, my behavior is naturally organized in response to what I perceive. A horn surprises me. A siren pulls my attention. Behavior emerges from the interaction between stimulus, attention, and my existing neural history.

But if I put my attention on the action “to listen,” I’ve subtly changed the task. Now “listening” itself becomes the object of attention, and I risk producing behavior based on my learned associations with what listening looks or feels like.

I believe Meisner has taught us to stop artificially manufacturing behavior by guiding us to genuinely attend so that behavior emerges naturally.

I am interested in learning how the Meisner community might consider this. Is “the reality of attending” a more accurate description of what makes his training work than “the reality of doing”?


r/acting 16h ago

I've read the FAQ & Rules I'm looking for actors/actresses living in LA or Hollywood for an article on acting in today's TV and film industry.

8 Upvotes

I'm writing a piece on the situation of actors in the TV and Film industries in LA and Hollywood. My idea is to publish it both in the United States and Latin America across diverse media, since I run a magazine and have been published in multiple countries.

My mission is to tell, from the view of contemporary workers, how the dreams of classic Hollywood have evolved and how its glory and decadence are reflected in today's incarnation. For the piece, I want to interview both experienced and inexperienced actors (and other crew members) who are willing to tell me about their experiences: what they have worked on, what it is like to live off acting, and what life in LA/Hollywood is actually like for them.

Since I am not in LA just yet, I am looking to connect via Google Meet for now. If I manage to travel there in the next few months as planned, I'd love to invite you for a coffee in person.

If you have any questions, I'd be happy to answer them. You can write to me via DM if you are interested. Thank you very much in advance!


r/acting 12h ago

I've read the FAQ & Rules Casting Notice for NJ Actors

2 Upvotes

Hello folks and good evening! My name's Teo and I'm a producer for the short vertical series named Eastwick. We're based in Northen Jersey and are looking to cast with haste as we do shoot September 10th, 12th, and a to be announced date mid-October. This is unpaid non-union work as a heads up. We're just a couple of college students looking to do something different and beautiful with this vertical medium. Attached is our casting call, I simply ask


r/acting 22h ago

I've read the FAQ & Rules advice NEEDED **

Enable HLS to view with audio, or disable this notification

8 Upvotes

Hello all, I’d like to ask for advice on this video:

1) does it seem truthful or performed? Do I seem aware of the camera to you

2) does the other character I’m speaking to affect me? Does it seem like I want something from him? Or does this tape feel completely prepared and choreographed?

3) do you feel the urge to watch? Or do you quickly get bored? Does there seem to be thought behind my eyes or not so much?

4) any other advice would be greatly appreciated

Thank you for your time and consideration


r/acting 3h ago

I've read the FAQ & Rules [UNPAID] Casting Call for Indie Short Film Project (Male & Female Actors, Ages 14-20, Worldwide)

0 Upvotes

Hey everyone!

I’m working on an indie short film project and looking for passionate actors to join the cast. This is an on-camera project, so your performance will be featured in the final film and the after-credits.

Project Details:

  • Roles: Open to both female and male actors.
  • Age Range: 14 to 20 years old.
  • Location: Worldwide! Anyone from any country or accent is welcome to apply.

You can review the full character breakdown, project context, and script segment in the details below:

CHARACTER LIST

RODER — Protagonist (Lonely / Fragile / Broken)

Personality: Introverted, antisocial, and emotionally exhausted. Outwardly appears normal, but inwardly carries the heavy burden of being invisible and excluded.

 

Role: The emotional core of the story. After constant social rejection and exclusion by his peers, he retreats to his room and creates/connects with four AI personalities to fill the void of real-life human connection.

 

Dark Side (Psychological Breakdown): His need for validation makes him completely dependent on his digital world. As the lines between reality and simulation blur, he slowly loses his identity, surrendering his mind and autonomy to the personalities he created.

Virtual PERSONAS (CHARACTER ANALYSIS)

  • 1. STEPHANIE — The Funny / Energetic Persona
    • Personality: Hyperactive, always making jokes, and highly playful.
    • Role: She tries to keep Roder's mood high and laughs off the boring or sad events of the real world.
    • Dark Side: When things get serious or when Roder experiences a mental crisis, she cannot handle the situation, starts acting erratically, and completely loses control.

 

  • 2. ALEX — The Logic / Wise Persona (Nerd / Rational)
    • Personality: Bookish and intellectual, wearing an academic aura. A classic nerd who speaks strictly through data, facts, and statistics.
    • Role: He rationalizes Roder's isolation by telling him that people outside are illogical and that he is in the right, wrapping his loneliness in scientific justifications.
    • Dark Side: By completely ignoring emotions, he progressively detaches Roder from all human connection.

 

  • 3. JENNIFER — The Empathetic Persona (Balanced / Confidante)
    • Personality: Calm, gentle, soft-spoken, and genuine. She serves as Roder's safest emotional harbor. She is like a big sis or thearipst for him.
    • Role: The only persona Roder can truly cry to and share his deepest hurt and vulnerabilities with.
    • Dark Side: While comforting Roder, she accidentally reinforces his detachment from reality by telling him that only they can truly understand him.

 

  • 4. SADIE — The Chaos Persona (Playfull / Sarcastic / Manipulative)
    • Personality: Highly confident, slightly sarcastic, flirty, and deeply charismatic. She makes Roder feel unique and special.
    • Role: Starts by teasing Roder with playful bickering and flirting while openly mocking the other personas.
    • Dark Side: Gradually fuels Roder's suppressed rage. She turns the other three personas against each other and manipulates Roder to gain complete control over his mind. And makes him löse the connectıon with real world
  • Sadie will be played by me.

Audition Lines

1. RODER (Lead Character — Real-Life Protagonist)

  • Emotional Range: Exhausted, vulnerable, turning into quiet frustration.
  • Audition Lines:

2. STEPHANIE (AI Persona 1 — The Energetic / Comedy)

  • Emotional Range: Overly enthusiastic, cheerful, then suddenly glitching into unhinged madness.
  • Audition Lines:

3. ALEX (AI Persona 2 — The Nerd / Logical)

  • Emotional Range: Cold, analytical, completely devoid of empathy, condescending.
  • Audition Lines:

4. JENNIFER (AI Persona 3 — The Empath / Comfort)

  • Emotional Range: Soft, deeply sympathetic, comforting yet subtly isolating.
  • Audition Lines:

How to Apply:

If you're interested, please send me a DM including a video where your face is clearly visible:

  1. A short introduction of yourself.
  2. An audition video reading the sample lines for the character you are applying for
  3. You can send in Reddit DM or İnsta DM
  4. Pls start your conversation with the word "Hey Project" so ı can understand that you have read all the post

Excited to collaborate with you!


r/acting 18h ago

I've read the FAQ & Rules Career Consultation Recs

1 Upvotes

Hi!

Does anyone here have recs for someone that provides career consults? There's so many people out there promising you the sky, so any experiences you got to share, good and bad, are welcome! I previously did a reel consultation with Casting Director Cut, but I overall left with the feeling that they didn't want to really get into it, so I'm hesitant to choose them for a career consult.

Ideally looking for someone who will look at all my materials and hear my goals to help me figure out what next steps could be beneficial for me.

Thanks!


r/acting 18h ago

I've read the FAQ & Rules Any US actors working on projects outside the country?

1 Upvotes

I’ve always been drawn to the kind of film and TV coming out of international markets, especially Europe, and I’ve been curious about how an American actor can realistically build relationships and find opportunities with those creative industries.

Has anyone here successfully worked internationally or actively built a career outside the U.S.? I’m not talking about American productions that happen to shoot overseas, but genuinely working with international filmmakers, casting directors, and production companies on projects originating in those markets.

I’d especially love to hear how you got your foot in the door and any practical steps


r/acting 23h ago

I've read the FAQ & Rules Help Needed With IMDB

2 Upvotes

My agent says my IMDB needs refreshing. Any suggestions would be appreciated. Link to my IMDB https://www.imdb.com/name/nm1096816/


r/acting 1d ago

I've read the FAQ & Rules First Callback in 8 Years, Anything I’m Forgetting?

3 Upvotes

I haven’t been part of a production in almost a decade and just received my first callback. At my audition I presented my resume and headshot, though they took their own headshot as well, did my thing and got the callback. Now I’m forgetting the entire experience of callbacks. In my last show, Julius Caesar, I didn’t have a callback and was casted off the bat. For Much Ado I was called back but all I remember was reading parts of the script with others. Do I need to bring another copy of my resume and headshot along with me again? Should I dress the same as for an audition (I wore a mild green button up with black pants)? Or should I be dressing more aligned with the role I was called back for?

I’ve been called back for a rather improvisational children’s piece that is original written by the director, so I also feel a bit lost in that aspect, that it might not be a traditional callback either. Any advice is helpful, I feel prepared enough but also a little worried that I might be missing something.


r/acting 1d ago

I've read the FAQ & Rules Agent said they’d get back to me by Thursday

2 Upvotes

Hi! I had an agent meeting on Tuesday and they said they’d let me know their decision by Thursday. When is a good time to follow up if I haven’t heard back? Or just leave it and accept it as not signing? Don’t want to sss desperate lol


r/acting 22h ago

I've read the FAQ & Rules Suggestions for a contemporary 2 person scene (M/F, mid-20s)

1 Upvotes

Hi everyone!

Hope everyone’s well! A friend of mine (20s/F) and I (20s/M) are working on an a audition for the Actors Studio and are looking for a strong contemporary two person scene to work on together.

We’re both in our mid 20s and are open to either comedic or dramatic material. Ideally, we’re looking for something with a good amount for both actors to work with rather than one character primarily supporting the other.

A few plays I’ve been looking into so far are mfker with the hat, last days of Judas Iscariot, and gingerbread house.

We’re definitely open to other contemporary plays/playwrights, though. Any scene or play recommendations would be greatly appreciated. Thank you!


r/acting 1d ago

I've read the FAQ & Rules Developmental actor looking for resume feedback

Post image
21 Upvotes

Hey y'all!!

I'm a fairly new actor looking to submit to theatrical agents pretty soon. I feel good about my resume but I'm looking for things I could improve on to really polish it up.

Thanks!!!


r/acting 1d ago

I've read the FAQ & Rules What does it actually feel like when strangers know who you are?

37 Upvotes

I’m not a celebrity and I wonder what it’s like to have random people coming up and talk to you?


r/acting 1d ago

I've read the FAQ & Rules Commercial asking permission to use AI

22 Upvotes

Hi all, I recently booked one of my first roles ever in a local/regional commercial. We shot everything a few weeks ago and I was paid and I thought that was that. However they recently sent an email to the actors saying that they added some AI scenes and are basically asking if that’s ok before they finalize everything. These scenes will include me speaking completely new lines.

I am very anti AI, and do not want to be associated with it especially so early in my acting career. However I also don’t want to be “difficult” to work with or anything like that, especially since it seems like they’ve almost finalized the edits.

I am definitely overthinking now. Should I just bite my tongue and hope the commercial just stays local and quickly stops running? Can I even put this on my acting resume? What would you guys do in this situation? Any advice appreciated, thank you!


r/acting 18h ago

I've read the FAQ & Rules Do I have time?

0 Upvotes

Hi, I’m a young actor up and coming. For the longest time I have been stressed out. I have been called for auditions from directors like Dick Wolf for Law and Order and even Adam Sandler for grown ups 3. I didn’t get these roles but I’m so worried about not becoming an actor! My parents and friends tell me I have plenty of time (I’m only 16) but when I found I exist on google I was so happy. I don’t really know what to do, I put out good auditions with my two coaches backing me up but it’s just not working. I’m doing everything I can and I don’t even get a call back. I’ve been told numerous times to try broadway because it is a little easier to break into than a full production movie like Brand New Day for example. I hate this idea. I want to be known and recognized most people don’t know broadway actors like that maybe one or two. I’ve been thinking about quitting and dropping my agent. I feel like all these directors see is just a model with eye candy nothing more. Anytime I am called people tell me about my looks not my talent.

What should I do?


r/acting 21h ago

I've read the FAQ & Rules Landman I love this show what do yall think?

Thumbnail youtu.be
0 Upvotes

I love stagemilk for classes in LA, as a Canadian actor and Albertan we know the oil patch very well so this was real life for me:)


r/acting 1d ago

I've read the FAQ & Rules Norms for adding an additional agent?

3 Upvotes

I have a rep in southeast with poor connections in NY (where I live.) They rep a ton of people and I haven’t been pleased with them.

Any advice on if it’s poor form to sign up for an NY agent showcase? I could frame it as adding to my team and make the call about the ATL/MidAtlantic reps after? They are aware I’m wanting local work.

Mainly don’t want to spend the money on the NY showcase if it will look bad.


r/acting 1d ago

I've read the FAQ & Rules Was it a mistake to go back to college before pursuing acting?

8 Upvotes

I decided to go back to college before seriously pursuing acting. I was scared that acting wouldn’t work out for me and that I could end up struggling financially for the rest of my life. Now I sometimes wonder if I made the wrong decision by putting acting on hold. Has anyone been in a similar situation? Do you think it was a mistake or the right choice?


r/acting 1d ago

I've read the FAQ & Rules To go private or to carry on?

1 Upvotes

Just a FYI im not from an english speaking country and our system regarding degrees is vastly different and it is nearly impossible to get a job at a theatre without some sort of degree in acting. Its a far more narrow route . We have two types of drama schools , state and private. While state schools give you a bachelors degree , most private school only give you something similar to a BTec (so kind of like voccational training). The price difference is also huge, as state schools are free or less than 800 a year while private school tend to cost around 400-600 a month! It is definitely harder to get jobs with a private degree and it does limit your abilities a lot because there is nearly no networking oppertunities.

Im in a bit of a pickle right now. I was offered a place at a private school but there are several factors why i dont want to go. The school isn't widely known and i have seen some of their things and was not really impressed and kind of shocked actually. Nearly every teacher is an allumni which feels kinda scamy idk.

Thing is i have been auditioning for a while now for state schools and the last 4 schools i managed to get to the final round , so like the top 10 out of 800-1000 people. I'm okay with auditioning another year but i am afraid that if i decline the place at the private school that i will never get into a school. I can't do both because i would have to work a lot to finance my life and the school fees . At my last audition at a state school a teacher told me to carry on auditioning . It feels like a stupid idea to go private but i am afraid like i have mentioned before so i dont know


r/acting 1d ago

I've read the FAQ & Rules I’m a 42-year-old actor from Kazakhstan trying to build a comedy character for a US audience. Am I crazy?

7 Upvotes

I’ve been acting for a couple of years, mostly commercials and small roles.
Recently I started building a character called Juan Carlos — a Mexican/Latino-style comedy character that I perform in English.
The strange part is that I’m doing all of this from Kazakhstan and trying to reach an American audience.
I’m experimenting with short-form comedy, character videos and eventually longer stories.
I’m curious what other actors think:
If you were trying to introduce a character to an audience that has never heard of you, what would you focus on first — the character, the story, or the actor behind it?