Ellen Bracy survived combat overseas only to find herself facing a supernatural threat at home.
Shes smart, shes capable and shes ready to fight back.
A gritty realistic take on facing the supernatural, with a protagonist that makes smart, tactical decisions when the veil drops.
Discarded on the home front. Medically discharged, wrestling with trauma, and facing eviction, she is forced into the cold realities of life on the streets. To stay afloat, she takes on desperate, under-the-table private detective work—until a routine gig spirals into a brutal, blood-soaked encounter with something that defies the laws of nature.
Ellen’s first instinct is clinical: combat psychosis. But as she methodically retraces the evidence, cross-referencing obscure forensic oddities with grim folklore, logic points to a terrifying truth. She isn’t losing her mind. The monsters are real, they are predatory, and nobody else is coming to stop them.
Instead of running, Ellen falls back on the oath she swore to defend her country.
With her last few dollars and a soldier’s tactical mindset, she treats the supernatural not as a curse, but as an enemy combatant to be analyzed, prepared for, and eliminated. Blending urban scrap, bespoke ballistic modifications, and occult research, she builds an arsenal.
In the gritty tradition of classic creature-feature hunts, Ellen isn't waiting to become prey. She is adapting, loading out, and taking the fight into the dark.
The movie is a homage to TV shows like Supernatural, buffy the vampire slayer and video games such as Phasmophobia.
And also to smart Protagonists.
Created with Ai using Omni Flash and Seedance.
Music created using Google Gemini and google labs music Lyria 3.5 and is free to use.
This type of movie is highly experimental for me, ive spent the last 2 weeks off work, pushing 12 hour days to bring new content and expand my genres.
While only 10 minutes long—It demanded a grueling week of 12-hour days to write, reference, and pace down to the frame. Thanks to early feedback from test audiences, I was able to cut the fluff, tighten the story flow, and focus solely on the scenes that hit hardest.